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MAY the Bridges I BURN Light the WAY EXILE X Summer Camp M ay the brid G es I burn L I G ht the way EXILE X summer camp June 13 - 17, 2018 Curated by María Inés Plaza Lazo In collaboration with Alina Kolar, Dalia Maini & Christian Siekmeier PARTICI PANTS in 2008. Within the last 10 years EXILE Del Vecchio is an artist and co-curator of Narine Arakelyan is a performance artist concluded an MA at Goldsmiths, University has operated out of five distinctly different flip project space, a collaborative project for that works in conjunction with a Moscow of London. Graduated in Psychology, her Albrecht Pischel is interested in the definition spaces in Berlin. In 2011 EXILE became critical experimentation. He attended the based group of producers known as laboratory ongoing research unveils post-historical identity, of a new internationality and its ghosts. Most a professionally operating gallery. Until Städelschule in Frankfurt am Main and a abc. Together they aim to unite progressive hospitality and intergenerational transmission as of his works behave as representing signifiers today, EXILE has hosted over 80 solo and Masters in Fine Art at The Glasgow School artists, musicians and curators. The group a means to inhabit but also perform/transform of the medium of the art exhibition itself, group exhibitions which have been reviewed of Art. He recently took part of CuratorLab is committed to promote new ideas and to history. In her work she reflects on human oscillating between the disarming of symbols extensively in relevant publications around at Konstfack Stockholm, a curatorial course develop the values of the cultural heritage. relationships and how to create and re-create of colonialism and alienation. He lives and the world. Siekmeier celebrates EXILE’s for professionals in Arts, Crafts, Design & Nana practice cultivates multicultural meanings within and for them, individually works as an artist between Berlin and Bangkok, 10th anniversary by moving yet again. This Architecture, directed by Joanna Warsza competence as she draws inspiration from her and collectively. Raffaela is director and his practice includes installation, photography, time into an unique and challenging space in collaboration with Tensta Konsthall. roots and her experiences around the world. co-founder of Residency 80121, residency film, sound, ready-mades and performance. in Vienna opening on September 13. program and project space which has the aim Heiner Franzen lives and works in Berlin Nicholas William Johnson is a painter who to create moments of exchanges, negotiation Alina Ana Kolar is a contemporary art historian Club Fortuna is a group of artists including since 1989. He was a Visiting Professor at the lives in London. He was born in Honolulu and understanding of the Self and the Other. specialized in visual cultures and the political Xenia Lesniewski, Julia Rublow and Sarah Braunschweig University of Art (2012-2013) and his work carries traces of that origin, semiotics of art. She works on projects at the Sternat. The broad range of activity includes a and currently at the Weißensee Academy of intensely hued invented botanies that bear Sarah Lehnerer artistic work fuzzes around intersection of contemporary art, activism and variety of experiments across art, society, and Art Berlin. Franzen’s work has no beginning witness to ancient technologies of interspecies socio-cultural transformations and identity social change, with a particular focus on the existential motivated life-help. Their mission and no end. They rather follow Franzen’s own, communication and plant consciousness. Recent politics under the signs of the digital, with a visuality of political events. Forthcoming projects and projects grow from the constructive analysis open definition of the artwork. Within this exhibitions include John Moores Painting Prize, special focus on the genre of auto fiction and include an exhibition at London’s Austrian of current developments, social mechanics, and definition, mechanisms of personal as well as Liverpool; Inns of Molten Blue, Plus-One, along with this on subjectivity, identity, reality, Cultural Forum in response to the commemoration the unapologetic completion of the sometimes collective memory play a crucial role. Franzen’s Antwerp; Dewdrinker, Montoro 12, Roma; fiction and the female gaze. She works in cycles, year 2018, and editorial contribution to the depressive everyday life of young artists. Their motifs float in a state of constant mutation. Secrets in the Carbon Atom, Podium, Oslo. in which groups of works are gathered under a new newspaper ‘Arts of the Working Class’. performances and collective artwork meticulously Franzen examines the removal of boundaries headline – a chapter – that contains video works question the current role of an artist, as well as of his materials by constantly updating them. María Inés Plaza Lazo is an art critic, and “music videos”, prints, paintings, sculptures Aris Komporozos-Athanasiou is lecturer their connected cross-social responsibility. Every image is the reflection of another. independent curator and current director of but also zines. She is the recipient of numerous in Social Theory, and Head of the Sociology & EXILE in Berlin. Together with Jürgen Graef awards and scholarships, and has been part of Social Theory Research Group at University Dalia Maini moves between transdisciplinary Iris Touliatou is set to conquer, dissect and the web developer Form&Code, she founded international projects including events such as at College London. His research interests include paths. She devotes herself to the trait d ‘union and photograph the world. With the eye the Online Magazine Reflektor M, which she State of Concept in Athens, mumok in Vienna, the role of the speculative imagination in the of contemporary art, the leitmotif of the whole of an anthropologist, she questions urban has been publishing together with Mira Sacher ZKM in Karlsruhe or Kunstverein Göttingen or production of utopian/dystopian futures, the history of man. She gets lost in dialogues structures, may they be physical, symbolic, and Laura Lang since 2018. Together with Paul with the ongoing collaborative platform khybrid. relationship between financial markets and new and thinks communication as an exercise of metaphysic or imaginary. She scrutinously Sochacki she founded the street newspaper forms of populism, social movements, radical memory and tradition at the same time. She inspects and deconstructs myths of ‘Arts of the Working Class’, which focus on (in) Sara Løve Daðadóttir works within the activism. He has organized cross-disciplinary is co- founder of the Neapolitan curatorial modernism and the fantasy of progress. equalities in the arts and ways of living together. intersection of education, arts and politics. workshops on these topics with academics, project Bite The Saurus. She currently In 2009-10 she took part in developing the artists and activists. With Chiara Bottici and works in Berlin assisting conceptually and Kazuko Miyamoto is post-minimalist Martin Kohout is an artist and publisher, national assembly in Iceland which functioned Judith Butler he edits ‘Imaginal Politics’ in logistically to this EXILE X summer camp. sculptor— once an assistant to Sol LeWitt, who lives and works in Berlin and Prague, as a crowd sourcing platform for democracy collaboration with the International Consortium whom she met during a fire drill in their building currently he is involved in a London-based and later the constitution. She is the co-founder of Critical Theory Program at UC Berkeley. Dietrich Meyer works with plants that in SoHo — who makes installation, paintings project. In his practice, he often examines of Berlin based collective Utopian Union, inhabit our spaces and the structures built to and drawings, using a playful minimalist the habits and effects related to technology which organizes socio-political interventions. Àngels Miralda Tena is a writer and curator contain them, dealing with the development vocabulary. For example, constructions of and contemporary forms of communication. She has recently taken part in Screen City focusing on material symbolism and artistic of organisms around constructed geometrical string, which are threaded methodically around Kohout was originally trained in film-making Biennial and Cycle Music & Art Festival. power structures. At the crossroads of writing environments, the conflict between organic networks of nails on the wall and in the floor, before studying fine arts at Universität der and production, she focuses on mythological growth and human precision. Meyer is a founding or costumes made of organic materials. She Künste Berlin and Städelschule in Frankfurt, Sebastian Acker explores how global and fictional narratives as alternative knowledge member of High Tide in Philadelphia, PA. moved to New York in 1964 and attended The Germany. Kohout also is producing sound phenomena including digital culture and the sources. Recent exhibitions dealing with these Arts Student League of New York (1964–1968). and music pieces under the name of TOLE. ecological crisis challenge notions of place and topics have included ‘Los Cimientos, Los Elmar Mellert creates spatial settings that identity. He often uses cultural representations of Pilares, y el Firmamento’ at the Museum of critically reflect on political actions and how Kinga Kielczynska is a visual artist and Nschotschi Haslinger works on unruly a particular location or environment as material Contemporary Art of Santiago de Chile and identity is shaped by them. The question
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