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Tauthe the Literary and Visual Art Journal of Lourdes University 2015
Tauthe the literary and visual art journal of Lourdes University 2015 1 theTau 2015 Award Winning Cover Art: Sebastian ~ by Laura Ott 2 theTau 2015 2015 Editor: Shawna Rushford-Spence, Ph.D. Layout & Design: Carla Leow, B.F.A. © Lourdes University theTau 2015 3 Acknowledgements Our sincere thanks to the following people and organizations whose generous support made publishing this journal possible: Department of English Literati Orbis Ars University Relations for Layout and Design Printing Graphics Thank you to the judges who generously gave of their time and made the difficult decisions on more than 200 submissions. Stephen Carl Veronica Lark Isabella Valentin www.lourdes.edu/TAU2015 Individual authors retain copyrights of individual pieces. No part of this text may be used without specific permission of the writer, the artist, or the University. 4 theTau 2015 Lourdes is a Franciscan University that values community as a mainstay of its Mission and Ministry. theTau 2015 5 “We read fine things but never feel them to the full until we have gone the same steps as the author” ~ John Keats The world in which we live is full of beauty, elegance, and joy, interlaced with sadness, fear, and hostility. Because we see the world through different eyes, each and every one of us, our experiences and sense of that which exists around us, are perceived individually. The purpose of The Tau is to explore the intellect of those who wish to share his or her personal experience of that world. This unique literary magazine gives our community the opportunity to reflect, spiritually, intellectually, and physically, the knowledge gained through education and the limitless perspectives that pour out from personal reflection. -
Ho! Let's Go: Ramones and the Birth of Punk Opening Friday, Sept
® The GRAMMY Museum and Delta Air Lines Present Hey! Ho! Let's Go: Ramones and the Birth of Punk Opening Friday, Sept. 16 Linda Ramone, Billy Idol, Seymour Stein, Shepard Fairey, And Monte A. Melnick To Appear At The Museum Opening Night For Special Evening Program LOS ANGELES (Aug. 24, 2016) — Following its debut at the Queens Museum in New York, on Sept. 16, 2016, the GRAMMY Museum® at L.A. LIVE and Delta Air Lines will present the second of the two-part traveling exhibit, Hey! Ho! Let's Go: Ramones and the Birth of Punk. On the evening of the launch, Linda Ramone; British pop/punk icon Billy Idol; Seymour Stein, Vice President of Warner Bros. Records and a co-founder of Sire Records, the label that signed the Ramones to their first record deal; artist Shepard Fairey; and Monte A. Melnick, longtime tour manager for the Ramones, will participate in an intimate program in the Clive Davis Theater at 7:30 p.m. titled "Hey! Ho! Let’s Go: Celebrating 40 Years Of The Ramones." Tickets can be purchased at AXS.com beginning Thursday, Aug. 25 at 10:30 a.m. Co-curated by the GRAMMY Museum and the Queens Museum, in collaboration with Ramones Productions Inc., the exhibit commemorates the 40th anniversary of the release of the Ramones' 1976 self-titled debut album and contextualizes the band in the larger pantheon of music history and pop culture. On display through February 2017, the exhibit is organized under a sequence of themes — places, events, songs, and artists —and includes items by figures such as: Arturo Vega (who, along with the Ramones, -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Westminsterresearch the Artist Biopic
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies. -
May 2017 South Hutchinson KS 67505 620-662-2371 620-662-0313 (Fax)
Reno County Extension 2 W 10th Ave May 2017 South Hutchinson KS 67505 620-662-2371 620-662-0313 (fax) www.reno.ksu.edu IN THIS ISSUE: Page 8 Disaster Recovery Log App Page 9 Master Garden Tour Page 2 White heads in wheat: Possible causes Page 3 White heads in wheat: Possible causes Page 4 White heads in wheat: Possible causes Page 5 Sorghum: An Old Player in a New World Preserve It & Serve It Listeriosis in Hispanic Pregnant Women Spend Smart. Eat Smart. App Page 6 Canning Workshop Page 7 Brain Gain Improving Accessibility on your Facebook Page Page 8 Conducting a Community Cleanup Fix-up Campaign Pamela Paulsen [email protected] County Extension Agent - Horticulture Darren Busick [email protected] County Extension Agent - Agriculture Jennifer Schroeder [email protected] County Extension Agent - Family & Consumer Sciences Joan Krumme [email protected] County Extension Agent - 4-H Jan Steen [email protected] County Extension Agent - Technology & Community Development County Extension Director “K-State Research and Extension is an equal opportunity provider and employer” “K-State Research and Extension is committed to making its services, activities and programs accessible to all participants. If you have special requirements due to a physical, vision or hearing disability, or a dietary restriction please contact Jan Steen by phone at (620) 662-2371 or by email at [email protected].” White heads in wheat: Possible causes White heads have been appearing in A many wheat fields around the state this year. Sometimes the white heads are just single tillers scattered throughout part or all of a field, and sometimes they occur in small to large patches. -
Rhino Reissues the Ramones' First Four Albums
2011-07-11 09:13 CEST Rhino Reissues The Ramones’ First Four Albums NOW I WANNA SNIFF SOME WAX Rhino Reissues The Ramones’ First Four Albums Both Versions Available July 19 Hey, ho, let’s go. Rhino celebrates the Ramones’ indelible musical legacy with reissues of the pioneering group’s first four albums on 180-gram vinyl. Ramones, Leave Home, Rocket To Russia and Road To Ruin look amazing and come in accurate reproductions of the original packaging. More importantly, the records sound magnificent and were made using lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. For these releases, Rhino will – for the first time ever on vinyl – reissue the first pressing of Leave Home, which includes “Carbona Not Glue,” a track that was replaced with “Sheena Is A Punk Rocker” on all subsequent pressings. Joey, Johnny, Dee Dee and Tommy Ramone. The original line-up – along with Marky Ramone who joined in 1978 – helped blaze a trail more than 30 years ago with this classic four-album run. It’s hard to overstate how influential the group’s signature sound – minimalist rock played at maximum volume – was at the time, and still is today. These four landmark albums – Ramones (1976), Leave Home (1977), Rocket To Russia (1977) and Road to Ruin (1978) – contain such unforgettable songs as: “Blitzkrieg Bop,” “Sheena Is Punk Rocker,” “Beat On The Brat,” “Now I Wanna Sniff Some Glue,” “Pinhead,” “Rockaway Beach” and “I Wanna Be Sedated.” RAMONES Side One Side Two 1. “Blitzkrieg Bop” 1. “Loudmouth” 2. “Beat On The Brat” 2. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
© 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat
Numbers Song Title © 2017 Star Party Karaoke 17 Cross Canadian Ragweed 45 Shinedown 98.6 Keith 247 Artful Dodger Feat. Melanie Blatt 409 Beach Boys, The 911 Wyclef Jean & Mary J Blige 1969 Keith Stegall 1979 Smashing Pumpkins, The 1982 Randy Travis 1985 Bowling For Soup 1999 Prince 1999 Wilkinsons, The 5678 Step #1 Crush Garbage 1, 2 Step Ciara Feat. Missy Elliott 1, 2, 3 Redlight 1910 Fruitgum Co 10 Days Late Third Eye Blind 10,000 Promises Backstreet Boys, The 100 Years Five For Fighting 100 Years From Now Huey Lewis & The News 100% Chance Of Rain Gary Morris 100% Pure Love Crystal Waters 16th Avenue Lacy J Dalton 18 & Life Skid Row 18 Till I Die Bryan Adams 18 Yellow Roses Bobby Darin 19-2000 Gorillaz 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls, The 20 Good Reasons Thirsty Merc 20th Century Fox Doors, The 21 Questions 50 Cent Feat Nate Dogg 24 Hours At A Time Marshall Tucker Band, The 24-7 Kevon Edmonds 25 Miles Edwin Starr 25 Minutes Michael Learns To Rock 25 Minutes To Go Johnny Cash 25 Or 6 To 4 Chicago 26 Cents Wilkinsons, The 29 Nights Danni Leigh 29 Palms Robert Plant 3 Strange Days School Of Fish 30 Days In The Hole Humble Pie 30,000 Pounds Of Bananas Harry Chapin 32 Flavours Alana Davis 4 In The Morning Gwen Stefani 4 Seasons Of Loneiness Boyz 2 Men 4 To 1 In Atlanta Tracy Byrd 4+20 Crosby, Stills, Nash & Young 42nd Street Broadway Show “42nd Street” 455 Rocket Kathy Mattea 4th Of July Shooter Jennings 5 Miles To Empty Brownstone 50,000 Names George Jones 50/50 Lemar 500 Miles (Away From Home) Bobby Bare -
Alejandra Pizarnik Und Das Thema Der Sprache
¿QUÉ SIGNIFICA TRADUCIRSE EN PALABRAS? ALEJANDRA PIZARNIK UND DAS THEMA DER SPRACHE Dissertation zur Erlangung des akademischen Grades Doktor philosophiae (Dr. phil.) vorgelegt dem Rat der Philosophischen Fakultät der Friedrich-Schiller-Universität Jena von Ivonne Reischke geboren am 06. 04. 1977 in Rostock Erstgutachter: Prof. Dr. Harald Wentzlaff-Eggebert Zweitgutachter: Prof. Dr. Hubert Pöppel Tag des Kolloquiums: 25. Februar 2007 Inhaltsverzeichnis 1. Einleitung S. 3 1.1. Übersicht zu Leben und Werk Alejandra Pizarniks S. 3 1.2. Alejandra Pizarnik – Rimbaud de Hispanoamérica S. 4 1.3. Aufbau der Arbeit S. 7 1.4. Editionsgeschichte der Texte Pizarniks S. 8 1.5. Stand der Forschung S. 10 2. Die Thematisierung des Schreibens und der Sprache in Pizarniks essayistischen Texten S. 12 2.1. “Con Alejandra Pizarnik: algunas claves”. Das Interview mit Martha Isabel Moia S. 12 2.2. Rezensionen S. 16 2.3. Tagebücher und Briefe S. 24 3. Die Thematisierung des Schreibens und der Sprache in Pizarniks fiktionalen Texten S. 32 3.1. Die explizite Thematisierung des Schreibens und der Sprache S. 32 3.1.1. Schreiben als rituelle Handlung S. 32 3.1.2. Sprache und Identität S. 36 3.1.3. Sprache und Körper S. 45 3.1.4. Sprache und Schweigen S. 50 3.1.5. Sprache und Musik bzw. Malerei S. 53 3.2. Pizarniks Texte: Die Arbeit an der Sprache S. 57 3.2.1. Lyrik S. 59 3.2.2. Prosa und Theater S. 71 3.3. La condesa sangrienta S. 75 3.4. Zusammenfassung der Poetik Pizarniks S. 78 4. Die Rezeption Alejandra Pizarniks S. -
Film Press Kit Collection
http://oac.cdlib.org/findaid/ark:/13030/kt8b69s3fs No online items Guide to the Film Press Kit Collection Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html © 2011 The Regents of the University of California. All rights reserved. Guide to the Film Press Kit PA Mss 39 1 Collection Guide to the Film Press Kit Collection Collection number: PA Mss 39 Department of Special Collections Davidson Library University of California, Santa Barbara Processed by: Staff, Department of Special Collections, Davidson Library Date Completed: 10/21/2011 Encoded by: Zachary Liebhaber © 2011 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Film Press Kit collection Dates: 1975-2005 Collection number: PA Mss 39 Creator: University of California, Santa Barbara, Arts and Lectures Collection Size: 9 linear ft.(28 boxes). Repository: University of California, Santa Barbara. Library. Dept. of Special Collections Santa Barbara, CA 93106 Abstract: Press kits for motion pictures, mostly independent releases, including promotional material, clippings, and advertising materials. Physical location: For current information on the location of these materials, please consult the library's online catalog. Languages: Languages represented in the collection: English Access The use of the collection is unrestricted. Many of these films were shown by the UCSB Arts and Lectures series. Publication Rights Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. -
Suspension and Light: the Films of V~Ctor Erice
SUSPENSION AND LIGHT: THE FILMS OF V~CTORERICE Dominique Russell A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Graduate Department of Spanish and Portuguese 0 Copyright by Dominique Russell 1998 The author has granted a non- L'auteur a sccorde me licence non exclusive licence dowing the exclusive permettant a la National Lrirary of Canada to Bibliothkque nationale du Canada de reproduce, loan, distribute or sell reproduke, preter' distniiuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la fome de microfiche/£h, de reproduction sur papier ou sur format electronique. The author retains ownership of the L'auteur consewe la propriete du copyright in this thesis. Neither the clroit d'auteur qui protkge cette these. thesis nor substantial extracts fiom it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent etre imprimes reproduced without the author's ou autrement repmduits sans son permission. autorisation. Thesis Abstract Suspension and Light: The Films of Victor Erie Ph-DI 1998 Dominique Russell Department of Spanish and Portuguese University of Toronto This thesis is a st~~dyof Victor Erice's cinematic style through a close analysis of his three feature films: El espiiinc de la cohena [lk Spmt ofthe Beehive] ( 1973),El SM South] ( 1982) and El sol dei membrillo [The Quince Tree Sun] ( 1992). It examines stylistic choices made in editing, sound, mise en dne,camera movement and structure, focusing on the elements which contribute to the ambiguous and meditative quality of Erice's films. -
Ten Thousand Dreams Interpreted / Gustavus Hindman Miller
Ten Thousand Dreams Interpreted By Gustavus Hindman Miller Ten Thousand Dreams Interpreted - G.H.Miller PREFACE. "Dreams are rudiments of the great state to come.We dream what is about to happen.''--BAILEY, The Bible, as well as other great books of historical andrevealed religion, shows traces of a general and substantialbelief in dreams. Plato, Goethe, Shakespeare and Napoleonassigned to certain dreams prophetic value. Joseph saweleven stars of the Zodiac bow to himself, the twelfth star.The famine of Egypt was revealed by a vision of fat and lean cattle.The parents of Christ were warned of the cruel edict of Herod,and fled with the Divine Child into Egypt. Pilate's wife, through the influence of a dream, advised her husbandto have nothing to do with the conviction of Christ. But the grossmaterialism of the day laughed at dreams, as it echoed the voice andverdict of the multitude, "Crucify the Spirit, but let the flesh live.''Barabbas, the robber, was set at liberty. Ten Thousand Dreams Interpreted - G.H.Miller The ultimatum of all human decrees and wisdom is to gratifythe passions of the flesh at the expense of the spirit.The prophets and those who have stood nearest the fountainof universal knowledge used dreams with more frequency thanany other mode of divination. Profane, as well as sacred, history is threaded with incidentsof dream prophecy. Ancient history relates that Gennadiuswas convinced of the immortality of his soul by conversingwith an apparition in his dream. Through the dream of Cecilia Metella, the wife of a Consul, the Roman Senatewas induced to order the temple of Juno Sospita rebuilt.