Tim Wrightman's Lazy Bear Ranch

Total Page：16

File Type：pdf, Size：1020Kb

Tim Wrightman SAG/AFTRA Hair: Brown Eyes: Brown Height: 6’4” Film Exit to Eden Savoy d/ Garry Marshall California Myth Filmco d/Michael Katz Let it Ride Paramount d/ Joe Pytka TELEVISION: The Drew Carey Show Guest Lead d/ Jerry Cohen Still Standing Guest Lead Early Edition Guest Lead d/ Julia Rask Suddenly Susan Co-Star d/ Phillip K. Mackenzie Ask Harriet Guest Lead d/ Bob Berlinger Mad About You Guest Lead d/ Gordon Hunt Players Guest Lead d/ Michal Uisser Silk Stalkings Guest Lead d/John Parragon Cybill Guest Lead d/Andrew Weyman Grace Under Fire Guest Lead d/Michel Lessac Saved by the Bell Guest Lead d/Phillip Mackenzie Almost Perfect Co-Star Sherman Oaks Guest Lead d/ Ken Hech Walker Texas Ranger Guest Lead d/ Michael Preece Party of Five Co-Star d/Ellen Pressman Baywatch Guest Lead d/ Greg Bowman Renegade Guest Lead d/ Michael Preece Rachel Gunn, RN Guest Lead d/ John Whitesell American Gladiators Pilot Co- Host STAND-UP COMEDY & TALK SHOWS: The Improve Chicago / West Hollywood Jenny Jones IGBYS – Los Angeles Bertice Berry THEATER: Barn Theater Rumors Lenny Ganz Chandler Theater Greater Tuna Odyssesy Buck Fever Ray TRAINING: Acting: Sandy Marshall, Jeff Corey, Vincent Chase, Margie Haber Improve: Sandy Holt, Tom Orth Voile: Meg Wilber SPECIAL SKILLS: Chicago Bears (1986 Super Bowl Championship) UCLA Football / Hall of Fame Inductee 2003 All hand guns, motorcycles, all sports, horse back riding, stunts, fencing .

Copy Link

Recommended publications

Popular Television Programs & Series
Middletown (Documentaries continued) Television Programs Thrall Library Seasons & Series Cosmos Presents… Digital Nation 24 Earth: The Biography 30 Rock The Elegant Universe Alias Fahrenheit 9/11 All Creatures Great and Small Fast Food Nation All in the Family Popular Food, Inc. Ally McBeal Fractals - Hunting the Hidden The Andy Griffith Show Dimension Angel Frank Lloyd Wright Anne of Green Gables From Jesus to Christ Arrested Development and Galapagos Art:21 TV In Search of Myths and Heroes Astro Boy In the Shadow of the Moon The Avengers Documentary An Inconvenient Truth Ballykissangel The Incredible Journey of the Batman Butterflies Battlestar Galactica Programs Jazz Baywatch Jerusalem: Center of the World Becker Journey of Man Ben 10, Alien Force Journey to the Edge of the Universe The Beverly Hillbillies & Series The Last Waltz Beverly Hills 90210 Lewis and Clark Bewitched You can use this list to locate Life The Big Bang Theory and reserve videos owned Life Beyond Earth Big Love either by Thrall or other March of the Penguins Black Adder libraries in the Ramapo Mark Twain The Bob Newhart Show Catskill Library System. The Masks of God Boston Legal The National Parks: America's The Brady Bunch Please note: Not all films can Best Idea Breaking Bad be reserved. Nature's Most Amazing Events Brothers and Sisters New York Buffy the Vampire Slayer For help on locating or Oceans Burn Notice reserving videos, please Planet Earth CSI speak with one of our Religulous Caprica librarians at Reference. The Secret Castle Sicko Charmed Space Station Cheers Documentaries Step into Liquid Chuck Stephen Hawking's Universe The Closer Alexander Hamilton The Story of India Columbo Ansel Adams Story of Painting The Cosby Show Apollo 13 Super Size Me Cougar Town Art 21 Susan B.
[Show full text]
Dave Black: a Publisher's Perspective by Rick Mattingly
Dave Black: a Publisher’s Perspective By Rick Mattingly ave Black serves as Vice President and Another mistake I often see are people RM: I often saw books that came from teachers Editor-in-Chief, School & Church who try to write the bible of whatever sub- who said, “Instead of students having to buy Publications, for Alfred Music Pub- ject they’re teaching, and they send in a 200- several different drum books, this one book has Dlishing Company. A prolific composer page manuscript. No one is going to publish everything they need!” It would have a little bit and arranger, more than 60 of his composi- a book that size. Had they talked to the about reading, a little bit about rudiments, a tions and arrangements have been published publisher in advance and asked for a recom- couple of pages of Stick Control-type exercises, by Alfred, Barnhouse, CPP/Belwin, TRN, mended page count, they could have saved a little bit of rock drumset, a little bit of jazz Highland/Etling, and Warner Bros. Black themselves a lot of time. drumset, a little bit about fills, a little double has written for the bands of Louie Bellson, bass, a little odd-time stuff—a little bit of a lot RM: Sammy Nestico, Bill Watrous, Bobby Shew, Ed Based on what I saw when I used to review of things, but not enough of anything. Shaughnessy, Gordon Brisker, and the C.S.U., manuscripts for Hal Leonard, how many times DB: Right. The typical cover letter I often Northridge Jazz Ensemble.
[Show full text]
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
[Show full text]
Be Sure to MW-Lv/Ilci
Page 12 The Canadian Statesman. Bowmanville. April 29, 1998 Section Two From page 1 bolic vehicle taking its riders into other promised view from tire window." existences. Fit/.patriek points to a tiny figure peer In the Attic ing out of an upstairs window on an old photograph. He echoes that image in a Gwen MacGregor’s installation in the new photograph, one he took looking out attic uses pink insulation, heavy plastic of the same window with reflection in the and a very slow-motion video of wind glass. "I was playing with the idea of mills along with audio of a distant train. absence and presence and putting shifting The effect is to link the physical elements images into the piece." of the mill with the artist’s own memories growing up on the prairies. Train of Thought In her role as curator for the VAC, Toronto area artists Millie Chen and Rodgers attempts to balance the expecta Evelyn Michalofski collaborated on the tions of serious artists in the community Millery, millery, dustipoll installation with the demands of the general popula which takes its title from an old popular tion. rhyme. “There has to be a cultural and intel TeddyBear Club Holds Workshop It is a five-minute video projected onto lectual feeding," she says, and at the same Embroidered noses, button eyes, fuzzy cars, and adorable faces arc the beginnings of a beautiful teddy bear. three walls in a space where the Soper time, we have to continue to offer the So say the members of the Bowmanville Teddy Bear Club.
[Show full text]
Chinese in Hollywood
Chinese Historical Society EWS'N of Southern California 411 Bernard Street, Los Angeles, CA 90012 Phone: 323-222-0856 Email: [email protected] OTES Website: www.chssc.org FEBRUARY 2014 II Jack Ong is an American-born Chinese actor, writer and activist with a professional background in print journal Chinese in ism, marketing, advertising and public relations. Jack is a licensed minister with the Missionary Church and executive director of The Dr. Haing S. Ngor Founda tion, which he established in 1991 with the late Oscar Hollywood winning actor of"The Killing Fields." A dramatic as well as comedic actor, Jack created the role of Welling ton Po, "eccentric billionaire," on the Showtime series, "Hoop Life"; and improvised the "Funky Peasant" dance before his close-up death scene in the horror Book presentation by author Jenny Cho movie, "Lep in the Hood: Leprechaun 5." His credits also include guest starring roles on such TV shows as followed by a panel discussion with actors "ER," "Friends," "The Bernie Mac Show," "Still Standing," "Dharma & Greg," "Touched By An Angel," "V.I.P.," "Chicago Hope," "The Simpsons," and Jack Ong, Kelvin Han Yee and Keane Young. "Beverly Hills 90210." He was seen as a veggie-chopping, attitude-copping chef on the Kan-Tong Fried Rice commercials. His acting and ministry careers crossed when he married couples on TV's "The Young and the Restless" and "Hunter," and in the film "For Keeps"; he also plays a minister in "Cannes Man." Other movie credits include "Art School Confidential," "Akeelah and the Bee," "Next," "National Lampoon's Gold Diggers," "China Cry," "The Iron Triangle," Wednesday, February 5, 2014- 6:30p.m.
[Show full text]
See More of Our Credits
ANIMALS FOR HOLLYWOOD PHONE: 661.257.0630 FAX: 661.269.2617 BEAUTIFUL BOY OLD MAN AND THE GUN ONCE UPON A TIME IN VENICE DARK TOWER HOME AGAIN PUPSTAR 1 & 2 THE HATEFUL EIGHT 22 JUMP STREET THE CONJURING 2 PEE-WEE’S BIG HOLIDAY DADDY’S HOME WORLD WAR Z GET HARD MORTDECAI 96 SOULS THE GREEN MILE- WALKING THE PURGE: ANARCHY DON’T WORRY, HE WON’T GET THE MILE FAR ON FOOT THE LONE RANGER DUE DATE THE FIVE YEAR ENGAGEMENT ZERO DARK THIRTY THE CONGRESS MURDER OF A CAT THE DOGNAPPER OBLIVION HORRIBLE BOSSES CATS AND DOGS 2 – THE SHUTTER ISLAND POST GRAD REVENGE OF KITTY GALORE THE DARK KNIGHT RISES YOU AGAIN THE LUCKY ONE HACHIKO FORGETTING SARAH MARSHALL TROPIC THUNDER MAD MONEY OVER HER DEAD BODY THE HEARTBREAK KID UNDERDOG STUART LITTLE THE SPIRIT REXXX – FIREHOUSE DOG THE NUMBER 23 IN THE VALLEY OF ELAH YEAR OF THE DOG CATS AND DOGS MUST LOVE DOGS CATWOMAN BLADES OF GLORY STUART LITTLE 2 PIRATES OF THE CARIBBEAN P I RA T ES O F THE CARIBBEAN PIRATES OF THE CARIBBEAN – - THE CURSE OF THE – DEAD MAN’S CHEST WORLD’S END BLACK PEARL CHEAPER BY THE DOZEN 2 THE DEPARTED EVERYTHING IS ILLUMINATED THE PACIFIER ALABAMA MOON RUMOR HAS IT NATIONAL TREASURE ELIZABETHTOWN ALONE WITH HER PETER PAN THE GREEN MILE TROY WALK THE LINE THE HOLIDAY RAISING HELEN MOUSE HUNT CHRISTMAS WITH THE CRANKS OPEN RANGE BATMAN AND ROBIN THE MEXICAN PAULIE BUDDY KATE AND LEOPOLD WILLARD Animals for Hollywood - ph. 661.257.0630 e-mail: [email protected] pg.
[Show full text]
8 TV Power Games: Friends and Law & Order
8 TV Power Games: Friends and Law & Order There is no such thing as a one-man show | at least not in television: one feature that all TV shows have in common is the combination of a large number of diverse contributors: producers, scriptwriters, actors, and so on. This is illustrated in Exhibit 8.1, which depicts the links between key contributors to the making and selling of a TV show. Solid lines repre- sent some form of contractual relationship, whereas dashed lines represent non-contractual relationships of relevance for value creation and value distribution. As is the case with movies, pharmaceutical drugs, and other products, the distribution of TV show values is very skewed: many TV shows are worth relatively little, whereas a few shows generate a very high value: For example, at its peak Emmy Award-winning drama ER fetched $13 million per episode.1 How does the value created by successful shows get divided among its various contrib- utors, in particular actors, producers and networks? Who gets the biggest slice of the big pie? In this chapter, I address this question by looking at two opposite extreme cases in terms of relative negotiation power: Law & Order and Friends. Law & Order | and proﬁts The legal drama series Law & Order was ﬁrst broadcast on NBC on September 13, 1990. (The pilot episode, produced in 1988, was intended for CBS, but the network rejected it, just as Fox did later, in both cases because the show did not feature any \breakout" characters.) By the time the last show aired on May 24, 2010, it was the longest-running crime drama on American prime time TV.
[Show full text]
1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA.
[Show full text]
Ken Whittingham Is an American Television Director Who Has Been in the Industry for Over 25 Years
DIRECTOR BIOGRAPHIES KEN WHITTINGHAM (Director – Episodes 101 & 102) Ken Whittingham is an American television director who has been in the industry for over 25 years. He has directed episodes for a wide variety of television series including “Parks and Recreation,” “Brooklyn Nine- Nine,” “Suburgatory,” “Parenthood,” “About a Boy,” “30 Rock,” “The Middle,” “The Office,” “Entourage,” “Community,” “Scrubs,” “My Name is Earl,” “Everybody Hates Chris,” “Rules of Engagement,” “Gilmore Girls,” “King of Queens,” “The Bernie Mac Show,” “Yes, Dear,” “Still Standing,” and many more. Whittingham has been nominated for multiple NAACP Image Awards for “30 Rock,” “Parenthood,” “Entourage,” and “Everybody Hates Chris” and has won four times. He won for Outstanding Directing for a Comedy Series for the “Parks and Recreation” episode “How a Bill Becomes a Law;” “30 Rock” for episode “The Funcooker;” and for “The Office” episodes “Phyllis’s Wedding” and “Michael’s Birthday.” PETER SEGAL (Director – Episode 103) Peter Segal is an award-winning film and television director, producer, and writer whose movies have grossed over $1.1 billion to date. He recently directed Robert De Niro, Sylvester Stallone and Kevin Hart in Warner Bros. boxing comedy Grudge Match. Before that, he teamed up with Steve Carell and Anne Hathaway and Dwayne Johnson in the big screen adaptation of Mel Brooks and Buck Henry’s legendary television series Get Smart, which made $230 million worldwide. In fact, that movie became Segal’s fifth consecutive film to gross over $100 million in domestic box office. A frequent collaborator with Adam Sandler, Segal has directed the actor in such films as 50 First Dates, with Drew Barrymore; Anger Management, which also starred Jack Nicholson, and The Longest Yard, currently the highest-grossing comedy remake of all time and the second-highest grossing sports comedy in history.
[Show full text]
Volkswagen Cabriolets on Television
Volkswagen Cabriolets on Television (Separated by genre. Not in alphabetical order, so use Ctrl+F to find a specific title. Some have embedded links to external videos/photos. Key to star ratings is on last page. Made-for-TV movies are listed in the equivalent film document.) Genre: Documentary/Informational/News Motorweek 20 Cars That Changed The World What Would You Do? 1989 2001; Episode 3 ABC News Special Telemotor Autotest Telemotor Autotest 60 Jahre Volkswagen 1979/1980 ca. 1988 2009 Genre: Mini-series The Man Who Made Husbands Jealous Floodtide Un été de canicule 1997 1987; Episode: 1.03 2003; Episode: 3 Goltuppen Devices & Desires Den Svarta Cirkeln 1991; Episode: 3 1991; Episode: 2 1990; Episode: 1 © 2015 KamzKreationz 1 Cabriolets on TV Genre: Comedy/Sitcom/Dramedy Chuck Chuck Curb Your Enthusiasm 2007; Episode 1.07 2008; Episode 2.04 2004; Episode 4.08 Dharma & Greg Doogie Howser, M.D. 2001; Episode 5.04 1989; Episode 1.01 Grace Under Fire Hannah Montana Hannah Montana 1996; Episode 4.17 2006; Episode 1.02 2006; Episode 1.14 King of Queens King of Queens King of Queens 1998; Episode 1.__ 1999; Episode 2.09 2000; Episode 3.01 1999; Episode 2.22 2000; Episode 3.08 Malcolm In The Middle Malcolm In The Middle My Name Is Earl 2001; Episode 2.09 2001; Episode 2.01 2006; Episode 2.07 © 2015 KamzKreationz 2 Cabriolets on TV Reno 911! Saved By The Bell Seinfeld 2003; Episode 1.05 Seasons 3 & 4 DVD cover 1991; Episode 3.06 Seinfeld Seinfeld Step By Step 1992; Episode 4.22 1993; Episode 5.03 1991; Episode 1.16 That '70s Show The Big Bang
[Show full text]
Fall Course Listing Here
FALL QUARTER 2021 COURSE OFFERINGS September 20–December 12 1 Visit the UCLA Extension’s UCLA Extension Course Delivery Website Options For additional course and certificate information, visit m Online uclaextension.edu. Course content is delivered through an online learning platform where you can engage with your instructor and classmates. There are no C Search required live meetings, but assignments are due regularly. Use the entire course number, title, Reg#, or keyword from the course listing to search for individual courses. Refer to the next column for g Hybrid Course a sample course number (A) and Reg# (D). Certificates and Courses are taught online and feature a blend of regularly scheduled Specializations can also be searched by title or keyword. class meetings held in real-time via Zoom and additional course con- tent that can be accessed any time through an online learning C Browse platform. Choose “Courses” from the main menu to browse all offerings. A Remote Instruction C View Schedule & Location Courses are taught online in real-time with regularly scheduled class From your selected course page, click “View Course Options” to see meetings held via Zoom. Course materials can be accessed any time offered sections and date, time, and location information. Click “See through an online learning platform. Details” for additional information about the course offering. Note: For additional information visit When Online, Remote Instruction, and/or Hybrid sections are available, uclaextension.edu/student-resources. click the individual tabs for the schedule and instructor information. v Classroom C Enroll Online Courses are taught in-person with regularly scheduled class meetings.
[Show full text]
G7210 Grace Under Fire (Usa, 9/29/1993-2/17/1998) [Tv Series]
G7210 GRACE UNDER FIRE (USA, 9/29/1993-2/17/1998) [TV SERIES] Series summary: Family comedy with a serious undertone set in the contemporary U.S. After divorcing her abusive, alcoholic husband and recovering from her own alcoholism, Grace (Butler) tries to rebuild her life and protect her children from making the same mistakes. Wade Swaboda (Sander), her next- door neighbor is a Vietnam vet and a political conservative. Fire in the hole (1/20/1998) Credits: director, Phil Ramuno ; writer, Paul J. Raley. Cast: Brett Butler, Casey Sander, Ed Marinaro, Caitlin Cullum Summary: Wade (Sander) shows up with Dan Gabriel (Marinaro), his old commanding officer in Vietnam, who’s now a covert operations/demolition expert. Dan and Grace begin a verbal sparring match almost immediately. He’s a warrior and a hard-core conservative, and Grace hates everything he stands for. Later, Dan has no trouble winning over Jean, and he talks to Grace’s daughter Libby (Cullum) about how to use psychological intimidation to defend herself against a bully who put gum in her hair. An angry Grace tells Dan to keep himself and his violent approach to life away from her kids, but their conversation ends in a passionate kiss. Grace is horrified that she’s madly attracted to a guy she hates, and it’s obvious that Dan is equally attracted. But Dan dives into the river to do some demolition work for D.C. and doesn't come back out. Everyone assumes he’s dead, but later, Dan, very much alive, appears at Grace’s and tells her he faked his death because he needs to disappear for awhile, but he’ll be back to see her.
[Show full text]