Cornell University Library

Total Page:16

File Type:pdf, Size:1020Kb

Cornell University Library CORNELL UNIVERSITY LIBRARY 3 1 924 068 539 449 INFORMA TIO N REGA RDING THE Offi c i a l P a n = A m e r i c a n A rt Ha ndbook A s t e b . s at d y the Hon . W I . Buchanan , Director Gen eral of the P an i o i to Amer can Exp sit on , it is designed be a memorial of the ideals of ' ” s ti A r e an d thb n A the Expo i on in chit cture, Sculpture Fi e rts . It conta ins a n Illu strated Catal ogue of the Sculpture on the Exposition w l l tr grou nds, ith maps and p ans ; an i lus ated catal ogu e of the build ffi sc i n ings. with o cial de ript ons by the architects , and the followi g official articles : u n John - u n The P rposes of the Expositio , by G . Milb rn , Preside t ; ‘ r b th e a r A Sketch of Exposition Histo y, y M yo of Buffalo ; A Short - n b r . u Sermo for Sightseers , y Edwa d S MartinJ; The Architect ral ' of th Boa r Scheme , by John M . Carrere , Chairman e d of Architects n b nWel l e s How the Pla was Carried Out, y William Bosworth , Chief B m of the Exposition Architectural ureau ; The Color Sche e , by n n Charles Y . Turner , Director of Color ; The Exp ositio Illumi ated . C al ri byHen ry Rustin , hief of Mechanic and Elect cal Bureau From ’ Mr : V an Art Cri tic s Point of View , by s Schuyler a n Ren sselaer ; la b Th e The Sculpture P n . y Karl Bitter , Director of Sculpture ; e . e o n Pictu resque Midway , by Fr derick H Taylor, Dir ct r of Co ces - r s . Cofli n rec or si ons ; The Fine A ts Exhibit , by William A , Di t of so u 85 w Fine Arts. This book is ld upon the gro nds for cents, and i ll be se n t postpaid for 40 cents . It is difficult to compre hend the syin bol ism of th e sc ulptu re a n d al a th e s color schemes , the two most origin fe tures of Expo ition, with out the Art Han dbook. DAVID GRAY, Publisher. 953 l El icott Square , ff Bu alo . N . Y . ' l i h fla lé , N Y Copyr igh te d by “ W I I L L A M A . CO F F I N . - ‘ Dl lR T BL O R o r Fm a A RT S . P an A m erican Exp osition . DIVISIO N O F FINE A RT S . IL L I F W A M A . CO F I N, DI RECTO R. ' CH S . C. CURR N ns r A A , A ssr . Di c os . CLA SSIFICA TIO N. D V S O N I I I XVII . GROUP I Paintings in oil, water color , pastel other i r (Class recognized mediums min atu es, cartoons. II u d s a n GROUP Sculpt re . including me al d cam eos . (Class i , n s GROUP III Draw ngs etchi gs , engraving , black and white, Cl s ti n s ( a s or mono nt pai ting in oil or water color. w GROUP Architecture . (Class CA T A L O GU E . G A L L E R Y A . (VE STI B ULE) 1 MOONRISE—Robert Rei d ' . D 1 89 b Thomas B Clarke Prize, N A . , 7 (Lent y the Lambs Club, New York} Pfl nfi nr onn THE T O F — V . HRONE VENUS Robert V . Sewe ll ’ — L APPEL Albert P . Lucas — SUMMER CLOUDS Charles H . Davis E — PORTRAIT IN GR Y AND GREEN Joseph H . Boston — ffi AT BREAK OF DAY William A . Co n , A . N . A . H T E S . A IN PARK amuel Isham , A N . _ W TH THE — Bl a sh fi ld ANGEL I FLAMING SWORD Edwin H . e , N . A . — ILLUSIONS Henry B . Fuller HE F D — 1 0 . T O A N A APPLE ISCORD Samuel Isham . GA L L E RY B . — N F . 1 . 1 . THE EXPA SIONIST D . Millet , N A — F D 1 2. THE CARD PLAYERS . Millet , N . A . —F 1 3 . WANDERING THOUGHTS . D . Millet , N. A . — RL F . 1 4. GI READING D Millet , N A — i F . 1 5 . THE FIRESI DE D M llet, N A — 1 6. MARSH ISLANDS Arthur W . Dow — w S . 1 7. EVENING Ed in Whiteman — , 1 8. PORTRAIT Julia Henshaw Dewey — W . 1 9 . WINTER SUNSHINE L Lathrop — W . 20. A MARCH DAY L Lathrop — L W . 21 . UNDER THE HIL L Lathrop — W . L a th m 22 . A BARN YARD L p (Lent by Miss Ilka Howells) — 3 A DA Y W . L . 2 . GREY Lathrop F A— l N c OSTRICH FARM, S OUTH A RIC Rhoda Ho mes i holls OLD VIADUCT ACROSS THE PASSAIC RIVE R AT LITTLE FALLS— Frederick Ballard Wil li a ms — A . PORTRAIT OF A BOY John S . Sargent . N . , R A n s (Lent by Mrs . Augustus Sai t Gauden ) — n . MRS . INCHES John S . Sarge t , N A R A (Lent by Mrs . C . E . Inches) — T J ar . A . 28 . POR RAITS ohn S S gent . N , R A (Lent by I . N . Phelps Stokes, Esq . ) — . A . VENETIAN BEAD STRINGERS John S Sargent , N , (Lent by Mrs . J . Carroll Beckwith) — E E . A . 80 . A STR ET IN VENIC John S Sargent , N , R A f . (Lent by Stan ord White, Esq ) — R T . A . PORT AI John S Sargent , N , R A (Lent by Thomas Lincoln Manson , Esq. ) VALLEY OF THE ARUN—Mark Fisher — He r r h ofi REPOSE Louise C . es — 84 . t . THE PORT OF ST MALO Carl on T Chapman , A . N . A . E — a o ow 85 . LITTL MISS COLGATE P ul M sc h itz MISS EUNICE TERRY—Anna Lea Merritt e b . T . (L nt y Rev Roderick erry, D D . ) THE MOTH—Guy Rose SAINTLY DREAM S BY EARLY MOONLIGHT—Charles Caryl N. Coleman , A . A . Th e swe e test sa in t gi ves fa n c y fligh t ” Wh e m er oon bea ms sh e d th eir la mbe n t ligh t. ’ — 39. E MY LADY S ESTAT Edward Gay . A . N . A. f a ll th e se ou n ds e e n from th s l n e to th s O b , v i i i , ’ W th sh a dow f ore sts a n d w th c h a m a i i y i p n s ric h d , W - i th ple n te ous ri vergfl n d wide skirte d We m a ke th ee la dy : ’ - Kzn L ea r Sfia r g . h p ea r e . 40 R — . PORT AIT OF MISS M Adele Herter b (Lent y Mrs . V . Everett Macy) — 41 . THE CASQUETS , ENGLISH CHANNEL William T . Richards M — 42 . FRO TUSCAN WANDERINGS Julius Rol eh ove n (Lent by Mrs Alf red Fowler) 2 — LADY SPENCER WALPOLE Julius Rol sh ove n (Lent by Mrs . Francis Holland) MRS — C. l Rol . E . Ju ius sh ove n E s . (Lent by Edward Clark , q ) RA —~ O . PORT IT F MISS FORD William C . Loring (Lent by I . N . Ford , Esq . ) A WE T DA Y A T THE E — P HAGU Charles . Gruppe 47 A — . VEILED HEAD Stan ley Middleton — THE PASSAIC VALLEY Arthur Hoebe r l (Lent by H . Wood Su livan , Esq . ) 4 THE T ' — 9. BLACKSMI H S SHOP Jules Turcas N . M L r MR GLADSTO E IN DOWNING STREET J . c u e Ham ilton (Lent by the Pennsylvania Academy of the Fine Arts) — J . Mc L ur e PORTRAIT OF HENRY J . THOURON Hamilton (Lent by Henry J . Thouron , Esq — J . MISS KITTY J Shannon , A . R A . s (Lent by the Carnegie In titute, Pittsburg) — J MRS . SHANNON . J . Shannon , A . R . A . THE PENANCE OF ELEANOR— DUCHESS OF GL OUCE S — E TER . A . Abbey , R . A . D u e/z Com e ou m l ord to see m o e n sh a m e : y , y , y p ! ! Now th o u dost e n a n c e too . L ook h ow t a p , , h ey g ze ! e h o th e dd m ul t t de S e , w gi y i u do poin t, n o th e h e a s a th ro t e A d n d ir d . n d w h i r e ye s on th e e ! A h ! Gl oste r , h ide th e e f rom th eir h a te f u l l ooks; n i th l os t e n t u ru e sh a A d, n y c e p p , my m e , o A n d ba n th in e e n e mie s. b th m i n e a n d th in e . Ki n He n r VI P a r t I I A ct 1 1 S c — l za ke s a r e g y , , , .
Recommended publications
  • Yeats at Petitpas' 1910/C
    National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS American Paintings, 1900–1945 John Sloan American, 1871 - 1951 Yeats at Petitpas' 1910/c. 1914 oil on canvas overall: 66.2 × 81.28 cm (26 1/16 × 32 in.) framed: 80.96 × 96.36 × 6.51 cm (31 7/8 × 37 15/16 × 2 9/16 in.) Inscription: lower right: John Sloan Corcoran Collection (Museum Purchase, Gallery Fund) 2014.136.54 ENTRY In August 1910 the realist painter John Sloan began this group portrait of regulars at Petitpas’, a French restaurant and boardinghouse in the Chelsea district of Manhattan. The work joined other Ashcan school artists’ depictions of casual dining experiences in urban eateries that focused on portraiture and narrative, such as At Mouquin’s by William Glackens (American, 1870 - 1938) [fig. 1]. [1] The Ashcan school, informally led by Robert Henri (American, 1865 - 1929), generally focused on the everyday life of the working classes rather than idealized views of the city. George Luks (American, 1866 - 1933) and George Bellows (American, 1882 - 1925) completed a watercolor and a print, respectively, featuring Petitpas’ as well [fig. 2], but Sloan’s large image in oil is the most ambitious of the three. [2] The scene takes place in the enclosed backyard of the restaurant, where the dining room was located in the hot summer months. The party gathers around a table placed under an awning decorated with a French flag. [3] At the head sits John Butler Yeats, smoking and sketching. Yeats, the Irish portrait painter and father of the poet William Butler Yeats, lived at Petitpas’ from 1909 until his death in 1922.
    [Show full text]
  • Dauntless Women in Childhood Education, 1856-1931. INSTITUTION Association for Childhood Education International, Washington,/ D.C
    DOCUMENT RESUME ED 094 892 PS 007 449 AUTHOR Snyder, Agnes TITLE Dauntless Women in Childhood Education, 1856-1931. INSTITUTION Association for Childhood Education International, Washington,/ D.C. PUB DATE [72] NOTE 421p. AVAILABLE FROM Association for Childhood Education International, 3615 Wisconsin Avenue, N.W., Washington, D.C. 20016 ($9.50, paper) EDRS PRICE NF -$0.75 HC Not Available from EDRS. PLUS POSTAGE DESCRIPTORS *Biographical Inventories; *Early Childhood Education; *Educational Change; Educational Development; *Educational History; *Educational Philosophy; *Females; Leadership; Preschool Curriculum; Women Teachers IDENTIFIERS Association for Childhood Education International; *Froebel (Friendrich) ABSTRACT The lives and contributions of nine women educators, all early founders or leaders of the International Kindergarten Union (IKU) or the National Council of Primary Education (NCPE), are profiled in this book. Their biographical sketches are presented in two sections. The Froebelian influences are discussed in Part 1 which includes the chapters on Margarethe Schurz, Elizabeth Palmer Peabody, Susan E. Blow, Kate Douglas Wiggins and Elizabeth Harrison. Alice Temple, Patty Smith Hill, Ella Victoria Dobbs, and Lucy Gage are- found in the second part which emphasizes "Changes and Challenges." A concise background of education history describing the movements and influences preceding and involving these leaders is presented in a single chapter before each section. A final chapter summarizes the main contribution of each of the women and also elaborates more fully on such topics as IKU cooperation with other organizations, international aspects of IKU, the writings of its leaders, the standardization of curriculuis through testing, training teachers for a progressive program, and the merger of IKU and NCPE into the Association for Childhood Education.(SDH) r\J CS` 4-CO CI.
    [Show full text]
  • La Nature Morte Au Québec Et La Question Du Sujet En Art (1887-1907)
    ANNIE D’AMOURS LA NATURE MORTE AU QUÉBEC ET LA QUESTION DU SUJET EN ART (1887-1907) Mémoire présenté à La Faculté des études supérieures de l’Université Laval Dans le cadre du programme de maîtrise en histoire de l’art Pour l’obtention du grade de maître ès arts (M.A.) FACULTÉ DES LETTRES UNIVERSITÉ LAVAL QUÉBEC 2005 © Annie d’Amours, 2005 Résumé La présente recherche porte sur le développement de la nature morte et sur la problématique du sujet en art au Québec de 1887 à 1907. En étudiant l’intérêt pour la représentation des e objets en peinture à la fin du XIX siècle, le texte identifie les conditions culturelles et sociales dans lesquelles un nombre important de natures mortes ont été réalisées. Par une analyse des thèmes et des langages formels suivie d’une étude sur la réception de la nature morte québécoise par la critique d’art francophone, sont mises à jour les différentes conceptions sur l’art éclairant en retour le contexte d’émergence de la nature morte. La question du sujet en art se présente alors comme l’élément clé permettant de comprendre l’émergence d’une relation dynamique entre les préoccupations propres au genre et celle du contexte artistique de l’époque. Didier Prioul Annie d’Amours Abstract The present research relates on the development of the still life and the subject in art problematic in Quebec from 1887 to 1907. By studying the interest for the representation of objects in painting at the end of the XIXth century, the text identifies the cultural and social conditions under which a significant number of still life were carried out.
    [Show full text]
  • Eighth Annual Exhibition of Miniatures Catalogue
    EIGHTH ANNUAL EXHIBITION OF MINIATURES CATALOGUE THE PENNSYLVANIA ACADEMY OF THE FINE ARTS MDCCCCIX THE PENNSYL VANIA ACADEMY OF THE FINE ARTS FOUNDED 1805 THE PENNSYLVANIA SOCIETY OF MINIATURE PAINTERS CATALOGUE OF THE EIGHTH ANNUAL EXHIBITION OF MINIATURES, NOVEMBER 8 TO DECEMBER 19, 1909 PHILADELPHIA MCMIX MANAGEMENT OF THE PENNSYL VANIA ACADEMY OF THE FINE ARTS PRESIDENT, JOHN FREDERICK LEWIS. VICE· PRESIDENT I CLEMENT B. NEWBOLD. HONORARY VICE-PRESIDENTS, JOH N H. CONVERSE, E. BURGESS WARREN. DIRECTORS, THEOPHILUS P. CHANDLER, ALFRED C . HARRISON, HERBERT M. HOWE, M.D., CLARENCE C. ZANTZINGER, GEORGE H. McFADDEN, GEORGE D. WIDENER, CLEMENT B. NEWBOLD, T. DE 'WITT CUYLER, EDWARD T. STOTESBURY, ARTHUR H. LEA, THEODORE N. ELY, CHARLEMAGNE TOWER, FRANK H. CAVEN. TREASURER, ~ GEORGE H. McFADDEN. SECRETARY AND MANAGER, JOHN E. D. TRASK. ASSISTANT TO SECRETARY AND TREASURER, HARRY P. RHOADS. CURATOR OF SCHOOLS, CHARLES F. RAMSEY. SOLICITOR, JOHN G, JOHNSON. COMMITTEE ON EXHIBITIONS, CLEMENT B. NEWBOLD, CHAIRMAN, GEORGE H. McFADDEN, ALFRED C. HARRISON, EDWARD T. STOTESBURY, THEODORE N. ELY, CHARLEMAGNE TOWER. 2 @ff(cers ant> members of tl)e lDennsog{\?anta Soctet\? of miniature lDainters PRESIDENT EMILY DRAYTON TAYLOR VICE· PRESIDENT LUDWIG E. FABER SECRETARY A. MARGARETTA ARCHA~IBAULT TREASURER SARAH YOCUM McFADDEN EXECUTIVE COMMITTEE ELLEN WETHERALD AHRENS AMY OTIS REBECCA PEALE PATTERSON MEMBERS ELLEN WETHERALD AHRENS REBECCA BURD PEALE PATTERSON A. MARGARETTA ARCHAMBAULT EVELYN PURDIE ALICE BECKINGTON EDNA F. HUESTIS SIMPSON ELLA SHEPARD BUSH Lucy MAY STANTON SALLY CROSS MARIA JUDSON STREAN HERMAN DEIGENDESCH MARY H. TANNAHILL EULABEE DIX EMILY DRAYTON TAYLOR LUDWIG E. FABER HELEN M. TURNER JEAN WILLIAMS LUCAS MABEL R.
    [Show full text]
  • Art Hand-Book, Sculpture, Architecture, Painting
    :. •'t-o^ * ^^' v^^ ^ ^^^^\ ^^.m <. .*^ .. X 0° 0^ \D^ *'ir.s^ A < V ^^; .HO^ 4 o *^,'^:^'*.^*'^ "<v*-^-%o-' 'V^^''\/^ V*^^'%^ V\^ o '^^ o'/vT^^^ll^"" vy:. -rb^ ^oVv^'' '^J^M^^r^^ ^^jl.^0'rSi' ^oK °<<. ^""^^ • Sculpture » Architecture * Painting Official H^NDBOOKo/ARCHITECTVRE and SCULPTURE and ART CATALOGUE TO THE Pan-American Exposition With Maps and Illustrations by -permission of C. D. Arnold, Official Photographer BUFFALO, NEW YORK, U. S. A., MAT FIRST TO NOVEMBER FIRST, M. CM. & I. Published by DAVID GRAY, Buffalo, N. Y. Entered according to Act of Congress in the year 1901, by David Gray, in the Office of the Librarian of Congress, at Washington, D. C. • • • • • e • • •• V. • » » « » . f>t • •_••» »'t»» » » » * • • . CONGRESS, Two Copiea Received JUN. 17 1901 Copyright entry EXPOSITION, 1901. CLASS ^XXc N». PAN-AMERICAN Buffalo, N. Y. , U. S. A COPY 3, Office of Director-General. March 30, 1901. To whom it may concern: — Mr. David Gray of this City has "been granted hy the Exposition a concession to publish the Art Catalogue of the Exposition^ which will he a hook in reality a memorial of the ideals of the Exposition in Archi- tecture, Sculpture and Pine Arts. WILLIAM I. BUCHANAN, Director-General The articles, pictures and catalogue descriptions in the Pan-American Art Hand Book are copyrighted, and publication thereof without permission is forbidden. \ r..k^ ^'««- -^ -"^^ ^^ This Art Hand Book was made by the publishing and printing house of ISAAC H,. BLANCHARD CO,, in the city of New Torky at 268 and 270 Canal Street, * 200 feet, iij9 inches east of Broadway.
    [Show full text]
  • Enid Yandell
    H-Kentucky Enid Yandell Archive Item published by Randolph Hollingsworth on Tuesday, November 12, 2019 Project Name: Kentucky Woman Suffrage Name of Historic Site: Cave Hill Cemetery Event(s)/Use associated with woman/group/site: Burial site of sculptor Enid Bland Yandell (1896-1934) who supported the woman suffrage movement County: Jefferson Town/City: Louisville Zip Code: 40204 Street Address: 701 Baxter Avenue Associated Organization: Cave Hill Cemetery Years of Importance: 1912-1920 Geographic Location: Citation: Randolph Hollingsworth. Enid Yandell. H-Kentucky. 11-12-2019. https://networks.h-net.org/enid-yandell Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-Kentucky Your Affiliation: Kentucky Woman Suffrage Project Additional Comments: The sculptor Enid Bland Yandell (6 October 1869 – 12 or 13 June 1934) was a strong advocate for women's rights. Born in Louisville, Kentucky, Yandell traveled extensively and was one of the first women to join the National Sculpture Society. She set up her first artist's studio in her parents' home on Broadway (between 3rd & 4th Street) in Louisville as early as 1891. She lived for two years in Chicago while working in the artist community working on the 1893 World's Columbian Exposition, then she moved to New York City and lived at 23 East 75th Street with her studio located at . She often traveled to Paris and lived there from 1895-1903 while living with the Hungarian expatriate Baroness Geysa Hortense de Braunecker (1869-1960). She had a studio in the Impasse du Main while living in Paris.
    [Show full text]
  • NELSON ROCKEFELLER-DIEGO RIVERA CLASH and MAKING of the US ART CULTURE DURING the 1930’S
    MURALS SPEAK LOUDER THAN WORDS: NELSON ROCKEFELLER-DIEGO RIVERA CLASH AND MAKING OF THE US ART CULTURE DURING THE 1930’s A Master’s Thesis By GÖZDE PINAR THE DEPARTMENT OF HISTORY İHSAN DOĞRAMACI BİLKENT UNIVERSITY ANKARA September 2013 To My Parents…. MURALS SPEAK LOUDER THAN WORDS: NELSON ROCKEFELLER-DIEGO RIVERA CLASH AND MAKING OF THE US ART CULTURE DURING THE 1930’S Graduate School of Economics and Social Sciences of İhsan Doğramacı Bilkent University by GÖZDE PINAR In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in THE DEPARTMENT OF HISTORY İHSAN DOĞRAMACI BİLKENT UNIVERSITY ANKARA September 2013 I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in History. -------------------------- Asst. Prof. Edward P. Kohn Thesis Supervisor I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in History. -------------------------- Asst. Prof. Kenneth Weisbrode Examining Committee Member I certify that I have read this thesis and have found that it is fully adequate, in scope and in quality, as a thesis for the degree of Master of Arts in History. -------------------------- Asst. Prof. Dennis Bryson Examining Committee Member Approved by the Graduate School of Economics and Social Sciences. -------------------------- Prof. Dr. Erdal Erel Director ABSTRACT MURALS SPEAK LOUDER THAN WORDS: NELSON ROCKEFELLER-DIEGO RIVERA CLASH AND MAKING OF THE US ART CULTURE DURING THE 1930’S Pınar, Gözde M.A., Department of History, Bilkent University Supervisor: Assist.
    [Show full text]
  • Women and Arts : 75 Quotes
    WOMEN AND ARTS : 75 QUOTES Compiled by Antoni Gelonch-Viladegut For the Gelonch Viladegut Collection website Paris, March 2011 1 SOMMARY A GLOBAL INTRODUCTION 3 A SHORT HISTORY OF WOMEN’S ARTISTS 5 1. The Ancient and Classic periods 5 2. The Medieval Era 6 3. The Renaissance era 7 4. The Baroque era 9 5. The 18th Century 10 6. The 19th Century 12 7. The 20th Century 14 8. Contemporary artists 17 A GENERAL BIBLIOGRAPHY 19 75 QUOTES: WOMEN AND THE ART 21 ( chronological order) THE QUOTES ORDERED BY TOPICS 30 Art’s Definition 31 The Artist and the artist’s work 34 The work of art and the creation process 35 Function and art’s understanding 37 Art and life 39 Adjectives’ art 41 2 A GLOBAL INTRODUCTION In the professional world we often speak about the "glass ceiling" to indicate a situation of not-representation or under-representation of women regarding the general standards presence in posts or roles of responsibility in the profession. This situation is even more marked in the world of the art generally and in the world of the artists in particular. In the art history women’s are not almost present and in the world of the art’s historians no more. With this panorama, the historian of the art Linda Nochlin, in 1971 published an article, in the magazine “Artnews”, releasing the question: "Why are not there great women artists?" Nochlin throws rejects first of all the presupposition of an absence or a quasi-absence of the women in the art history because of a defect of " artistic genius ", but is not either partisan of the feminist position of an invisibility of the women in the works of art history provoked by a sexist way of the discipline.
    [Show full text]
  • A Finding Aid to the Milch Gallery Records, 1911-1995, in the Archives of American Art
    A Finding Aid to the Milch Gallery Records, 1911-1995, in the Archives of American Art Catherine Stover 1991 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 4 Appendix: List of Milch Gallery Exhibitions and Checklists............................................. 4 Names and Subjects .................................................................................................... 24 Container Listing ........................................................................................................... 28 Series 1: Alphabetical Files, 1911-1962................................................................ 28 Series 2: Sales Records and Inventories, 1911-1969, undated............................. 41 Series 3:: Financial Records, 1914-1980, undated...............................................
    [Show full text]
  • Sanders, Geterly Women Inamerican History:,A Series. Pook Four, Woien
    DOCONIMM RIBOSE ED 186 Ilk 3 SO012596 AUTHOR Sanders, geTerly TITLE Women inAmerican History:,A Series. pook Four,Woien in the Progressive Era 1890-1920.. INSTITUTION American Federation of Teachers, *Washington, D.C. SPONS AGENCY Office,of Education (DHEW), Wastington, D.C. Wolen's Educational Egutty Act Program. PUB DATE 79 NOTE 95p.: For related documents, see SO 012 593-595. AVAILABLE FROM Education Development Center, 55 Chapel Street, Newton, MA 02160 (S2.00 plus $1.30 shipping charge) EDRS gRICE MF01 Plus Postige. PC Not.Available from EDRS. DESCRIPTORS Artists; Authors: *CiVil Rights: *Females; Feminksm; Industrialization: Learning Activities: Organizations (Groups): Secondary Education: Sex Discrioination; *Sex Role: *Social Action: Social Studies;Unions; *United States History: Voting Rights: *Womens Studies ABSTRACT 'The documente one in a series of four on.women in American history, discusses the rcle cf women in the Progressive Era (11390-1920)4 Designed to supplement high school U.S.*history. textbooks; the book is co/mprised of five chapter's. Chapter I. 'describes vtormers and radicals including Jane A3damsand Lillian Wald whs b4tan the settlement house movement:Florence Kelley, who fought for labor legislation:-and Emma Goldmanand Kate RAchards speaking against World War ft Of"Hare who,became pOlitical priscners for I. Chapter III focuses on women in factory workand the labor movement. Excerpts from- diaries reflectthe'work*ng contlitions in factor4es which led to women's ipvolvement in the,AFL andthe tormatton of the National.Wcmenls Trade Union League. Mother Jones, the-Industrial Workers of the World, and the "Bread and Roses"strike (1S12) of 25,000 textile workers in Massachusetts arealso described.
    [Show full text]
  • Dream Project: Exhibiting Art for Your Sake Leo Mazow Virginia Museum
    ISSN: 2471-6839 Dream Project: Exhibiting Art for Your Sake Leo Mazow Virginia Museum of Fine Arts I have long been interested in the NBC radio program on art, Art for Your Sake, which aired for much of 1939 and 1940.1 Airing on Saturday evenings, promoted with aggressive marketing, and one of the first purposeful intersections of art and sound to take advantage of the radio medium, which was still young, the program was a collaboration between NBC and the National Art Society. Listeners could subscribe to Art for Your Sake for three dollars per year, and they would receive a set of sixteen color reproductions of the works of art under discussion, each corresponding to the artist who was the subject of a given broadcast. Subscribers also received illustrated brochures on the history of art since the Renaissance, but with an emphasis on twentieth- century American representational work. Each installment mixed art history with an elaborately narrated dramatization of the artist’s life, with the announcer telling the audience of subscribers when to consult their reproduction. The American artists showcased were Mary Cassatt, Emil Holzhauer, Winslow Homer, Thomas Eakins, Grant Wood, Thomas Hart Benton, Rockwell Kent, Emil Ganso, Harry Watrous, and Eugene Speicher. Kent and Benton provided their own voice, but surviving correspondence suggests that actors played the part of the artists on most programs. Considering the tremendous success and far reach of Art for Your Sake, and its appropriation of radio in the effort to visualize cultural nationalism, I would relish the opportunity to mount an exhibition joining together the reproductions, original paintings, and importantly, recordings of the radio broadcasts.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]