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Tibetan Written Images : a Study of Imagery in the Writings of Dhondup
Tibetan Written Images A STUDY OF IMAGERY IN THE WRITINGS OF DHONDUP GYAL Riika J. Virtanen Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 23rd of September, 2011 at 12 o'clock Publications of the Institute for Asian and African Studies 13 ISBN 978-952-10-7133-1 (paperback) ISBN 978-952-10-7134-8 (PDF) ISSN 1458-5359 http://ethesis.helsinki.fi Unigrafia Helsinki 2011 2 ABSTRACT Dhondup Gyal (Don grub rgyal, 1953 - 1985) was a Tibetan writer from Amdo (Qinghai, People's Republic of China). He wrote several prose works, poems, scholarly writings and other works which have been later on collected together into The Collected Works of Dhondup Gyal, in six volumes. He had a remarkable influence on the development of modern Tibetan literature in the 1980s. Exam- ining his works, which are characterized by rich imagery, it is possible to notice a transition from traditional to modern ways of literary expression. Imagery is found in both the poems and prose works of Dhondup Gyal. Nature imagery is especially prominent and his writings contain images of flowers and plants, animals, water, wind and clouds, the heavenly bodies and other en- vironmental elements. Also there are images of parts of the body and material and cultural images. To analyse the images, most of which are metaphors and similes, the use of the cognitive theory of metaphor provides a good framework for mak- ing comparisons with images in traditional Tibetan literature and also some images in Chinese, Indian and Western literary works. -
A Selective Study on Chinese Art Songs After 1950
Graduate Theses, Dissertations, and Problem Reports 2021 A Selective Study on Chinese Art Songs after 1950 Gehui Zhu [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Zhu, Gehui, "A Selective Study on Chinese Art Songs after 1950" (2021). Graduate Theses, Dissertations, and Problem Reports. 8287. https://researchrepository.wvu.edu/etd/8287 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. A Selective Study on Chinese Art Songs after 1950 Gehui Zhu A Doctoral Research Project Submitted to College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Voice Performance Hope Koehler, D.M.A, Committee Chair and Research Adviser William Koehler, D.M.A Matthew Heap, Ph.D. Victor Chow, Ph.D. School of Music Morgantown, West Virginia 2021 Keywords: Chinese Art Songs after 1950, Contemporary Chinese Art Songs, Chinese Poems, Chinese Art Songs for Classical Singers. -
47 2017 ASIAN HIGHLANDS PERSPECTIVES 2017 Vol 47
Vol 47 2017 ASIAN HIGHLANDS PERSPECTIVES 2017 Vol 47 PLATEAU NARRATIVES 2017 Vol 47 2017 ASIAN HIGHLANDS PERSPECTIVES 2017 Vol 47 E-MAIL: [email protected] HARD COPY: www.lulu.com/asianhp ONLINE: https://goo.gl/JycnYT ISSN (print): 1835-7741 ISSN (electronic): 1925-6329 Library of Congress Control Number: 2008944256 CALL NUMBER: DS1.A4739 SUBJECTS: Uplands-Asia-Periodicals, Tibet, Plateau of-Periodicals All artwork contained herein is subject to a Creative Commons, Attribution-NonCommercial 3.0 Unported License. You are free to quote, copy, and distribute these works for non-commercial purposes so long as appropriate attribution is given. See https://goo.gl/nq06vg for more information. CITATION: Plateau Narratives 2017. 2017. Asian Highlands Perspectives 47. COVERS: Taken at a monastery in Rnga ba bod rigs dang chang rigs rang skyong khul (Aba zangzu qiangzu བབོདརིགསདངཆངརིགསརངོངལ zizhizhou 阿坝藏族羌族自治州 'Rnga ba Tibetan and Qiang Autonomous Prefecture'), Sichuan 四川 Province, China (2017, 'Jam dbyangs skyabs ). འཇམདངསབས 2 Vol 47 2017 ASIAN HIGHLANDS PERSPECTIVES 2017 Vol 47 ASIAN HIGHLANDS PERSPECTIVES Asian Highlands Perspectives (AHP ) is a trans-disciplinary journal focusing on the Tibetan Plateau and surrounding regions, including the Southeast Asian Massif, Himalayan Massif, the Extended Eastern Himalayas, the Mongolian Plateau, and other contiguous areas. The editors believe that cross-regional commonalities in history, culture, language, and socio-political context invite investigations of an interdisciplinary nature not served by current academic forums. AHP contributes to the regional research agendas of Sinologists, Tibetologists, Mongolists, and South and Southeast Asianists, while also forwarding theoretical discourse on grounded theory, interdisciplinary studies, and collaborative scholarship. AHP publishes occasional monographs and essay collections both in hardcopy (ISSN 1835-7741) and online (ISSN 1925-6329). -
DBW-18 Still a Song to Sing?
DBW-18 EAST ASIA Daniel Wright is an Institute Fellow studying ICWA the people and societies of inland China. LETTERS Still a Song to Sing? — Modernization and Guizhou’s Since 1925 the Institute of Ethnic Minority Traditions — Current World Affairs (the Crane- Rogers Foundation) has provided RONGJIANG COUNTY, Guizhou, China April 1999 long-term fellowships to enable outstanding young professionals Mr. Peter Bird Martin to live outside the United States Executive Director and write about international Institute of Current World Affairs areas and issues. An exempt 4 West Wheelock St. operating foundation endowed by Hanover, New Hampshire 03755 USA the late Charles R. Crane, the Dear Peter, Institute is also supported by contributions from like-minded Since a fire roared through mountainous Xiao Huang Village several months individuals and foundations. ago, torching one-third of the community’s wooden homes, none of the people have been in the mood to sing. At least that’s what two teenage girls from the TRUSTEES village, both surnamed Wu, recently told me. Bryn Barnard Carole Beaulieu Singing is the lifeblood of this Dong ethnic village, located in southeastern Mary Lynne Bird Guizhou Province’s Qiandongnan Miao and Dong Autonomous Prefecture William F, Foote — the heartland of Dong traditional culture. Peter Geithner Pramila Jayapal Before the young ladies can remember, their parents and grandparents sang Peter Bird Martin Dong melodies to them. As toddlers, they heard tunes that imitate the sparrow’s Judith Mayer twitter, the brook’s gurgle and the cicada’s whir. Dorothy S. Patterson Paul A. Rahe As youngsters, the village song master leads groups of them after dinner Carol Rose each night, memorizing the richness of Dong culture through song. -
Asian Works of Art
ASIAN WORKS OF ART Monday, September 11, 2017 NEW YORK ASIAN WORKS OF ART AUCTION Monday, September 11, 2017 at 10am EXHIBITION Friday, September 8, 10am – 5pm Saturday, September 9, 10am – 5pm Sunday, September 10, Noon – 5pm LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $35 Lot 208 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Asian Works of Art 1 - 252 Miriam Chan Glossary I George Labalme, Jr. Conditions of Sale II A Private Minneapolis Collection Terms of Guarantee IV A New York Estate Information on Sales & Use Tax V Aileen Pei Buying at Doyle VI I. Arnold Victor III Selling at Doyle VIII Auction Schedule IX Company Directory X Absentee Bid Form XII INCLUDING PROPERTY FROM A Private American Collector A Greenwich Village Penthouse, New York A Connecticut Collector Lot 160 6 9 1 4 Indian Marble Figure of Tirthankara Khmer Bronze Triad Figural Group Japanese Cloisonné Enamel Vase Persian School 17th Century Bayon style, 11th/12th century Meiji Period 18th/19th Century Seated in dhyanasana with the hands Raised on a stepped base with a The shouldered form set on a low Hunting party; Nobleman and in held in his lap, the serene face with central Buddha seated in foot rim and rising to a short neck, prince playing polo: Two almond shaped eyes beneath full dhyanamudra with the hands held in enameled in the round with Ink, color and gold on paper eyebrows between pendulant his lap, before the seven-headed blossoming pink prunus issuing Sight of larger 10 3/4 x 7 1/4 inches earlobes, the stylized hair depicted canopy of the serpent king, from branches and a gnarled tree Framed as three horizontal bands beneath a Muchalinda, wearing a short trunk, all on a deep blue ground. -
Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society
Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society by Wei Huang B. A., Huaqiao University, 2013 Extended Essays Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication (Dual Degree in Global Communication) Faculty of Communication, Art & Technology © Wei Huang 2015 SIMON FRASER UNIVERSITY Summer 2015 Approval Name: Wei Huang Degree: Master of Arts (Communication) Title: Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society Examining Committee: Program Director: Yuezhi Zhao Professor Frederik Lesage Senior Supervisor Assistant Professor School of Communication Simon Fraser University Baohua Wang Supervisor Professor School of Communication Communication University of China Date Defended/Approved: August 31, 2015 ii Abstract Meritocracy refers to the idea that whatever our social position at birth, society should offer the means for those with the right “talent” to “rise to top.” In context of celebrity culture, it could refer to the idea that society should allow all of us to have an equal chance to become celebrities. This article argues that as a result of globalization and consumerism in the post-reform market economy, the genre of music-based TV talent shows has become one of the most popular TV genres in China and has at the same time become a vehicle of a neoliberal meritocratic ideology. The rise of the ideology of meritocracy accompanied the pace of market reform in post-1980s China and is influenced by the loss of social safety nets during China’s transition from a socialist to a market economy. -
The Social Role of Shanghainese in Shanghai
Robert D. Angus California State University, Fullerton Prestige and the local dialect: 1 The social role of Shanghainese in Shanghai Abstract. Shanghai lies in the Wu dialect area in east central China. Whereas Modern Standard Chinese is the prescribed national standard in instruction, broadcasting, and commerce, a specific variety that descended from Wu is the native language of the city. We are accustomed to finding that local varieties experience a diminution of prestige in such circumstances. The social and historical circumstances of Shanghai, however, uniquely create a situation in which this is not the case. In this paper I will briefly discuss the history of the city and its development, trace social attitudes (and ideas of prestige) on the part of its natives, show how the use of the local variety indexes social status and prestige among residents of the city, and provide evidence that the use of the native dialect of Shanghai is neither transitional nor restricted to the spheres heretofore considered Low in the typical diglossia situation. Introduction When a local, minority language is used alongside a national variety, especially when the national language is upheld as a standard, the local variety is generally seen to suffer in prestige. In a diglossia situation, as outlined by Ferguson in his groundbreaking article, the two varieties are complementarily distributed among social situations, and the prestige variety is identified as the one used in all AHigh@ circumstances. Most familiar, writes Ferguson, is the situation in California Linguistic Notes Volume XXVII No. 2 Fall, 2002 2 which “many speakers speak their local dialect at home or among family or friends of the same dialect area but use the standard language in communicating with speakers of other dialects or on public occasions” (1959:325). -
Om: One God Universal a Garland of Holy Offerings * * * * * * * * Viveka Leads to Ānanda
Om: One God Universal A Garland of Holy Offerings * * * * * * * * Viveka Leads To Ānanda VIVEKNANDA KENDRA PATRIKĀ Vol. 22 No. 2: AUGUST 1993 Represented By Murari and Sarla Nagar Truth is One God is Truth . God is One Om Shanti Mandiram Columbia MO 2001 The treasure was lost. We have regained it. This publication is not fully satisfactory. There is a tremendous scope for its improvement. Then why to publish it? The alternative was to let it get recycled. There is a popular saying in American academic circles: Publish or Perish. The only justification we have is to preserve the valuable contents for posterity. Yet it is one hundred times better than its original. We have devoted a great deal of our time, money, and energy to improve it. The entire work was recomposed on computer. Figures [pictures] were scanned and inserted. Diacritical marks were provided as far as possible. References to citations were given in certain cases. But when a vessel is already too dirty it is very difficult to clean it even in a dozen attempts. The original was an assemblage of scattered articles written by specialists in their own field. Some were extracted from publications already published. It was issued as a special number of a journal. It needed a competent editor. Even that too was not adequate unless the editor possessed sufficient knowledge of and full competence in all the subject areas covered. One way to make it correct and complete was to prepare a kind of draft and circulate it among all the writers, or among those who could critically examine a particular paper in their respective field. -
Human Rights Watch/Asia Human Rights in China
HUMAN RIGHTS WATCH/ASIA HUMAN RIGHTS IN CHINA July 1995 Vol. 7, No. 8 CHINA "LEAKING STATE SECRETS": THE CASE OF GAO YU SUMMARY 2 GAO YU'S "CRIMES" 2 OFFICIAL SECRETS IN CHINA 3 THE LEGAL PROCEEDINGS 4 GAO'S DEFENSE: NO HARM DONE, NO HARM INTENDED 6 POLITICAL REASONS FOR ARRESTING GAO YU 7 OTHER SECRETS CASES 8 CONCLUSIONS 10 APPENDIX I: INDICTMENT OF THE BEIJING MUNICIPAL PEOPLE'S PROCURATORATE 13 APPENDIX II: VERDICT OF THE BEIJING INTERMEDIATE PEOPLE'S COURT 14 APPENDIX III: MY PERSONAL STATEMENT TO THE COURT 16 APPENDIX IV: DEFENSE STATEMENT OF ZHANG SIZHI 22 APPENDIX V: DEFENSE STATEMENT IN THE CASE OF GAO YUCHARGED WITH SPYING AND ILLEGALLY PROVIDING STATE SECRETS 25 APPENDIX VI: WRITTEN DEFENSE ARGUMENT IN THE CASE OF GAO YU TO THE COURT OF SECOND INSTANCE 29 Human Rights Watch/Asia Human Rights in China 485 Fifth Avenue 485 Fifth Avenue New York, NY 10017 New York, NY 10017 Tel: (212) 972-8400 Tel: (212) 661-1909 Fax: (212) 972-0905 Fax: (212) 867-1831 E-mail: [email protected] E-mail: [email protected] SUMMARY Gao Yu, 51, one of China's most prominent journalists, was sentenced to six years in prison on November 10, 1994, for "illegally providing state secrets to institutions outside [China's] borders" in a series of four articles in Mirror Monthly and Overseas Chinese Daily, both Hong Kong-based publications. The "secrets" in question related to policy decisions taken by senior officials of the Chinese Communist Party (CCP) in early 1993, and those decisions had already been reported in the Hong Kong press -- including by pro-Beijing papers. -
Beijinc Review
Vol. 28, No. 9 BEIJINC REVIEW Chinese Women Active in World Arena Why Is TASS Attacki»9^, Beijing Ningbo Port Profile The old NIngbo Harbour. The 25,000-ton wharf in Beilun Port. A skilled worker at the Ningbo No. 4 Garment Factory shows young people how to make Western-style clothes. HIGHLIGHTS OF THE WEEK Vol. 28, No, 9 March 4, 1985 President Li Visits Burma, Thailand CONTENTS Friendship will be the theme of President Li Xiannian's visits to China's southern neighbours Burma and Thailand over NOTES FROM THE EDITORS 4 the coming two weeks. Leaders of the three nations will explore Ties With Burma, Thailand ways in which co-operation can be increased in economic, trade Expand and technological fields (p, 4). LETTERS 5 Deng Urges the Promotion of Young Cadres EVENTS & TRENDS 6-10 China Celebrates Lunar New In a speech to the Central Advisory Commission, Deng Year Xiaoping said that young and middle-aged cadres should be pro• Younger Leaders Making Strides Corrupt Cadres Face Crackdown moted while old cadres should be persuaded to give up their Taiwon Agents Get Prison Terms leading posts. Deng said an important task of the Central Advi• Key Enterprises Urged to Vitalize US Charge Groundless sory Commission is to inject new blood into the key government and enterprise posts (p. 15). INTERNATIONAL 11-14 Viet Nam: Another Offensive TASS Misdirects Its Anger Gains Nothing China Urges Arms Reduction South Korea; Democratic Forces The Soviet news agency TASS in a January 24 dispatch Gather Strength accused Beijing Review of writing "from a hostile stand" about United States: Unique Dollar Rise the Afghanistan issue. -
Florida Splendid China Signs
Florida Splendid China Exhibit Signs Mongolian Exhibits Exhibit #26 & Sign Genghis Khan's Mausoleum sign text In the 13th century, the Mongolian warlord Genghis Khan created a vast empire by conquering most of Asia. His domain stretched westward as far as the Black Sea. Legend tells us that once, while looking at the beautiful scenery of Elinhoro, he said, 'This shall be my burial place." As the story goes, a Mongol tribe was charged with guarding the tomb, but as time passed a forest grew over the tomb and all traces were lost. Later near Elinhoro in Inner Mongolia, a grand mausoleum of built [ in the year 1227] for this most powerful of warriors. [This replica is one fifteenth of the size of the actual mausoleum.] [spoken, but not written on the sign] Exhibit #25 & Sign Mongolian Yurt sign text Like the desert tribes of North America, the Mongolians are nomadic people. The three independently developed tents as the most practical living quarters for the wandering life. The Mongolian tent, or yurt is supported by a framework attached to 'tent-poles,' then covered with felt. The floor, too, is felt and the interior walls are white silk. With a skylight in the center and a door that always faces south to avoid the cold wind, these dwellings are surprisingly warm and comfortable. Unnumbered exhibit & Sign The Mongolian Yurt sign text The typical dwelling of the nomadic Mongols is the Yurt. It has a domed roof with a height of about 8 feet and a circular wall with a diameter of 10-13 feet. -
THE PRICE of OBSCURITY in CHINA: Revelations About Prisoners Arrested After June 4, 1989
May 19, 1994 Vol.6, No.5 THE PRICE OF OBSCURITY IN CHINA: Revelations About Prisoners Arrested After June 4, 1989 I. IntroductionIntroduction.............................................................................................................................................................................................................. 1 II. Beijing No.2 PrisonPrison............................................................................................................................................................................................. 4 Ill-treatment of Prisoners ................................................................................................................................................................. 4 Organization and Structure.............................................................................................................................................................. 6 The Proposed ICRC Visit ....................................................................................................................................................................... 7 III. Qinghe FarmFarm.......................................................................................................................................................................................................... 9 Fair Trial Concerns................................................................................................................................................................................10