CURRICULUM VITAE Hye Seung Chung, Ph.D.

EDUCATION University of California, 2000–2004 Department of , Television and Digital Media Ph.D.

• Ph.D. dissertation Title: “The Life and Death of a Hollywood Asian: Philip and the Politics of Cross-Ethnic Performativity” Committee: Chon A. Noriega (Chair), Peter Wollen, Nick Browne, Shu-mei Shih Filing Date: Dec. 2004

University of Southern California 1999–2000 School of Cinema and Television Graduate coursework

College of Staten Island/C.U.N.Y. 1997–1999 Cinema Studies M.A.

Ewha Woman’s University, , Korea 1990–1994 English Language and Literature B.A.

EMPLOYMENT • 2015-present: Associate Professor, Department of Communication Studies, Colorado State University • 2011–2015: Assistant Professor, Department of Communication Studies, Colorado State University • 2010–2011: Assistant Professor, Department of English, Oakland University • 2008–2010: Assistant Professor, Department of American Studies, University of Hawaii at Manoa • 2006–2008: Visiting Assistant Professor, Department of Comparative Literature, Hamilton College • 2003–2006: Freeman Postdoctoral Fellow, Department of Asian Languages and Cultures, University of Michigan • 2001–2002: Teaching and Research Assistant, Department of Film, Television, and Digital Media and Chicano Studies Research Center, UCLA • 2000: Teaching Assistant, School of Cinema and Television, Univ. of Southern California

AWARDS, GRANTS, and HONORS • 2017: The Alumnus of the Year Award, UCLA Department of Film, Television, and Digital Media • 2015: Korea Foundation Publication Support Grant for the book Movie Migrations: Transnational Flows and South Korean Cinema • 2015: Named as a “a faculty or staff member who had a positive impact on their experience at Colorado State University” in the graduating senior survey

• 2013-2014: Office of International Programs Faculty Research Travel Grant for the book Compressed Multiculturalism: Migration and Diversity in Korea, Colorado State University • 2013: Communication Studies Capstone Appreciation Award (teaching award), Colorado State Univ.

1 • 2012: Named as a “a faculty or staff member who had a positive impact on their experience at Colorado State University” in the graduating senior survey • 2012: Faculty Development Award, College of Liberal Arts, Colorado State University • 2009: University of Hawaii Endowment for Humanities Summer Research Grant for the book Kim Ki-duk • 2005: Korea Foundation Publication Subsidy for the book Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance • 2005: Second Place Award in the Society for Cinema and Media Studies (SCMS) Student Writing competition • 2003: Third Place Award in the SCMS Student Writing competition • 2002–2003: Research Grant in Ethnic Studies, UCLA Institute of American Cultures • 2001–2002: Plitt Southern Theater Employees Trust Fellowship, UCLA Department of Film, Television and Digital Media • 1998–1999: Unstructured Faculty Organization Scholarship, College of Staten Island, CUNY

PUBLICATIONS

BOOKS • Movie Minorities: Transnational Rights Advocacy and South Korean Cinema [co-authored with David Scott Diffrient] (manuscript under contract, Rutgers University Press) • Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations (Rutgers University Press, 2020) • Movie Migrations: Transnational Genre Flows and South Korean Cinema [co-authored with David Scott Diffrient] (Rutgers University Press, 2015) • Kim Ki-duk [“Contemporary Film Directors” Series] (University of Illinois Press, 2012) • Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance (Temple University Press, 2006)

ESSAYS (Periodicals and book chapters) • “What Price Glory?: Transnational Canon Formations and the Double Encoding of Korean Art Cinema,” The Korean Cinema Book, eds., Julian Stringer and Nikki J.Y. Lee (London: British Film Institute/Palgrave Macmillan, forthcoming) • “Archive Revisionisms: Reevaluating ’s State Film Censorship of the Cold War Era,” The Cold War and Asian Cinema, eds., Man-Fung Yip and Poshek Fu (Routledge, 2020), 174-193 • “3 Iron (2004): A Cinema of Paradoxes,” Rediscovering Korean Cinema, ed. Sangjoon Lee (Ann Arbor: University of Michigan Press, 2019), 408-422 • “Cinema Studies” [co-authored with Dong Hoon Kim, Ji-yoon An, and N. Travis Cabot], Korean Communication, Media, and Culture: An Annotated Bibliography, eds. Kyu Ho Youm and Nojin Kwak (Lanham: Lexington, 2018): 285-312 • “From National to Transnational: A Historiography of Korean Cinema,” Communication, Digital Media and Popular Culture in Korea, eds. Dal Yong Jin and Nojin Kwak (Lanham: Lexington, 2018): 443-468 • “Multiculturalism as ‘New Enlightenment’: The Myth of Hypergamy and Social Integration in Punch,” Journal of Korean Studies, 23: 1 (Spring 2018): 135-152 • “Choi Min-sik in Oldboy” [co-authored with David Scott Diffrient], Close Up: Great Cinematic performances Volume 2: International, eds. Murray Pomerance and Kyle Stevens, (Edinburgh: Edinburgh University Pres, 2018) • “A Cinematic Half-Twist: Art, Exploitation, and the Subversion of Sexual Norms in Kim Ki- duk’s Moebius” [co-authored with David Scott Diffrient], Exploiting East Asian Cinemas:

2 Translation, Circulation, Consumption, eds. Ken Provencher and Mike Dillon (London: Bloomsbury, 2018): 155-171 • “Hollywood Diplomacy and (1944): Preserving Wartime Alliances through Film Regulation,” Historical Journal of Film, Radio and Television 38: 3 (2018): 495-515 • “Postnetwork Television and Netflix’s Gilmore Girls: A Year in Life” [co-authored with David Scott Diffrient], Screwball Television: Critical Perspectives on Gilmore Girls, 2nd ed., ed. David Scott Diffrient (Syracuse: Syracuse University Press, 2017), 345-354 • “The Omnibus Film as Message Picture: Cold War Politics and the Myth of National Unity in It’s a Big Country (1951)” [co-authored with David Scott Diffrient], Historical Journal of Film, Radio and Television, 37:3 (2017): 499-516 • “Hating the Korean Wave in : The Exclusivist Inclusion of Zainichi Koreans in Nerima Daikon Brothers,” Hallyu 2.0: The Korean Wave in the Age of Social Media, eds. Sangjoon Lee and Abe Markus Nornes (Ann Arbor: University of Michigan Press, 2015): 195-211 • “From Saviors to Rapists: G.I.s, Women, and Children in ,” Heroism and Gender in War Films, eds. Jakub Kazecki and Karen Ritzenhoff (New York: Palgrave McMillan, 2014): 115-130 • “The Korean Valentino: Jin Yan (Kim Yŏm), Sino-Korean Unity, and Shanghai Films of the 1930s,” Korean Studies, 37 (2013: published in 2014): 150-170 • “From ‘Me So Horny’ to ‘I’m So Ronery’: Asian Images and Yellow Voices in American Cinema,” Film Dialogue, ed., Jeff Jaeckle (New York: Columbia University Press, 2013): 172- 191 • “From Acacia to The Uninvited: The Adoption Anxiety in Cinema,” Korean Horror Cinema, eds., Daniel Martin and Alison Peirse (Edinburgh: Edinburgh University Press, 2013): 87-100 • “TV Hybridity: Genre Mixing and Narrative Complexity in M*A*S*H,” [co-authored with David Scott Diffrient], Quarterly Review of Film and Video, 29:4 (July 2012): 285-302 • “The Man with No Home: Shane Comes Back in a Korean ‘Manchurian ,’” Westerns: The Essential Journal of Popular Film and Television Collection, ed. Gary Edgerton and Michael Marsden (New York: Routledge, 2012): 288-309 • “The Man with No Home: Shane Comes Back in a Korean ‘Manchurian Western,’” Journal of Popular Film and Television, 39:2 (Summer 2011): 71-83 • “Medium Hot, Korean Cool: Hallyu Envy and Reverse Mimicry in Contemporary U.S. Pop Culture,” Hallyu: Influence of Korean Popular Culture in Asia and Beyond, ed. Do Kyun Kim and Min Sun Kim (Seoul National University Press, 2011): 63-90 • “Escaping Korea: Cultural Authenticity and Asian American Identities in Gilmore Girls,” Screwball Television: Critical Perspectives on Gilmore Girls, ed. David Scott Diffrient (Syracuse University Press, 2010): 165-184 • “Beyond ‘Extreme’: Re-reading Kim Ki-duk’s Cinema of Ressentiment,” Journal of Film and Video, 62: 1&2 (Spring/Summer 2010): 96-111 • “Reinventing the , De-westernizing a French Classic: Genre, Gender, and the Transnational Imaginary in Untold Scandal,” Post Script Special Issue on Reading Contemporary Korean Cinema and Television, ed. Robert Cagle, 27:3 (Summer 2008): 98-114 • “All about Cristina: The Politics of (In)Visibility and New Multiculturalism in Grey’s Anatomy,” Grace under Pressure: Grey's Anatomy Uncovered, ed. Cynthia Burkhead and Hillary Robson (Cambridge Scholars Publishing, 2008): 32-44 • “Forgetting to Remember, Remembering to Forget: The Politics of Memory and Modernity in the Fractured Films of Lee Chang-dong and Hong Sang-soo” [co-authored with David Scott Diffrient], Seoul Searching: Culture and Identity in Contemporary Korean Cinema, ed. Frances Gateward (SUNY Press, 2007): 115-139

3 • “From Die Another Day to ‘Another Day’: The South Korean Anti-007 Movement and Regional Nationalism in Post-Cold War Asia,” Spectator Special Issue on Media Co- Productions and Cultural Negation, 27:2 (Fall 2007), ed. Hyung-Sook Lee: 64-78 • “Portrait of a Patriot’s Son: Philip Ahn and Korean Diasporic Identities in Hollywood” [in Korean], The Aesthetic and Historical Imagination of Korean Cinema, ed. Yonsei Institute of Media Art (Seoul: Sodo Publishing Co., 2006): 93-119 • “Portrait of a Patriot’s Son: Philip Ahn and Korean Diasporic Identities in Hollywood,” Cinema Journal, 45: 2 (Winter 2006): 43-67 • “Interethnic Romance and Political Reconciliation in Asako in Ruby Shoes” [co-authored with David Scott Diffrient], New Korean Cinema, eds., Chi-Yun Shin and Julian Stringer (Edinburgh University Press/NYU Press, 2005): 193-209 • “Hollywood Goes to Korea: Biopic Politics and Douglas Sirk’s Battle Hymn (1957),” Historical Journal of Film, Radio and Television, 25: 1 (March 2005): 51-80 • “Between Yellowphilia and Yellowphobia: Ethnic Stardom and the (Dis)Orientalized Romantic Couple in and King of Chinatown,” East Main Street: Asian American Popular Culture, eds. Shilpa Davé, LeiLani Nishime, and Tasha Oren (NYU Press, 2005): 154-182 • “Minority Filmmakers, Media Institutions, and Press Discourse: A Comparative Analysis” [co- authored], CSRC Research Report, 5 published by UCLA Chicano Studies Research Center (January 2005): 2-14 • “Towards a Strategic Korean Cinephilia: A Transnational Détournement of Hollywood ,” South Korean Golden Age Melodrama: Gender, Genre, and National Cinema, eds. Kathleen McHugh and Nancy Abelmann (Wayne State University Press, 2005): 117-150. • “The Letter of Yanggongju: The Convergence of Psychoanalytic and Postcolonial Theories in Address Unknown” [in Korean], Address Unknown, ed. Yonsei Institute of Media Art (Seoul: Samin Publishing Co., 2002): 44-67 • “Korean Comfort Women Trilogy as Subaltern Autobiography,” Selected Papers in Asian Studies, New Series, 64 (Western Conference of the Association for Asian Studies, 2001): 1- 25 • “From Saviors to Rapists: G.I.s, Women, and Children in Korean War Films,” Asian Cinema, 12: 1 (Spring/Summer 2001): 103-116

REVIEWS/ENCYCLOPEDIA ENTRIES • Book Review of Rising Sun, Divided Land: Japanese and South Korean Filmmakers by Katie E. Taylor-Jones, The Journal of Asian Studies, 73:3 (2014): 831-832 • Encyclopedia Entries, “Philip Ahn” and “Ang Lee,” Asian Americans: An Encyclopedia of Social, Cultural, Economic, and Political History, eds. Xiaojian Zhao and Edward J.W. Park (ABC-CLIO, 2013): 10-11, 757-759 • Film Review of Where Is Ronny…, Journal of Korean Studies, 18:1 (Spring 2013) • “Monster and Empire: Bong Joon-ho’s The Host (2006) and the Question of Anti- Americanism” (film review), Oakland Journal, 20 (Winter 2011): 59-69 • Book review of Countervisions: Asian American Film Criticism (eds. Darrell Y. Hamamoto & Sandra Liu), Film Quarterly, 56: 2 (Winter 2002-2003): 57-59 • “One Culture, Two Cinematic Nations: Korean Cinema” (book review of Hyangjin Lee’s Contemporary Korean Cinema: Identity, Culture, Politics), Film and Philosophy electronic issue, 7: 1 (January 2003) [http://www.film-philosophy.com]

TEACHING

Associate Professor (Department of Communication Studies, Colorado State University) • Spring 2020 SPCM 455: Narrative Fiction Film as a Liberal Art (Cinema’s Dark

4 Masters: The Films of Alfred Hitchcock and Stanley Kubrick) HONR 392: Contemporary East Asian Cinema • Fall 2019 SPCM 356: Asians in the U.S. Media SPCM 792C: Media, Minorities, and Multiculturalism • Summer 2019 SPCM 382C/HIST382C/HONR 392: South Korea: Cinema, History, and Culture (Study Abroad at Ewha Woman’s University) • Spring 2019 SPCM 358: Gender and Genre in Film (Hollywood Musicals and Westerns) HONR 392: Contemporary East Asian Cinema • Fall 2018 SPCM 354: History and Appreciation of Film (American Film History) SPCM 646: Media Theory • Spring 2018 SPCM 479: Communication Capstone (Media Activism) HONR 392: Contemporary East Asian Cinema • Summer 2017 SPCM 356: Asians in the U.S. Media • Spring 2017 SPCM 357: Film and Social Change (The Cold War and the War on Terror in Film and Television) SPCM 650: Contemporary Issues in Media (Media Censorship, Ethics, and Regulation) • Summer 2016 SPCM 350: Evaluating Contemporary Film (online) • Spring 2016 SPCM 455: Narrative Fiction Film as a Liberal Art (Cinema’s Dark Masters: The Films of Alfred Hitchcock and Stanley Kubrick) SPCM 342: Critical Media Studies

Assistant Professor (Department of Communication Studies, Colorado State University) • Summer 2015 SPCM 350: Evaluating Contemporary Film (online) • Spring 2015 SPCM 356: Asians in the U.S. Media SPCM 350: Evaluating Contemporary Film (Recent Trends in Int’l Film) • Fall 2014 SPCM 354: History and Appreciation of Film (American Film History) SPCM 646: Media Theory (graduate) • Summer 2014 SPCM 350: Evaluating Contemporary Film (online) • Spring 2014 SPCM 357: Film and Social Change (The Cold War and the War on Terror in Film and Television) SPCM 495: Independent Study • Fall 2013 SPCM 354: History and Appreciation of Film (American Film History) SPCM 646: Media Theory (graduate) SPCM 384: Supervised College Teaching • Summer 2013 SPCM 350: Evaluating Contemporary Film (online) • Spring 2013 SPCM 342: Critical Media Studies SPCM 350: Evaluating Contemporary Film (Recent Trends in Int’l Film) • Fall 2012 ETST 320: Ethnicity and Film: Asian American Experience SPCM 646: Media Theory (graduate) SPCM 384: Supervised College Teaching • Summer 2012 SPCM 350: Evaluating Contemporary Film (online) • Spring 2012 SPCM 342: Critical Media Studies SPCM 357: Film and Social Change ( and ) SPCM 684: Supervised College Teaching • Fall 2011 SPCM 342: Critical Media Studies SPCM 496: Group Study (The Cold War in American Film and Television)

Assistant Professor (Department of English, Oakland University) • Winter 2011 ENG 260: Masterpieces of World Cinema: East Asia

5 CIN 450: The Cold War in American Film and Television (capstone) • Fall 2010 CIN 302: History of Film: The New Wave and Beyond CIN 315: Film Theory and Criticism

Assistant Professor (Department of American Studies, University of Hawaii at Manoa) • Spring 2010 AMST 352: Screening Asian Americans AMST 451: Popular Culture: The Cold War in American Film & Television • Fall 2009 AMST 250: American Film History AMST 632: Mass Media: Global Popular Culture (graduate) • Summer 2009 Contemporary Korean Cinema (Ewha International Summer School, Seoul) • Spring 2009 AMST 352: Screening Asian Americans AMST 656: Film in America: Major Paradigms in Criticism and Theory (graduate) • Fall 2008 AMST 250: The Hollywood Century

Visiting Assistant Professor (Department of Comparative Literature, Hamilton College) • Spring 2008 CPLIT 331: Comparative Film Melodrama: East-West • Fall 2007 CPLIT 247: Popular Culture Trends in Asia CPLIT 261: History of Hollywood Cinema • Spring 2007 CPLIT 254: Asians in American Film and Television CPLIT 308: History of Korean Cinema • Fall 2006 CPLIT 203: Contemporary East Asian Cinema

Postdoctoral Fellow (Department of Asian Languages and Cultures, University of Michigan) • Winter 2006 AS 455/FV 366: Contemporary East Asian Cinema • Winter 2005 AS 380/FV 455: Asians in American Film • Fall 2004 AS 455/FV 441: Gender and Society in Korean Cinema • Winter 2004 AS 380/FV 366: Cinema, Popular Culture, and the Korean War

Teaching Assistant (UCLA Department of Film, Television and Digital Media) • Winter 2002 FTV 114: Film : The Musical, the Melodrama, and the Western • Fall 2001 FTV 112: Film and Social Change • Spring 2001 FTV 106A: History of American Motion Pictures

Teaching Assistant (USC School of Cinema and Television) • Spring 2000 CTCS 192: Race, Class and Gender in American Film

PRESENTATIONS

Invited Talks/Guest Lectures • “Archive Revisionisms: Reevaluating South Korea’s State Film Censorship of the Cold War Era,” Transnational Korean Cinema & Media Conference, University of North Carolina, Chapel Hill, March 28-29, 2019 • “From National to Transnational: A Historiography of Korean Cinema,” Korean Communication Research and Practice: Looking Back, Looking Forward, University of Hawaii, July 27-28, 2017

6 • “Powers of the False and Real Fiction: Migrant Workers in Contemporary Korean ” (Keynote Speech), Korean Screen Culture Conference, University of Hamburg, Germany, June 16-17, 2017 • Guest lecture on the Cuban Missile Crisis and Stanley Kubrick’s Dr. Strangelove (1964) in Prof. David Scott Diffrient’s SPCM 356: Gender and Genre in Film, Summer 2016, Colorado State University, May 26, 2016 • “Powers of the False and Real Fiction: Migrant Workers in Contemporary Korean Mockumentaries,” Transnational Humanities in Korean Studies, Australian National University, May 19-20, 2016 • Guest lecture on the U.S. War on Terror and detention/torture/drone policy in Prof. David Scott Diffrient SPCM 357: Film and Social Change, Spring 2016, Colorado State University, April 25, 2016 • “Hollywood Diplomacy and The Purple Heart (1944): Preserving Wartime Alliances through Film Regulation,” Faculty Colloquium, Department of Communication Studies, Colorado State University, September 23, 2015 • “Chinese Woman’s Film and Spring in a Small Town (1948),” SPCM 354: History and Appreciation of Film, Fall 2015, Colorado State University, September 2, 2015 • Guest lecture on Korean horror cinema in Prof. David Scott Diffrient’s SPCM 358: Gender and Genre in Film, Fall 2014, Colorado State University, December 3, 2014 • “The Politics of Transnational Korean Genre Films: Park Chan-wook's Oldboy and Bong Joon-Ho's The Host,” Korean Film Series by the Center for Asian Studies and International Film Series, University of Colorado, Boulder, October 3, 2014 • “Contemporary South Korean Cinema’s ‘Unconditional Hospitality’: An Ethics of the Host in Bandhobi,” Crosscurrents of the Korean Wave II, Ewha Womans University, May 30-31, 2014 • Guest lecture on the Propaganda Model and media citizenship, Prof. Elizabeth Williams’s SPCM 479: Communication Studies Capstone, Fall 2013, Colorado State University, September 30, 2013 • “Kim Ki-duk: The Cinema of Ressentiment,” Ressentiment, Affective Extremes, Blue-Collar Blues Workshop, Korea National University of Arts, May 25, 2012 • “Kim Ki-duk: The Cinema of Ressentiment” (Keynote Speech), Sensual Excess and the ‘Body’ of Film: Subversive Images and Narrative Strategies in Contemporary Korean Cinema: 13th Laterna Film Academy Korean Film Conference, Pecs, Hungary, March 26-30, 2012 • “The Korean Rudolph Valentino: Jin Yan (Kim Yŏm), Colonial Masquerade, and Shanghai Films of the 1930s,” Tapestry of Modernity: Urban Cultural Landscapes of Colonial Korea, 1920s-1930s, University of Hawaii Center for Korean Studies, February 16-17, 2012 • “Genre Flows: Rethinking Transnationalism through Korean Cinema,” The BC Institute for the Liberal Arts and American Studies Lecture, Boston College, May 2, 2011 • “The Man with No Name: Shane Comes Back in a Korean ‘Manchurian Western’,” North American Workshop on Korean Literature (NAOKOL), University of Michigan, October 14- 16, 2010 • “All about Cristina: The Politics of Black-Korean Romance and New Multiculturalism in Grey’s Anatomy,” International Cultural Studies Speaker Series, Fall 2009, University of Hawaii at Manoa, October 21, 2009 • Guest lecture on film performance in Prof. Todd Berliner’s FST 200: Introduction to Film Study, Spring 2009, University of North Carolina at Wilmington, February 2, 2009 • Guest lecture on images of Asians/Asian Americans in American media in Prof. Jang Hyun Kim’s SP 454: Political Communication, Fall 2008, University of Hawaii at Manoa, October 31, 2008 • “Beyond ‘Extreme’: Re-reading Kim Ki-duk’s Cinema of Ressentiment.” Center for Korean Studies Colloquium Series, Fall 2008, University of Hawaii at Manoa, October 23, 2008

7 • Guest lecture on Orientalism in Hitchcock’s films in Prof. David Scott Diffrient’s SPCM 455: The Art and Legacy of Alfred Hitchcock, Spring 2008, Colorado State University, March 24, 2008 • “Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance,” Dartmouth College, February 18, 2008 • “Between Morality and Politics: The Double Edge of American Film Censorship, 1934-1945,” Comparative Literature Colloquium Series, Fall 2007, Hamilton College, November 19, 2007 • “A Perpetually Pending Ending: The Deferred Temporality of Korean War Films, from Golden Age Classics to New Korean Blockbusters,” Asian Studies Spring Colloquium Series, Michigan State University, February 28, 2006 • “The Untranslatables: Cultural Specificity in Transnational Korean Cinema,” Trajectories of Korean Cinema Studies Workshop, University of California, Irvine, April 21, 2005 • Lecture and film screening of Daughter of Shanghai in celebration of the centennial of Philip Ahn’s birth, Korean Studies Colloquium Series, University of Michigan, March 17, 2005 • “Reinventing Historical Drama: Valmont Meets Chosŏn in Untold Scandal,” Korean Historical Film Workshop, New York University, March 4, 2005 • “Philip Ahn and Korean Diasporic Identities in Hollywood,” Transnational Korea Workshop, University of Illinois, Urbana-Champaign, December 5, 2003 • “Portrait of a Patriot’s Son: Philip Ahn and Korean Diasporic Identities in Hollywood,” The Aesthetic and Historical Imagination of Korean Cinema (International conference), Yonsei University, Seoul, South Korea, October 1, 2003

Conferences • “Beyond Anti-Communism and National Propaganda: Cold Censorship as a Collaborative Process of Cultural Regulation,” Three Eight: Korean Literature and the Division System, University of Michigan, Ann Arbor, November 22-23, 2019 • “The Rise of Rights Advocacy Cinema in Post-Authoritarian South Korea,” A Century of Global Cinema, LW Convention Center, Seoul, October 23-25, 2019 • Respondent to “Depth of Evil, World of Crimes” Panel, Korean Film Workshop, Center for Korean Studies, University of California, Berkeley, May 24-25, 2019 • “Creating a ‘Cheerful’ Cinema: South Korea’s Cold War Regimes and State Film Censorship, 1960s-1980s,” Korean Literature Association Annual Workshop, University of Minnesota, Minneapolis, October 26-27, 2018 • “Towards an Intimate, Ethical Witnessing of Torture and Inhumanity in Repatriation (2003),” Korean Screen Culture Conference, University of Helsinki, Finland, May 24-25, 2018 • “Censorship as Cultural Resistance: The Chinese Government’s ‘Uplift’ of National Images in 1930s Hollywood,” Society for Cinema and Media Studies Conference, Toronto, March 14-18, 2018 • “The Interview as a Millennial The Great Dictator?: Rethinking Foreign Relations and Film Regulation through the Sony Crisis,” Society for Cinema and Media Studies Conference, Atlanta, March 30-April 3, 2016 • Respondent to “The Asia Foundation and Korean Film” Panel, Korean Film & Culture Workshop, Center for Korean Studies, University of California, Berkeley, July 15-16, 2016 • “Banishment as Vanishment: Invisible Deportation and the Restoration of Social Order in Korean Multicultural Films,” The Invisible: Asia.Theory.Visuality Conference, Princeton University, November 13-14, 2015 • “Multiculturalism as a New Enlightenment: The Hegemonic Narrative of Social Integration in Punch,” Korean Screen Culture Conference, University of Copenhagen, Denmark, May 29-30, 2015 • “Into ‘Spreadable’ Spaces: The Digital (After)Life of Korean Cinema,” Korean Film Workshop, Center for Korean Studies, University of California, Berkeley, June 23-24, 2014

8 • “Trapped, Terrorized, Traumatized: The Transnational Meanings of Oldboy’s Detention Narrative,” Society for Cinema and Media Studies Conference, Seattle, March 19-23, 2014 • “Trapped, Terrorized, Traumatized: The Transnational Meanings of Oldboy’s Detention Narrative,” Western State Communication Associations Conference, Anaheim, CA., February 14-18, 2014 • “Contemporary South Korean Cinema’s ‘Unconditional Hospitality’: An Ethics of the Host in Bandhobi,” Years of Radical Change: Korean Screen Culture Conference, University of London, May 31-June 1, 2013 • “In Search of Self (in Others): Recent Trends in Korean Multicultural Films,” Society for Cinema and Media Studies Conference, Chicago, March 6-10, 2013 • “Hating the Korean Wave in Japan: The Exclusivist Inclusion of Zainichi Koreans in Nerima Daikon Brothers,” Hallyu 2.0: The Korean Wave in the Age of Social Media Conference, University of Michigan, April 6, 2012 • Respondent to the “Transnational Perspectives on Korean Cinema” Panel, Society for Cinema and Media Studies Conference, New Orleans, March 10-13, 2011 • “The Nervous Laughter of Vanishing Fathers: Modernization Comedies of 1960s Korean Cinema,” Society for Cinema and Media Studies Conference, New Orleans, March 10-13, 2011 • “Between Misogyny and Neofeminism: The Female Body and the Semiotic Poetics of Kim Ki-duk’s Cinema,” Korean Cine-Media and the Transnational Workshop, New York University, November 11-14, 2010 • “From the ‘Ugly’ to the ‘Weird’: The Hideous Hybridity of Korean Manchurian Westerns,” Society for Cinema and Media Studies Conference, Los Angeles, March 17-21, 2010 [Panel Chair: “Transnational Korean Cinema”] • “Hallyu Envy and Reverse Mimicry in Contemporary U.S. Pop Culture,” Josai International University Media Studies Department Media Workshop, May 23, 2009 • “Medium Hot, Korean Cool: Meaningful Multilingualism and Techno-Fetishism in American Film and Television,” Association for Asian American Studies, Honolulu, HI, April 22-26, 2009 • “From Philip Ahn to Sandra Oh: Korean Images in Hollywood,” Trans-Cultural Studies in the Pacific Era, Ewha Institute of English and American Studies, Seoul, South Korea, November 19, 2008 • “Hooking the Audience: The Repulsive Attraction of Kim Ki-duk’s Yopgi Cinema,” Society for Cinema and Media Studies Conference, Chicago, March 8-11, 2007 [Panel Chair: “‘Extreme’ East Asian Cinema and Canons”] • “Ally or Enemy?: Hollywood’s Conflicting Korean Images during World War II,” Association for Asian Studies Annual Meeting, San Francisco, April 6-9, 2006 [Panel Chair: “Images of Korea and Koreans in American Media, 1945-2005”] • “Postcolonial Intertextuality: Sports and Nationalism in and South Korean Cinemas,” Society for Cinema and Media Studies Conference, Vancouver, Canada, March 2-5, 2006 • “Taming a Dangerous Woman: Gender Politics and the Cross-cultural Transformations of Untold Scandal,” Association for Asian Studies Annual Meeting, Chicago, March 31-April 3, 2005 [Panel Chair: “Korean Cinema: Texts and Contexts, from Post-Liberation to the Post- IMF Eras”] • “The Audience Who Knew Too Much: Oriental Masquerade and Ethnic Recognition among Asian Americans,” Society for Cinema and Media Studies Conference, Atlanta, Georgia, March 4-7, 2004 • “There is No Woman (Like the Other Woman): Gender, Ethnicity and Transmigrational Couple in Asako in Ruby Shoes,” Screen Studies Conference, Glasgow University, Scotland, July 4-6, 2003

9 • “‘Ours Is the Thanks That You Are with Us’: Genuflectory Encounters between East and West in Battle Hymn,” 4th Annual War and Media Conference, Graceland University, Independence, Missouri, February 27-March 1, 2003 • “The Railroad-Tracks of Reversed Time and Perverse History: Narrating Postcolonial Memories in ,” Shadows of the Modern: Social Change and New Korean Cinema, University of Southern California, Los Angeles, February 17, 2001 • “Korean Comfort Woman Trilogy as Subaltern Autobiography: The Murmuring, Habitual Sadness, and My Own Breathing,” Western Conference of the Association for Asian Studies, California State University, Long Beach, October 7, 2000 • “Seeing the Korean War through Korean Eyes: Gender, Nation, and Identity in Silver Stallion and Spring in My Hometown,” Asian Cinema Studies Society Conference, University of Oklahoma, Norman, May 19-21, 2000

UNIVERSITY/DEPARTMENT SERVICE

Colorado State University • Member of the Executive Committee, 2018-2020 • Member of the Tenure and Promotion Committee, 2015-present • The College of Liberal Arts Representative to the Faculty Council’s Committee on Libraries, 2017-2020 • PhD comps exam administration/evaluation, Brad Kaye (Journalism and Media Communication), Fall 2019 • A speaker for the “How to Write A Successful Book Proposal” Panel, College of Liberal Arts, November 13, 2019 • Introduced (2014) for the Department of Languages, Literatures, and Cultures’ Korean Film Night, September 10, 2019 • Chair of the Research and Engagement Working Group for the Communication Studies Six- Year Review (2012-2017), Fall 2018 • Member of the Communication Department Special Instructor Committee, 2017-2018 • Speaker at the “How to Write a Successful Book Proposal” Brown Bag Event, College of Liberal Arts, March 2, 2017 • Honors Thesis Advisor for Austin Knauer (English, 2017): “La Petite Mort: Feminism and Sexuality in Contemporary Horror Cinema” • MA Thesis Outside Member for Aaunterria Bollinger (Ethnic Studies, 2018): “Colonization Enslavement in the Iron Throne” • MA Thesis Inside Member for Clarence Sanon (Communication, 2018): “Productive Self- Advocacy: How Kayne West and Kendrick Lamar Communicate Black Sovereignty” • MA Thesis Outside Member for Ge Ge (Student Affairs in Higher Education, 2017) • MA Thesis Outside Member for Dexter Artienda (Student Affairs in Higher Education, 2017) • MA Thesis Committee Chair and Main Advisor for Chance Lachowitzer (Communication, 2017): “(Re)defining Movie Ratings: Accessibility, Access, and Boundary Maintenance” • MA Thesis Outside Member for Kristen Mullen (English, 2016) • MA Thesis Outside Member for Joni Hayward (English, 2016) • MA Thesis Outside Member for Nicole Faildo (Student Affairs in Higher Education, 2016) • Independent Study Advising for Film Studies Minors (Spring 2014): Nicholas Reese (Political Science, 2014) and Emma Townsend (Communication, 2014) • MA Thesis Committee Chair and Main Advisor for Brad Kaye (Communication, 2014): “Reality, Fantasy, and Cultural Dissonance in Rape-Revenge Cinema” • MA Thesis Outside Member for Sookhee Jeong (TEFL/TESL, 2013)

10 • MA Thesis Committee Chair and Main Advisor for Jennifer Cox (Communication, 2013): “Gender and Genre in Joss Whedon’s Dr. Horrible’s Sing-Along Blog” • MA Thesis Inside Member for Desideria Murti (Communication, 2013): “Reading the Visual Productions of the Atheist Movement in the Blogosphere” • MA Thesis Outside Member for Jaedeok Eom (English, 2013): “Space and Diasporic Identities in Theresa Hak Kyung Cha’s Dictee” • Honors Thesis Advisor for Jennifer Sheldon (Communication, 2013): “From Feminism to Environmentalism: Using Fantasy as an Analogy in Hayao Miyazaki’s Spirited Away and Princess Mononoke” • Led post-screening Q&A for Leon Lee’s Letter from Masanjia (2018) at the Lyric, Fort Collins, ACT Human Rights Film Festival, April 12, 2019 • Introduced the film Complicit (2017) and moderated the Q&A session, ACT Human Rights Film Festival, April 13, 2018 • Introduced the film Apology (2016) and led the community screening at Harmony Library, Fort Collins, ACT Human Rights Film Festival, April 11, 2017 • Introduced the film Planet of Snail (2011) and led the community screening at Harmony Library, Fort Collins, ACT Human Rights Film Festival, April 17, 2016 • ACT Human Rights Film Festival Programming Committee, 2015-2016, 2017-Present • Participated in a focus group meeting for the CSU Course Evaluation Redesign Project, October 14, 2015 • Graduate Coordinator Search Committee, Spring 2015 • Served as a faculty judge for the Celebrate Undergraduate Research and Creativity (CURC) Showcase, April 15, 2014 • Media Studies Minor Advisor, 2013-2016 • Chair of the Prerequisite Committee (Special Curriculum Committee): Spring 2013 • Media Studies Search Committee, Fall 2012 • Member of the College of Liberal Arts Curriculum Committee: 2012-2015 • Communication Studies Curriculum Representative: 2012-2015 • Member of the College of Liberal Arts Scholarship Committee: 2012-2013, 2016-2017 • Chair of the Communication Department Scholarship Committee: 2012-2013, 2016-2017 • Member of the Communication Department Scholarship Committee: 2011-2012, 2015-2016

Oakland University • Member of the Cinema Studies Committee: 2010-2011 • Member of the Undergraduate Programs Committee: 2010-2011

University of Hawaii at Manoa • Served on the MA Committee for Megan Kanemaru (Center for Japanese Studies, 2009) and advised her thesis paper entitled “Turbulent Waters: Limitations of the Korean Wave in Japan- Korea Relations,” Defense Date: May 26, 2009 • Selection Committee Member, Hands of Hope Scholarships and the Danny Kahala Hilton Hotel Scholarship, College of Arts and Humanities: Fall 2008 • Member of the Humanities Council: 2009-2010 • Associate Member of the Center for Korean Studies: 2008-2010 • Member of the Tech Committee in the Department of American Studies: 2009-2010 • Member of the Assessment Committee in the Department of American Studies: 2009-2010 • Member of the Curriculum Committee in the Department of American Studies: 2008-2010

Hamilton College

11 • Advised a senior thesis of William Traufler (Asian Studies, 2008) entitled “Koreeda Hirokazu: An Analysis of the Theory and its Application to the Works of a Japanese Director and Documentarian” • Organized and hosted the Korean Film Series Fall 2007 • Member of the Asian Studies Committee: 2006-2008

University of Michigan • Member of the Korean Studies Program Executive Committee and participated in KSP meetings and events: 2003-2006 • Contributed to building up the Korean media collection (at the U-M Askwith Media Library and the Donald Hall Collection) and the Korean film book/magazine collection (at the U-M Asia Library): 2003-2006 • Programmed the Korean entries for the International Institute’s Asian Film Fridays Series, University of Michigan: Fall 2005 & Winter 2006 • Organized the screening of Asian American The Grace Lee Project (2005) and led post-screening Q&A with director Grace Lee, March 16, 2006 • Organized the screening of Korean independent documentary film Repatriation (2004) and led post-screening Q&A with director Kim Dong-won in celebration of Korea Peace Day, November 10, 2005 • Organized and hosted the Korean Film Winter 2004 Series [“History, Memory, Modernity: Twentieth Century Korea Seen through Korean Cinema”] and Fall 2004 Series [“What’s ‘New’ about New Korean Cinema?: Genre Reinvention and Aesthetic Innovation”]

SERVICE TO THE FIELD • Advisory board member for the Journal of Japanese and Korean Cinema, 2018-present • Editorial board member of Brill’s Philosophy of Film Series, Fall 2014-present • Editorial board member for Hong Kong University Press’ Crossings: Asian Cinema and Media Culture, Spring 2019-present • Editorial board member for Communication and Critical/Cultural Studies, 2019-2021 • Co-editor for the Journal of Japanese and Korean Cinema, 2014-2017 • Editorial board member of the Journal of Japanese and Korean Cinema (chief editors David Desser and Francis Gateward), 2009-2014 • Provided career/dissertation mentoring for Jahyon Park, a Cornell Univ PhD student, in the mentoring workshop, A Century of Global Cinema, LW Convention Center, Seoul, October 24, 2019 • Peer reviewed an essay on for Communication and Critical/Cultural Studies (editor Greg Dickinson), Spring 2019 • Peer reviewed an essay on documentary films for Interventions: International Journal of Postcolonial Studies (guest editors Sreyoshi Sarkar and Hella Cohen), Summer 2019 • Peer reviewed an essay on a Korean film for The Journal of Japanese and Korean Cinema (guest editor Barbara Hall), Spring 2019 • Expert reviewed an essay on humor and film adaptation for CSU’s Journal of Undergraduate Research (editor Zackery Shepherd), Spring 2019 • Peer reviewed an essay on the film festival for Communication and Critical/Cultural Studies (editor-elect Greg Dickinson), Fall 2018 • Peer reviewed an essay on Asian film genres for Asian Cinema (editor Tan See Kam), Fall 2018 • Peer reviewed a book proposal on Asian cinema for Routledge, Spring 2018

12 • Presented in the Creative Conversation panel sponsored by the Denver Project for Humanistic Inquiry (on Korean film director Hong Sang-soo) as a part of the 2017 Denver International Film Festival • Peer reviewed an essay on contemporary Korean film for Cinema Journal (editor Caetlin Benson-Allott, Fall 2017 • Peer reviewed a book manuscript on Korean cinema for University of California Press, Fall 2017 • Peer reviewed a book manuscript on Korean cinema for Columbia University Press, Summer 2017 • Peer reviewed an essay on contemporary American cinema for CLCWeb: Comparative Literature and Culture (associate editor Oded Nir), Spring 2017 • Introduced Kim Ki-duk’s 3-Iron (2004) and led post-screening Q&A, Mayan Theater, Denver, July 20, 2016 • Peer reviewed a book proposal on Golden Age Korean cinema for the University of California Press, Summer 2016 • Peer reviewed an essay on contemporary Korean film for Journal of Korean Studies, Summer 2016 • Peer reviewed an essay on the Asian Western for Asian Cinema, Spring 2016 • Interviewed with NPR (KPCC Los Angeles)’s AirTalk on the effects of Sony’s The Interview scandal on December 2, 2014 • Peer reviewed an essay on Korean American home movies for American Quarterly (editor Mari Yoshihara), Spring 2015 • Peer reviewed an essay on Americanism and masculinity in South Korea for NORMA: International Journal for Masculinity Studies (editor Lucas Gottzén), Fall 2014 • Peer reviewed an essay on New Korean cinema for Acta Koreana (associate editor Kimberly Chung), Fall 2013 • Peer reviewed an essay on the Malaysian reception of Asian soap operas for Communication and Critical/Cultural Studies (editor Kent Ono), Fall 2013 • Provided career consultation for Dr. Shira Segal (a film studies lecturer at University of Colorado, Boulder) as a volunteer mentor for the Society for Cinema and Media Studies (SCMS) Women’s Caucus mentoring program: Fall 2013-Spring 2014 • Peer reviewed an essay on East Asian co-productions for Transnational Cinemas (guest editor Jungbong Choi), Fall 2011 • Peer reviewed an East Asian film book proposal for Routledge, Fall 2011 • Peer reviewed an essay on female stardom in South Korean Golden Age cinema for the Journal of Japanese and Korean Cinema (editors David Desser, Frances Gateward), Spring 2009 • Peer reviewed essays on Korean television dramas and the screen culture during the U.S. military occupation for Korean Studies (editor Hagen Koo), Spring and Fall 2009 • Peer reviewed an essay on Classical Hollywood stardom for Biography: An Interdisciplinary Quarterly (editors Cynthia Franklin, Laura Lyons), Spring 2009 • Peer reviewed an essay on Asian American masculinity in American television for Journal of Asian American Studies (executive editor Huping Ling), Fall 2008

13