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MAY the Bridges I BURN Light the WAY EXILE X Summer Camp
M ay the brid G es I burn L I G ht the way EXILE X summer camp June 13 - 17, 2018 Curated by María Inés Plaza Lazo In collaboration with Alina Kolar, Dalia Maini & Christian Siekmeier PARTICI PANTS in 2008. Within the last 10 years EXILE Del Vecchio is an artist and co-curator of Narine Arakelyan is a performance artist concluded an MA at Goldsmiths, University has operated out of five distinctly different flip project space, a collaborative project for that works in conjunction with a Moscow of London. Graduated in Psychology, her Albrecht Pischel is interested in the definition spaces in Berlin. In 2011 EXILE became critical experimentation. He attended the based group of producers known as laboratory ongoing research unveils post-historical identity, of a new internationality and its ghosts. Most a professionally operating gallery. Until Städelschule in Frankfurt am Main and a abc. Together they aim to unite progressive hospitality and intergenerational transmission as of his works behave as representing signifiers today, EXILE has hosted over 80 solo and Masters in Fine Art at The Glasgow School artists, musicians and curators. The group a means to inhabit but also perform/transform of the medium of the art exhibition itself, group exhibitions which have been reviewed of Art. He recently took part of CuratorLab is committed to promote new ideas and to history. In her work she reflects on human oscillating between the disarming of symbols extensively in relevant publications around at Konstfack Stockholm, a curatorial course develop the values of the cultural heritage. relationships and how to create and re-create of colonialism and alienation. -
Research Centres of Charles University
Charles University Introduction When the Bohemian King and Holy Roman Emperor Charles IV established a university in the capital city of his kingdom in 1348, which was the first university north of the Alps and east of the French borders, it was his greatest wish that as soon as possible, it would reach the quality of the universities as in Bologna, Oxford, and Paris, which were the best establishments offering a higher education in Europe at that time. It is our great obligation and task to fulfil this historic legacy, to assure the highest quality and integrity of university education, and to contribute to the cultivation and development of learning and culture in the Czech Republic, in Europe, and in the world in general. Charles University is a leading world-class university. Its top priority is therefore not only a constant emphasis on improving the quality of scientific and pedagogic activities, but also on the thorough fulfilment of its “third role”. This is why Charles University is a key subject participating in the formation of the Czech public’s positive view of national cultural values of learning and of critical and creative thinking. Quod bonum felix faustum fortunatumque sit. May the outcome be good, auspicious, fortunate, and successful. Tomáš Zima Rector of Charles University Management of Rector prof. MUDr. Tomáš Zima, DrSc. Vice-Rector for Academic Appointments Vice-Rector for Research prof. JUDr. Aleš Gerloch, CSc. doc. RNDr. Jan Konvalinka, CSc. Vice-Rector for Development prof. RNDr. Jan Hála, DrSc. Vice-Rector for Public Affairs Vice-Rector for European Affairs prof. -
Hugh Lecaine Agnew Curriculum Vitae
HUGH LECAINE AGNEW CURRICULUM VITAE EDUCATION PhD, 1981, Stanford University AM, 1976, Stanford University BA (Honours, First Class), 1975, Queen’s University, Kingston, Canada PROFESSIONAL EMPLOYMENT At The George Washington University: Professor of History and International Affairs, 2006-present Associate Professor of History and International Affairs, 1992-2006 Assistant Professor of History and International Affairs, 1988-1992 At the national university of Singapore Lecturer, Department of History, 1982-1988 At Queen’s University, Kingston, Canada Assistant Professor, Department of History, 1981-1982 Lecturer, Department of History, 1980-1981 1 2 PUBLICATIONS Books: The Czechs and the Lands of the Bohemian Crown (Stanford, CA: Hoover Institution Press, 2004). Czech translation, Češi a země Koruny české (Prague: Academia, 2008). Origins of the Czech National Renascence (Pittsburgh: University of Pittsburgh Press, 1993). Edited volumes: Documentary Readings in European Civilization since 1715, (Dubuque, Iowa: Kendall-Hunt Publishing, 2000). Issued in a second, corrected edition in 2006. Refereed Articles and Book Chapters: “Symbol and Ritual in Czech Politics in the Era of the “Tábory Lidu,” in Jiří Pokorný, Luboš Velek, and Alice Velková, eds., Nacionalismus, společnost a kultura ve střední Evropě 19. a 20. století – Nationalismus, Gesellschaft und Kultur in Mitteleuropa im 19. und 20. Jahrhundert: Pocta Jiřímu Kořalkovi k 75. narozeninám. Prague: Karolinum, 2007), pp. 393-408. “The Flyspecks on Palivec’s Portrait: Francis Joseph, the Symbols of Monarchy, and Czech Popular Loyalty,” in Laurence Cole and Daniel L. Unowsky, eds., The Limits of Loyalty: Imperial symbolism, popular allegiances, and state patriotism in the late Habsburg Monarchy (New York and Oxford: Berghahn Books, 2007), pp. -
Folder RINK-SCHLEGEL Print Rz-2
cçäÇÉ ê ofkhJp`eibdbiPWi~óçìí=N==ORKMTKOMNO==QWNN=rÜê==pÉáíÉ=O ALMUT RINK born 1971 in Erfurt, Germany Almut Rink’s practice is dealing with the artificiality of nature. Her work presents how the notion oflandscape reflects our national, social and political identities. Projects/Exhibitions (Selection) 2012 TOPOPHOBIA ‒ Danielle Arnaud Gallery, London; Bluecoat, Liverpool; Spacex, Exeter 2011 gugler forum melk, Melk (solo); ZONEN_PREKÄR ‒ Kunstsaele Berlin 2010 FOAMYWATER‒das weisse haus, Wien (solo); DA BAO ‒ Anni Art Space, 798, Beijing 2008 FOAMYWATER‒Austrian Cultural Forum, London (solo); CONTACT ZONE ‒ Foamywater, 2008, Austrian Cultural Forum SOLID GROWTH Galeria Miroslav Kralevic, Zagreb (solo); REVERSE ENGINEERING‒Galerie Eboran, Salzburg London, Almut Rink (solo); URBAN GALLERIES ‒ Kunsthalle Wien Project Space, Wien; IST DIESE STADT EIN FERNER PLANET? ‒ Knoll Galerie, Budapest 2006 UNDO, NEW PATH ‒ mit /with Barbara Eichhorn, Galerie Christine König, Wien RAIFFEISEN-KALEIDOSKOP, Kunst am Bau, Raiffeisen Wien-Niederösterreich, with Christof Schlegel und Christine Gloggengiesser Almut Rink 2005 NO ORDINARY ‒ Skulpturens Huis, Stockholm 2004 HÖHENLUFT ‒ mit/with Barbara Eichhorn, Galerie Christine König, Wien; ES IST SCHWER, Christof Schlegel DAS REALE ZU BERÜHREN‒Kunstverein München 2003 MISSING ELSEWHERE‒mit /with Christof Schlegel, experimental intermedia, Gent HAPPY VALLEY ‒ ACC-Galerie, Weimar (solo) 2002 SECTOR NO LIMITS ‒ Galerie 5020, Salzburg (solo) 2001 RAIN OR SHINE‒offspace, Wien (solo); REBOUND, Yokohama Museum of Art, -
Karl-Heinz Klopf
1/5 KARL-HEINZ KLOPF Born in Linz (1956), studied there at the University for Artistic and Industrial Design. Lives in Vienna, Austria. Artist in residence, CCA/Centro Cultural Andratx, Mallorca (2019) Stipend, artist in residence in Yogyakarta (2014) Stipend, artist in residence in Beijing (2010) Artist in residence in Liverpool, Urban Interventions , Liverpool Biennial (2009/10) State studio Davidgasse, Vienna (2000/06) Stipend, artist in residence in Tokyo (1995/96) State scholarship for fine art (1987) Talent development grant of the Province of Upper Austria (1986) Art development stipend of the City of Linz (1985) Honorable mentions for Tower House and A Tropical House , Society of Architectural Historians (SAH) Award for Film and Video (2017) Special mention for Honorable mention for T ower House , 38th Duisburg Film Week (2014) Award for They, best short documentary at Diagonale 11, Graz (2011) Cultural award for Interdisciplinary Art Forms of the Province of Upper Austria (2011) Award for By Way of Display in the category Urban Research, 6th Media and Architecture Biennial Graz (2003) First price, European competition for a roundabout in Vilvoorde, Senneberg Foundation, Belgium (1998) First Römerquelle price for drawings, Vienna (1987) Second price of the International Triennial of Drawings, Nürnberg (1985) 2/5 Solo exhibitions and film presentations (selection) Screening, Belvedere 21/Blickle Kino, Vienna (2019) Property Liberty , Kunsthandel Gril & Neffe, Vienna (2018) Karl-Heinz Klopf Foco , BAFICI, Buenos Aires Festival International -
Friday 6, December Karolinum Vlastenecký Sál, Univerzita Karlova, Ovocný Trh 560/5
Friday 6, December Karolinum Vlastenecký sál, Univerzita Karlova, Ovocný trh 560/5 13:30-14:00: Registration 14:00-15:15: Keynote Addresses Mr. Tomáš Petříček, Minister of Foreign Affairs of Czech Republic Mr. Jean-Yves Le Drian, Minister of Europe and Foreign Affairs of French Republic 15:15-15:30: Introduction Lenka Rovná, Vice-Rector for European Affairs, Charles University Miroslav Vaněk, Director of ÚSD AV ČR Jérôme Heurtaux, Director of CEFRES 15:30-16:15: 1st Academic Keynote Moderation: Michal Pullmann, Dean of Faculty of Arts, Charles University Adéla Gjuričová (ÚSD AV ČR): The Unbearable Lightness of Women’s Rights: On Gender Order in Post-Socialist Transformation 16:15-16:45: Coffee Break 16:45-17:30: 2nd Academic Keynote Georges Mink (College of Europe, CNRS): 1989 Revisited in the Light of its Consequences. Thoughts of a Committed Observer 17:30-18:45: Roundtable: Hopes and Disillusions towards European Integration Ivo Šlosarčík (FSV UK) Marie-Elizabeth Ducreux (CNRS/EHESS) Marion Van Renterghem, Journalist, Albert-Londres Prize 18:45: Reception Saturday 7, December Faculty of Arts / nám. Jana Palacha 1/2 Room 104 9:30-10:15: 3rd Academic Keynote Moderation: Eliška Tomalová (FSV UK) Michal Kopeček (ÚSD AV ČR): Democratic Hopes and Liberal Illusions: the 1989, Post- Dissident Politics of Memory and the Challenge to “Liberal Consensus” in East Central Europe 10:15-11:45: Panel 1: Promoting Revolutions Moderation: Pavel Mücke (ÚSD AV ČR) Federico Tarragoni (Paris-Diderot University): From Revolutions to Revolutionary Subjectivities. Some Sociological Tracks Matěj Spurný (FF UK, ÚSD AV ČR): Environment in Capitalism. -
Austrian Federalism in Comparative Perspective
CONTEMPORARY AUSTRIAN STUDIES | VOLUME 24 Bischof, Karlhofer (Eds.), Williamson (Guest Ed.) • 1914: Aus tria-Hungary, the Origins, and the First Year of World War I War of World the Origins, and First Year tria-Hungary, Austrian Federalism in Comparative Perspective Günter Bischof AustrianFerdinand Federalism Karlhofer (Eds.) in Comparative Perspective Günter Bischof, Ferdinand Karlhofer (Eds.) UNO UNO PRESS innsbruck university press UNO PRESS innsbruck university press Austrian Federalism in ŽŵƉĂƌĂƟǀĞWĞƌƐƉĞĐƟǀĞ Günter Bischof, Ferdinand Karlhofer (Eds.) CONTEMPORARY AUSTRIAN STUDIES | VOLUME 24 UNO PRESS innsbruck university press Copyright © 2015 by University of New Orleans Press All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopy, recording, or any information storage nd retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive. New Orleans, LA, 70148, USA. www.unopress.org. Printed in the United States of America Book design by Allison Reu and Alex Dimeff Cover photo © Parlamentsdirektion Published in the United States by Published and distributed in Europe University of New Orleans Press by Innsbruck University Press ISBN: 9781608011124 ISBN: 9783902936691 UNO PRESS Publication of this volume has been made possible through generous grants from the the Federal Ministry for Europe, Integration, and Foreign Affairs in Vienna through the Austrian Cultural Forum in New York, as well as the Federal Ministry of Economics, Science, and Research through the Austrian Academic Exchange Service (ÖAAD). The Austrian Marshall Plan Anniversary Foundation in Vienna has been very generous in supporting Center Austria: The Austrian Marshall Plan Center for European Studies at the University of New Orleans and its publications series. -
Wonnerth Dejaco
WONNERTH DEJACO Axel Koschier *1980 in Vienna, AT Lives and works in Vienna, AT Education 2011 Academy of Fine Arts Vienna, AT (textual sculpture) 2007 University of Technology Vienna, AT (architecture) 2005 University of Applied Arts Vienna, AT (media arts) 2005 University of the Arts Berlin, DE (sculpture) Solo and duo exhibitions 2021 Solo exhibition, WONNERTH DEJACO, Vienna, AT 2020 Material Art Fair (New Jörg Wien), Mexico City, MX 2019 Sculpture (in collaboration with Stefan Reiterer), Rubin & Chapelle, New York, NY, US Chill Out (in collaboration with Stefan Reiterer), Black Ball Projects, New York, NY, US Tud Cool (in collaboration with Stefan Reiterer), Fidalga, Sao Paulo, BR 2018 Axel Koschier, VinVin, Vienna, AT No Bonus (in collaboration with Stefan Reiterer), Galerie SPZ, Prague, CZ 2017 Artist Statement, Parallel Vienna 2017 art fair, Vienna, AT Axel Koschier, Leslie, Berlin, DE 2014 Axel Koschier & Robert Müller, Ve.sch, Vienna, AT 2011 oT. (Use Your Head In Tennis), Galeria ADM, Mexico City, MX 2008 Horst Skoff und die Denkarbeit, Bell Street Project Space, Vienna, AT 2007 Raumvermessungsobjekt Wittgensteinhaus, Wittgenstein House, Vienna, AT [email protected] wonnerthdejaco.com 1/4 WONNERTH DEJACO Selected group exhibitions 2020 Open Stage, PFERD, Wien CEREBRO CON HUEVO, Biquini Wax EPS, Mexico City, MX 2019 Demolished Beauty, Spouse Vienna, Palma de Mallorca, ES Fauxthenticity, Austrian Cultural Forum, Prague, CZ Finite Projections – the Deal of all Sapience, Gottrekorder, Graz, AT Wiener Salon #1, Rue Maes 87, -
“Travels Along the Danube” (Prague, Vienna, Bratislava & Budapest) Private Small Group
“Travels along the Danube” (Prague, Vienna, Bratislava & Budapest) Private small group September 25th- October 5th 2020 (10 days) Price per person based on double occupancy $3211 (single supplement $402 add’l) Optional additional night in Budapest $120pp Deposit required: $500 per person September 26: Prague for 3 nights Meet & greet private transfer from airport to hotel Double or twin rooms river or city view, breakfast & taxes included at Hotel Charles Bridge Palace**** Porterage included Centrally located in Prague 1, Charles Bridge Palace is just 150 m from the famous Charles Bridge and a 10-minute walk to the Old Town Square. The hotel serves a rich buffet breakfast. Elegantly decorated rooms are air-conditioned and come with a minibar, flat-screen TV with satellite channels and a marble tiled bathroom. Rooms overlook the Vltava River, Prague castle or hotel’s secluded courtyard. Wi-Fi is available throughout the Charles Bridge Palace and is free of charge. The hotel can organise rental cars, laundry services, tours and provides a concierge service. Other attractions close by are the Wenceslas Square, 1 km away, the National Theatre, 1 tram stop away, and the Old Jewish Cemetery which is 400 m away. The Staroměstská Metro Station and a variety of restaurants and bars can be reached in a 5-minute walk. https://www.charlesbridgepalace.com/ Welcome dinner at Plzenska restaurant Plzenska Restaurant in Prague is situated inside one of Europe's finest Art Nouveau buildings, the stunning Municipal House. Plzenska Restaurant, named after the famous Czech beer Pilsner Urquell, presents classic Czech cuisine in a typical beer hall atmosphere. -
The International Cultural Relations at the Federal Ministry of European and International Affairs (Bmeia)
THE INTERNATIONAL CULTURAL RELATIONS AT THE FEDERAL MINISTRY OF EUROPEAN AND INTERNATIONAL AFFAIRS (BMEIA) Basic Principles, Key Areas and Programmes 1 2 THE INTERNATIONAL CULTURAL RELATIONS AT THE FEDERAL MINISTRY OF EUROPEAN AND INTERNATIONAL AFFAIRS (BMEIA) Basic Principles, Key Areas and Programmes 4 INTRODUCTORY REMARKS AUSLANDSKULTURKONZEPT On the basis of its experiences with the key areas and programmes to date, and with a view to the future, the Directorate-General for International Cultural Affairs at the Federal Ministry of European and International Affairs has further developed the basic principles, key areas and programmes for Austrian international cultural policy. These principles align with the joint efforts of our partners at federal, provincial, and mu- nicipality level, as well as many other individuals and institutions working in the fields of art, culture, the sciences and dialogue and their valuable and constructive contributions to our country and its international relations. The initial outline of this document was completed before the outbreak of the Covid-19 pandemic, and its focus is on the future. Some new insights and experiences from the pandemic period are however reflected in this document, which summarises the efforts of Austrian International Cultural Relations in its areas of activity and thematic fields to date. Two new areas are defined which must play a role in future international cultural policy: ecology and new forms of sustainable economy, as well as the issue of the impact of digi- talisation on life and work in the future. The document was developed by staff at the Directorate-General for International Cul- tural Affairs, under the supervision of Teresa Indjein, Peter Mikl and Christian Autengru- ber with contributions by Ulla Krauss-Nussbaumer, Marcus Bergmann, Stephan Vavrik, Waltraud Dennhardt-Herzog, Ingrid Köhn-Dursy, Sonja Reiser-Weinzettl, Karin Cervenka, Valerie Hagg, Martin Pammer, Denise Quistorp-Rejc and Martin Rauchbauer. -
Maria Koshenkova CV Was Born in 1981 St.Petersburg
Maria Koshenkova CV Was born in 1981 St.Petersburg. Russia. Based in Copenhagen. Denmark Education 1998 – 2004 State Academy of Art and Design in St. Petersburg – MA degree, Russia 2003 – 2004 Glassblowing course, Bornholm, Denmark 2004 Glass Design Program at Kalmar University, Sweden 2005 – 2006 Royal Danish Academy of Fine Art, Copenhagen. Denmark Teaching and Lectures 2018 Speaker at 6th International Shanghai Intangible Cultural Heritage Protection Forum.China 2018 Aichi University of Education. Visiting lecturer. Japan 2013 Sotheby's Institute of Art, London, Visiting lecturer , UK 2011 Engelsholm folk high school, Guest lecturer, Denmark Selected Solo exhibitions 2019 Clara Scremini gallery. Paris, France 2018 Glass Museum Ebeltoft. STUDY exhibition. “Restrain&Release”. Denmark 2018 Art & Minde Center. Nagoya. Resrain&Release”. Japan 2017 Aasiaat Katersugaasiviat / Aasiaat Museum, Greenland. 2016 Gallery Inner Voice. St.Petersburg. Russia 2016 Hempel Glasmusem. Hempel Glass Prize. Denmark 2015 S12 Gallery and workshop. Bergen Norway “ Familiar Structures “ 2014 Clara Scremini gallery, Paris, France Selected group exhibitions 2019 Musverre. Museum of Contemorary Gasss. “ Glass in Movement”. France 2018 Toyama Glass Art Museum.Toyama International Glass Exhibition 2018. Japan. MINDCRAFT18. Curated by Ditte Hammerstøm organised by Danish Art Foundation exhibition Milan Design Week 2018: the ‘Fuorisalone’ Milan. Italy Shanghai Art Collection Museum. The 8th International Exhibition of Traditional Fine Arts. China A. Petersen .Collection&Craft. Japan Re-Tur. Denmark 2017 “Scandinavian Glass Starting All Over” Glass Museum Ebeltoft. Denmark, The Glass Factory, Boda. Sweden, The Finnish Glass Museum Riichimaki. Finland. Notojima Glass Art Museum”The International Exhibition of Glass Kanazawa”, Ishikawa. Japan Sophienholm,“Glasur”, Lyngby, Denmark “The Glass Project” Berlin. -
The Czech Legal System in European Context
CHARLES UNIVERSITY IN PRAGUE FACULTY OF LAW THE CZECH LEGAL SYSTEM IN EUROPEAN CONTEXT Prague 2004/2005 1 Table of Contents Czech Republic . 5 Prague . 5 The University . 6 The Faculty of Law . 7 Objectives of the Programme . 8 Job Opportunities in Prague . 9 Programme Structure . 9 Academic Calendar . 10 Facilities . 10 Tuition Fee . 11 Admission Requirements . 11 Visa, Accommodation and Insurance . 12 Academic Programme Autumn Term I. Compulsory Courses Constitutional Law . 13 Economic Transformation in the Czech Republic and Central Europe . 15 Private Law . 16 Administrative Law I., II. 18 II. Optional Courses Financial Law . 21 Introduction to Public International Law in the Czech Legal Context . 22 Community European Civil Law . 24 American Legal History . 26 Czech Legal History . 27 An Introduction to the Central European Judicial Culture . 28 2 3 Spring Term Czech Republic I. Compulsory Courses is a wonderful country in the very heart of Europe. Czechoslovakia was founded Theory and Social Context of Human Rights: in 1918, after the collapse of the Austrian-Hungarian Monarchy. After World the Czech Experience . 30 War II, Czechoslovakia fell within the Soviet sphere of influence. In 1968, an invasion by Warsaw Pact troops ended the efforts of the country’s leaders European Law in the Czech-EU Accession Context . 35 to liberalize party rule and create socialism with a human face. Anti-Soviet Commercial Law and International Transactions . 37 demonstrations the following year ushered in a period of harsh repression. Czech Criminal Law . 39 With the collapse of Soviet authority in 1989, Czechoslovakia regained its freedom through a peaceful Velvet Revolution.