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CURRICULUM VITAE Hye Seung Chung, Ph.D

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CURRICULUM VITAE Hye Seung Chung, Ph.D CURRICULUM VITAE Hye Seung Chung, Ph.D. EDUCATION University of California, Los Angeles 2000–2004 Department of Film, Television and Digital Media Ph.D. • Ph.D. dissertation Title: “The Life and Death of a Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performativity” Committee: Chon A. Noriega (Chair), Peter Wollen, Nick Browne, Shu-mei Shih Filing Date: Dec. 2004 University of Southern California 1999–2000 School of Cinema and Television Graduate coursework College of Staten Island/C.U.N.Y. 1997–1999 Cinema Studies M.A. Ewha Woman’s University, Seoul, Korea 1990–1994 English Language and Literature B.A. EMPLOYMENT • 2015-present: Associate Professor, Department of Communication Studies, Colorado State University • 2011–2015: Assistant Professor, Department of Communication Studies, Colorado State University • 2010–2011: Assistant Professor, Department of English, Oakland University • 2008–2010: Assistant Professor, Department of American Studies, University of Hawaii at Manoa • 2006–2008: Visiting Assistant Professor, Department of Comparative Literature, Hamilton College • 2003–2006: Freeman Postdoctoral Fellow, Department of Asian Languages and Cultures, University of Michigan • 2001–2002: Teaching and Research Assistant, Department of Film, Television, and Digital Media and Chicano Studies Research Center, UCLA • 2000: Teaching Assistant, School of Cinema and Television, Univ. of Southern California AWARDS, GRANTS, and HONORS • 2017: The Alumnus of the Year Award, UCLA Department of Film, Television, and Digital Media • 2015: Korea Foundation Publication Support Grant for the book Movie Migrations: Transnational Genre Flows and South Korean Cinema • 2015: Named as a “a faculty or staff member who had a positive impact on their experience at Colorado State University” in the graduating senior survey • 2013-2014: Office of International Programs Faculty Research Travel Grant for the book Compressed Multiculturalism: Migration and Diversity in Korea, Colorado State University • 2013: Communication Studies Capstone Appreciation Award (teaching award), Colorado State Univ. 1 • 2012: Named as a “a faculty or staff member who had a positive impact on their experience at Colorado State University” in the graduating senior survey • 2012: Faculty Development Award, College of Liberal Arts, Colorado State University • 2009: University of Hawaii Endowment for Humanities Summer Research Grant for the book Kim Ki-duk • 2005: Korea Foundation Publication Subsidy for the book Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance • 2005: Second Place Award in the Society for Cinema and Media Studies (SCMS) Student Writing competition • 2003: Third Place Award in the SCMS Student Writing competition • 2002–2003: Research Grant in Ethnic Studies, UCLA Institute of American Cultures • 2001–2002: Plitt Southern Theater Employees Trust Fellowship, UCLA Department of Film, Television and Digital Media • 1998–1999: Unstructured Faculty Organization Scholarship, College of Staten Island, CUNY PUBLICATIONS BOOKS • Movie Minorities: Transnational Rights Advocacy and South Korean Cinema [co-authored with David Scott Diffrient] (manuscript under contract, Rutgers University Press) • Hollywood Diplomacy: Film Regulation, Foreign Relations, and East Asian Representations (Rutgers University Press, 2020) • Movie Migrations: Transnational Genre Flows and South Korean Cinema [co-authored with David Scott Diffrient] (Rutgers University Press, 2015) • Kim Ki-duk [“Contemporary Film Directors” Series] (University of Illinois Press, 2012) • Hollywood Asian: Philip Ahn and the Politics of Cross-Ethnic Performance (Temple University Press, 2006) ESSAYS (Periodicals and book chapters) • “What Price Glory?: Transnational Canon Formations and the Double Encoding of Korean Art Cinema,” The Korean Cinema Book, eds., Julian Stringer and Nikki J.Y. Lee (London: British Film Institute/Palgrave Macmillan, forthcoming) • “Archive Revisionisms: Reevaluating South Korea’s State Film Censorship of the Cold War Era,” The Cold War and Asian Cinema, eds., Man-Fung Yip and Poshek Fu (Routledge, 2020), 174-193 • “3 Iron (2004): A Cinema of Paradoxes,” Rediscovering Korean Cinema, ed. Sangjoon Lee (Ann Arbor: University of Michigan Press, 2019), 408-422 • “Cinema Studies” [co-authored with Dong Hoon Kim, Ji-yoon An, and N. Travis Cabot], Korean Communication, Media, and Culture: An Annotated Bibliography, eds. Kyu Ho Youm and Nojin Kwak (Lanham: Lexington, 2018): 285-312 • “From National to Transnational: A Historiography of Korean Cinema,” Communication, Digital Media and Popular Culture in Korea, eds. Dal Yong Jin and Nojin Kwak (Lanham: Lexington, 2018): 443-468 • “Multiculturalism as ‘New Enlightenment’: The Myth of Hypergamy and Social Integration in Punch,” Journal of Korean Studies, 23: 1 (Spring 2018): 135-152 • “Choi Min-sik in Oldboy” [co-authored with David Scott Diffrient], Close Up: Great Cinematic performances Volume 2: International, eds. Murray Pomerance and Kyle Stevens, (Edinburgh: Edinburgh University Pres, 2018) • “A Cinematic Half-Twist: Art, Exploitation, and the Subversion of Sexual Norms in Kim Ki- duk’s Moebius” [co-authored with David Scott Diffrient], Exploiting East Asian Cinemas: 2 Translation, Circulation, Consumption, eds. Ken Provencher and Mike Dillon (London: Bloomsbury, 2018): 155-171 • “Hollywood Diplomacy and The Purple Heart (1944): Preserving Wartime Alliances through Film Regulation,” Historical Journal of Film, Radio and Television 38: 3 (2018): 495-515 • “Postnetwork Television and Netflix’s Gilmore Girls: A Year in Life” [co-authored with David Scott Diffrient], Screwball Television: Critical Perspectives on Gilmore Girls, 2nd ed., ed. David Scott Diffrient (Syracuse: Syracuse University Press, 2017), 345-354 • “The Omnibus Film as Message Picture: Cold War Politics and the Myth of National Unity in It’s a Big Country (1951)” [co-authored with David Scott Diffrient], Historical Journal of Film, Radio and Television, 37:3 (2017): 499-516 • “Hating the Korean Wave in Japan: The Exclusivist Inclusion of Zainichi Koreans in Nerima Daikon Brothers,” Hallyu 2.0: The Korean Wave in the Age of Social Media, eds. Sangjoon Lee and Abe Markus Nornes (Ann Arbor: University of Michigan Press, 2015): 195-211 • “From Saviors to Rapists: G.I.s, Women, and Children in Korean War Films,” Heroism and Gender in War Films, eds. Jakub Kazecki and Karen Ritzenhoff (New York: Palgrave McMillan, 2014): 115-130 • “The Korean Valentino: Jin Yan (Kim Yŏm), Sino-Korean Unity, and Shanghai Films of the 1930s,” Korean Studies, 37 (2013: published in 2014): 150-170 • “From ‘Me So Horny’ to ‘I’m So Ronery’: Asian Images and Yellow Voices in American Cinema,” Film Dialogue, ed., Jeff Jaeckle (New York: Columbia University Press, 2013): 172- 191 • “From Acacia to The Uninvited: The Adoption Anxiety in Korean Horror Cinema,” Korean Horror Cinema, eds., Daniel Martin and Alison Peirse (Edinburgh: Edinburgh University Press, 2013): 87-100 • “TV Hybridity: Genre Mixing and Narrative Complexity in M*A*S*H,” [co-authored with David Scott Diffrient], Quarterly Review of Film and Video, 29:4 (July 2012): 285-302 • “The Man with No Home: Shane Comes Back in a Korean ‘Manchurian Western,’” Westerns: The Essential Journal of Popular Film and Television Collection, ed. Gary Edgerton and Michael Marsden (New York: Routledge, 2012): 288-309 • “The Man with No Home: Shane Comes Back in a Korean ‘Manchurian Western,’” Journal of Popular Film and Television, 39:2 (Summer 2011): 71-83 • “Medium Hot, Korean Cool: Hallyu Envy and Reverse Mimicry in Contemporary U.S. Pop Culture,” Hallyu: Influence of Korean Popular Culture in Asia and Beyond, ed. Do Kyun Kim and Min Sun Kim (Seoul National University Press, 2011): 63-90 • “Escaping Korea: Cultural Authenticity and Asian American Identities in Gilmore Girls,” Screwball Television: Critical Perspectives on Gilmore Girls, ed. David Scott Diffrient (Syracuse University Press, 2010): 165-184 • “Beyond ‘Extreme’: Re-reading Kim Ki-duk’s Cinema of Ressentiment,” Journal of Film and Video, 62: 1&2 (Spring/Summer 2010): 96-111 • “Reinventing the Historical Drama, De-westernizing a French Classic: Genre, Gender, and the Transnational Imaginary in Untold Scandal,” Post Script Special Issue on Reading Contemporary Korean Cinema and Television, ed. Robert Cagle, 27:3 (Summer 2008): 98-114 • “All about Cristina: The Politics of (In)Visibility and New Multiculturalism in Grey’s Anatomy,” Grace under Pressure: Grey's Anatomy Uncovered, ed. Cynthia Burkhead and Hillary Robson (Cambridge Scholars Publishing, 2008): 32-44 • “Forgetting to Remember, Remembering to Forget: The Politics of Memory and Modernity in the Fractured Films of Lee Chang-dong and Hong Sang-soo” [co-authored with David Scott Diffrient], Seoul Searching: Culture and Identity in Contemporary Korean Cinema, ed. Frances Gateward (SUNY Press, 2007): 115-139 3 • “From Die Another Day to ‘Another Day’: The South Korean Anti-007 Movement and Regional Nationalism in Post-Cold War Asia,” Spectator Special Issue on Media Co- Productions and Cultural Negation, 27:2 (Fall 2007), ed. Hyung-Sook Lee: 64-78 • “Portrait of a Patriot’s Son: Philip Ahn and Korean Diasporic Identities in Hollywood” [in Korean], The Aesthetic and Historical Imagination of Korean Cinema, ed. Yonsei Institute of Media Art (Seoul: Sodo Publishing Co., 2006): 93-119 • “Portrait of a Patriot’s Son: Philip Ahn and Korean Diasporic Identities in Hollywood,” Cinema Journal, 45: 2 (Winter 2006):
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