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Bibliography BIbLIOGRAPHY “About | Glow.” Accessed June 2, 2015. http://glowsantamonica.org/about/. Abramson, Cynthia, Myrna Margulies Breitbart, and Pamela Worden. “Art and the Transit Experience/Creating a Sense of Purpose: Public Art and Boston’s Orange Line.” In Common Ground?: Readings and Refections on Public Space, edited by Anthony M. Orum and Zachary P. Neal, 1–10. New York: Routledge, 2010. AGAR. “AGAR.” Accessed June 8, 2020. https://www.theagar.com. Aitken, Doug. “Liquid Architecture: In Conversation with Hans Ulrich Obrist.” In Doug Aitken: 100YRS, 158–59. New York: Rizzoli, 2013. Albu, Cristina. Mirror Affect: Seeing Self, Observing Others in Contemporary Art. Minneapolis: University of Minnesota Press, 2017. Arnold, Alice, and Jason Eppink. “Electric Signs: An Interview with Jason Eppink, the Pixelator.” In Urban Screens Reader, edited by Scott McQuire, Meredith Martin, and Sabine Niederer, 217–20. INC Readers 5. Amsterdam: Institute of Network Cultures, 2009. “Artist’s Antiwar Message Censored.” Art in America, January 1984, 176. Atkinson, Sarah. “Post-Viral Cinema.” In Media Res Coronavirus and Cinematic Experience (June 15, 2020). http://mediacommons.org/imr/content/ post-­viral-­cinema. Augé, Marc. Non-Places: Introduction to an Anthropology of Supermodernity. Translated by John Howe. New York: Verso, 1995. © The Author(s), under exclusive license to Springer Nature 265 Switzerland AG 2021 A. Dell’Aria, The Moving Image as Public Art, Experimental Film and Artists’ Moving Image, https://doi.org/10.1007/978-3-030-65904-2 266 BIBLIOGRAPHY Babcock, Stephen. “7 Startup-Centric Talks to Check out during Labs@Light City 2018.” Technical.ly Baltimore, April 11, 2018. https://technical.ly/ baltimore/2018/04/11/7-­startup-­centric-­talks-­check-­labslight-­city-­2018/. Balsom, Erika. After Uniqueness: A History of Film and Video Art in Circulation. New York: Columbia University Press, 2017. ———. Exhibiting Cinema in Contemporary Art. Amsterdam: Amsterdam University Press, 2013. Barnett, Clive. “Political Affects in Public Space: Normative Blind-Spots in Non-­ Representational Ontologies.” Transactions of the Institute of British Geographers 33, no. 2 (April 2008): 186–200. Barrett, Jennifer. Museums and the Public Sphere. Malden: Wiley-Blackwell, 2012. Barry, Judith. “Adam’s Wish.” In Public Fantasy: An Anthology of Critical Essays, Fictions and Project Descriptions by Judith Barry, edited by Iwona Blazwick, 50–52. London: ICA Editions, 1991. ———. Judith Barry. Body without limits. Salamanca: Da2 Domus Artium, 2013. ———. “The Space That Art Makes / El Espacio Que El Arte Crea.” In Dynamic Equilibrium: In Pursuit of Public Terrain, edited by Sally Yard, 42–61. San Diego: Installation Gallery, 2007. Barthes, Roland. “Leaving the Movie Theater.” (1975) In The Rustle of Language, translated by Richard Howard. Berkeley: University of California Press, 1989. Baudelaire, Charles. The Painter of Modern Life and Other Essays. Translated by Jonathan Mayne. 2nd Revised edition. London: Phaidon Press, 1995. Baudrillard, Jean. “The Ecstasy of Communication.” In The Anti-Aesthetic: Essays on Postmodern Culture, edited by Hal Foster, 145–54. New York: The New Press, 1998. Bazin, André. What Is Cinema? Berkeley: University of California Press, 2005. Benjamin, Walter. “On Some Motifs in Baudelaire.” (1940) In Illuminations: Essays and Refections, edited by Hannah Arendt, translated by Harry Zohn, First Schocken paperback edition., 155–200. New York: Schocken, 1969a. ———. “The Work of Art in the Age of Mechanical Reproduction.” (1935) In Illuminations: Essays and Refections, edited by Hannah Arendt, translated by Harry Zohn, First Schocken paperback edition., 217–51. New York: Schocken, 1969b. Bennett, Jane. The Enchantment of Modern Life: Attachments, Crossings, and Ethics. Princeton: Princeton University Press, 2001. Bennett, Susan. “The Peripatetic Audience.” Canadian Theatre Review, no. 140 (Fall 2009): 8–13. Berry, Chris. “Shanghai’s Public Screen Culture: Local and Coeval.” In Public Space, Media Space, edited by Chris Berry, Janet Harbord, and Rachel O. Moore, 110–34. New York: Palgrave Macmillan, 2013. Bhalla, Anita. Interview by author. Digital recording, July 23, 2013. BIBLIOGRAPHY 267 Birnbaum, Daniel. “That’s the Only Now I Get: Time, Space, and Environment in the Work of Doug Aitken.” In Doug Aitken (Contemporary Artists), edited by Daniel Birnbaum, 38–106. New York: Phaidon Press, 2001. Birnbaum, Dara. “The Individual Voice as a Political Voice: Critiquing and Challenging the Authority of Media,” in Women, Art, and Technology, ed. Judy Malloy, 134–147. (Cambridge: The MIT Press, 2003. ———. “The Rio Experience.” In Illuminating Video: An Essential Guide to Video Art, edited by Doug Hall and Sally Jo Fifer, 189–204. San Francisco: Aperture, 1990. Birnbaum, Dara, Barbara Schröder, and Karen Kelley. “Dara Birnbaum by Barbara Schröder & Karen Kelley – BOMB Magazine,” July 1, 2008. https://bomb- magazine.org/articles/dara-­birnbaum/. Bishop, Claire. “Antagonism and Relational Aesthetics.” October 110 (Fall 2004): 51–79. ———. Artifcial Hells: Participatory Art and the Politics of Spectatorship. London: Verso Books, 2012. BLINK CINCINNATI. “ABOUT.” Accessed April 17, 2020. https://blink2019. com/about/. Bogart, Michele Helene. Artists, Advertising, and the Borders of Art. Chicago: University of Chicago Press, 1999. ———. Sculpture in Gotham. London: Reaktion, 2018. Boltanski, Luc, and Eve Chiapello. The New Spirit of Capitalism. Translated by Gregory Elliott. New York: Verso, 2005. Boros, Diana. Creative Rebellion for the Twenty-First Century: The Importance of Public and Interactive Art to Political Life in America. New York: Palgrave Macmillan, 2012. Boswell, Peter. “Krzysztof Wodiczko: Art and the Public Domain.” In Public Address: Krzysztof Wodiczko, edited by Phil Freshman, 9–26. Minneapolis: Walker Art Center, 1992. Bouman, Margot. “Move along Folks, Just Move along, There’s Nothing to See: Transience, Televisuality and the Paradox of Anamorphosis.” In After the Break: Television Theory Today, edited by Marijke de Valck and Jan Teurlings. Amsterdam: Amsterdam University Press, 2013. ———. “The Temporality of the Public Sphere: Orpheus Descending’s Loop between Art and Culture.” InVisible Culture: An Electronic Journal for Visual Culture, no. 4 (2002), https://ivc.lib.rochester.edu/the-­temporality-­of-­the- ­public-­sphere-­orpheus-­descendings-­loop-­between-­art-­and-­culture/. Bourriaud, Nicolas. Relational Aesthetics. Paris: Les Presses Du Reel, 1998. Brand, Bill. Interview by author, May 3, 2010. 268 BIBLIOGRAPHY ———. “The Artist as Archivist (2004).” In Results You Can’t Refuse: Celebrating 30 Years of BB Optics, edited by Andrew Lampert, 69–78. New York: Anthology Film Archives, 2006. Brasile, Jeanne, and Gianluca Bianchino. Email with Author, May 1, 2020. Bray, Anne. “The Community Is Watching, and Replying: Art in Public Places and Spaces.” Leonardo 35, no. 1 (2002): 15–21. “Brooklyn Magazine.” Television broadcast. WNYC, April 9, 1982. Brougher, Kerry. “Decrystallized Music.” In Doug Aitken: Song 1, edited by Kerry Brougher, Barney Hoskyns, Dean Kuipers, and Doug Aitken, 24–30. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, 2012. ———. Interview by author, November 26, 2013. Brown, Kathryn. “Computer Art and the Cosmopolitan Imagination.” In Interactive Contemporary Art: Participation in Practice, edited by Kathryn Brown, 37–56. New York: I.B. Tauris, 2014. Bruno, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. New York: Verso, 2002. ———. Public Intimacy: Architecture and the Visual Arts. Cambridge: MIT Press, 2007. ———. Surface: Matters of Aesthetics, Materiality, and Media. Chicago: University of Chicago Press, 2014. Buchloh, Benjamin H. D. “From Gadget Video to Agit Video: Some Notes on Four Recent Video Works.” Art Journal 45, no. 3 (September 1, 1985): 217–27. Buckley, Craig. “Face and Screen: Toward a Genealogy of the Media Facade.” In Screen Genealogies: From Optical Device to Environmental Medium, edited by Craig Buckley, Rüdiger Campe, and Francesco Casetti, 73–114. Amsterdam: Amsterdam University Press, 2019. Burczykowski, Ludovic. “The Origins of Projection Mapping.” In Image Beyond the Screen: Projection Mapping, edited by Daniel Schmitt and Ludovic Burczykowski, 3–36. Hoboken: John Wiley & Sons, 2020. Burczykowski, Ludovic, and Marine Thébault. “Ponts of View: Origins, History, and Limits of Projection Mapping.” In Image Beyond the Screen: Projection Mapping, edited by Daniel Schmitt and Ludovic Burczykowski, 69–82. Hoboken: John Wiley & Sons, 2020. Bull, Michael. “Privatizing Urban Space in the Mediated World of iPod Users.” In Public Space, Media Space, edited by Chris Berry, Janet Harbord, and Rachel O. Moore, 248–64. New York: Palgrave Macmillan, 2013. Butler, Alison. Displacements: Reading Space and Time in Moving Image Installations. Palgrave Close Readings in Film and Television. New York: Palgrave Macmillan, 2019. BIBLIOGRAPHY 269 ———. “Sleepwalking from New York to Miami.” In Urban Cinematics: Understanding Urban Phenomena through the Moving Image, edited by François Penz and Andong Lu, 181–95. Bristol: Intellect, 2011. Butler, Judith. Notes Toward a Performative Theory of Assembly. Cambridge: Harvard University Press, 2015. Caillois, Roger. Man, Play and Games. Translated by Meyer Barash. New York: Free Press of Glencoe, 1961. Capps, Kriston. “The Problem With ‘Fast-Casual Architecture.’” Bloomberg City Lab, October 17, 2017. https://www.bloomberg.com/news/ articles/2017-­10-­17/washington-­d-­c-­s-­wharf-­is-­fast-­casual-­design-­so.
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