Japan: Identity, Purpose, Role Challenges of Change and Survival in a Global Era ©
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Katsushika Hokusai and a Poetics of Nostalgia
ACCESS: CONTEMPORARY ISSUES IN EDUCATION 2015, VOL. 33, NO. 1, 33–46 https://doi.org/10.1080/00131857.2014.964158 Katsushika Hokusai and a Poetics of Nostalgia David Bell College of Education, University of Otago ABSTRACT KEYWORDS This article addresses the activation of aesthetics through the examination of cultural memory, Hokusai, an acute sensitivity to melancholy and time permeating the literary and ukiyo-e, poetic allusion, nostalgia, mono no aware pictorial arts of Japan. In medieval court circles, this sensitivity was activated through a pervasive sense of aware, a poignant reflection on the pathos of things. This sensibility became the motivating force for court verse, and ARTICLE HISTORY through this medium, for the mature projects of the ukiyo-e ‘floating world First published in picture’ artist Katsushika Hokusai. Hokusai reached back to aware sensibilities, Educational Philosophy and Theory, 2015, Vol. 47, No. 6, subjects and conventions in celebrations of the poetic that sustained cultural 579–595 memories resonating classical lyric and pastoral themes. This paper examines how this elegiac sensibility activated Hokusai’s preoccupations with poetic allusion in his late representations of scholar-poets and the unfinished series of Hyakunin isshu uba-ga etoki, ‘One hundred poems, by one hundred poets, explained by the nurse’. It examines four works to explain how their synthesis of the visual and poetic could sustain aware themes and tropes over time to maintain a distinctive sense of this aesthetic sensibility in Japan. Introduction: Mono no aware How can an aesthetic sensibility become an activating force in and through poetic and pictorial amalgams of specific cultural histories and memories? This article examines how the poignant aesthetic sensibility of mono no aware (a ‘sensitivity to the pathos of things’) established a guiding inflection for social engagements of the Heian period (794–1185CE) Fujiwara court in Japan. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Positive Psychology – Unmitigated Good, and Pessimism As a Categorical Impediment to Wellbeing
E L C I contrasting phenomena were implicitly T conceptualised as negative, positioned as R intrinsically undesirable. So, for example, A optimism tended to be valorised as an Positive psychology – unmitigated good, and pessimism as a categorical impediment to wellbeing. Some scholars did paint a more nuanced the second wave picture; for instance, Seligman (1990, p.292) cautioned that one must be ‘able Tim Lomas delves into the dialectical nuances of flourishing to use pessimism’s keen sense of reality when we need it’. However, in terms of the broader discourse of the field, and its cultural impact, a less nuanced binary t is nearly 20 years since Martin wellbeing – could be brought together message held sway. Seligman used his American and considered collectively. Thus, as While seemingly offering an upbeat IPsychological Association presidential a novel branch of scholarship focused message – linking positive emotions to address to inaugurate the notion of specifically and entirely on ‘the science beneficial outcomes, such as health ‘positive psychology’. The rationale for its and practice of improving wellbeing’ (Fredrickson & Levenson, 1998) – this creation was Seligman’s contention that (Lomas et al., 2015, p.1347), it was valorisation of positivity was problematic, psychology had tended to focus mainly a welcome new addition to the broader for various reasons. Firstly, it often failed on what is wrong with people: on church of psychology. to sufficiently appreciate the contextual dysfunction, disorder and distress. There However, positive psychology was complexity of emotional outcomes. For were of course pockets of scholarship that not without its critics. A prominent instance, ‘excessive’ optimism can be held a candle for human potential and focus of concern was the very notion harmful to wellbeing (e.g. -
Copyright by Maeri Megumi 2014
Copyright by Maeri Megumi 2014 The Dissertation Committee for Maeri Megumi Certifies that this is the approved version of the following dissertation: Religion, Nation, Art: Christianity and Modern Japanese Literature Committee: Kirsten C. Fischer, Supervisor Sung-Sheng Yvonne Chang Anne M. Martinez Nancy K. Stalker John W. Traphagan Susan J. Napier Religion, Nation, Art: Christianity and Modern Japanese Literature by Maeri Megumi, B.HOME ECONOMICS; M.A.; M.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2014 Acknowledgements I would like to express the deepest gratitude to my advisor and mentor, Dr. Kirsten Cather (Fischer). Without her guidance and encouragement throughout the long graduate student life in Austin, Texas, this dissertation would not have been possible. Her insight and timely advice have always been the source of my inspiration, and her positive energy and patience helped me tremendously in many ways. I am also indebted to my other committee members: Dr. Nancy Stalker, Dr. John Traphagan, Dr. Yvonne Chang, Dr. Anne Martinez, and Dr. Susan Napier. They nourished my academic development throughout the course of my graduate career both directly and indirectly, and I am particularly thankful for their invaluable input and advice in shaping this dissertation. I would like to thank the Department of Asian Studies for providing a friendly environment, and to the University of Texas for offering me generous fellowships to make my graduate study, and this dissertation, possible. -
Noh Theater and Religion in Medieval Japan
Copyright 2016 Dunja Jelesijevic RITUALS OF THE ENCHANTED WORLD: NOH THEATER AND RELIGION IN MEDIEVAL JAPAN BY DUNJA JELESIJEVIC DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in East Asian Languages and Cultures in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Elizabeth Oyler, Chair Associate Professor Brian Ruppert, Director of Research Associate Professor Alexander Mayer Professor Emeritus Ronald Toby Abstract This study explores of the religious underpinnings of medieval Noh theater and its operating as a form of ritual. As a multifaceted performance art and genre of literature, Noh is understood as having rich and diverse religious influences, but is often studied as a predominantly artistic and literary form that moved away from its religious/ritual origin. This study aims to recapture some of the Noh’s religious aura and reclaim its religious efficacy, by exploring the ways in which the art and performance of Noh contributed to broader religious contexts of medieval Japan. Chapter One, the Introduction, provides the background necessary to establish the context for analyzing a selection of Noh plays which serve as case studies of Noh’s religious and ritual functioning. Historical and cultural context of Noh for this study is set up as a medieval Japanese world view, which is an enchanted world with blurred boundaries between the visible and invisible world, human and non-human, sentient and non-sentient, enlightened and conditioned. The introduction traces the religious and ritual origins of Noh theater, and establishes the characteristics of the genre that make it possible for Noh to be offered up as an alternative to the mainstream ritual, and proposes an analysis of this ritual through dynamic and evolving schemes of ritualization and mythmaking, rather than ritual as a superimposed structure. -
Bonsai Pdf 5/31/06 11:18 AM Page 1
Bonsai pdf 5/31/06 11:18 AM Page 1 THE BONSAI COLLECTION The Chicago Botanic Garden’s bonsai collection is regarded by bonsai experts as one of the best public collections in the world. It includes 185 bonsai in twenty styles and more than 40 kinds of plants, including evergreen, deciduous, tropical, flowering and fruiting trees. Since the entire collection cannot be displayed at once, select species are rotated through a display area in the Education Center’s East Courtyard from May through October. Each one takes the stage when it is most beautiful. To see photographs of bonsai from the collection, visit www.chicagobotanic.org/bonsai. Assembling the Collection Predominantly composed of donated specimens, the collection includes gifts from BONSAI local enthusiasts and Midwest Bonsai Society members. In 2000, Susumu Nakamura, a COLLECTION Japanese bonsai master and longstanding friend of the Chicago Botanic Garden, donated 19 of his finest bonsai to the collection. This A remarkable collection gift enabled the collection to advance to of majestic trees world-class status. in miniature Caring for the Collection When not on display, the bonsai in the Chicago Botanic Garden’s collection are housed in a secured greenhouse that has both outdoor and indoor facilities. There the bonsai are watered, fertilized, wired, trimmed and repotted by staff and volunteers. Several times a year, bonsai master Susumu Nakamura travels from his home in Japan to provide guidance for the care and training of this important collection. What Is a Bonsai? Japanese and Chinese languages use the same characters to represent bonsai (pronounced “bone-sigh”). -
Advanced Master Gardener Landscape Gardening For
ADVANCED MASTER GARDENER LANDSCAPE GARDENING FOR GARDENERS 2002 The Quest Continues 11 ADVANCED MASTER GARDENER 2002 LARRY A. SAGERS PROFFESOR UTAH STATE UNIVERSITY 21 ADVANCED MASTER GARDENER 2002 GRETCHEN CAMPBELL • MASTER GARDENER COORDINATOR AT THANKSGIVING POINT INSTITUE 31 ADVANCED MASTER GARDENER 2002 41 ADVANCED MASTER GARDENER 2002 HISTORY OF EARLY GARDENING • Life according to the Bible began in a garden. • Wherever that garden was located that was planted eastward in Eden, there were many plants that Adam and Eve were to tend. • The Garden provided”every tree that is pleasant to the sight and good for food” 51 ADVANCED MASTER GARDENER 2002 HISTORY OF EARLY GARDENING • Other cultures have similar stories. • Stories come from Native Americans African tribes, Polynesians and Aborigines and many other groups of gardens as a place of life 61 ADVANCED MASTER GARDENER 2002 HISTORY OF EARLY GARDENING • Teachings and legends influence art, religion, education and gardens. • The how and why of the different geographical and cultural influences on Landscape Gardening is the theme of the 2002 Advanced Master Gardening course at Thanksgiving Point Institute. 71 ADVANCED MASTER GARDENER 2002 HISTORY OF EARLY GARDENING • Earliest known indications of Agriculture only go back about 10,000 years • Bouquets of flowers have been found in tombs some 60,000 years old • These may have had aesthetic or ritual roles 81 ADVANCED MASTER GARDENER 2002 HISTORY OF EARLY GARDENING • Evidence of gardens in the fertile crescent between the Tigris and Euphrates -
Tokimeku: the Poetics of Marie Kondo's Konmari Method
Flowers, Johnathan. “Tokimeku: The Poetics of Marie Kondo’s KonMari Method.” SPECTRA 7, no. 2 (2020): pp. 5–12. DOI: https://doi.org/10.21061/spectra.v7i2.146 ARTICLE Tokimeku: The Poetics of Marie Kondo’s KonMari Method Johnathan Flowers Worcester State University, US [email protected] Mono no aware is a poetic term developed by Motoori Norinaga to refer to the driving force behind aesthetic works, specifically poetry, and to refer to the human awareness of the qualitative nature of our experience in the world. For Norinaga, the cultivation of mono no aware necessarily leads to heightened sensitivity to both natural and man-made objects. As mono no aware is the natural response of the cultivated heart to the world around us, Norinaga takes it to be fundamental to human experience. Norinaga’s interpretation of the term aware as “to be stirred” bears striking similarities to the concept of “sparking joy” or tokimeku as used by Marie Kondo in her KonMari system. In Japanese, Kondo’s phrase “spark joy” is written as tokimeku, a word whose literal translation means “throb,” “pulsate,” or “beat fast,” as in the heart’s response to anticipation or anxiety. The aim of the present work is to make clear the connection between tokimeku in the KonMari system and Norinaga’s poetics of mono no aware. Specifically, this paper indicates the ways in which the KonMari system functions in line with a tradition of Japanese aesthetics of experience. This philosophy informs Japanese aesthetic practices and is articulated throughout Japanese poetics. This paper places Kondo in conversation with Norinaga’s work on aware and mono no aware towards a conceptualization of the KonMari system as an implement for cultivating a mindful heart. -
The Art of Haiku: Its History Through Poems And
Reviews reviews Selected Haiku, with Essays and Commentary. Part I: 1937–1960, BY +ANEKO 4OHTA 4RANSLATED BY THE +ON .ICHI 4RANSLATION 'ROUP 7INCHESTER 6A 2ED -OON 0RESS PAGES ¼˝ x½˝. 'LOSSY WHITE CARD COVERS PERFECTBOUND )3". 0RICE FROM THE PUBLISHER AT WWWREDMOONPRESSCOM Reviewed by Hiroaki Sato aneko Tôta B WRITES THE KIND OF HAIKU THAT +some of those not in the know — those not familiar with “modern HAIKUv— may find to be clumsy, incompetent, or nothing more than snippets of prose left unfinished. Take the two pieces that the tanka POET )WATA 4ADASHI B exalts as “the masterpieces that FORM THE HIGH PEAKS IN THE HISTORY OF MODERN HAIKUv wankyokushi kashôshi bakushinchi no marathon kareina hakahara join arawani mura nemuri 4HE BOOK UNDER REVIEW GIVES THE NAME AS +ANEKO 4OHTA ON THE GROUND THAT IT IS THE POETS hESTABLISHED STYLE AND THE APPELLATION HE CHOOSES TO USE IN %NGLISH v Kaneko Tohta: Selected Haiku, Part I ) PUT THE TWO WORDS IN QUOTATION MARKS BECAUSE 2ICHARD 'ILBERT THE LEADER of the translation group that produced the book under review, seems to have an odd notion of gendai HAIKU ) EXPECT TO DEAL WITH THE MATTER IN A FUTURE ARTICLE FOR Modern Haiku. )IDA 2Yûta et al., eds., Gendai haiku zenshû )) 4OKYO 2IPPû 3HOBô Modern Haiku 44.1 The first one could easily be a puzzle. Read it simply, without, for ex ample, speculating from the Chinese characters employed what might be meant, and it seems to say, “Curved, burnt, (a or the) marathon at GROUND ZEROv "ECAUSE bakushinchi hGROUND ZERO v STILL MEANS ONLY -
The Dialectics of Well-Being Tim Lomas, Ph.D. Introduction It Is a Real
The Dialectics of Well-being Tim Lomas, Ph.D. Introduction It is a real honour to be standing up here. It is been such a great conference, with such a beautiful spirit. I have heard so many fantastic talks, met many great people, and I feel very honoured that Paul asked me to do a keynote talk, particularly because he has been so influential for me and my colleagues. For instance, our conceptualisation of the second wave of positive psychology is directly influenced by his prior and similar idea of PP 2.0. And beyond that, his scholarship on Eastern philosophies and traditions has been equally important and inspiring. Moreover, Paul is not merely influential, but encouraging and supportive, acting as a mentor figure to me and others, and I would not be standing here without his kind attention. And what I would like to talk about is the dialectics of well-being. More broadly, this presentation is about what we’ve been calling the second wave of positive psychology (PP 2.0). I am going to give you my take on where I see the field as having come from, where it is, and where it might be going. To begin with though, I would briefly like to let you know a bit more about who I am, partly because I feel scholarship is a function of the nature of the person undertaking it, their background, their history, their story, and so on. So, I would like to mention a few things about myself which have fed into the way in which I have approached positive psychology. -
An Ethnographic Study of Parents' Attitudes Toward Language
University of New Orleans ScholarWorks@UNO Senior Honors Theses Undergraduate Showcase 5-2018 Crafting Japanese-ness: An Ethnographic Study of Parents’ Attitudes toward Language Maintenance in a Japanese Community in the United States Lorvelis Amelia Madueño University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/honors_theses Part of the Anthropology Commons Recommended Citation Madueño, Lorvelis Amelia, "Crafting Japanese-ness: An Ethnographic Study of Parents’ Attitudes toward Language Maintenance in a Japanese Community in the United States" (2018). Senior Honors Theses. 111. https://scholarworks.uno.edu/honors_theses/111 This Honors Thesis-Unrestricted is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Honors Thesis-Unrestricted in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Honors Thesis-Unrestricted has been accepted for inclusion in Senior Honors Theses by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Crafting Japanese-ness: An Ethnographic Study of Parents’ Attitudes toward Language Maintenance in a Japanese Community in the United States An Honors Thesis Presented to the Department of Anthropology of the University of New Orleans In Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts, with University High Honors and Honors in Anthropology by Lorvelis Amelia Madueño May 2018 Acknowledgements I would like to gratefully thank everyone at the Japanese Weekend School of New Orleans for their support and collaboration throughout this thesis. -
Japanese Nonconfrontational Conflict Strategies and Their Accompanying Nonverbal Behaviors
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1998 Japanese nonconfrontational conflict strategies and their accompanying nonverbal behaviors Richard P. Meres The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Meres, Richard P., "Japanese nonconfrontational conflict strategies and their accompanying nonverbal behaviors" (1998). Graduate Student Theses, Dissertations, & Professional Papers. 5388. https://scholarworks.umt.edu/etd/5388 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY -t, ' The University of IM L O IM T A N A . Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. ** Please check "Yes" or "No" and provide signature ** Yes, I grant permission No, I do not graj# permission Author’s Signature //L Date Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. J a p a n e s e N onconfrontational C o n f l ic t S t r a t e g ie s A n d T h e i r A ccompanying N o n v e r b a l B e h a v io r s B y R ic h a r d P .