The Reckoning, by Robert W
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The Waterside Workers' Federation Film Unit, 1953 - 1958
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year ’We film the facts’: the Waterside Workers’ Federation film unit, 1953 - 1958 Lisa Milner University of Wollongong Milner, Lisa, ’We film the facts’: the Waterside Workers’ Federation film unit, 1953 - 1958, PhD thesis, Communication and Cultural Studies Program, University of Wollongong, 2000. http://ro.uow.edu.au/theses/580 This paper is posted at Research Online. http://ro.uow.edu.au/theses/580 'We Film the Facts': The Waterside Workers' Federation Film Unit, 1953 - 1958 A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY from UNIVERSITY OF WOLLONGONG by Lisa Milner BA (Hons) Communication and Cultural Studies Program 2000 DEDICATION To the memory of Keith Gow (1921-1987) Contents Abstract Acknowledgments ii List of Abbreviations iii Note to the Reader iv List of Illustrations v Prologue: Scepticism and the Film Historian 1 Chapter One: Getting the Message Across: A History of the WWFFU 9 Formation 11 Production 15 Distribution and Exhibition 29 Reviews 42 Re-uses 46 Chapter Two: Blurred Boundaries: Theoretical Approaches 54 Cinema Studies 55 Labour History 60 Cultural Studies 65 Chapter Three: Context: Sydney in the 1950s 76 General Conditions 78 Industrial Context 86 Cultural Context 97 Sydney Screen Culture 121 Chapter Four: Three Films: Case Studies 136 The Hungry Miles 136 Hewers of Coal 158 Not Only the Need 174 Chapter Five: Reflections 194 Thesis Resonances 194 Class and the WWFFU 197 National Identity and the WWFFU 202 Why did the Unit's Work End? 204 Rethinking History and 'Filming the Facts' 208 Appendix A: Filmography 216 Appendix B: Biographies of the WWFFU filmmakers 242 Appendix C: List of Personal Interviews 244 Appendix D: The Wharfies' Film Unit. -
2013 Summary Will Include an Appendix with the By-Laws As They Were Amended in Order for the Fellowship to Have Copies of the Revision
Basic Flow Chart of Group Conscience and Delegated Authority Group to Area Delegate Member to Group →and Delegate → to WSC → WSC to Board Board of Trustees to Input from of Trustees → Executive Committee → Staff Note that the Executive Committee often receives input from the World Service Office staff as it works with projects. And back again Group to Area Delegate Member to Group → and Delegate → to WSC → WSC to Board Board of Trustees to → Input from of Trustees → Executive Committee Staff → Service World Summary Conference This chart shows how both delegated authority and group conscience goes back through the same channels. Communication is what makes the process work. 2013 P-46 TABLE OF CONTENTS Al‑Anon FAMILY GROUPS 2013 WORLD SERVICE CONFERENCE Selected Committees, Work Groups, 3 Thought Forces, Task Forces Sharing Area Highlights 6 Opening Dinner 7 General Sessions Conference Theme and Opening Remarks 8 Welcome from the Board of Trustees 9 Orientation 10 AFG, Inc. vs. AFG the Fellowship 12 Approvals “Our World 2012 Auditor’s Report 12 Service 2013 Budget 13 Conference (WSC) 2012 Annual Report 17 is the active voice and the effective Reports group conscience Colombia and Mexico Trips 25 of our society in International Al‑Anon General Services Meeting 26 world affairs.” International Convention Update 2010-2013 Al-Anon/Alateen 2013 Al‑Anon International 27 Service Manual (P-24/27) Literature Committee Report 28 page 176 Selection of Trustees ©Al-Anon Family Group 2013 Regional Trustee Nominating Process 30 Headquarters, Inc. 2013 Conference Committee on Trustees 31 Nominating Committee and Trustee Affirmation 32 2014 World Service Conference Site 33 Concept Two Discussions, Presentations, and Workshops Changing Area Names 34 The Al-Anon Family Groups have delegated Chosen Agenda Items 35 complete administrative Finance Committee Presentation 41 and operational authority Policy Discussions to their Conference and Memorial Contributions 48 its service arms. -
1956 and ALL THAT: the Making of Modern British Drama
Downloaded by [Central Uni Library Bucharest] at 22:49 23 September 2013 1956 AND ALL THAT Is it possible to look back beyond anger? It is said that British drama was shockingly lifted out of the doldrums by the ‘revolutionary’ appearance of John Osborne’s Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and ‘Binkie’ Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain’s declining Empire and increasing panic over the ‘problem’ of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the making of modern British drama. Plays discussed include: Look Back in Anger, The Entertainer, Personal Enemy, Epitaph for George Dillon—John Osborne; The Kitchen, Chicken Soup With Barley, Roots, I’m Talking About Jerusalem—Arnold Wesker; Johnson Over Jordan—J.B.Priestly; Each His Own Wilderness—Doris Lessing; Serjeant Musgrave’s Dance— John Arden; Cockpit—Bridget Boland; The Shadow Factory—Anne Ridler; A Taste of Honey—Shelagh Delaney; Salad Days—Julian Slade; and Valmouth—Sandy Wilson. Downloaded by [Central Uni Library Bucharest] at 22:49 23 September 2013 Dan Rebellato lectures in Drama and Theatre at Royal Holloway, University of London. -
2017 Annual Festival Concert Programs
1 Table of Contents 10 Philadelphia Youth Orchestra 2016-2017 15 PYO 77th Annual Festival Concert 19 Louis Scaglione: Music Director & Conductor 22 Philadelphia Youth Orchestra Young Composer’s Competition 23 Alan Mackwell: Composer 25 Michael Ludwig: Violin 27 Alexandra Nowakowski: Soprano 29 Eric Rieger: Tenor 31 John Viscardi: Baritone 33 Mendelssohn Club of Philadelphia 38 Philadelphia Boys Choir & Chorale 41 PYO Festival Concert Program Notes 64 Section Leaders of the Philadelphia Youth Orchestra 65 Philadelphia Youth Orchestra Graduating Seniors 66 History of the Philadelphia Youth Orchestra 69 Master Class & Advanced Orchestral Training Program 70 Helen T. Carp Distinguished Service Award 71 Philadelphia Youth Orchestra Ovation Award 72 Season Repertoire 2016-2017 74 Philadelphia Young Artists Orchestra 2016-2017 77 PYAO 22nd Annual Festival Concert 78 Rosalind Erwin: Director & Conductor 79 Danny Bishop: Violoncello 80 PYAO Festival Concert Program Notes 89 Section Leaders of the Philadelphia Young Artists Orchestra 90 Philadelphia Young Musicians Orchestra 2016-2017 92 PYMO Inaugural Festival Concert 93 Kenneth Bean: Director & Conductor 94 Rachel Segal: Associate Director 95 Section Leaders of the Philadelphia Young Musicians Orchestra 96 Bravo Brass 2016-2017 98 Bravo Brass 14th Annual Festival Concert 99 Paul Bryan: Director & Conductor 100 Barry McCommon & Robert Skoniczin: Associate Conductors 101 Bravo Brass Faculty 102 PRYSM and PRYSM Young Artists 2016-2017 104 PRYSM 10th Annual Festival Concert 105 Gloria dePasquale: Director & Conductor 106 Andrea Weber: Conductor, PRYSM Young Artists 107 PRYSM Faculty 110 Tune Up Philly 2016-2017 113 Tune Up Philly 7th Annual Festival Concert 114 Paul Smith: Director & Conductor 115 Tune Up Philly Faculty 120 In Appreciation 2016-2017 131 Season Performance Schedule 2016-2017 132 Auditions 2017-2018 133 Open Rehearsals 2 3 4 5 6 7 8 9 10 11 Philadelphia Youth Orchestra • 2016–2017 Louis Scaglione Music Director and Conductor Violin I Violin II Violoncello Jason Vassiliou, Lily Mell, Daniel J. -
Giblin's Platoon Note on Archival Sources
GIBLIN’S PLATOON THE TRIALS AND TRIUMPHS OF THE ECONOMIST IN AUSTRALIAN PUBLIC LIFE GIBLIN’S PLATOON THE TRIALS AND TRIUMPHS OF THE ECONOMIST IN AUSTRALIAN PUBLIC LIFE WILLIAM COLEMAN SELWYN CORNISH ALF HAGGAR GIBLIN’S PLATOON THE TRIALS AND TRIUMPHS OF THE ECONOMIST IN AUSTRALIAN PUBLIC LIFE WILLIAM COLEMAN SELWYN CORNISH ALF HAGGER Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Coleman, William, 1959- . Giblin’s platoon: the trials and triumph of the economist in Australian public life. Bibliography. Includes index. ISBN 9 20942491 1. ISBN 9 20942505 5 (online). 1. Economists - Australia. I. Cornish, Selwyn. II. Hagger, A. J. (Alfred James). III. Title. 330.994 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Indexed by Robin Ward. Cover design by Brendon McKinley. Cover image: Professor Lyndhurst F. Giblin © Estate of William Dobell. Licensed by Viscopy, Sydney, 2006. This edition © 2006 ANU E Press - reprinted with corrections October 2006 L. F. Giblin 1872–1951 J. B. Brigden 1887–1950 D. B. Copland 1894–1970 Roland Wilson 1904–1996 ‘The civilisation of a country may be judged from its statistics.’ L. F. Giblin ‘Australian history is, of course, largely economic history.’ D. B. Copland ‘Economists are heretics.’ J. B. Brigden ‘A man of stature and personality can hardly be said to die.’ Roland Wilson Table of Contents Preface: .................................................................................................. -
The Thorn Birds Colleen Mccullough
THE THORN BIRDS COLLEEN MCCULLOUGH This is a work of fiction and any resemblance between the characters in this book and real persons is coincidental. A portion of this work originally appeared in Family Circle. Verses from "Clancy of the Overflow" by A. B. Paterson reprinted by permission of the copyright proprietor and Angus and Robertson Publishers. Photograph of the author by Jim Kalett. AVON BOOKS A division of The Hearst Corporation 959 Eighth Avenue New York, New York 10 Copyright (c 1977 by Colleen McCullough Published by arrangement with Harper and Row, Publishers, Inc. Library of Congress Catalog Card Number: 76-26271 ISBN: All rights reserved, which includes the right to reproduce this book or portions thereof in any form whatsoever. For information address Harper and Row, Publishers, Inc., 10 East 53 Street, New York, New York 10 First Avon Printing, June, 1 AVON TRADEMARK REG. U.s. PAT. OFF. AND IN OTHER COUNTRIES, MARCA BEGISTRADA, HECHO EN U.s.a. Printed in Canada for "big sister" Jean Easthope CONTENTS ONE 1915-1917 Meggie 3 TWO 1921-1928 Ralph 65 THREE 1929-1932 Paddy 215 FOUR 1933-1938 Luke 283 FIVE 1938-1953 Fee 427 SIX 1954-1965 Dane 525 SEVEN 1965-1969 Justine 655 There is a legend about a bird which sings just once in its life, more sweetly than any other creature on the face of the earth. From the moment it leaves the nest it searches for a thorn tree, and does not rest until it has found one. Then, singing among the savage branches, it impales itself upon the longest, sharpest spine. -
Conquered City-Victor Serge.Pdf
Victor Serge Conquered City I dedicate this book to my Comrades in France and Spain, For we must try to rescue the true face of the Revolution from oblivion and legend; This is necessary to purge our strength, to obey the highest necessity more freely, not to ask it to justify our errors, to better accomplish what must be accomplished, And so that man will be reborn one day in every man. V.S. 1 The long nights seemed reluctant to abandon the city. For a few hours each day a gray light of dawn or dusk filtered through the dirty white cloud ceiling and spread over things like the dim reflection of a distant glacier. Even the snow, which continued, to fall, lacked brightness. This white, silent, weightless shroud stretched out to infinity in time and space. By three o’clock it was already necessary to light the lamps. Evening deepened the hues of ash, deep blue, and the stubborn gray of old stones on the snow. Night took over, inexorable and calm: unreal. In the darkness the delta resumed its geographical form. Dark cliffs of stone broken off at right angles lined the frozen canals. A sort of somber phosphorescence emanated from the broad river of ice. Sometimes the north winds blowing in from Spitsbergen and farther still – from Greenland perhaps, perhaps from the pole. across the Arctic Ocean, Norway, and the White Sea – gusted across the bleak estuary of the Neva. All at once the cold bit into the granite; the heavy fogs which had come up from the south across the Baltic vanished and the denuded stones, earth, and trees were instantly covered with crystals of frost, each of which was a barely visible marvel composed of numbers, lines of force, and whiteness.