Graphic Communications Industry Trends and Their Impact on the Required Competencies of Personnel

Total Page:16

File Type:pdf, Size:1020Kb

Graphic Communications Industry Trends and Their Impact on the Required Competencies of Personnel University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 2014 Graphic communications industry trends and their impact on the required competencies of personnel Sara B. Smith University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2014 Sara B. Smith Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Graphic Communications Commons Recommended Citation Smith, Sara B., "Graphic communications industry trends and their impact on the required competencies of personnel" (2014). Dissertations and Theses @ UNI. 10. https://scholarworks.uni.edu/etd/10 This Open Access Dissertation is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Copyright by SARA B. SMITH 2014 All Rights Reserved GRAPHIC COMMUNICATIONS INDUSTRY TRENDS AND THEIR IMPACT ON THE REQUIRED COMPETENCIES OF PERSONNEL An Abstract of a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree Doctor of Technology Approved: ____________________________________________ Dr. Mohammed Fahmy, Committee Chair ___________________________________________ Dr. Michael J. Licari Dean of the Graduate College Sara B. Smith University of Northern Iowa May 2014 ABSTRACT The graphic communications industry is far-reaching and touches most people‘s lives on a day-to-day basis. The products affected are as diverse as computers and medical supplies, business cards and billboards, packaging and photos, and a car’s dashboard to the image on a t-shirt. As the current employees are retiring in record numbers, and the technology and business processes in the field are changing at a rapid rate, the need for well-prepared employees is greater than ever. In order to best prepare current students for positions in the field, educators need specific information to guide their curriculum development. This has been difficult to obtain due to the extensive variety of organizations under the umbrella of graphic communications. The purpose of this study was to discover the business and technology trends that will impact the needed competencies for employees in the graphic communications industry of the future. An online survey and telephone interviews were conducted to question current business owners, managers, and human resources personnel to determine the most pressing skills and knowledge sets that future employees will need. Due to the fact that the survey yielded a very low return rate, it was difficult to prove statistical significance for all of the data results. However, descriptive and inferential statistics were performed, and many of the results are consistent with the literature. The analysis of the survey and phone interview data can help guide educators in programs for graphic communications, as well as companies which provide in-house training programs. The results indicate a strong need for soft skills, or non-technical skills, in addition to the foundational understanding of the technology and processes. In addition, specific trends were identified in services and products that companies will be offering, such as variable data marketing and electronic storefronts. This project can serve as a good starting point for additional studies on graphic communications competency needs. Recommendations and strategies are provided for future success. GRAPHIC COMMUNICATIONS INDUSTRY TRENDS AND THEIR IMPACT ON THE REQUIRED COMPETENCIES OF PERSONNEL A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree Doctor of Technology Approved: ____________________________________________ Dr. Mohammed Fahmy, Chair ___________________________________________ Dr. Julie Zhang, Co-Chair ___________________________________________ Dr. Douglas Hotek, Committee Member ___________________________________________ Dr. Andrew Gilpin, Committee Member ___________________________________________ Mr. Christopher Neuhaus, Committee Member Sara B. Smith University of Northern Iowa May 2014 ii DEDICATION It would be impossible to thank my husband, John Smith, for all the help and support that he has given me over the past 6 years as I have worked on my doctorate. Not only was he supportive, but self-sufficient and capable while taking over much of the household work and child wrangling. All this in addition to working full time, or as I often said, “he only works 40 hours a week.” Our daughter, Maddie, also had a major part in this accomplishment. She was only 11 when I started, and yet she has been extremely mature and understanding of all the time that I have spent doing schoolwork. Her little notes meant the world to me and I am so fortunate that she is the incredible, caring person that she is. I only hope that I have been a good role model as she is now graduating high school and getting ready to embark on her own continuing academic journey. I also want to dedicate this work to my extended family and friends. My parents have always been supportive of all of their children getting a good education. Although they never specifically said that I should go until grade 25! Nevertheless, their love, encouragement, and support have been amazing all my life. My siblings are inspiring to me in all the work that they have done for their own families and those of others. As parents, teachers, and community leaders, they model lives of caring and lifelong learning. My friends provided chocolate, cartoons, kind words, a kick in the seat of the pants, or whatever seemed to be needed at the time. Mostly they listened to a iii lot of whining. I don’t think they will ever know how extremely helpful they all were to me in this long, long process. Please accept my gratitude. iv ACKNOWLEDGMENTS It is with sincere and heartfelt thanks that I acknowledge my doctoral committee. While the traditional idea of a doctoral committee is that they are a stern group of individuals trying to prevent the fearful candidate from reaching their goal, nothing could be farther from the truth. My committee was extremely supportive, looking out for my academic well being at every turn. They did their best by trying to guide and warn me of the process ahead. Ultimately, I had to make the journey in my own way and stumble here and there for the sake of learning, but it was then that I began to understand the things they had been trying to tell me all along. I especially want to acknowledge Dr. Mohammed Fahmy not only as my chair, but as my mentor and so much more. He can be credited (blamed?) for suggesting that I pursue my doctoral degree in the first place. Without his on- going encouragement and guidance, I really don’t know if I would have made it to the finish line. Much to his chagrin, my timeline was slower than originally planned, but in the end he never gave up on me. For that I owe him big time. Thanks to my co-chair, Dr. Julie Zhang, for being a role model and a scholar. Her encouragement and academic assistance were invaluable. Thanks to Dr. Andrew Gilpin for his extreme patience and statistical help. That area is definitely not my forte, and he was inventive in helping me work with what little data I had. I will never forget his advice to “make meaning out of chaos.” Thanks to Dr. Doug Hotek for his guidance and support. Doug provided his experience and helpful advice for changes and additions to my dissertation. And last but not v least, thanks to Mr. Chris Neuhaus for his enthusiasm and research help. Chris gave a careful read to each draft of my dissertation and I appreciate his thoughtful feedback. His ongoing interest in research is inspiring. There are many other people who have supported me and contributed to this accomplishment, especially the current and former office staff in the Department of Technology. They have provided tangible assistance in the form of help with paperwork, registering for classes, etc. In addition, they have provided emotional support and on some days kept me going. As in most large organizations, they are truly the unsung heroes. Finally, I want to acknowledge my former, current, and future students. They are the reason that I feel joy regarding the work that I do. The implications of this study will be to develop curriculum that will assist in their development as students, future employees, and business owners. It is through their accomplishments that I feel I have succeeded in my job as an educator. I look forward to when I can “pay it forward” and help a future student as they begin their journey with their graduate work. vi TABLE OF CONTENTS LIST OF TABLES .......................................................................................................... viii LIST OF FIGURES .......................................................................................................... xi CHAPTER 1 INTRODUCTION ...................................................................................... 1 Statement of the Problem ............................................................................................. 1 Statement of Purpose .................................................................................................... 1 Statement of Need ......................................................................................................... 2 Research Questions ......................................................................................................
Recommended publications
  • Graphic Communication A.A.A. Curriculum Code: 1533 Effective: Fall 2019 – Summer 2024
    Graphic Communication A.A.A. Curriculum Code: 1533 Effective: Fall 2019 – Summer 2024 Description A graphic designer is an artist/communicator who creatively and effectively designs informational or promotional materials for output in print, web and/or a variety of mass media situations. Artistic skills related to producing effective visual information are essential for a graphic designer. An understanding of the principles of typography, color theory, computer graphic applications, web design, and pre-press techniques is necessary. Graphic designers are employed by design studios, advertising agencies, printing companies, publishers, newspapers, sign companies, and businesses that generate their own publications. Not all courses in this program transfer to all colleges. Students planning to transfer should see an academic advisor before enrolling in any course. Additional Information Students in this program choose either Graphic Design or Web Design pathway to determine the courses to take each semester. Contact Information Contact the Communication, Media and the Arts Department, Gannon Building, Room 131, telephone number 517-483-1546 or the Academic Advising Department, Gannon Building – StarZone, telephone number 517-483-1904. General Education Core Courses, Recommended Choices (For the full list of options, see General Education Core Courses) • Communication Program of Study Required Courses fulfills this requirement • Global Perspective and Diversity – Select one HUMS 212, Art Hist from the Renaissance, 4 credits / 4 billing hours
    [Show full text]
  • Fractional Authorship & Publication Productivity
    ICSR PERSPECTIVES ICSR Fractional Authorship & Publication Productivity Highlights Authors divide their research output across publications, contributing via research collaborations The trend is for authors to produce more publications per year (increased fractionalization) but for the overall number of publications per author to decrease We suggest that the effort required to participate in research collaborations is a factor in the decrease in publications per author AUGUST 2019 AUGUST Are authors collaborating more in response to the pressure to publish? Growth in the number The “publish or perish” research reasons; for instance, to gain access of scholarly publications culture provides incentives for to samples, field sites, research each year has been well researchers to have long publication facilities, or patient groups. lists on their CVs, especially where Researchers wishing to study topics documented (e.g., Bornmann those publications appear in high- outside their own expertise require & Mutz, 2015, Figure 1). But impact journals (Tregoning, 2018). interdisciplinary collaborators or may how has that growth been By examining authorship trends, we simply look to find co-authors whose achieved? Is it purely due aim to understand if researchers are skills and knowledge complement to increasing investment in responding to the pressure to publish their own. Evidence suggests that research, resulting in a greater by fractionalizing themselves across diverse research teams are more more papers and whether this leads likely to be successful at problem number of active researchers? to more publication outputs overall. solving (e.g., Phillips, Northcraft, & Or is each researcher Does increasing collaboration enable Neale, 2006) and that publications producing more publications? each researcher to be involved with, by collaborative teams benefit from To investigate these questions, and produce more, research? a citation advantage (e.g., Glanzel, we build on Plume & van 2001).
    [Show full text]
  • Interior Design 160: GRAPHIC COMMUNICATION for DESIGN
    Bellevue Community College Fall 2004 Interior Design 160: GRAPHIC COMMUNICATION FOR DESIGN Class Session: MW 9:30a-12:20p Credit Hours: Five (5) Location: L110 Instructor: Dan Beert Office: L114A Hours: MW 1:30 - 3:30, F 10:30-11:30 and by appointment or email email: [email protected] Phone: (425) 564-4041 COURSE DESCRIPTION This course introduces graphic tools, techniques, and conventions used for effective visual communication in design. Students apply theory as they develop skills in architectural drafting, lettering, and basic rendering and perspective drawing skills. This will be done through readings, lectures, and studio work. Drawings will be assessed for comprehension, layout, neatness, and the overall quality. Students will evaluate and subjectively critique design methods. Prerequisite: ART 110 and 120. COURSE OUTCOMES: Students after successfully completing Graphic Communication I will be able to: 1. Describe the reasons for learning visual communication skills and conventions, and their application to interior design and related professions. 2. Describe the necessary characteristics and relevant conventions for the use of lines and line weights in drawings. 3. Describe the salient characteristics of orthographic, paraline, and perspective drawings, and identify appropriate applications for each drawing type 4. Describe the purpose and characteristics of rendering interior materials and textures by applying basic monochromatic rendering techniques as a way of conveying depth of space and visual interest. 5. Incorporate orthographic, paraline, linear perspective, and freehand perspective drawings into an on- going process of developing three-dimensional visualization skills to aid in the understanding two- dimensional representations of objects and spaces (e.g., by using a three-dimensional drawing to assist in visualizing an object otherwise described with two-dimensional orthographic drawings) After successful completion of Graphic Communication I, student work will: 1.
    [Show full text]
  • Communication Design: Principles, Methods, and Practice
    Communications Title Pages 8/3/04 1:11 PM Page 1 Communication Design CommDesign 00 a 09/03/04 1:47 PM Page ii Communications Title Pages 8/3/04 1:11 PM Page 2 Communication Design Principles, Methods, a ND PRACTICE Jorge Frascara ALLWORTH PRESS NEW YORK CommDesign 00 a 09/03/04 1:47 PM Page iv © 2004 Jorge Frascara All rights reserved. Copyright under Berne Copyright Convention, Universal Copyright Convention, and Pan-American Copyright Convention. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior permission of the publisher. 08 07 06 05 04 5 4 3 2 1 Published by Allworth Press An imprint of Allworth Communications, Inc. 10 East 23rd Street, New York, NY 10010 Cover design by Derek Bacchus Page design, composition, and typography by Sharp Des!gns, Lansing, MI library of congress cataloging-in-publication data Frascara, Jorge. Communication design : principles, methods, and practice / Jorge Frascara. p. cm. ISBN: 1-58115-365-1 Includes bibliographical references and index. 1. Commercial art. 2. Graphic arts. 3. Visual communication. I. Title. NC997.F695 2004 741.6—dc22 2004018346 Printed in Canada CommDesign 00 a 09/03/04 1:47 PM Page v To my wife, Guillermina Noël CommDesign 00 a 09/03/04 1:47 PM Page vi CommDesign 00 a 09/03/04 1:47 PM Page vii Contents xi Acknowledgments xiii Introduction 1 1 | A Description of the Field 3 Design and Communication 3 The Designer and Other Professionals 4 “Graphic
    [Show full text]
  • Graphic Communication A.A.A
    Graphic Communication A.A.A. Curriculum Code: 1533 Effective: Fall 2021 – Summer 2026 Description A graphic designer is an artist/communicator who creatively and effectively designs informational or promotional materials for output in print, web and/or a variety of mass media situations. Artistic skills related to producing effective visual information are essential for a graphic designer. An understanding of the principles of typography, color theory, computer graphic applications, web design, and pre-press techniques is necessary. Graphic designers are employed by design studios, advertising agencies, printing companies, publishers, newspapers, sign companies, and businesses that generate their own publications. Not all courses in this program transfer to all colleges. Students planning to transfer should see an academic advisor before enrolling in any course. Additional Information Students in this program choose either the Graphic Design or Web Design subspecialty pathway to determine the courses to take each semester. Upon completion of a subspecialty, any additional subspecialty courses will not count toward the student’s enrollment level for determining financial aid eligibility. Contact Information Contact the Communication, Media and the Arts Department, Gannon Building, Room 1222, telephone number 517-483-1546 or the Academic Advising Department, Gannon Building – StarZone, telephone number 517-483-1904. General Education – Applied Degrees, Recommended Courses (For the full list of options, see General Education) English Composition
    [Show full text]
  • Detecting Trends in Species Composition Thomas E
    Iowa State University From the SelectedWorks of Philip Dixon 1998 Detecting trends in species composition Thomas E. Philippi, University of Georgia Philip Dixon, University of Georgia Barbara E. Taylor, University of Georgia Available at: https://works.bepress.com/philip-dixon/36/ 300 INVITED FEATURE Ecological Applications Vol. 8, No. 2 Ecological Applications, 8(2), 1998, pp. 300±308 q 1998 by the Ecological Society of America DETECTING TRENDS IN SPECIES COMPOSITION THOMAS E. PHILIPPI,PHILIP M. DIXON, AND BARBARA E. TAYLOR Savannah River Ecology Laboratory, Drawer E, Aiken, South Carolina 29802-0005 USA Abstract. Species composition re¯ects a combination of environmental and historical events at a site; hence, changes in species composition can provide a sensitive measure of ecologically relevant changes in the environment. Here, we consider the analysis of species composition when multiple sites are followed through time. Analyses of temporal trends in species composition either summarize species compo- sition into a few metrics (indices or axis scores) or analyze the similarity among sites. We develop and illustrate the similarity approach. Each pair of samples represents a pair of replicates, a pair from the same site at different times, a pair from different sites at the same time, or an unrelated pair. Differences among times can be estimated by comparing average temporal dissimilarity to average replicate dissimilarity. Temporal trends can be described by one of three statistics that measure progressive change, the correlation of temporal dissimilarity with the length of time between samples. These methods are illus- trated using data on changes in a South Carolina zooplankton assemblage following dis- turbance, and changes in bird species composition on Skokholm Island, Wales.
    [Show full text]
  • BA (Hons) Graphic Communication Design Programme Specification - 201920
    10255 - BA (Hons) Graphic Communication Design Programme Specification - 201920 APPROVED BA (Hons) Graphic Communication Design Awarding Body University of the Arts London College Central Saint Martins Programme Graphic Communication Design (L031) Course AOS Code 10255 FHEQ Level Level 6 Degree Course Credits 360 Mode Full Time Duration of Course 3 years Teaching Weeks 90 weeks Valid From September 1st 2019 QAA Subject Art and Design Benchmark UAL Subject Communication and graphic design Classification JACS Code W210 - Graphic design UCAS Code W215 PSRB N/A Work placement No offered Course Entry The standard entry requirements for this course are as Requirements follows: Page 1 of 14 10255 - BA (Hons) Graphic Communication Design Programme Specification - 201920 One or a combination of the following accepted full level 3 qualifications: Pass at Foundation Diploma in Art & Design (Level 3 or 4) and 1 A Level at Grade C or above 2 A Levels at grade C or above (preferred subjects include Art, Art and Design, or Design and Technology) Merit, Pass, Pass (MPP) at BTEC Extended Diploma (preferred subjects include Art, Art and Design, or Design and Technology) Pass at UAL Extended Diploma Access to Higher Education Diploma (preferred subjects include Art, Art and Design, or Design and Technology) Or equivalent EU/International qualifications, such as International Baccalaureate Diploma And three GCSE passes at grade 4 or above (grade A*- C). Entry to this course will also be determined by assessment of your portfolio. A very high proportion of successful applicants complete a Foundation Diploma in Art and Design. APEL - Accreditation of Prior (Experiential) Learning Exceptionally applicants who do not meet these course entry requirements may still be considered.
    [Show full text]
  • Graphic Communication Specialization
    BA IN BUSINESS COMMUNICATION GRAPHIC COMMUNICATION SPECIALIZATION 42 Pathways Credits 9 Pre-Weissman Credits 12 Program Pre-requisite Credits The degree map is a term-by-term sample course schedule to make it easier for you to understand how to graduate in four years with a Graphic Communication major. Use the Degree Map along with DegreeWorks as tools Major Credits to assist you in planning your academic path to 30 graduation. Your specific program of study could, and probably will, look different. You need to customize your Degree Map to fit your individual needs. NOTE: A minimum 120 credits is required for the Bachelor of Arts (BA) degree. A minimum of 90 liberal arts credits is required for the BA. FYS Elective Credits 1000 is a requirement for the first term at Baruch 27 College and MUST be completed in order to graduate. COURSE ABBREVIATION Class Name CREDITS REQUIREMENT FULFILLED BA IN BUSINESS COMMUNICATION GRAPHIC COMMUNICATION SPECIALIZATION FALL SPRING ENG 2100 3 CR ENG 2150 3 CR Writing I Writing II ENGLISH COMPOSITION I ENGLISH COMPOSITION II MTH 2140 or MTH 2160 3 CR BUS 1011 3 CR Math and Quantitative Reasoning or Business Fundamentals ELECTIVE REQUIREMENT Ideas in Math and Applications MATH & QUANTITATIVE REASONING COM 1010 3 CR Flexible Core Course 3 CR Speech Communication PATHWAYS REQUIREMENT PRE-WEISSMAN REQUIREMENT Flexible Core Course 3 CR Foreign Language I 3 CR PATHWAYS REQUIREMENT st 1 Semester of Foreign Language Flexible Core Course 3 CR PRE-WEISSMAN REQUIREMENT PATHWAYS REQUIREMENT Flexible Core Course 3 CR
    [Show full text]
  • FMS 207 Business Communication.Pdf
    NATIONAL OPEN UNIVERSITY OF NIGERIA FACULTY OF MANAGEMENT SCIENCES COURSE CODE: FMS 207 COURSE TITLE: BUSINESS COMMUNICATION 1 COURSE GUIDE FMS 207: Business Communication Course Writers: Mrs. Eunice Adegbola Faculty of Management Sciences National Open University of Nigeria Content Editor: Dr. ( Mrs) Rahila Gowon Directorate of General Studies University of Jos Course Coordinator: Mrs. Ihuoma Ikemba-Efughi Faculty of Management National Open University of Nigeria Victoria Island, Lagos Head of Department of Administration: Dr. Yemisi I. Ogunlela Faculty of Management Sciences National Open University of Nigeria Victoria Island, Lagos Table of Content Introduction Course aims Course objectives Course materials Assessments Tutor-Marked Assignments Summary 3 Introduction This course guide tells you the nature of the course, the materials you are going to use and how you are expected to use the materials for meaningful benefits. It is expected that at least two hours should be devoted to the study of every unit. For each course unit there are exercises. You are encouraged to do these exercises. They serve as points of reflections, which are necessary for proper understanding of the facts. At the end of each unit, there are Tutor-marked Assignments, which you are expected to answer. They serve as revision and continuous assessment. Tutorial lectures will be provided. This is the opportunity you have for a face-to face contact with your facilitator. Any area you do not understand will be explained during the tutorial classes. Course aims The course aims at exposing students to business communication skills. The aim of the course will be achieved by: Discussing the concept of business communication skills.
    [Show full text]
  • Showcase and Manage Undergraduate Work To
    Showcase and manage Encourage your students to write undergraduate work to drive with a worldwide audience in programme visibility and engagement mind. Showcasing student work in Digital CommonsTM shows prospective students around the globe what kind of education they can expect to receive at your institution. From honours theses and dissertations to student-edited publications, fieldwork and creative arts, students do their best work when they know it will be shared with potential employers, graduate schools, parents and their peers. How does undergraduate research support recruitment goals? At California Polytechnic University, the university president “got excited when he understood that he could point prospects and their parents to…examples of what their students can accomplish at Cal Poly” .** Showcase exemplary student work to drive programme visibility and engagement Honors theses and capstones Undergraduate research Student research journals Give students a permanent and visible record Support student research initiatives on campus Drive active learning around the publication of their achievements process and visibility of student research Global readership Student events and conferences Student programmes and student experiences Connect your students to a worldwide audience Show prospective students what Highlight the uniqueness of your institution’s they can achieve undergraduate education **Quoted from a speech by Michael Miller, Dean of Library Services, Cal Poly, Closing Remarks, Putting Knowledge to Work: Building an Institutional
    [Show full text]
  • Graphic Communication (GRC) 1
    Graphic Communication (GRC) 1 GRC 211. Materials for Graphic Communication Applications. 4 units GRAPHIC COMMUNICATION Prerequisite: Graphic Communication majors or Liberal Arts and (GRC) Engineering majors with concentration in Publishing Technology. Technical aspects of paper, other substrates, inks, toners, and other undefined printable materials used in the printing and packaging industries. GRC Courses Manufacture, application and interaction of these materials in relation to particular processes and end use requirements. Hands-on testing of GRC 101. Introduction to Graphic Communication. 3 units materials in relation to quality, properties, and performance. 3 lectures, 1 Graphic communication history, theory, processes, applications, and laboratory. practices. New technologies that affect day-to-day communication including traditional and digital printing and publishing, and non-print GRC 212. Materials for Graphic Communication Applications: Theory. 3 imaging including Internet applications. Overview of design technology, units web and digital media, printing and imaging management, graphics for Prerequisite: Graphic Communication minors only. packaging, industry segments. 3 lectures. Technical aspects of paper, other substrates, inks, toners and other GRC 102. Orientation to Graphic Communication. 2 units printable materials used in the printing and packaging industries. Corequisite: GRC 101; Graphic Communication Majors and Minors only. Manufacture, application, and interaction of these materials in relation to particular processes and end use requirements. Credit not allowed for Orientation to Graphic Communication. Introduction to GRC curricula GRC majors. 3 lectures. and applicable GRC resources that include advising, student success, and culture. Overview of laboratory fundamentals, laboratory safety, and GRC 220. Introduction to Applied Social Media in Graphic acceptable practices for the operation and use of equipment.
    [Show full text]
  • Visualisation and Its Importance in the Analysis of Big Data Stefano De Francisci
    Visualisation and its importance in the analysis of Big Data Stefano De Francisci THE CONTRACTOR IS ACTING UNDER A FRAMEWORK CONTRACT CONCLUDED WITH THE COMMISSION Eurostat Outline Introduction Visual cognition process Graphic information processing Big Data visualization Storytelling Eurostat Outline Introduction Visual cognition process Graphic information processing Big Data visualization Storytelling Eurostat To be learned #1: Data-ink ratio “Above all else show the data” (Edward Tufte) http://www.infovis-wiki.net/index.php/Data-Ink_Ratio Eurostat To be learned #2: Visual information-seeking mantra “Overview first, zoom and filter, then details-on-demand” (Ben Shneiderman) 1. Overview 2. Zoom 3. Filter 4. Details-on-demand 5. Relate 6. History 7. Extracts Eurostat To be learned #3: Storytelling, or the weaving of a narrative “Don't just get to the point – start with it” (David Marder) Gapminder «We all have important stories to (Hans Rosling) tell. Some stories involve numbers» «Data are not intrinsically boring. Neither are intrinsically interesting.» (S. Few) NoiItalia (Istat) «Behind the scene stands the Young people and storyteller, but behind the storyteller the jobs crisis in stands a community of memory» numbers (H. Arendt) (Oecd) Eurostat Why we need to visualize information? «By visualizing information, we turn it Not to get lost in into a landscape that you can explore with the data your eyes, a sort of information map. And when you’re lost in information, an information map is kind of useful.» (D. McCandless) http://www.brainyquote.com/quotes/quotes/d/davidmccan630550.html Visualization of [Big] Data gives you a way So… we can quote «to find things that you had no theory Baudelaire: about and no statistical models to identify, «Le beau est toujours but with visualization it jumps right out at bizarre» you and says, ‘This is bizarre’ » (B.
    [Show full text]