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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Download I Slept with Joey Ramone: a Punk Rock Family Memoir Free
I SLEPT WITH JOEY RAMONE: A PUNK ROCK FAMILY MEMOIR DOWNLOAD FREE BOOK Mickey Leigh, Legs McNeil | 416 pages | 15 Dec 2010 | SIMON & SCHUSTER | 9781439159750 | English | New York, United States I Slept with Joey Ramone: A Punk Rock Family Memoir Javascript is not enabled in your browser. Were the Monkeys. The Ramones were a force necessary to this universe. Too Tough to Die? The reason this happens is because I believe that rock-n-roll is pure joy and that only the warmest souls who have a firm grasp on the concept that Shit Happens can create it. I like the Ramones and I have a shit-ton of respect for what they accomplished in breaking new ground and really establishing the punk scene in the US, but I just don't know a lot of their stuff beyond the 8 or 10 big songs. Though The Ramones were never really commercially viable, they were a huge influence on literally hundreds or perhaps thousands of bands to come along in their wake. I've never actually witnessed brothers behaving as brothers before. But, alas, all is forgiven now that there's a book around to vindicate the author and clear his name of all the evil rumors his brother had been spreading I Slept with Joey Ramone: A Punk Rock Family Memoir their tumultuous relationship. Mickey Leigh. The Old Man and the Seafood. It also reveals without exploiting the mental illness Joey Ramone battled. While the music lives on for new generations to discover, I Slept with Joey Ramone is the enduring portrait of a man who struggled to find his voice and of the brother who loved him. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Tauthe the Literary and Visual Art Journal of Lourdes University 2015
Tauthe the literary and visual art journal of Lourdes University 2015 1 theTau 2015 Award Winning Cover Art: Sebastian ~ by Laura Ott 2 theTau 2015 2015 Editor: Shawna Rushford-Spence, Ph.D. Layout & Design: Carla Leow, B.F.A. © Lourdes University theTau 2015 3 Acknowledgements Our sincere thanks to the following people and organizations whose generous support made publishing this journal possible: Department of English Literati Orbis Ars University Relations for Layout and Design Printing Graphics Thank you to the judges who generously gave of their time and made the difficult decisions on more than 200 submissions. Stephen Carl Veronica Lark Isabella Valentin www.lourdes.edu/TAU2015 Individual authors retain copyrights of individual pieces. No part of this text may be used without specific permission of the writer, the artist, or the University. 4 theTau 2015 Lourdes is a Franciscan University that values community as a mainstay of its Mission and Ministry. theTau 2015 5 “We read fine things but never feel them to the full until we have gone the same steps as the author” ~ John Keats The world in which we live is full of beauty, elegance, and joy, interlaced with sadness, fear, and hostility. Because we see the world through different eyes, each and every one of us, our experiences and sense of that which exists around us, are perceived individually. The purpose of The Tau is to explore the intellect of those who wish to share his or her personal experience of that world. This unique literary magazine gives our community the opportunity to reflect, spiritually, intellectually, and physically, the knowledge gained through education and the limitless perspectives that pour out from personal reflection. -
Ho! Let's Go: Ramones and the Birth of Punk Opening Friday, Sept
® The GRAMMY Museum and Delta Air Lines Present Hey! Ho! Let's Go: Ramones and the Birth of Punk Opening Friday, Sept. 16 Linda Ramone, Billy Idol, Seymour Stein, Shepard Fairey, And Monte A. Melnick To Appear At The Museum Opening Night For Special Evening Program LOS ANGELES (Aug. 24, 2016) — Following its debut at the Queens Museum in New York, on Sept. 16, 2016, the GRAMMY Museum® at L.A. LIVE and Delta Air Lines will present the second of the two-part traveling exhibit, Hey! Ho! Let's Go: Ramones and the Birth of Punk. On the evening of the launch, Linda Ramone; British pop/punk icon Billy Idol; Seymour Stein, Vice President of Warner Bros. Records and a co-founder of Sire Records, the label that signed the Ramones to their first record deal; artist Shepard Fairey; and Monte A. Melnick, longtime tour manager for the Ramones, will participate in an intimate program in the Clive Davis Theater at 7:30 p.m. titled "Hey! Ho! Let’s Go: Celebrating 40 Years Of The Ramones." Tickets can be purchased at AXS.com beginning Thursday, Aug. 25 at 10:30 a.m. Co-curated by the GRAMMY Museum and the Queens Museum, in collaboration with Ramones Productions Inc., the exhibit commemorates the 40th anniversary of the release of the Ramones' 1976 self-titled debut album and contextualizes the band in the larger pantheon of music history and pop culture. On display through February 2017, the exhibit is organized under a sequence of themes — places, events, songs, and artists —and includes items by figures such as: Arturo Vega (who, along with the Ramones, -
PROCEEDINGS of the 120TH NATIONAL CONVENTION of the VETERANS of FOREIGN WARS of the UNITED STATES
116th Congress, 2d Session House Document 116–165 PROCEEDINGS of the 120TH NATIONAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES (SUMMARY OF MINUTES) Orlando, Florida ::: July 20 – 24, 2019 116th Congress, 2d Session – – – – – – – – – – – – – House Document 116–165 THE PROCEEDINGS OF THE 120TH NATIONAL CON- VENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES COMMUNICATION FROM THE ADJUTANT GENERAL, THE VETERANS OF FOREIGN WARS OF THE UNITED STATES TRANSMITTING THE PROCEEDINGS OF THE 120TH NATIONAL CONVENTION OF THE VETERANS OF FOREIGN WARS OF THE UNITED STATES, HELD IN ORLANDO, FLORIDA: JULY 20–24, 2019, PURSUANT TO 44 U.S.C. 1332; (PUBLIC LAW 90–620 (AS AMENDED BY PUBLIC LAW 105–225, SEC. 3); (112 STAT. 1498) NOVEMBER 12, 2020.—Referred to the Committee on Veterans’ Affairs and ordered to be printed U.S. GOVERNMENT PUBLISHING OFFICE 40–535 WASHINGTON : 2020 U.S. CODE, TITLE 44, SECTION 1332 NATIONAL ENCAMPMENTS OF VETERANS’ ORGANIZATIONS; PROCEEDINGS PRINTED ANNUALLY FOR CONGRESS The proceedings of the national encampments of the United Spanish War Veterans, the Veterans of Foreign Wars of the United States, the American Legion, the Military Order of the Purple Heart, the Veterans of World War I of the United States, Incorporated, the Disabled American Veterans, and the AMVETS (American Veterans of World War II), respectively, shall be printed annually, with accompanying illustrations, as separate House documents of the session of the Congress to which they may be submitted. [Approved October 2, 1968.] ii LETTER OF TRANSMITTAL VETERANS OF FOREIGN WARS OF THE UNITED STATES KANSAS CITY, MISSOURI September, 2020 Honorable Nancy Pelosi The Speaker U. -
Inside the News
News. Society of National Association Publications - Award Winning Newspaper Published by the Association of the U.S. Army VOLUME 42 NUMBER 2 www.ausa.org December 2018 Inside the News 2018 Annual Meeting Award Presentations – 9, 12 to 16 – New Army Uniform – 2 – Piggee on Logistics – 2 – AUSA Family Readiness Building a Battle Plan – 3 – AUSA Book Program Secret War in Laos – 6 – Capitol Focus New Army Vets in Congress – 10 – Future Vertical Lift – 10 – Synthetic Training Environment – 21 – Chapter Highlights Redstone-Huntsville 3 NCOs Honored – 18 – Charleston VA Nurse Honored – 21 – Sniper teams from across the globe travelled to Fort Benning, Ga., to compete Robert E. Lee in the Annual International Sniper Competition. The goal of this competition Vietnam War Anniversary is to identify the best sniper team from a wide range of agencies and organiza- – 22 – tions that includes the U.S. military, international militaries, and local, state and federal law enforcement. (Photo by Master Sgt. Michel Sauret) Redstone-Huntsville The Wall That Heals See NCO Report on Page 8 – 24 – 2 AUSA NEWS q December 2018 ASSOCIATION OF THE UNITED STATES ARMY Piggee: Command maintenance, supply discipline are essential AUSA Staff In the past two years, the Army has regained its footing with improvements in the supply of spare he Army’s ability to sustain itself in an aus- parts across the Army and standardized brigade tere environment against a capable adversary combat team supply stockage, which has resulted in Twill depend on leveraging today’s technol- more weapon system repairs in forward locations. ogy more quickly, the Army’s chief logistician says. -
Congressional Record—Senate S10897
October 8, 2004 CONGRESSIONAL RECORD — SENATE S10897 LARRY J. TRENT, 0000 MATTHEW B. WILLIS, 0000 To be lieutenant general JOHN M. TRUMPFHELLER, 0000 CHRISTOPHER S. WILSON, 0000 LISA M. TUCKER, 0000 GLENN J. WINCHELL, 0000 MAJ. GEN. RAYMOND T. ODIERNO ZENA A. TUCKER, 0000 MICHAEL F. WINTHROP, 0000 DONALD J. TUMA, 0000 ERIC C. WINTON, 0000 THE FOLLOWING NAMED OFFICERS FOR APPOINTMENT GREGORY H. TUREAUD, 0000 BRIAN E. WITHROW, 0000 IN THE UNITED STATES ARMY TO THE GRADE INDICATED DANIEL J. TURNER, 0000 THOMAS J. WITTERHOLT, 0000 UNDER TITLE 10, U.S.C., SECTION 624: RUSSELL J. TUTTY, 0000 THOMAS E. WOLCOTT, 0000 To be brigadier general LANELL B. TWIGGS, 0000 JOSEPH L. WOLFER, 0000 THOMAS W. TYSON, 0000 JOHN C. WOMACK, 0000 COLONEL RODNEY O. ANDERSON WILLIAM M. UHLMEYER, 0000 DAVID M. WOOD, 0000 COLONEL STEVEN M. ANDERSON JOHN F. UKLEYA JR., 0000 STEPHEN D. WOOD, 0000 COLONEL JOHN M. BEDNAREK SCOTT G. ULRICH, 0000 TODD K. WOODRICK, 0000 COLONEL MARK A. BELLINI WILLIAM K. UPTMOR, 0000 THOMAS L. WOODS, 0000 COLONEL ROBERT M. BROWN GREGORY N. URTSO, 0000 JOHN G. WORLEY, 0000 COLONEL JOHN F. CAMPBELL DAVID E. UVODICH, 0000 TODD A. WORMS, 0000 COLONEL CHARLES T. CLEVELAND JOHN M. VAIL, 0000 CYNTHIA A. WRIGHT, 0000 COLONEL WALTER L. DAVIS GREG A. VALDEZ, 0000 KURTIS L. WRIGHT, 0000 COLONEL JEFFREY J. DORKO PAUL J. VALENZUELA, 0000 PATRICK W. WRIGHT, 0000 COLONEL MICHAEL FERRITER GREGG D. VANDERLEY, 0000 JOHN D. WROTH, 0000 COLONEL MARK A. GRAHAM SAMUEL B. VANDIVER, 0000 JAMES E. WURZER, 0000 COLONEL DAVID D. HALVERSON DALE J. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Rhino Reissues the Ramones' First Four Albums
2011-07-11 09:13 CEST Rhino Reissues The Ramones’ First Four Albums NOW I WANNA SNIFF SOME WAX Rhino Reissues The Ramones’ First Four Albums Both Versions Available July 19 Hey, ho, let’s go. Rhino celebrates the Ramones’ indelible musical legacy with reissues of the pioneering group’s first four albums on 180-gram vinyl. Ramones, Leave Home, Rocket To Russia and Road To Ruin look amazing and come in accurate reproductions of the original packaging. More importantly, the records sound magnificent and were made using lacquers cut from the original analog masters by Chris Bellman at Bernie Grundman Mastering. For these releases, Rhino will – for the first time ever on vinyl – reissue the first pressing of Leave Home, which includes “Carbona Not Glue,” a track that was replaced with “Sheena Is A Punk Rocker” on all subsequent pressings. Joey, Johnny, Dee Dee and Tommy Ramone. The original line-up – along with Marky Ramone who joined in 1978 – helped blaze a trail more than 30 years ago with this classic four-album run. It’s hard to overstate how influential the group’s signature sound – minimalist rock played at maximum volume – was at the time, and still is today. These four landmark albums – Ramones (1976), Leave Home (1977), Rocket To Russia (1977) and Road to Ruin (1978) – contain such unforgettable songs as: “Blitzkrieg Bop,” “Sheena Is Punk Rocker,” “Beat On The Brat,” “Now I Wanna Sniff Some Glue,” “Pinhead,” “Rockaway Beach” and “I Wanna Be Sedated.” RAMONES Side One Side Two 1. “Blitzkrieg Bop” 1. “Loudmouth” 2. “Beat On The Brat” 2.