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The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
Publishing in the Nineteenth Century
1 Publishing in the Nineteenth Century Originally published as “Editer au XIXe siècle”, Revue d’histoire littéraire de la France, vol. 107, no. 4, 2007, pp. 771–90. Introduction When Roger Chartier and Henri-Jean Martin were preparing the introduction to the first volume of their monumental Histoire de l’Édition francaise (History of French publishing), which they entitled Le livre conquérant. Du Moyen Age au milieu du XVIIe siècle (The Conquering Book. From the Middle Ages to the mid-seventeenth century), they encountered a problem – one might even call it an aporia. They explained their twin debt both to Lucien Febvre, the initiator of research into the history of the book,1 and to Jean-Pierre Vivet, a journalist turned director of Promodis Publishing, who had expressed his desire to “see [the publisher] placed at the center of these four volumes,” which he had entrusted to them.2 This outspoken directive implied that the figure of the publisher long predated the invention of printing, and that he had been performing the role of broker or mediator without interruption from the thirteenth up to the twentieth century, as is the case today. The two editors were very well aware that sustaining such a notion could prove risky, and so they added this further comment, which partly contradicted what had gone before: The story we would like to tell is one in which the role of the publisher was gradually asserted and became more clearly defined; he was bold in the age of the conquering 1 Lucien Febvre and Henri-Jean Martin, L’apparition du livre (Paris: Albin Michel, 1958), translated into English as The Coming of the Book: The Impact of Printing, 1450-1800 (London: Verso, 1976). -
Reference Document Including the Annual Financial Report
REFERENCE DOCUMENT INCLUDING THE ANNUAL FINANCIAL REPORT 2012 PROFILE LAGARDÈRE, A WORLD-CLASS PURE-PLAY MEDIA GROUP LED BY ARNAUD LAGARDÈRE, OPERATES IN AROUND 30 COUNTRIES AND IS STRUCTURED AROUND FOUR DISTINCT, COMPLEMENTARY DIVISIONS: • Lagardère Publishing: Book and e-Publishing; • Lagardère Active: Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage; • Lagardère Services: Travel Retail and Distribution; • Lagardère Unlimited: Sport Industry and Entertainment. EXE LOGO L'Identité / Le Logo Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins Echelle: d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié. Agence d'architecture intérieure LAGARDERE - Concept C5 - O’CLOCK Optimisation Les entrepreneurs devront s’engager à executer les travaux selon les règles de l’art et dans le respect des règlementations en vigueur. Ce 15, rue Colbert 78000 Versailles Date : 13 01 2010 dessin est la propriété de : VERSIONS - 15, rue Colbert - 78000 Versailles. Ne peut être reproduit sans autorisation. tél : 01 30 97 03 03 fax : 01 30 97 03 00 e.mail : [email protected] PANTONE 382C PANTONE PANTONE 382C PANTONE Informer, Rassurer, Partager PROCESS BLACK C PROCESS BLACK C Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la Echelle: Agence d'architecture intérieure solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié. -
The European Populist Wave Threats to European Values and the Case of Hungary
Master’s Degree in Comparative International Relations Final Thesis The European Populist Wave Threats to European Values and the Case of Hungary Supervisor Ch. Prof. Antonio Trampus Assistant supervisor Ch. Prof. Stéphanie Novak Graduand Enrica Griggio Matriculation number 848932 Academic Year 2018 / 2019 TABLE OF CONTENTS ABSTRACT…………………………………………………………..……………………..iv INTRODUCTION………………………………………………..…………………….….01 CHAPTER I. FRAMING POPULISM……………......…………..........……... 1.1 Historical background…………………………………………………………….08 1.1.1 The origins………………………………………………………………08 1.1.2 European populism…………………………………………………...…13 1.1.3 How did populism become a negative label……………….………….…15 1.2 Theoretical approaches: what is populism……………………………...…………18 1.2.1 The ideational approach………………………………………………...20 1.2.2 The political-strategical approach………………………………………23 1.2.3 The socio-cultural approach……………………………………….……25 1.3 Common denominators…………………………..………………………………..28 1.3.1 Populism and the concept of ‘the people’………………………………..29 1.3.2 Five populist dimensions, towards a minimal definition………...……….34 CHAPTER II. THE EUROPEAN POPULIST WAVE 2.1 The rise of populism in Europe………………………………………………….…37 2.1.1 Modern European populism……………………………………………..38 2.1.2 Recent tendencies in the EU………………………………………….….41 2.1.3 A European populist explosion?…………………………………..…….46 2.2 The root cause and main catalysing agents of populism…………………………...48 2.2.1 The economic thesis…………………………………………………..…50 2.2.2 The mass society thesis……………………………………………..……53 2.2.3 Loss of national -
Hachette Book Group V. Internet Archive
Case 1:20-cv-04160 Document 1 Filed 06/01/20 Page 1 of 53 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - x HACHETTE BOOK GROUP, INC., : HARPERCOLLINS PUBLISHERS LLC, JOHN WILEY & SONS, INC., and PENGUIN RANDOM : 20 Civ. _____________ HOUSE LLC, : ECF Case Plaintiffs, : : COMPLAINT -against- : TRIAL BY JURY DEMANDED : INTERNET ARCHIVE and DOES 1 through 5, : inclusive, : Defendants. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - x Plaintiffs Hachette Book Group, Inc. (“Hachette”), HarperCollins Publishers LLC (“HarperCollins”), John Wiley & Sons, Inc. (“Wiley”), and Penguin Random House LLC (“Penguin Random House”), by and through their attorneys Davis Wright Tremaine LLP and Oppenheim + Zebrak, LLP, for their Complaint, hereby allege against Defendant Internet Archive (“IA” or “Defendant”) and Does 1 through 5 as follows: NATURE OF THE ACTION 1. Plaintiffs Hachette, HarperCollins, Penguin Random House, and Wiley (collectively, “Plaintiffs” or “Publishers”) bring this copyright infringement action against IA in connection with website operations it markets to the public as “Open Library” and/or “National Emergency Library.” Plaintiffs are four of the world’s preeminent publishing houses. Collectively, they publish some of the most successful and leading authors in the world, investing in a wide range of fiction and nonfiction books for the benefit of readers everywhere. All of the Plaintiffs are member companies of the Association of American Publishers, the mission of which is to be the voice of American publishing on matters of law and public policy. 1 Case 1:20-cv-04160 Document 1 Filed 06/01/20 Page 2 of 53 2. Defendant IA is engaged in willful mass copyright infringement. Without any license or any payment to authors or publishers, IA scans print books, uploads these illegally scanned books to its servers, and distributes verbatim digital copies of the books in whole via public-facing websites. -
Annuaire D'éditeurs Français 2018
ANNUAIRE D’ÉDITEURS FRANÇAIS 2018 2018 DIRECTORY OF FRENCH PUBLISHERS Bureau international de l’édition française 115, bd Saint-Germain - 75006 Paris, France t. +33 (0)1 44 41 13 13 - f. +33 (0)1 46 34 63 83 [email protected] - www.bief.org ANNUAIRE D’ÉDITEURS FRANÇAIS 2018 2018 DIRECTORY OF FRENCH PUBLISHERS PROMOUVOIR L’ÉDITION FRANÇAISE À L’ÉTRANGER Depuis 140 ans, le BIEF est l’outil de promotion de l’édition française à l’étranger. Organisme professionnel, il regroupe 280 maisons d’édition et bénéficie notamment de l’appui du Centre national du livre. Son programme d’activité s’articule autour de cinq types d’actions : - La participation à des foires internationales du livre, - La publication de catalogues bilingues, outils d’information sur les livres français, - La réalisation d’études et d’organigrammes sur des marchés du livre dans le monde, - L’organisation de rencontres et d’échanges entre professionnels du livre, - La formation et la mise en réseau d’éditeurs et de libraires du monde entier. Cet annuaire présente les adhérents du BIEF. Il permet aux professionnels étrangers de disposer des coordonnées des personnes en charge de l’international – droits étrangers, export, droits audiovisuels – dans chaque maison d’édition ainsi que les domaines éditoriaux publiés. nb : Cet annuaire regroupe les adhérents du BIEF au 10 janvier 2018. Les informations présentées proviennent directement des éditeurs. PROMOTING FRENCH PUBLISHING AROUND THE WORLD For the last 140 years, the BIEF has been promoting French publishers’ internationally. This organization of and for industry professionals, has 280 publishing company members and is funded in part by the Centre National du Livre. -
London 2020 Rights Guide Fiction & Non-Fiction Contents
LONDON 2020 RIGHTS GUIDE FICTION & NON-FICTION CONTENTS FICTION General Fiction Literary Fiction Harlequin Fiction Crime & Thriller Sci-Fi & Fantasy NON-FICTION General Non-fiction Cookery & Lifestyle True Crime Biography & Autobiography Sport History & Popular Science Health & Wellbeing SUB-AGENTS GENERAL ENQUIRIES If you are interested in any of the titles in this Rights Guide or would like further information, please contact us: Elizabeth O’Donnell International Rights Manager HarperCollins Publishers (ANZ) t: +61 2 9952 5475 e: [email protected] HarperCollins Publishers Australia Level 13, 201 Elizabeth Street, Sydney NSW 2000 PO Box A565, Sydney South NSW 1235 AUSTRALIA FICTION TITLES GENERAL FICTION GENERAL FICTION It’s New Year’s Eve. Three thirty-something women – Aimee, JOY. MAGIC. WONDER. FATE. Every lost soul can be NOT BAD Melinda and Lou - best friends for decades, let off illegal BOY found again. Fates can be changed. Bad can become good. PEOPLE Chinese lanterns filled with resolutions: for meaning, for SWALLOWS True love conquers all. There is a fine line between magic and freedom, for money. As the glowing paper bags float away, madness and all should be encouraged in moderation. Home BRANDY there’s a bright flare in the distance. It could be a sign of luck UNIVERSE is always the first and final poem. SCOTT – or the start of a complete nightmare that will upend their TRENT Brisbane, 1983: A lost father, a mute brother, a mum in jail, friendships, families and careers. Three friends, thirty years DALTON a heroin dealer for a stepfather and a notorious crim for a of shared secrets, one The day after their ceremony, the newspapers report a small babysitter. -
2019 Universal Registration Document CHAPTER 1 - Overview of the Group
UNIVERSAL REGISTRATION DOCUMENT including the Annual Financial Report FISCAL YEAR 2019 ProfilE Created in 1992, Lagardère is an international group with operations in more than 40 countries worldwide. It employs over 30,000 people and generated revenue of €7,211 million in 2019. Under the impetus of the Group’s General and Managing Partner, Arnaud Lagardère, the Group launched a strategic refocusing around two priority divisions: Lagardère Publishing is the world’s third-largest Lagardère Travel Retail, is the world’s fourth book publisher for the general public and largest travel retail merchant, with operations educational markets, and the leader in France. in three segments of this very dynamic field: Alongside some 6,900 employees, it creates Travel Essentials, Duty Free & Fashion, and 17,000 original publications each year as well Foodservice. Lagardère Travel Retail has as contributing to their broader circulation 25,000 employees across an international by innovating with digital and mobile reading network of more than 4,800 points of sale formats. Lagardère Publishing’s activities also in around one thousand airports, mainline extend to adjacent businesses such as Mobile and urban train stations. Games and Board Games. The Group’s business scope also includes Lagardère News (Paris Match, Le Journal du Dimanche, Europe 1, RFM, Virgin Radio and the Elle brand licence) together with Lagardère Live Entertainment. The Lagardère Studios unit is in the process of being sold. Through this strategic refocusing, the Lagardère group is investing in its two strategic divisions with the aim of creating global leaders over the long term. Lagardère shares are listed on Euronext Paris. -
Academic Freedom in Danger. Fact Files on the ‘CEU Affair’
Südosteuropa 65 (2017), no. 2, pp. 412-436 SPOTLIGHT BALÁZS TRENCSÉNYI, ALFRED J. RIEBER, CONSTANTIN IORDACHI, ADELA HÎNCU Academic Freedom in Danger. Fact Files on the ‘CEU Affair’ Abstract. In the beginning of April this year, the Hungarian Parliament passed two amend- ments to the existing educational law, which in their particular formulation targeted specif- ically the renowned Central European University in Budapest and sought to undermine the legal basis of its existence in Hungary. In four contributions leading academics and a PhD student of the History Department of the Central European University place the latest events in context, provide insights into the institutional set-up and the development of the History Department, and explain why this institution is special and worth fighting for. Balázs Trencsényi is Professor of History at the Central European University. Alfred J. Rieber is University Professor Emeritus, Central European University, and Professor Emeritus, University of Pennsylvania. Constantin Iordachi is Professor of History at the Central European University. Adela Hîncu is a PhD Candidate in History at the Central European University. The Political Context Balázs Trencsényi In the following short thematic block, the four authors of this ‘Spotlight on the CEU affair’ intend to provide context for the recent developments that sur- round the Central European University (CEU, www.ceu.edu). It is followed by an extensive—though not exhaustive—press review on the CEU affair in major international media.1 The situation escalated after 4 April 2017, when the Hungarian Parliament reduced the parliamentary debate to a three-hour plenary discussion and passed an amendment to the higher education act that undermines the continuing operation of CEU in the country—all without any previous consultation oth- 1 We would like to thank Adri Bruckner and Stefan Roch for compiling the press review, as well as Cody Inglis for linguistic editing. -
Rights Guide
KEY FICTION NON-FICTION For all translation enquiries please contact: James Pusey at [email protected] Hana Murrell at [email protected] For film and television enquiries please contact Louisa Minghella at [email protected] English Language markets and audio are handled by each author’s primary agent: Kate Burke [email protected] Isobel Dixon [email protected] Samuel Hodder [email protected] Juliet Pickering [email protected] We work direct in the following markets: Brazil, the Baltics, Greece, Holland, Italy, Israel, the Nordics We are represented overseas by: Bulgaria Katalina Sabeva, Anthea | Croatia, Bosnia, Macedonia, Slovenia and Serbia Diana Matulić, Corto Literary Agency | China Jackie Huang, Andrew Nurnberg Agency | Czech Kristin Olson Literary Agency | France Vanessa Kling, Michèle Kanonidis & Anne Maizeret, La Nouvelle Agence | Germany Anja Kretschmann & Hannah Nuspliger-Fosh, Liepman Agency | Hungary Orsi Mészáros, Katai & Bolza | Japan Hamish Macaskill & Corinne Shioji, The English Agency | Korea Rockyoung Lee, KCC | Poland Anna Jarota | Romania Marina Adriana, Simona Kessler Agency | Russia Ludmilla Sushkova & Vladimir Chernyshov, Andrew Nurnberg Agency | Spain & Portugal Teresa Vilarrubla & Marta de Bru de Sala i Martí, The Foreign Office | Taiwan Whitney Hsu, Andrew Nurnberg Agency | Turkey Amy Spangler & Cansu Canseven, Anatolialit Agency Full author backlist details are available on request. NEW TITLES 2 Literary GOOD INTENTIONS Kasim Ali A dazzling and captivating debut deftly exploring millennial relationships and complexities of immigrant obligation and racial prejudice. As Nur’s family count down to midnight on New Year’s Eve, Nur is watching the clock more closely than most: he has made a pact with himself, and with his girlfriend, Yasmina, that he will finally tell his parents that he is dating. -
Mediaindustrialcomplex2002
deutsche bank saint philips financière groupe 50 franklin gobain putnam prudential enderson pinault arnault ressources century inv. investors fendi 51 sport-informations dienst 5 6,3 4 4,78 rvp 99 12 sofiee polycom aurora ipsos 62 3,4 daimler ipsos compagny news delor s.a. le point chrysler 14,9 europ@web 70 44 libertysurf 33,9 nolis finintel château latour inedit ysl beauté conforama 100 44 holding canal + sefimeg france printemps a christian dior sa 2,74 i 1,11 d artprice.com usa networks agence christie s vivendi e ' fnac 44 mdo monte carlo 40 france canal satellite presse famille univers. m paris première kiosque bronfman lagardère studio participations 40 6,1 sa eso tkp (poland) artemis pinault printemps lvmh king canal jimmy la redoute lagardère c : canal + (flandres) fisher sca famille seasons tv sport tele + (italia) verrechia havas havas advertising 3,7 pathe 50 eurochannel comédie ! vox (germany) euro rscg planete investir game one canal + (pays bas) fleuve noir hachette sa virgin arnold worldwide partn. bouyghes ciné classics tribune desfossés demain ! (spain) prada sogecable 42,5 10/18 mediaplanning 15,5 agefi ciné cinéma i-télévision canal + (africa) pocket mediametrie tf 1 p 39,3 u bl ugc 6 is hachette livres hachette filipacchi julliard h . sotheby's t él robert laffont chaîne festival év i 27 sion multi thematiques calmann-levy elle étude Tojan comareg à euronews péage rmc disney hachette ed. journal du dimanche philips (art auction) l'expansion tv 5 7 9 fayard parents l l étudiant v ' sci fr. télévis. French c ap i t la sentinelle télé 7 jours al state of havas images l'express chaînes région State grasset ici paris france vodafone benefits cosmetics kuweit courrier international cinéma 4 million telecom 4,3 18 harlequin rapho images 50 vizzavi 50 la cinquième hard candy havas business ed. -
OSINT Handbook September 2020
OPEN SOURCE INTELLIGENCE TOOLS AND RESOURCES HANDBOOK 2020 OPEN SOURCE INTELLIGENCE TOOLS AND RESOURCES HANDBOOK 2020 Aleksandra Bielska Noa Rebecca Kurz, Yves Baumgartner, Vytenis Benetis 2 Foreword I am delighted to share with you the 2020 edition of the OSINT Tools and Resources Handbook. Once again, the Handbook has been revised and updated to reflect the evolution of this discipline, and the many strategic, operational and technical challenges OSINT practitioners have to grapple with. Given the speed of change on the web, some might question the wisdom of pulling together such a resource. What’s wrong with the Top 10 tools, or the Top 100? There are only so many resources one can bookmark after all. Such arguments are not without merit. My fear, however, is that they are also shortsighted. I offer four reasons why. To begin, a shortlist betrays the widening spectrum of OSINT practice. Whereas OSINT was once the preserve of analysts working in national security, it now embraces a growing class of professionals in fields as diverse as journalism, cybersecurity, investment research, crisis management and human rights. A limited toolkit can never satisfy all of these constituencies. Second, a good OSINT practitioner is someone who is comfortable working with different tools, sources and collection strategies. The temptation toward narrow specialisation in OSINT is one that has to be resisted. Why? Because no research task is ever as tidy as the customer’s requirements are likely to suggest. Third, is the inevitable realisation that good tool awareness is equivalent to good source awareness. Indeed, the right tool can determine whether you harvest the right information.