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Elaine Fitz Gibbon
Elaine Fitz Gibbon »Beethoven und Goethe blieben die Embleme des kunstliebenden Deutschlands, für jede politische Richtung unantastbar und ebenso als Chiffren manipulierbar« (Klüppelholz 2001, 25-26). “Beethoven and Goethe remained the emblems of art-loving Germany: untouchable for every political persuasion, and likewise, as ciphers, just as easily manipulated.”1 The year 2020 brought with it much more than collective attempts to process what we thought were the uniquely tumultuous 2010s. In addition to causing the deaths of over two million people worldwide, the Covid-19 pandemic has further exposed the extraordinary inequities of U.S.-American society, forcing a long- overdue reckoning with the entrenched racism that suffuses every aspect of American life. Within the realm of classical music, institutions have begun conversations about the ways in which BIPOC, and in particular Black Americans, have been systematically excluded as performers, audience members, administrators and composers: a stark contrast with the manner in which 2020 was anticipated by those same institutions before the pandemic began. Prior to the outbreak of the novel coronavirus, they looked to 2020 with eager anticipation, provoking a flurry of activity around a singular individual: Ludwig van Beethoven. For on December 16th of that year, Beethoven turned 250. The banners went up early. In 2019 on Instagram, Beethoven accounts like @bthvn_2020, the “official account of the Beethoven Anniversary Year,” sprang up. The Twitter hashtags #beethoven2020 and #beethoven250 were (more or less) trending. Prior to the spread of the virus, passengers flying in and out of Chicago’s O’Hare airport found themselves confronted with a huge banner that featured an iconic image of Beethoven’s brooding face, an advertisement for the Chicago Symphony Orchestra’s upcoming complete cycle Current Musicology 107 (Fall 2020) ©2020 Fitz Gibbon. -
Biography Thomaskantor Gotthold Schwarz As of March 2018
Thomaskantor Gotthold Schwarz Gotthold Schwarz is the 17 th Thomaskantor after Johann Sebastian Bach. On 9 June 2016 he has been appointed as Thomaskantor and has been officially inaugurated on 20 August 2016. Born in Zwickau as a son of a cantor he gained his musical education at the “Hochschule für Kirchenmusik Dresden” (University for Church Music Dresden) and also at the “Hochschule für Musik und Theater „Felix Mendelssohn Bartholdy“ Leipzig” (University of Music and Theatre „Felix Mendelssohn Bartholdy“ Leipzig) after having been a member of Thomanerchor Leipzig for s short time in his childhood. He studied singing with Gerda Schriever, playing the organ with former St. Thomas Organist Hannes Kästner and Wolfgang Schetelich, as well as conducting with Max Pommer and Hans-Joachim Rotzsch. Furthermore he has worked with, amongst others, Hermann Christian Polster, Peter Schreier and Helmuth Rilling in masterclasses and academies. Gotthold Schwarz, who began to work as vocal trainer for the Thomanerchor Leipzig in 1979, stood in for the Thomaskantor for several times since the 1990's. On this position he led the motets, performances of cantatas and oratorios with the Thomanerchor Leipzig; moreover he was entrusted with other duties as an interim officiating cantor. Together with the world-famous boys’ choir he has been on numerous tours in Germany, Europe and overseas (Japan, China, USA, Canada), several together with the Gewandhausorchester Leipzig. Furthermore Gotthold Schwarz is initiator and leader of “Concerto vocale”, “Saxon Baroque Orchestra”, “Leipziger Cantorey” and “Bach Consort Leipzig”. In recognition of his special merits the versatiled singer and conductor was awarded with the Cross of Merit of the Federal Republic of Germany (1 st class) on 4 October 2017. -
5 Music Cruises 2019 E.Pub
“The music is not in the notes, but in the silence between.” Wolfgang Amadeus Mozart RHINE 2019 DUDOK QUARTET Aer compleng their studies with disncon at the Dutch String Quartet Academy in 20 3, the Quartet started to have success at internaonal compeons and to be recognized as one of the most promising young European string quartets of the year. In 20 4, they were awarded the Kersjes ,rize for their e-ceponal talent in the Dutch chamber music scene. .he Quartet was also laureate and winner of two special prizes during the 7th Internaonal String Quartet 0ompeon 20 3 1 2ordeau- and won st place at both the st Internaonal String Quartet 0ompeon 20 in 3adom 4,oland5 and the 27th 0harles 6ennen Internaonal 0hamber Music 0ompe7 on 20 2. In 20 2, they received 2nd place at the 8th 9oseph 9oachim Internaonal 0hamber Music 0ompeon in Weimar 4:ermany5. .he members of the quartet ;rst met in the Dutch street sym7 phony orchestra “3iccio=”. From 2009 unl 20 , they stu7 died with the Alban 2erg Quartet at the School of Music in 0ologne, then to study with Marc Danel at the Dutch String Quartet Academy. During the same period, the quartet was coached intensively by Eberhard Feltz, ,eter 0ropper 4Aindsay Quartet5, Auc7Marie Aguera 4Quatuor BsaCe5 and Stefan Metz. Many well7Dnown contemporary classical composers such as Kaija Saariaho, MarD7Anthony .urnage, 0alliope .sou7 paDi and Ma- Knigge also worDed with the quartet. In 20 4, the Quartet signed on for several recordings with 3esonus 0lassics, the worldEs ;rst solely digital classical music label. -
DIE MUSIKWELT SCHAUT AUF UNS Er Steht an Einer Der Bedeutendsten Positionen Nicht Allein Des Leipziger Musiklebens: Gotthold Schwarz Ist Seit Drei Jahren Thomaskantor
DIE MUSIKWELT SCHAUT AUF UNS Er steht an einer der bedeutendsten Positionen nicht allein des Leipziger Musiklebens: Gotthold Schwarz ist seit drei Jahren Thomaskantor. Wir sprachen mit ihm in seinem Amtssitz, dem Alumnat des Thomanerchors. 32 Interview © Gewandhaus−Magazin© Gewandhaus−Magazin Herr Professor Schwarz, was machen Sie Schwarz: Manchmal denke ich schon in Sonnabend der Fall ist, singen wir in der in den Sommerferien? den Ferien: Wie soll das gehen, wenn Stimmung von 443 Hertz. Es wäre aller- Gotthold Schwarz: Meine Ferien sind we- jetzt die Abiturienten und damit die er- dings für die Reputation Leipzigs als gen des alljährlichen Konzerts zu Johann fahrensten Sänger weg sind? Aber oft Bach-Stadt gut, hätten wir innerhalb des Sebastian Bachs Todestag am 28. Juli ein entwickeln diejenigen, die vorher in der Gewandhausorchesters auch Instrumen- wenig geteilt. Aber das stört mich nicht. zweiten Reihe gestanden haben, plötz- te, mit denen man in der Stimmung von Nach Möglichkeit fahre ich mit der Fami- lich große Energien und übernehmen 415 Hertz musizieren könnte. lie zum Wandern. In diesem Jahr geht es die Rolle der Ausgeschiedenen. Wir nut- nach Südtirol. Danach gibt es auch schon zen ja das letzte Ferienwochenende be- Ist das Wechseln von einer Stimmung in viel für das neue Schuljahr vorzuberei- reits für ein zweieinhalbtägiges Chorla- die andere nicht schwierig, wenn ein Ge- ten. ger auf Schloss Colditz, wo auch schon wandhausmusiker beispielsweise nach- die Neuaufgenommenen dabei sind. Dort mittags in der Thomaskirche und abends Sind Sie im Sommer verstärkt als Sänger wird jeder Thomaner kurz überprüft, in der Oper zu spielen hat? aktiv? damit ich weiß, wo er stimmlich steht. -
T H O M a N E R C H
Thomanerchor LeIPZIG DerThomaner chor Der Thomaner chor ts n te on C F o able T Ta b l e o f c o n T e n T s Greeting from “Thomaskantor” Biller (Cantor of the St Thomas Boys Choir) ......................... 04 The “Thomanerchor Leipzig” St Thomas Boys Choir Now Performing: The Thomanerchor Leipzig ............................................................................. 06 Musical Presence in Historical Places ........................................................................................ 07 The Thomaner: Choir and School, a Tradition of Unity for 800 Years .......................................... 08 The Alumnat – a World of Its Own .............................................................................................. 09 “Keyboard Polisher”, or Responsibility in Detail ........................................................................ 10 “Once a Thomaner, always a Thomaner” ................................................................................... 11 Soli Deo Gloria .......................................................................................................................... 12 Everyday Life in the Choir: Singing Is “Only” a Part ................................................................... 13 A Brief History of the St Thomas Boys Choir ............................................................................... 14 Leisure Time Always on the Move .................................................................................................................. 16 ... By the Way -
Halle, the City of Music a Journey Through the History of Music
HALLE, THE CITY OF MUSIC A JOURNEY THROUGH THE HISTORY OF MUSIC 8 WC 9 Wardrobe Ticket office Tour 1 2 7 6 5 4 3 EXHIBITION IN WILHELM FRIEDEMANN BACH HOUSE Wilhelm Friedemann Bach House at Grosse Klausstrasse 12 is one of the most important Renaissance houses in the city of Halle and was formerly the place of residence of Johann Sebastian Bach’s eldest son. An extension built in 1835 houses on its first floor an exhibition which is well worth a visit: “Halle, the City of Music”. 1 Halle, the City of Music 5 Johann Friedrich Reichardt and Carl Loewe Halle has a rich musical history, traces of which are still Johann Friedrich Reichardt (1752–1814) is known as a partially visible today. Minnesingers and wandering musicographer, composer and the publisher of numerous musicians visited Giebichenstein Castle back in the lieder. He moved to Giebichenstein near Halle in 1794. Middle Ages. The Moritzburg and later the Neue On his estate, which was viewed as the centre of Residenz court under Cardinal Albrecht von Brandenburg Romanticism, he received numerous famous figures reached its heyday during the Renaissance. The city’s including Ludwig Tieck, Clemens Brentano, Novalis, three ancient churches – Marktkirche, St. Ulrich and St. Joseph von Eichendorff and Johann Wolfgang von Moritz – have always played an important role in Goethe. He organised musical performances at his home musical culture. Germany’s oldest boys’ choir, the in which his musically gifted daughters and the young Stadtsingechor, sang here. With the founding of Halle Carl Loewe took part. University in 1694, the middle classes began to develop Carl Loewe (1796–1869), born in Löbejün, spent his and with them, a middle-class musical culture. -
Beethoven, Bonn and Its Citizens
Beethoven, Bonn and its citizens by Manfred van Rey The beginnings in Bonn If 'musically minded circles' had not formed a citizens' initiative early on to honour the city's most famous son, Bonn would not be proudly and joyfully preparing to celebrate his 250th birthday today. It was in Bonn's Church of St Remigius that Ludwig van Beethoven was baptized on 17 December 1770; it was here that he spent his childhood and youth, received his musical training and published his very first composition at the age of 12. Then the new Archbishop of Cologne, Elector Max Franz from the house of Habsburg, made him a salaried organist in his renowned court chapel in 1784, before dispatching him to Vienna for further studies in 1792. Two years later Bonn, the residential capital of the electoral domain of Cologne, was occupied by French troops. The musical life of its court came to an end, and its court chapel was disbanded. If the Bonn music publisher Nikolaus Simrock (formerly Beethoven’s colleague in the court chapel) had not issued several original editions and a great many reprints of Beethoven's works, and if Beethoven's friend Ferdinand Ries and his father Franz Anton had not performed concerts of his music in Bonn and Cologne, little would have been heard about Beethoven in Bonn even during his lifetime. The first person to familiarise Bonn audiences with Beethoven's music at a high artistic level was Heinrich Karl Breidenstein, the academic music director of Bonn's newly founded Friedrich Wilhelm University. To celebrate the anniversary of his baptism on 17 December 1826, he offered the Bonn première of the Fourth Symphony in his first concert, devoted entirely to Beethoven. -
The University of Chicago Objects of Veneration
THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies............................................................................... -
Kurz Beethoven B&H E.Qxd
“I give preference to your house above all others” Room 6 (1st floor) Showcase 2: Beethoven considered his Variations for Piano the Fifth Symphony op. 67 to the Mass in C major op. 86 and On display here as an introduction to the exhibition is a man- in F major op. 34 and E flat major op. 35 to be of greater two songs without opus numbers, is confirmed in writing. As Beethoven and the Leipzig Music Publishing uscript of the six Partitas for piano by Johann Sebastian Bach importance than his earlier variation cycles, because they late as 1855 the publishers asked the composer and pianist House Breitkopf & Härtel BWV 825-830, which Beethoven’s most important benefactor were composed in “a new way” based on themes of his own. Ignaz Moscheles, who had been well acquainted with during the first years in Vienna transcribed personally as a He noted this on the title page of the original manuscript of Beethoven, and the cantor of St. Thomas church, Moritz Special Exhibition at the Beethoven House, Bonn student. Count Karl von Lichnowsky copied them from Opus 35, which today is known as the “Eroica Variations”, Hauptmann, to verify the authenticity of Beethoven’s signature since Beethoven later used the theme again for the last move- and even had their verification certified by the commercial 24th May to 18th August 2007 Bach’s later biographer Johann Nikolaus Forkel. It can be assumed that Beethoven knew this manuscript and used it for ment of his Third Symphony. In the letter written in court in Leipzig. -
Dresden.De/Events Visit Dresden Christmas Magic in the Dresden Elbland Region
Winter Highlights 2018/2019 www.dresden.de/events Visit Dresden Christmas magic in the Dresden Elbland region Anyone who likes Christmas will love Dresden. Eleven very distinct Christmas markets make the metropolis on the Elbe a veritable Christmas city. Christmas in Dresden – that also means festive church concerts, fairy tale readings and special exhibitions. Or how about a night lights cruise on the Elbe? Just as the river itself connects historic city-centre areas with gorgeous landscapes, so the Christmas period combines the many different activities across the entire Dresden Elbland region into one spellbinding attraction. 584th Dresden Striezelmarkt ..................................................... 2 Christmas cheer everywhere Christmas markets in Dresden .................................................. 4 Christmas markets in the Elbland region ................................... 6 Events November 2018 – February 2019 ............................................... 8 Unique experiences ................................................................... 22 Exhibitions ................................................................................. 24 Advent shopping ....................................................................... 26 Prize draw .................................................................................. 27 Packages .................................................................................... 28 Dresden Elbland tourist information centre Our service for you ................................................................... -
The Cradle of the Reformation Lutherstadt Wittenberg
Dear Travel Writer, Imagine seeing them with your own two eyes, touching them with your own two hands: The great bronze doors of Lutherstadt Wittenberg’s Castle Church, marking the very spot where Martin Luther posted the ninety-five theses that changed the world. Picture exploring the church in which the Great Reformer was baptized or stepping inside the tiny room where Luther translated the New Testament in just 10 weeks. Luckily, these unforgettable experiences don’t have to remain the stuff of dreams! Come and explore LutherCountry, the beautiful region in the heart of Germany that invites you to walk in Luther’s footsteps! Find out more on our website; then come visit! LutherCountry: The Cradle of the Reformation Although Martin Luther lived 500 years ago, his presence is still tangible today. Here in LutherCountry, visitors of all ages get the chance to discover myriad original locations that still boast the Great Reformer’s indelible mark – and all within easy reach of each other. Come discover the places where Luther once lived, taught and, preached! In addition to authentic locations that played a major role in Luther’s life, LutherCountry is also home to hundreds of other cultural and historical treasures, with many famous personalities in art and music having left their mark on the region’s cultural landscape. Great composers such as Johann Sebastian Bach and Georg Frederic Handel, two of the world’s most famous baroque composers, were both born in LutherCountry. And thanks to the great German painter Lucas Cranach the Elder, we now know what Martin Luther actually looked like. -
Dresdner Striezelmarkt Vom 24.11
Dresdner Striezelmarkt vom 24.11. bis 24.12.2016 täglich auf dem Altmarkt GESCHICHTENBÜHNE Donnerstag, 24. November 15.00 Uhr VORFREUDE, SCHÖNSTE FREUDE mit den Traditionsfiguren vom Dresdner Striezelmarkt und dem Die Eröffnung des 582. Dresdner Striezelmarktes Tanzhaus Dresden Friedrichstadt KREUZKIRCHE 15.00 Uhr ÖKUMENISCHER GOTTESDIENST ZUR ERÖFFNUNG DRES DNER WEIHNACHTSTHEATER DES 582. DRESDNER STRIEZELMARKTES AM ADVENTSKALENDER mit dem Dresdner Kreuzchor, Kreuzkantor Roderich Kreile (Lei- 15.45 Uhr DAS PUPPENTHEATER ÖFFNET SEINE PFORTEN tung), den Dresdner Kapellknaben, Domkapellmeister Matthias „Wie die Hexe Wackelzahn den König überlisten wollte“ Liebig (Leitung), Kreuzorganist Holger Gehring (Orgel), Norbert (Puppentheater Glöckchen Moritzburg) Büchner (Dekan), Christian Behr (Superintendent des Kirchenbe- zirkes Dresden), Holger Milkau (Pfarrer der Kreuzkirche) GESCHICHTENBÜHNE ca. 15.45 Uhr AUSZUG AUS DER KREUZKIRCHE ZUM 16.30 Uhr DER WEIHNACHTSMANN kommt… STRIEZELMARKT … und stimmt die kleinen und großen Besucher des Striezel- Mit den Klängen des Bergmusikkorps Saxonia Freiberg e.V. gehen marktes auf die Adventszeit ein die Besucher und Ehrengäste hinaus auf den Altmarkt zur Ge- 18.00 Uhr MARIA DURCH EIN DORNWALD GING schichtenbühne. Posaunenchor der Johanniskirchgemeinde Johannstadt/Striesen 19.00 Uhr ALLE JAHRE WIEDER GESCHICHTENBÜHNE Posaunenchor der Stephanusgemeinde Dresden Zschachwitz ca. 16.00 Uhr ERÖFFNUNGSZEREMONIE DES 20.00 Uhr IHR KINDERLEIN KOMMET 582. DRESDNER STRIEZELMARKTES Posaunenchor der Evangelischen Studentengemeinde Dresden Im Anschluss an den ökumenischen Gottesdienst wird der „582. Dresdner Striezelmarkt“ im Beisein des Dresdner Oberbürger- meisters Herrn Dirk Hilbert offiziell eröffnet.T raditionell wird Samstag, 26. November dabei dem ältesten deutschen Weihnachtsmarkt sein Lichterglanz verliehen, die weltgrößte erzgebirgische Stufenpyramide ange- schoben und der 2016 mm lange „Original Dresdner Christstol- „Dresdner Adventskalenderfest“ len“ angeschnitten, verkostet und an die Besucher verteilt.