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Confrontation FAQ Q: If Frodo and Sam are in the same space, and the Orcs attack Frodo, but Sam takes his place, what happens? Do the Orcs immediately defeat Sam (as the first attacked character)? A: Yes. Same counts as the first attacked character, and is immediately defeated. Q:During a combat both sides played their Magic card. The Dark player must resolve his Magic card first so he picks The Eye of Sauron. Does his Eye of Sauron then cancel out the Good player's Magic card A: Yes. Q:Can the Flying Nazgul move sideways in the mountains to attack a single Good character? A: Yes. This is the only time a character can move from one mountain space to another. Q: When Shelob defeats an enemy character, she is immediately returned to Gondor. What happens if there are one or more Good characters in Gondor? A: If any Good characters occupy Gondor, Shelob attacks them immediately. This battle happens during the current player's turn so attacking with Shelob in this manner does not count as the Dark player's turn. Shelob is considered the attacker so, just as in a normal attack, the Dark player chooses who to attack if there is more than one Good character on the space. Example: The Good player moves Gandalf into Moria and encounters Shelob. Shelob defeats Gandalf and is instantly moved to Gondor which is occupied by two Good characters. The Dark player chooses the first character to fight. He picks Frodo and the Good player decides to use Frodo's ability and retreat sideways. Now Shelob must attack the second character. After the battle, the Good player's turn is over and the Dark player begins his turn. Q: Aragorn (strength 4) faces the Warg (strength 2) and plays the Elven Cloak (ignore the efects of number cards played by the Dark player). The Dark Player has played Magic (substitute Magic for a card from the discard). The Dark player chooses a strength 6 card. Does the Elven Cloak still have its efect and who wins the combat? A: Aragorn. The Elven Cloak is in efect for the entire turn it is played and cancels out the Dark player's strength 6 card..

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The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien

University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J.
ARMIES of the HOBBIT Designer’S Commentary, February 2021

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Tolkien's Creative Technique: <I>Beowulf</I> and <I>The Hobbit</I>

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Tolkien's Women: the Medieval Modern in the Lord of the Rings

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Tolkien's Elvish Craft

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Music in Tolkien's Works and Beyond (2019), Edited by Julian Eilmann and Friedhelm Schneidewind

Journal of Tolkien Research Volume 8 Issue 1 Article 8 2019 Music in Tolkien's Works and Beyond (2019), edited by Julian Eilmann and Friedhelm Schneidewind William Sherwood [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the Literature in English, British Isles Commons Recommended Citation Sherwood, William (2019) "Music in Tolkien's Works and Beyond (2019), edited by Julian Eilmann and Friedhelm Schneidewind," Journal of Tolkien Research: Vol. 8 : Iss. 1 , Article 8. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol8/iss1/8 This Book Review is brought to you for free and open access by the Christopher Center Library at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Sherwood: Music in Tolkien's Works and Beyond (2019) Music in Tolkien's Work and Beyond, edited by Julian Eilmann and Friedhelm Schneidewind. Zurich and Jena: Walking Tree Publishers, 2019. [12], viii, 474 pp. $32.00 (trade paperback) ISBN 9783905703399. Music in Tolkien’s Work and Beyond presents itself as a “follow-up volume” to the illuminating Music in Middle-earth (2010) (ii). Both volumes share an editor (Friedhelm Schneidewind) and this new sequel “follows the path” that was laid out by its predecessor while “considering the broader context” of how music fits into Tolkien’s life and works such as “adaptions and other authors and composers” and how exactly Tolkien applied the word to melody, song and language (ii).
The Earthly Paradise in Tolkien's the Lord of the Rings

Marshall University Marshall Digital Scholar English Faculty Research English 1995 The aE rthly Paradise in Tolkien’s The Lord of the Rings Gwenyth Hood Marshall University, [email protected] Follow this and additional works at: http://mds.marshall.edu/english_faculty Part of the English Language and Literature Commons, and the Rhetoric and Composition Commons Recommended Citation Hood, Gwenyth. “The Earthly Paradise in Tolkien’s The Lord of the Rings.” Mythlore 80 (1995): 139-144. Print. This Article is brought to you for free and open access by the English at Marshall Digital Scholar. It has been accepted for inclusion in English Faculty Research by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. The Earthly Paradise in Tolkien's The Lord of the Rings Gwenyth Hood Abstract: Valinor, modelled on the Earthly Paradise, is described more fully in Tolkien's posthumously published works than in The Lord of the Rings. Yet the fleeting Valinorean images within the trilogy have a powerful impact, heightening and simultaneously providing consolation for the horrors of Mordor. Keywords: Ainulindale, Earthly Paradise, Elves, innocence, L6rien, The Lord of the Rings, Valinor Throughout all the grim and harrowing ordeals which becomes the known universe with all its history (Tolkien, dominate the action of The Lord of the Rings, a lovely but 1977, p. 19). Part of this is Middle-earth in the Third Age, in fleeting vision haunts the background. This is the vision of which the action of the trilogy takes place. the Earthly Paradise, which enters some of the darkest From all this, we see that Iluvatar's first theme, the primal moments of the trilogy.