Album Review: Arcade Fire – Reflektor | Nouse
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MAY the Bridges I BURN Light the WAY EXILE X Summer Camp
M ay the brid G es I burn L I G ht the way EXILE X summer camp June 13 - 17, 2018 Curated by María Inés Plaza Lazo In collaboration with Alina Kolar, Dalia Maini & Christian Siekmeier PARTICI PANTS in 2008. Within the last 10 years EXILE Del Vecchio is an artist and co-curator of Narine Arakelyan is a performance artist concluded an MA at Goldsmiths, University has operated out of five distinctly different flip project space, a collaborative project for that works in conjunction with a Moscow of London. Graduated in Psychology, her Albrecht Pischel is interested in the definition spaces in Berlin. In 2011 EXILE became critical experimentation. He attended the based group of producers known as laboratory ongoing research unveils post-historical identity, of a new internationality and its ghosts. Most a professionally operating gallery. Until Städelschule in Frankfurt am Main and a abc. Together they aim to unite progressive hospitality and intergenerational transmission as of his works behave as representing signifiers today, EXILE has hosted over 80 solo and Masters in Fine Art at The Glasgow School artists, musicians and curators. The group a means to inhabit but also perform/transform of the medium of the art exhibition itself, group exhibitions which have been reviewed of Art. He recently took part of CuratorLab is committed to promote new ideas and to history. In her work she reflects on human oscillating between the disarming of symbols extensively in relevant publications around at Konstfack Stockholm, a curatorial course develop the values of the cultural heritage. relationships and how to create and re-create of colonialism and alienation. -
Indie Mixtape
Indie Mixtape :: View email as a web page :: Arcade Fire apparently is in the midst of working on a new album, with writing having “intensified” during the pandemic. In spite of ourselves, we are interested in hearing this quarantine opus, even though we openly disliked their previous album, 2017’s Everything Now. Arcade Fire is also on our brains lately because the 10th anniversary of their third ( and we would argue greatest) album, The Suburbs, was this past weekend. That album, like all Arcade Fire LPs, is a mix of breathtaking musical moments and grandiose, eyeroll-inducing thematic gestures. And yet we wouldn’t want Arcade Fire to be any other way. Sometimes they miss in embarrassing fashion, and other times they absolutely crush it. But they always swing big. For this list of our 20 favorite Arcade Fire songs, we took stock of the crushes while also attempting to understand how and why they miss. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century PS: Was this email forwarded to you? Join our band here. In case you missed it... The first episode of our new podcast hosted by Steven Hyden and Ian Cohen is available now, wherever you listen to podcasts. Our YouTube channel now has a collection of playlists to satisfy all of your nostalgic needs. http://view.e.indiemixtape.com/...87aedf71565468329f8ac26ca254edfeee4d9b01f2c806081f3940ed3e1e6a08ac7da1357718730d50f8fc139fe23[8/6/20, 11:09:25 AM] Indie Mixtape There is an alternate universe where Phoebe Bridgers sings over trap beats. -
The Counselor
Volume 86 - Issue 8 November 1, 2013 and said that she never wanted to grow up. Of course, Spangler became aware of her body as she grew a little Embracing the strange older, but she has still kept some of her childlike whimsy. Katie Petts said that she would compare Spangler to someone like Jack Sparrow. “She’s the odd character that everyone loves,” Petts said. But, frankly, not everyone loves Spangler. Some make statements such as, “She’s off in her own little world singing songs. I can’t connect with her,” or “I just want to tell her that she is not making the world better by being so obnoxious,” or “I don’t get her at all, nor do I want to.” It’s not as if her strangeness goes away when one gets to know her. Actually, the more one knows her, the stranger she seems. A good place to begin the search for evidence of this deeper strangeness, is in her room. Spangler’s room hosts many oddities. Piles of clothing, dishes and books are spewed sporadically on the floor. An assortment of hats she wears daily are stacked unorderly atop her vanity, PHOTO BY TERESA ODERA and a collection of action figures she BY SARAH ODOM decibel with an equally unexplainable “I would compare her to Lady Gaga,” plans to display are in an open box near The screen at the front of the chapel color that is both bright and dark at Jeanie Fairchild, an acquaintance of her window. In the corner, there is a shows lyrics to worship songs that the same time. -
ART. MUSIC,Erc. Tamer Vea
Cover: Meryl 5treep by Ted Qu inlan _,,,.., -- ............ ~ ........... BPM Must Stand for ·FEA T'URES Big Pathetic Mess: Monotonous, Tedious, Disgustulous Jesse Myserson and Noah Weston .... SMOG Re-Opens Page 23 Grace Owyer ... Pa ge 4 -- The Observer - Cooper and Dhavemas Save "Breach" Conference Honors 50th from Melodrama February 2007 Joey Lee ... Page 24 Volume 1. Issue. 1 Anniversary of Hungarian Revolu tion Rachel Meade .. Page 6 Media Concerns Tackled at Conference ......_..ART. MUSIC,Erc. Tamer Vea ... Page 8 Music Reviews Untitled Landscapes #1-4 Andrew Worthington and Ted Quinlan A Photo Essay .. Page 26 Mekko Harjo ... Page 10 Sexy Singles Your Club Shouldn't Get Money Fiona Cook .. Page 28 No, Really, It Shouldn't Noah Weston .. Page 12 Sex Column Genevieve Lynch ... Page 29 Report on New Orleans Stephen Tremaine ... Page 14 COMIC.. .Page 30 Letters to the Editor... Page 1 6 Art of Glass BACK PAGE / Jason Mastbaum ... Page 17 Fox News Ticker Scrolf'Ouring Life Imitates Geeky Science Fiction And Video Of Anna Nicole Smith in Clown What This Means for the Future Makeup Michael Newton ... Page 31 Or. Mischa Nachtigal ... Page 20 .- ~ er nearly six months of delays peering through the windows of the new side and growing skepticism as to door. Confusion as to what to make of the new the likelihood of renovation ever pavilion ensued as several times throughout the eaching completion. SMOG re night the door was raised to create a larger space pened this past Saturday to but then lowered again as the crowd inside mixedA student reactions. complained of the cold. -
Fans Get Backstage Pass to Arcade Fire with the Reflektor Tapes in Cineplex Theatres
FOR IMMEDIATE RELEASE Fans get backstage pass to Arcade Fire with The Reflektor Tapes in Cineplex Theatres Cineplex’s Music at the Movies series continues with Arcade Fire, Roger Waters docs, and live performances from Eric Clapton and The Who. TORONTO, ON – August 27, 2015 – Canadian indie-rock legends Arcade Fire are playing at a Cineplex theatre near you when the all-access documentary The Reflektor Tapes hits the big screen on September 23, 2015, after its world premiere at the Toronto International Film Festival. In support of Reflektor, Arcade Fire’s acclaimed fourth album, the Grammy-winning Canadian band toured the globe, selling out stadiums and headlining major music festivals including Coachella and Glastonbury. Now, fans can experience first-hand what it’s like to go on tour with the band. The Reflektor Tapes takes audiences into the hearts and minds of Arcade Fire, one of today’s most renowned and influential bands. From Sundance Grand Jury Prize-winning director Kahlil Joseph (Until The Quiet Comes), the film charts the band’s creative journey from Jamaica, where they laid the foundation for their Reflektor album, to arena shows in Los Angeles and London via an impromptu performance in a Haitian hotel. “Arcade Fire is one of today’s most respected and critically-acclaimed rock bands, making The Reflektor Tapes a great addition to our Music at the Movies series,” said Pat Marshall, Vice President, Communications and Investor Relations, Cineplex Entertainment. “We’re proud to present Canadian movie-goers with the opportunity to see this documentary about such a well-loved homegrown band.” The Reflektor Tapes will screen as part of Cineplex Front Row Centre Events on September 23, 2015, with a second showing in Cineplex theatres on September 28, 2015. -
Sweet Memories
SWEET MEMORIES Rabbi Aaron Shoueke 0 | Page ©HISTORICAL SOCIETY OF JEWS FROM EGYPT Sweet Memories – by Adele Mishan SWEET MEMORIES by Adele Mishan TABLE OF CONTENTS Do You Call that a Bathroom? .................................................................................. 1 In Sickness ............................................................................................................... 4 Fridays ..................................................................................................................... 7 Do you Know Chicken .............................................................................................. 9 Memories of Childhood .......................................................................................... 11 Gamilah .................................................................................................................. 15 My Mother .............................................................................................................. 16 Papa’s Picnic Basket .............................................................................................. 18 Ras El Barr ............................................................................................................. 21 Nonna, Portrait of a Grandmother .......................................................................... 23 ©HISTORICAL SOCIETY OF JEWS FROM EGYPT 1 SWEET MEMORIES DO YOU CALL THAT A BATHROOM? Ronda Piccolella Marella Sissolella Telegraph, Telegraph, Peeeeeeeh! We sang it with glee, having not the -
Novell Corporate Presentation Template 2007
Too Many Metas A high level look at building a metadata desktop ●Joe Shaw ●[email protected] Overview • About me – Dashboard – Beagle desktop search • “Metadata solution” -- what's the problem? • A few statements (facts?) about metadata • The existing technologies related to metadata • The problem of applications siloing their data 2 © Novell Inc. All rights reserved No dissolving of solids in liquids here • Solutions in search of problems • Letting technologies dictate our behavior instead of use cases and user benefit • Good examples of user benefit: Neil J. Patel's Nautilus metadata panels; Leaftag's tagging widgets; Deskbar's searching of tags 3 © Novell Inc. All rights reserved Nautilus metadata view 4 © Novell Inc. All rights reserved Beagle search tool 5 © Novell Inc. All rights reserved Leaftag and Deskbar From http://raphael.slinckx.net/blog/2006-03-06/deskbar-and-leaftag-last-exit 6 © Novell Inc. All rights reserved Nautilus today 7 © Novell Inc. All rights reserved 1. “Metadata” is a generic term that covers a vast spectrum of information. 8 © Novell Inc. All rights reserved Much meta makes me mad · File size · Tags · MIME type · Bitrate · Custom icons · Page number · Shutter speed · License · Genre · URLs · Subject · Extended attributes · Start time · Layout information · Provides · Phone number · File name · Location · Language · Links to other documents 9 © Novell Inc. All rights reserved 2. Metadata is decentralized and can be categorized many different ways. 10 © Novell Inc. All rights reserved The Life and Times of an MP3 · Example: No Cars Go.mp3 > File size: 8250875 > MIME type: audio/mpeg > Artist: Arcade Fire > Album: Neon Bible > Title: No Cars Go > Track Number: 10 > Duration: 5 minutes, 43 seconds > Year: 2007 > Bitrate: 192 > Tags: Favorite > Download URL: http://joeshaw.org/banshee-web/No%20Cars%20Go.mp3 11 © Novell Inc. -
Understanding the White, Mainstream Appeal of Hip-Hop Music
UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR (Under the Direction of Tina M. Harris) ABSTRACT This study explores why young, White, suburban adults are consumers and fans of hip- hop music, considering it is a Black cultural art form that is specific to African-Americans. While the hip-hop music industry is predominately Black, studies consistently show that over 70% of its consumers are White. Through focus group data, this thesis revealed that hip-hop music is used by White listeners as a means for negotiating social group memberships (i.e. race, class). More importantly, the findings also contribute to the more public debate and dialogue that has plagued Black music, offering further evidence that White appropriation of Black cultural artifacts (e.g., jazz music) remains a constant, particularly in the case of hip-hop. While the findings are not generalizable to all young White suburban consumers of this genre of music, it may be inferred that a White racial identity does not help this group of consumers relate to hip- hop music. INDEX WORDS: Hip-hop Music, Whiteness, Rap Communication Messages, Racial Identity Performance, In-group/Out-group Membership UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR B.A., Central Michigan University, 2005 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Janise Marie Blackshear All Rights Reserved UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR Major Professor: Tina M. -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
Housing in the Evolving American Suburb Cover, from Top: Daybreak, South Jordan, Utah
Housing in the Evolving American Suburb Cover, from top: Daybreak, South Jordan, Utah. Daybreak, Utah St. Charles, Waldorf, Maryland. St. Charles Companies Inglenook, Carmel, Indiana. Ross Chapin Architects, Land Development & Building Inc. © 2016 by the Urban Land Institute 2001 L Street, NW Suite 200 Washington, DC 20036 Printed in the United States of America. All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without written permission of the publisher. Recommended bibliographic listing: Urban Land Institute. Housing in the Evolving American Suburb. Washington, DC: Urban Land Institute, 2016. ISBN: 978-0-87420-396-7 Housing in the Evolving American Suburb About the Urban Land Institute The mission of the Urban Land Institute is to provide leadership in the responsible use of land and in creating and sustaining thriving communities worldwide. ULI is committed to n Bringing together leaders from across the fields of real estate and land use policy to exchange best practices and serve community needs; n Fostering collaboration within and beyond ULI’s membership through mentoring, dialogue, and problem solving; n Exploring issues of urbanization, conservation, regeneration, land use, capital formation, and sustainable development; n Advancing land use policies and design practices that respect the uniqueness of both the built and natural environments; n Sharing knowledge through education, applied research, publishing, and electronic media; and n Sustaining a diverse global network of local practice and advisory efforts that address current and future challenges. Established in 1936, the ULI today has more than 39,000 members worldwide, representing the entire spectrum of the land use and development disciplines. -
Read an Excerpt
The Artist Alive: Explorations in Music, Art & Theology, by Christopher Pramuk (Winona, MN: Anselm Academic, 2019). Copyright © 2019 by Christopher Pramuk. All rights reserved. www.anselmacademic.org. Introduction Seeds of Awareness This book is inspired by an undergraduate course called “Music, Art, and Theology,” one of the most popular classes I teach and probably the course I’ve most enjoyed teaching. The reasons for this may be as straightforward as they are worthy of lament. In an era when study of the arts has become a practical afterthought, a “luxury” squeezed out of tight education budgets and shrinking liberal arts curricula, people intuitively yearn for spaces where they can explore together the landscape of the human heart opened up by music and, more generally, the arts. All kinds of people are attracted to the arts, but I have found that young adults especially, seeking something deeper and more worthy of their questions than what they find in highly quantitative and STEM-oriented curricula, are drawn into the horizon of the ineffable where the arts take us. Across some twenty-five years in the classroom, over and over again it has been my experience that young people of diverse religious, racial, and economic backgrounds, when given the opportunity, are eager to plumb the wellsprings of spirit where art commingles with the divine-human drama of faith. From my childhood to the present day, my own spirituality1 or way of being in the world has been profoundly shaped by music, not least its capacity to carry me beyond myself and into communion with the mysterious, transcendent dimension of reality. -
The Neon Bible Free
FREE THE NEON BIBLE PDF John Kennedy Toole | 176 pages | 24 Nov 2000 | Grove Press / Atlantic Monthly Press | 9780802132079 | English | New York, United States The Neon Bible () - Rotten Tomatoes Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. The Neon Bible tells the story of David, a young boy growing up in a small Southern town in the s. David's voice is perfectly calibrated, disarmingly funny, sad, shrewd, gathering force from page to page with an emotional directness that never lapses into sentimentality. Through it we share his awkward, painful, universally recognizable encounter with first love, we pa The Neon Bible tells the story of David, a young boy growing The Neon Bible in a small Southern town in the s. Through it we The Neon Bible his awkward, painful, universally recognizable encounter with first love, we participate in boy evangelist Bobbie Lee Taylor's revival, we meet the pious, bigoted townspeople. From the opening lines of The Neon Bible, David is fully alive, naive yet sharply observant, drawing us into his world through the sure artistry of John Kennedy Toole. John Kennedy Toole, The Neon Bible won a posthumous Pulitzer Prize for his best-selling comic masterpiece A Confederacy of Dunceswrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs.