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Lancaster County, Pennsylvania Charter Index 1874-1973
Lancaster County, Pennsylvania Charter Index 1874-1973 Transcribed from index books within the Lancaster County Archives collection Name of Organization Book Page Office 316th Infantry Association 1 57 Prothonotary 316th Infantry Association 3 57 Prothonotary A. B. Groff & Sons 4 334 Recorder of Deeds A. B. Hess Cigar Co., Inc. 2 558 Recorder of Deeds A. Buch's Sons' & Co. 2 366 Recorder of Deeds A. H. Hoffman Inc. 3 579 Recorder of Deeds A. M. Dellinger, Inc. 6 478 Recorder of Deeds A. N. Wolf Shoe Company (Denver, PA) 6 13 Recorder of Deeds A. N. Wolf Shoe Company (Miller Hess & Co. Inc.) (merger) R-53 521 Recorder of Deeds A. P. Landis Inc. 6 554 Recorder of Deeds A. P. Snader & Company 3 3 Recorder of Deeds A. S. Kreider Shoe Manufacturing Co. 5 576 Recorder of Deeds A. T. Dixon Inc. 5 213 Recorder of Deeds Academy Sacred Heart 1 151 Recorder of Deeds Acme Candy Pulling Machine Co. 2 290 Recorder of Deeds Acme Metal Products Co. 5 206 Recorder of Deeds Active Social & Beneficial Association 5 56 Recorder of Deeds Active Social and Beneficial Association 2 262 Prothonotary Actor's Company 5 313 Prothonotary Actor's Company (amendment) 5 423 Prothonotary Adahi Hunting Club 5 237 Prothonotary Adams and Perry Watch Manufacturing Co., Lancaster 1 11 Recorder of Deeds Adams and Perry Watch Manufacturing Co., Lancaster (amendment) 1 46 Recorder of Deeds Adams County Girl Scout Council Inc. (Penn Laurel G. S. Council Inc.) E-51 956 Recorder of Deeds Adamstown Bicentennial Committee Inc. 4 322 Prothonotary Adamstown Bicentennial Committee Inc. -
The Last Post Reveille
TTHHEE LLAASSTT PPOOSSTT It being the full story of the Lancaster Military Heritage Group War Memorial Project: With a pictorial journey around the local War Memorials With the Presentation of the Books of Honour The D Day and VE 2005 Celebrations The involvement of local Primary School Chidren Commonwealth War Graves in our area Together with RREEVVEEIILLLLEE a Data Disc containing The contents of the 26 Books of Honour The thirty essays written by relatives Other Associated Material (Sold Separately) The Book cover was designed and produced by the pupils from Scotforth St Pauls Primary School, Lancaster working with their artist in residence Carolyn Walker. It was the backdrop to the school's contribution to the "Field of Crosses" project described in Chapter 7 of this book. The whole now forms a permanent Garden of Remembrance in the school playground. The theme of the artwork is: “Remembrance (the poppies), Faith (the Cross) and Hope( the sunlight)”. Published by The Lancaster Military Heritage Group First Published February 2006 Copyright: James Dennis © 2006 ISBN: 0-9551935-0-8 Paperback ISBN: 978-0-95511935-0-7 Paperback Extracts from this Book, and the associated Data Disc, may be copied providing the copies are for individual and personal use only. Religious organisations and Schools may copy and use the information within their own establishments. Otherwise all rights are reserved. No part of this publication and the associated data disc may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval systems, without permission in writing from the Editor. -
Lancaster Castle: the Rebuilding of the County Gaol and Courts
Contrebis 2019 v37 LANCASTER CASTLE: THE REBUILDING OF THE COUNTY GAOL AND COURTS John Champness Abstract This paper details the building and rebuilding of Lancaster Castle in the late-eighteenth and early- nineteenth centuries to expand and improve the prison facilities there. Most of the present buildings in the Castle date from a major scheme of extending the County Gaol, undertaken in the last years of the eighteenth century. The principal architect was Thomas Harrison, who had come to Lancaster in 1782 after winning the competition to design Skerton Bridge (Champness 2005, 16). The scheme arose from concern about the unsatisfactory state of the Gaol which was largely unchanged from the medieval Castle (Figure 1). Figure 1. Plan of Lancaster Castle taken from Mackreth’s map of Lancaster, 1778 People had good reasons for their concern, because life in Georgian gaols was somewhat disorganised. The major reason lay in how the role of gaols had been expanded over the years in response to changing pressures. County gaols had originally been established in the Middle Ages to provide short-term accommodation for only two groups of people – those awaiting trial at the twice- yearly Assizes, and convicted criminals who were waiting for their sentences to be carried out, by hanging or transportation to an overseas colony. From the late-seventeenth century, these people were joined by debtors. These were men and women with cash-flow problems, who could avoid formal bankruptcy by forfeiting their freedom until their finances improved. During the mid- eighteenth century, numbers were further increased by the imprisonment of ‘felons’, that is, convicted criminals who had not been sentenced to death, but could not be punished in a local prison or transported. -
Fate and Nature and the Creation of Tragic Sense in Some of Hardy's
ADAB AL-RAFIDAYN vol. (46) 1428 / 2007 Fate and Nature and the Creation of Tragic Sense in Some of Hardy’s Novels Ra’ad Ahmed Saleh(*) & Huda M. Saleh The indifference and hostility of Fate and Nature are the characterstic common in Hardy’s novels; inevitable suffering overwhelms the life of the character in Hardy’s novels. In his novels Fate and Nature rule the world of his novels. The hero’s desire for happiness collapses into terrible misery. Such an atmosphere makes Hardy’s novels of close relation to tragedies in the Greek sense. This means that Hardy’s novels can be considered the successors to the tragedies of the Greek, of Shakespeare and Marlowe before him. There are indications in the novels themselves that Hardy was attemping, in novel form, to present tragedies in the old model of Greek drama(1). (*)Assist. Professor Dept of English-College of Arts / University of Mosul. 37 Fate and Nature and the Creation of Tragic...... Ra’ad Ahmed Saleh & Huda M. Saleh It can be said of The Return of the Native, Tess of the D’Urbervills and The Mayor of Casterbridge that they conform to Aristotles’s definition of tragedies which is found in chapter six of his Poetics. He difined tragedy as: The imitation of an action that is serious, has magnitude, and is complete in itself in laguage with pleasurable accessories, each kind brought in separately in the various of the work; in a dramatic not in narrative form; with incidents arousing our pity and fear(2) Some people might feel discomfort to find novels compared to tragic play because they are written in narrative form. -
Manuscrits Littéraires Français Du Xxè Siècle
Ecole Nationale Superieure des Sciences de 1'information et des bibliotheques Diplome de conservateur de bibliotheque MEMOIRE D'ETUDE LES MAM S( RII S I.ITTKRAIRF.S FRANO AIS DV \\c SIFCl.F : C ONTF\TF F! MfSF E\ PLACF DTN RFPFRTOIRF DF LOCALISA 1ION Catherine ELOI Sous la direction de Madame Dominique BOUGE-GRANDON ENSSIB 1995 Ecole Nationale Superieure des Sciences de 1'information et des bibliotheques Diplome de conservateur de bibliotheque MEMOiRE D'ETUDE LF.S MAM S( RITS I.ITTKRAIRKS FRANC AIS 1)1 XXe SIF.C IT : C ()NTEX I F. I I MISF I N PI.AC F DTN RFPFRIOIRF, DF l.CX ALISATION Catherine ELOI Stage effectue au Departement des Manuscrits de ia Bibliotheque nationale de France sous la responsabilite de Madame Annie Angremy 995 J)d£> REMERCIEMENTS Je tiens a remercier tout le personnel du Departement des Manuscrits pour sa gentillesse et sa disponiblite et tout particulierement Gilles Cugnon, Christelle Bourguignat et William Marx qui m'ont fourni la documentation et les renseignements necessaires a Felaboration de mon memoire. Je tiens egalement a remercier les conservateurs du Departement qui ont tous bien voulu m'accorder regulierement un peu de leur temps et particulierement Florence Callu et Annie Angremy qui dirigea mon stage. RESUME L'interet grandissant des scientifiques ainsi que d'un plus large public pour les manuscrits iitteraires entraine un developpement des recherches a ce sujet, Le manuscrit litteraire moderne privilegie plusieurs approches : la conservation, la recherche litteraire, la mise en valeur tant sur le plan de 1'edxtion que sur celui des expositions. -
A History of Lancaster and District Male Voice Choir
A History of Lancaster and District Male Voice Choir From 1899 to 2013 this history is based on the writings of Roland Brooke and the first history contained in the original website (no longer operational). From 2013 it is the work of Dr Hugh Cutler sometime Chairman and subsequently Communications Officer and editor of the website. The Years 1899-1950 The only indication of the year of foundation is that 1899 is mentioned in an article in the Lancaster Guardian dated 13th November 1926 regarding the Golden Wedding Anniversary of Mr. & Mrs. R.T. Grosse. In this article it states that he was 'for many years the Conductor of the Lancaster Male Voice Choir which was formed at the end of 1899'. The Guardian in February 1904 reported that 'the Lancaster Male Voice Choir, a new organisation in the Borough, are to be congratulated on the success of their first public concert'. The content of the concert was extensive with many guest artistes including a well-known soprano at that time, Madame Sadler-Fogg. In the audience were many honoured guests, including Lord Ashton, Colonel Foster, and Sir Frederick Bridge. In his speech, the latter urged the Choir to 'persevere and stick together'. Records state that the Choir were 'at their zenith' in 1906! This first public concert became an annual event, at varying venues, and their Sixth Annual Concert was held in the Ashton Hall in what was then known as 'The New Town Hall' in Lancaster. This was the first-ever concert held in 'The New Town Hall', and what would R.T. -
Tackling High Risk Regional Roads Safer Roads Fund Full
Mobility • Safety • Economy • Environment Tackling High-Risk Regional Roads Safer Roads Fund 2017/2018 FO UND Dr Suzy Charman Road Safety Foundation October 2018 AT ION The Royal Automobile Club Foundation for Motoring Ltd is a transport policy and research organisation which explores the economic, mobility, safety and environmental issues relating to roads and their users. The Foundation publishes independent and authoritative research with which it promotes informed debate and advocates policy in the interest of the responsible motorist. RAC Foundation 89–91 Pall Mall London SW1Y 5HS Tel no: 020 7747 3445 www.racfoundation.org Registered Charity No. 1002705 October 2018 © Copyright Royal Automobile Club Foundation for Motoring Ltd Mobility • Safety • Economy • Environment Tackling High-Risk Regional Roads Safer Roads Fund 2017/2018 FO UND Dr Suzy Charman Road Safety Foundation October 2018 AT ION About the Road Safety Foundation The Road Safety Foundation is a UK charity advocating road casualty reduction through simultaneous action on all three components of the safe road system: roads, vehicles and behaviour. The charity has enabled work across each of these components and has published several reports which have provided the basis of new legislation, government policy or practice. For the last decade, the charity has focused on developing the Safe Systems approach, and in particular leading the establishment of the European Road Assessment Programme (EuroRAP) in the UK and, through EuroRAP, the global UK-based charity International Road Assessment Programme (iRAP). Since the inception of EuroRAP in 1999, the Foundation has been the UK member responsible for managing the programme in the UK (and, more recently, Ireland), ensuring that these countries provide a global model of what can be achieved. -
Thomas Hardy, the Life and Work of Thomas Hardy, (Ed.) Michael Drama and the Theatre: the Dynasts' and 'The Famous Tragedy of Th
Notes Notes to the Introduction 1. Thomas Hardy, The Life and Work of Thomas Hardy, (ed.) Michael Millgate (London, Macmillan, 1984; Athens: University of Georgia Press, 1985) p. 56. Hereafter cited as Life and Work. 2. While this is the first full-length study of Hardy's interest and involvement in the theatre, it takes its place within the small but solid body of scholarship that has appeared since Marguerite Roberts first addressed two specific aspects of the subject in her books Tess in the Theatre (University of Toronto Press, 1950) and Hardy's Poetic Drama and the Theatre: The Dynasts' and 'The Famous Tragedy of the Queen of Cornwall' (New York: Pageant Press, 1965). Other significant contributions are David N. Baron, 'Harry Pouncy and the Hardy Players', Notes and Queries for Somerset and Dorset, 31 (September 1980) pp. 45-50 and his 'Hardy and the Dorchester Pouncys- Part Two', Notes and Queries for Somerset and Dorset, 31 (September 1981) pp. 129-35; Harold Orel, 'Hardy and the Theatre', in Margaret Drabble (ed.), The Genius of Thomas Hardy (London: Weidenfeld & Nicolson, 1976) pp. 94-108, and 'Hardy's Interest in the Theatre' in Harold Ore!, The Unknown Thomas Hardy (Brighton: Harvester, 1987) pp. 37--{;6; Desmond Hawkins's very helpful checklist of dramatiza tions, which forms an appendix (pp. 225-36) to his Hardy, Novelist and Poet (Newton Abbot: David & Charles, 1976); and Joan Grundy's 'Theatrical Arts', in her Hardy and the Sister Arts (London: Macmillan, 1979) pp. 70-105. Mention should also be made of Vincent Tollers's useful unpublished doctoral dissertation, 'Thomas Hardy and the Professional Theatre, with Emphasis on The Dynasts' (University of Colorado, 1968) and James Stottlar's 'Hardy vs. -
Friday, November 16, 8Pm, 2007 Umass Fine Arts Center Concert Hall
Friday, November 16, 8pm, 2007 UMass Fine Arts Center Concert Hall Unbroken Chain: The Grateful Dead in Music, Culture, and Memory As part of a public symposium, November 16-18, UMass Amherst American Beauty Project featuring Jim Lauderdale Ollabelle Catherine Russell, Larry Campbell Theresa Williams Conceived by David Spelman Producer and Artistic Director of the New York premier Program will be announced from the stage Unbroken Chain is presented by the UMass Amherst Graduate School, Department of History, Fine Arts Center, University Outreach AND University Reserach. Sponsored by The Valley Advocate, 93.9 The River, WGBY TV57 and JR Lyman Co. About the Program "The American Beauty Project" is a special tribute concert to the Grateful Dead's most important and best-loved albums, Working Man's Dead and American Beauty. In January 2007, an all-star lineup of musicians that Relix magazine called "a dream team of performers" gave the premier of this concert in front of an over-flowing crowd at the World Financial Center's Winter Garden in New York City. The New York Times' Jon Pareles wrote that the concert gave "New life to a Dead classic... and mirrored the eclecticism of the Dead," and a Variety review said that the event brought "a back- porch feel to the canyons of Gotham's financial district. The perf's real fire came courtesy of acts that like to tear open the original structures of the source material and reassemble the parts afresh - an approach well-suited to the honorees' legacy." Now, a select group of those performers, including Ollabelle, Larry Campbell & Teresa Williams, Catherine Russell, and Jim Lauderdale are taking the show on the road. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). -
Sisters Leave for Thailand
• • • Grateful Dead review pages 8-9 VOL. XIV, NO. ~i2 an independent student newspaper serving notre dame and saint mary's THURSDAY, NOVEMBER 1), 1979 Tw-o campus groups tnobilize in Cambodian refugee aid effort Two campus organizations have mobilized Murphy held the organizational meeting of the efforts in an attempt to provide spiritual and sec last evening, and he stated that over 200 financial support for the perishing Cambodian people attended. "We were really informally masses. organized," Murphy explained, "but now we've One group. the Students Concerned for got manpower and we've got committees." Cambodia, has p'lanned a campus-wide dinner Murphy said that the SCC has contacted fast an<i a free Nazz concert to be held on Catholic Relief Services in New York in order to Monday. Nov. 19. The committee has also e-armark funds for the six Holv Cross Sisters who planned to hold direct collectio·ns, both at the recently departed for Thailan'd to serve as nurses dining halls and before the Clemson game. for the Cambodian refugees. Another organization, represented by Keenan The SCC is now printing banners a*1 poster;; rector Fr. Richard Convers, has coordinated an which will publicize the atrocity of the Cambo effort called the ''Cambodian Response'' which dian situation. '·All the overhead is coming our will employ dormitory residents in door-to-door of our pockets," Murphv observed. "bur.we're solicitation for contributions. Conyer's group trying to get money from the alumni ami has also scheduled collections from campus students.'' organizations and a mass to be celebrated by Fr. -
T7^ Journal of the Rutgers University Library
T7^ JOURNAL OF THE RUTGERS UNIVERSITY LIBRARY VOLUME XIII DECEMBER 1949 NUMBER I SOME LETTERS ON HARDY'S 'TESS' BY CARL J. WEBER Roberts Professor of English Literature at Colby Collegey in Watervilley Mainey Dr. Weber is the author of Hardy of Wessex: A Critical Biography (Columbia University Press, 1Q40) and of Hardy in America (Colby College Press} iQ4Ô)y and is the comfiler of The First Hundred Years of Thomas Hardy, a C5ntennial bibliografhy. N the J. Alexander Symington Collection of letters and manu- scripts now in the Rutgers University Library,1 there are four Iholographs that recall an exciting period in late-Victorian days when everyone in the world—at least in the literary world—was reading Tess of the D'Urbervilles. On the first day of January in 1892, Edmund Gosse wrote to Thomas Hardy: "Your book [Tess] is simply magnificent and wherever I go I hear its praises. Your success has been phenome- nal." Soon, however, the heavenly radiance of this success faded into the light of common day 3 for on January 16 the Saturday Review published a bitter attack on Tess and Hardy's head was soon bloody. In Chapter 25 of his novel he had remarked: "The magnitude of lives is not as to their external displacements, but as to their subjective experiences. The impressionable peasant leads a larger, fuller, more dramatic life than the pachydermatous king." Even before 1892 Hardy had showed himself to be, albeit a king of novelists, by no means a pachydermatous one. And the events of 1892 did not change him.