11Th Grade/U.S. History Lesson #21 the Growth of Suburbs April 20Th, 2020

Total Page:16

File Type:pdf, Size:1020Kb

11Th Grade/U.S. History Lesson #21 the Growth of Suburbs April 20Th, 2020 ISD Virtual Learning 11th Grade/U.S. History Lesson #21 The Growth of Suburbs April 20th, 2020 11th Grade/U.S. History Lesson:21- Monday April 20th, 2020 Objective/Learning Target: Explain the importance and the impact on the new developed Suburbs and the significance of Levittown, PA with the growth of housing developments across the U.S. Warm Up Students needs to watch the video on what suburban life in the 1950’s was like and what were some of the reasons as to why families would move into one of the new homes being built in the suburbs. List some features that the video gives you about why you should buy a new home in the suburbs. Warm Up Students needs to watch the video on what Some possible answers suburban life in the 1950’s was like and what were some of the reasons as to why families would move into one of the new homes being 1. Floor to ceiling closet built in the suburbs. 2. Large bedrooms List some features that the video gives you 3. Divided living areas about why you should buy a new home in the 4. Great architecture to entertain guest suburbs. 5. Individual expression in picking out the interior features of the home 6. Patio with sliding glass doors 7. Modern kitchen 8. Washing machine in the house Lesson Activity Read about the Suburban Lifestyle and answer the questions that follow. Label your paper as Lesson #20, April 17 The Growth of Suburbs and begin below: Lesson Activity 1950s newsreel about the building of suburbia in Levittown https://www.youtube.com/watch?v=OApZePeJSdU Lesson 1. From the text information provided, how would you define what a suburb is? 2. Explain 3 things that attracted people to move to the suburbs in the 1950s and 60s. 3. Explain how construction crews were more efficient in developing suburban neighborhoods like the one shown in Levittown. 4. What percent of new homes built in the 1950s were built in the suburbs? A) 25% B) 55% C) 75% D) 85% Reflection: 2020 Millennials moving from Suburbs to the rural parts of America. After watching the video think about where you live in Independence (the suburbs of Kansas Why Millennials are moving away from large City). Would you want to continue to live in the cities. suburbs or would you want to be one of those many Americans that is moving away from the https://www.youtube.com/watch?v=mjZu5AU3NYI&t=19s suburbs to the rural communities across America or even the Downtown of a major city and what would be some of your reasons to stay in the suburbs or move? Additional Resources Levittown: Quintessential 1950s Suburbia (3:01) Check out these links for more https://www.youtube.com/watch?v=a-dFueHpRY8 information on this topic Ideal White 1950s Families Should Live in Suburbia (1:36) https://www.youtube.com/watch?v=Uudrwsdz9NE Lesson Answers 1. Suburban areas are developments that grow on the 1. From the text information provided, how perimeter of urban areas farther away from the noise, would you define what a suburb is? pollution and crowds near manufacturing centers. 2. Explain 3 things that attracted people to 2. Affordable housing, good schools, safety, and clean move to the suburbs in the 1950s and 60s. neighborhoods were all attractions to the suburbs. 3. Explain how construction crews were more 3. Planning crews consolidated designs and materials efficient in developing suburban neighborhoods that could be used efficiently on multiple housing units. like the one shown in Levittown. 4. D 85% 4. What percent of new homes built in the 1950s were built in the suburbs?.
Recommended publications
  • Indie Mixtape
    Indie Mixtape :: View email as a web page :: Arcade Fire apparently is in the midst of working on a new album, with writing having “intensified” during the pandemic. In spite of ourselves, we are interested in hearing this quarantine opus, even though we openly disliked their previous album, 2017’s Everything Now. Arcade Fire is also on our brains lately because the 10th anniversary of their third ( and we would argue greatest) album, The Suburbs, was this past weekend. That album, like all Arcade Fire LPs, is a mix of breathtaking musical moments and grandiose, eyeroll-inducing thematic gestures. And yet we wouldn’t want Arcade Fire to be any other way. Sometimes they miss in embarrassing fashion, and other times they absolutely crush it. But they always swing big. For this list of our 20 favorite Arcade Fire songs, we took stock of the crushes while also attempting to understand how and why they miss. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century PS: Was this email forwarded to you? Join our band here. In case you missed it... The first episode of our new podcast hosted by Steven Hyden and Ian Cohen is available now, wherever you listen to podcasts. Our YouTube channel now has a collection of playlists to satisfy all of your nostalgic needs. http://view.e.indiemixtape.com/...87aedf71565468329f8ac26ca254edfeee4d9b01f2c806081f3940ed3e1e6a08ac7da1357718730d50f8fc139fe23[8/6/20, 11:09:25 AM] Indie Mixtape There is an alternate universe where Phoebe Bridgers sings over trap beats.
    [Show full text]
  • Sweet Memories
    SWEET MEMORIES Rabbi Aaron Shoueke 0 | Page ©HISTORICAL SOCIETY OF JEWS FROM EGYPT Sweet Memories – by Adele Mishan SWEET MEMORIES by Adele Mishan TABLE OF CONTENTS Do You Call that a Bathroom? .................................................................................. 1 In Sickness ............................................................................................................... 4 Fridays ..................................................................................................................... 7 Do you Know Chicken .............................................................................................. 9 Memories of Childhood .......................................................................................... 11 Gamilah .................................................................................................................. 15 My Mother .............................................................................................................. 16 Papa’s Picnic Basket .............................................................................................. 18 Ras El Barr ............................................................................................................. 21 Nonna, Portrait of a Grandmother .......................................................................... 23 ©HISTORICAL SOCIETY OF JEWS FROM EGYPT 1 SWEET MEMORIES DO YOU CALL THAT A BATHROOM? Ronda Piccolella Marella Sissolella Telegraph, Telegraph, Peeeeeeeh! We sang it with glee, having not the
    [Show full text]
  • Understanding the White, Mainstream Appeal of Hip-Hop Music
    UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR (Under the Direction of Tina M. Harris) ABSTRACT This study explores why young, White, suburban adults are consumers and fans of hip- hop music, considering it is a Black cultural art form that is specific to African-Americans. While the hip-hop music industry is predominately Black, studies consistently show that over 70% of its consumers are White. Through focus group data, this thesis revealed that hip-hop music is used by White listeners as a means for negotiating social group memberships (i.e. race, class). More importantly, the findings also contribute to the more public debate and dialogue that has plagued Black music, offering further evidence that White appropriation of Black cultural artifacts (e.g., jazz music) remains a constant, particularly in the case of hip-hop. While the findings are not generalizable to all young White suburban consumers of this genre of music, it may be inferred that a White racial identity does not help this group of consumers relate to hip- hop music. INDEX WORDS: Hip-hop Music, Whiteness, Rap Communication Messages, Racial Identity Performance, In-group/Out-group Membership UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR B.A., Central Michigan University, 2005 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Janise Marie Blackshear All Rights Reserved UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR Major Professor: Tina M.
    [Show full text]
  • Housing in the Evolving American Suburb Cover, from Top: Daybreak, South Jordan, Utah
    Housing in the Evolving American Suburb Cover, from top: Daybreak, South Jordan, Utah. Daybreak, Utah St. Charles, Waldorf, Maryland. St. Charles Companies Inglenook, Carmel, Indiana. Ross Chapin Architects, Land Development & Building Inc. © 2016 by the Urban Land Institute 2001 L Street, NW Suite 200 Washington, DC 20036 Printed in the United States of America. All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without written permission of the publisher. Recommended bibliographic listing: Urban Land Institute. Housing in the Evolving American Suburb. Washington, DC: Urban Land Institute, 2016. ISBN: 978-0-87420-396-7 Housing in the Evolving American Suburb About the Urban Land Institute The mission of the Urban Land Institute is to provide leadership in the responsible use of land and in creating and sustaining thriving communities worldwide. ULI is committed to n Bringing together leaders from across the fields of real estate and land use policy to exchange best practices and serve community needs; n Fostering collaboration within and beyond ULI’s membership through mentoring, dialogue, and problem solving; n Exploring issues of urbanization, conservation, regeneration, land use, capital formation, and sustainable development; n Advancing land use policies and design practices that respect the uniqueness of both the built and natural environments; n Sharing knowledge through education, applied research, publishing, and electronic media; and n Sustaining a diverse global network of local practice and advisory efforts that address current and future challenges. Established in 1936, the ULI today has more than 39,000 members worldwide, representing the entire spectrum of the land use and development disciplines.
    [Show full text]
  • Read an Excerpt
    The Artist Alive: Explorations in Music, Art & Theology, by Christopher Pramuk (Winona, MN: Anselm Academic, 2019). Copyright © 2019 by Christopher Pramuk. All rights reserved. www.anselmacademic.org. Introduction Seeds of Awareness This book is inspired by an undergraduate course called “Music, Art, and Theology,” one of the most popular classes I teach and probably the course I’ve most enjoyed teaching. The reasons for this may be as straightforward as they are worthy of lament. In an era when study of the arts has become a practical afterthought, a “luxury” squeezed out of tight education budgets and shrinking liberal arts curricula, people intuitively yearn for spaces where they can explore together the landscape of the human heart opened up by music and, more generally, the arts. All kinds of people are attracted to the arts, but I have found that young adults especially, seeking something deeper and more worthy of their questions than what they find in highly quantitative and STEM-oriented curricula, are drawn into the horizon of the ineffable where the arts take us. Across some twenty-five years in the classroom, over and over again it has been my experience that young people of diverse religious, racial, and economic backgrounds, when given the opportunity, are eager to plumb the wellsprings of spirit where art commingles with the divine-human drama of faith. From my childhood to the present day, my own spirituality1 or way of being in the world has been profoundly shaped by music, not least its capacity to carry me beyond myself and into communion with the mysterious, transcendent dimension of reality.
    [Show full text]
  • Sociopolitical Issues in U2's War and the Joshua Tree
    Études irlandaises 45-2 | 2020 Varia “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Elena Canido Muiño Electronic version URL: http://journals.openedition.org/etudesirlandaises/10187 DOI: 10.4000/etudesirlandaises.10187 ISSN: 2259-8863 Publisher Presses universitaires de Caen Printed version Date of publication: 31 December 2020 Number of pages: 55-75 ISBN: 978-2-84133-996-9 ISSN: 0183-973X Electronic reference Elena Canido Muiño, ““Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree”, Études irlandaises [Online], 45-2 | 2020, Online since 31 December 2020, connection on 14 February 2021. URL: http://journals.openedition.org/etudesirlandaises/10187 ; DOI: https://doi.org/10.4000/ etudesirlandaises.10187 Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Abstract: U2 have always managed to hold a narrow line between social awareness and partisan political allegiance, belonging to a broad category of music that Rachel E. Seiler calls “contemporary conscious popular music”, which includes “music of any genre that focuses on social issues and perceived problems in society and may or may not include music that carries an overtly political message”. Consequently, much of the analysis of their songs claim that these are only a mere description of the terrible situation countries such as Ireland and the US were facing at that time. In this paper, however, I will examine the sociopolitical significance of U2’s songs as an appreciator of their cultural contribution and show that the events which formed the backdrop to some of U2’s most explicitly political songs in the 1980s – especially those included in War and The Joshua Tree – are etched indelibly into the text of both Ireland’s and America’s troubled colonial and political history.
    [Show full text]
  • Imaginary Gardens Spring 2019 Imaginary Gardens Winter 2017 4 “The Long Way” by Olivia Copeland
    Imaginary Gardens Arlington Catholic’s Art and Literary Magazine The Spring 2019 edition includes work by: Sophie Pratt Hannah Cox Samantha Klein Alianna Sampson Olivia Copeland Petra Dujmic Ned O’Keefe Julia Hourihan Nia Pires Rena Ruggiero Sage Chircu Moesha Dubuche Iva Dujmic Andrew Wilcox Alianna Sampson Kayla Victoria Sean Kay Alyssa Franczack Justin Loughlin Kristina Lombardo Mia McWethy Sydney Birmingham Michelle Buccieri Cassandra Baessler Lindsay Coffey Kathryn VanWinkle Andra Preda Frank Yuan Katherine Mannion Michaela Bialock Maddie Cox Aidan Kay Ryan Browne Kathryn Libertini Caroline Whitney Mari Ball Kylee Reekie Christian Gomez Liana Winans Ashley Appo Ann Venditti Han Mach Will Mance Kirsten Roddenberry Imaginary Imaginary Gardens Gardens WinterSpring 20172019 PB 1 Table of Contents 1) General Poems pg. 3 2) Collection #1: French Poems pg. 29 3) Collection #2: “We live on...” pg. 33 4) Collection #3: Theme for English B Imitations pg. 37 5) Collection #4: College Brags pg. 40 6) Collection #5: American Teen Life in 2018 pg. 42 5) General Prose pg. 44 6) Acknowledgements pg. 53 Imaginary Imaginary Gardens Gardens WinterSpring 20172019 2 “The Trouble with Poetry” by Sophie Pratt The trouble with poetry, I realized While looking out the frosted window, Silently watching a bird picking at berries on a bush, It’s feet pressing softly in the snow. The trouble with poetry is the struggle to put pen to paper, The flood of ideas and thoughts flooding my mind, Similar to the pile of broken poems Piling up near the trash can Creating a shadow over my paper as I try to write.
    [Show full text]
  • Quadrophonic News Issue 7
    Major Album Releases In The Fourth Quarter, 2013: Reflektor -Arcade Fire October 29th, 2013 Artpop -Lady Gaga November 11th, 2013 Live on the BBC Vol. 2 -The Beatles November 11th, 2013 •New -Paul McCartney •Beyoncé -Beyoncé •Matangl -M.I.A. •Because The Internet QUADROPHONIC NEWS •Shangri La -Jake Bugg -Childish Gambino Quadrophonic News December 2013 Issue 7 Female Artists: A Reflection In This Month’s Issue: There's a lot to be said for any vocalist with a truly amazing • Album Reviews: Reflektor, Yeezus, Centipede Hz, voice, but there's undeniably something special about a woman with a MMLP2, Live Through This, Bleach, Night Time, powerful voice and monumental skill in writing. So in this article I hope My Time to pay tribute to some of the best female vocalists/song writers out there. It's a big category so, unfortunately I won't be able to get to every one • Insight On Famous Female Artists I’d like to, but I hope to cover three of my favorites. • December/January Music Event Calendar First up is Patty Griffin. Patty is a powerful song writer from Old Town, Maine. her musical style is hard to pin down but it lands somewhere between folk and rock. Her voice is one of incredible range, Arcade Fire’s Reflektor Review her voice can convey every emotion you can imagine, softly or loudly, Achtung Baby. OK Computer. Sound of Silver. sweetly or harshly, and this amazing voice is accompanied by her Elephant. All of these albums are special. You remember indomitable talent for song writing.
    [Show full text]
  • Edition 9 | 2018-2019
    Stacey Mindich Mickey Liddell Hunter Arnold Caiola Productions Double Gemini Productions Fakston Productions Roy Furman Harris Karma Productions On Your Marks Group Darren Bagert Roger & William Berlind Bob Boyett Colin Callender Caitlin Clements Freddy DeMann Dante Di Loreto Bonnie & Kenneth Feld FickStern Productions Eric & Marsi Gardiner Robert Greenblatt Jere Harris and Darren DeVerna John Gore Organization Mike Kriak David Mirvish Eva Price Zeilinger Productions Adam Zotovich Ambassador Theatre Group Independent Presenters Network AND The Shubert Organization EXECUTIVE PRODUCERS Wendy Orshan and Jeffrey M. Wilson IN ASSOCIATION WITH Arena Stage Second Stage Theatre Molly Smith, Edgar Dobie Carole Rothman, Casey Reitz BOOK BY MUSIC AND LYRICS BY STEVEN LEVENSON BENJ PASEK & JUSTIN PAUL BEN LEVI ROSS MAGGIE MCKENNA JESSICA PHILLIPS CHRISTIANE NOLL MARRICK SMITH AARON LAZAR JARED GOLDSMITH PHOEBE KOYABE STEPHEN CHRISTOPHER ANTHONY SCENIC DESIGN BY PROJECTION DESIGN BY COSTUME DESIGN BY LIGHTING DESIGN BY SOUND DESIGN BY DAVID KORINS PETER NIGRINI EMILY REBHOLZ JAPHY WEIDEMAN NEVIN STEINBERG VOCAL ARRANGEMENTS & HAIR DESIGNER ASSOCIATE MUSIC SUPERVISOR MUSIC DIRECTOR MUSIC COORDINATORS ADDITIONAL ARRANGEMENTS BY DAVID BRIAN BEN COHN ALEX HARRINGTON MICHAEL KELLER JUSTIN PAUL BROWN MICHAEL AARONS MARKETING AND PUBLICITY DIRECTION TOUR BOOKING AGENCY ADVERTISING NATIONAL PRESS REPRESENTATIVES DIGITAL MARKETING BOND THEATRICAL THE BOOKING GROUP SERINO COYNE DKC/O&M SITUATION GROUP MEREDITH BLAIR GRAPEVINE PR INTERACTIVE KARA GEBHART CASTING
    [Show full text]
  • OUTKAST Are a Ton of Things That Stick MTV and Watched the Vid- Pictures, You Know You're a Out
    - --- -- - セ T- M セ M M M M M M B4 ARCADE WWW.THEHULLABALOO.COM MOST IMPORTANT BANDS OF THE DECADE BY ZACH YANOWITZ Stankonia dropped in 2000? "Hey Ya!" was hands down STAFF WRITER I was in 5th grade and our the biggest song of the de- teacher was having trou- cade. When you make Pola- When we look back on the ble with the TV controls so roid themselves issue a press last decade in music, there we accidentally ended up on release against shaking their OUTKAST are a ton of things that stick MTV and watched the vid- pictures, you know you're a out. Boy bands, the rise of eo for "Ms. Jackson:' I had no cultural phenomenon. electro, Soulja Boy, the ad- idea what it meant but im- Since then, the two have vent of hipsterdom, etc. Be- mediately knew it was awe- continued to be prolific. Their ing asked to name the most some. "So Fresh So Clean," joint (and silly) film Idlewild important/influential musi- the jungle-rock anthem and other acting gigs gained· cian of the last 10 years is a "B.O.B; guestspots . from mainstream exposure and hard task. especially in a de- Erykah Badu, Gangsta Boo success. Big Boi's recent re- cade so full of form-breaking and Cee-Lo were all major lease Sir Lucious Left Foot: and general weirdness. Upon facets of Outkast's music. A The Son Of Chico Dusty is, further reflection, however, quadruple-platinum album one of the most critically ac- • there's only one real answer and two Grammy Awards claimed albums of 2010.
    [Show full text]
  • Outkast'd and Claimin' True
    OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIP­HOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON (Under the direction of Judith Preissle) ABSTRACT The hip­hop community of practice encompasses a range of aesthetic values, norms, patterns, and traditions. Because of its growth over the last three decades, the community has come to include regionally­specific networks linked together by community members who engage in meaningful practices and experiences. Expressed through common language ideologies, these practices contribute to the members’ communal and individual identity while simultaneously providing platforms to articulate social understandings. Using the constructs of community of practice and social networks, this research project is an interpretive study grounded primarily in the use of lyrics and interviews to investigate the linguistic patterns and language norms of hip­ hop’s southern network, placing emphasis on the Atlanta, Georgia southern hip­hop network. The two main goals are to gain an understanding of the role of school in the cultivation of the network and identify the network’s relationship to schooling and education. The purpose is to identify initial steps for implementing a hip­hop pedagogy in curriculum and instruction. INDEX WORDS: Hip­hop community of practice, social network, language ideology, hip­hop generation, indigenous research, schooling, education OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIP­HOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON B.S., The University of Georgia, 1996 M.A., Pepperdine University, 1998 A Dissertation Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2007 ã 2007 Joycelyn A.
    [Show full text]
  • The Role of Social Networks in Making Housing Choices: the Experience of the Gautreaux Two Residential Mobility Program
    The Role of Social Networks in Making Housing Choices: The Experience of the Gautreaux Two Residential Mobility Program Melody L. Boyd Temple University Abstract This article explores the experiences of participants in the Gautreaux Two housing mobility program, which was implemented in 2002. The program gave low-income residents of Chicago public housing a special voucher providing them the opportunity to move to more advantaged neighborhoods, designated as neighborhoods in which at least 76.5 percent of households were nonpoor and 70 percent were non-African American. Four waves of indepth, qualitative interviews were conducted by Northwestern Uni- versity’s Institute for Policy Research (IPR) between 2002 and 2005 with a randomly chosen sample of 91 families. Within the 3-year study window, this qualitative analysis of the IPR data compares residents who made secondary moves with those who stayed at their Gautreaux placement addresses. In this article, I apply insight from feminist urbanism and a focus on social networks to a comparison of the reasons some residents moved while others stayed. Secondary movers were motivated by several social network factors, including feelings of social isolation in the placement neighborhood, distance from kin, and transportation difficulties. Conversely, strong social networks were crucial reasons why some families remained in their Gautreaux neighborhoods or moved on to other similarly advantaged neighborhoods. This analysis explores policy implications for the success of mobility programs, including the need for continued program assistance to build and maintain strong social networks beyond the initial placement. Cityscape: A Journal of Policy Development and Research • Volume 10, Number 1 • 2008 Cityscape U.S.
    [Show full text]