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Directing and Assisting Credits American Theatre
917-854-2086 American and Canadian citizen Member of SSDC www.joelfroomkin.com [email protected] Directing and Assisting Credits American Theatre Artistic Director The New Huntington Theatre, Huntington Indiana. The Supper Club (upscale cabaret venue housing musical revues) Director/Creator Productions include: Welcome to the Sixties, Hooray For Hollywood, That’s Amore, Sounds of the Seventies, Hoosier Sons, Puttin’ On the Ritz, Jekyll and Hyde, Treasure Island, Good Golly Miss Dolly, A Christmas Carol, Singing’ The King, Fly Me to the Moon, One Hit Wonders, I’m a Believer, Totally Awesome Eighties, Blowing in the Wind and six annual Holiday revues. Director (Page on Stage one-man ‘radio drama’ series): Sleepy Hollow, Treasure Island, A Christmas Carol, Jekyll and Hyde, Dracula, Sherlock Holmes, Different Stages (320 seat MainStage) The Sound of Music (Director/Scenic & Projection Design) Moonlight and Magnolias (Director/Scenic Design) Les Misérables (Director/Co-Scenic and Projection Design) Productions Lord of the Flies (Director) Manchester University The Laramie Project (Director) Manchester University The Foreigner (Director) Manchester University Infliction of Cruelty (Director/Dramaturg) Fringe NYC, 2006 *Winner of Fringe 2006 Outstanding Excellence in Direction Award Thumbs, by Rupert Holmes (Director) Cape Playhouse, MA *Cast including Kathie Lee Gifford, Diana Canova (Broadway’s Company, They’re Playing our Song), Sean McCourt (Bat Boy), and Brad Bellamy The Fastest Woman Alive (Director) Theatre Row, NY *NY premiere of recently published play by Outer Critics Circle nominee, Karen Sunde *published Broadway Musicals of 1928 (Director) Town Hall, NYC *Cast including Tony-winner Bob Martin, Nancy Anderson, Max Von Essen, Lari White. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Now That She's Gone
The Carl Cherry Center for the Arts presents... Layne Littlepage in BROADWAY LEADING LADIES: Viva the Divas! With Rick Yramtegui at the piano July 27th – August 19th, 2012 Fridays and Saturdays at 7:30 pm, Sundays at 3 pm Layne Littlepage returns to the Carl Cherry Center with a new and delightful show about the leg- endary female stars of Broadway’s greatest musicals: Julie Andrews, Ethel Merman, Mary Mar- tin, Barbra Streisand, Fanny Brice, Beatrice Lillie, Carol Channing, Elaine Stritch and more! Un- forgettable songs and stories. What makes a legend a legend? And what happens when legends collide, or fight for the same role? Find out! Tickets: $25 Information and Reservations: (831)238-0092, or ticketguys.com Now That She’s Gone Written & Performed by Ellen Snortland Friday, August 24th at 7:30 pm Saturday, August 25th at 7:30 pm Sunday, August 26th at 2:00 pm & 7:30 pm “Now That She’s Gone” is a play that explores Ellen Snortland’s often hilarious, irreverent and sometimes torturous relationship with her Norwegian-American mother. “Now That She’s Gone” has been described as a Lily Tomlin / Garrison Keillor hybrid… passionate, poignant and funny in turns. A memoir piece with Eleanor Roosevelt, sex, drugs and lutefisk, the play and performance has received rave reviews and standing ovations in California, Minnesota, New York, and Washington, D.C., as well as France, Holland, Scotland… and Norway. Tickets are $20, and will be available at the door (if space is available), or can be purchased online at carlcherrycenter.org For more info, email [email protected] or call 626-798-8421, or visit Ellen’s website at http://www.snortland.com “An Evening with William Blake” with Norma and Richard Mayer, and Bill Minor Friday, August 31st, at 7:30pm Soprano Norma Mayer and flutist Richard Mayer will perform poems of William Blake set to music by Ralph Vaughan Williams and other composers. -
Guest Artists
Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SAMPLE BROADWAY GUEST ARTISTS CHRISTOPHER JACKSON - HAMILTON Christopher Jackson- Hamilton – original Off Broadway and Broadway Company, Tony Award nomination; In the Heights - original Co. B'way: Orig. Co. and Simba in Disney's The Lion King. Regional: Comfortable Shoes, Beggar's Holiday. TV credits: "White Collar," "Nurse Jackie," "Gossip Girl," "Fringe," "Oz." Co-music director for the hit PBS Show "The Electric Company" ('08-'09.) Has written songs for will.i.am, Sean Kingston, LL Cool J, Mario and many others. Currently writing and composing for "Sesame Street." Solo album - In The Name of LOVE. SHELBY FINNIE – THE PROM Broadway debut! “Jesus Christ Superstar Live in Concert” (NBC), Radio City Christmas Spectacular (Rockette), The Prom (Alliance Theatre), Sarasota Ballet. Endless thanks to Casey, Casey, John, Meg, Mary-Mitchell, Bethany, LDC and Mom! NICKY VENDITTI – WICKED Dance Captain, Swing, Chistery U/S. After years of practice as a child melting like the Wicked Witch, Nicky is thrilled to be making his Broadway debut in Wicked. Off-Broadway: Trip of Love (Asst. Choreographer). Tours: Wicked, A Chorus Line (Paul), Contact, Swing! Love to my beautiful family and friends. BRITTANY NICHOLAS – MEAN GIRLS Brittany Nicholas is thrilled to be part of Mean Girls. Broadway: Billy Elliot (Swing). International: Billy Elliot Toronto (Swing/ Dance Captain). Tours: Billy Elliot First National (Original Cast), Matilda (Swing/Children’s Dance Captain). -
View Playbill
MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL. -
Hello, Dolly! from Wilder to Kelly Julie Vatain-Corfdir, Emilie Rault
Harmony at Harmonia? Glamor and Farce in Hello, Dolly! from Wilder to Kelly Julie Vatain-Corfdir, Emilie Rault To cite this version: Julie Vatain-Corfdir, Emilie Rault. Harmony at Harmonia? Glamor and Farce in Hello, Dolly! from Wilder to Kelly. Sorbonne Université Presses. American Musicals: Stage and Screen / La Scène et l’écran, 2019. hal-02443099 HAL Id: hal-02443099 https://hal.sorbonne-universite.fr/hal-02443099 Submitted on 16 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Harmony at Harmonia? Glamor and farce in Hello, Dolly!, from Wilder to Kelly Julie Vatain-Corfdir & Émilie Rault When Hello, Dolly! opened on Broadway in January 1964, immediately to be hailed as “a musical shot through with enchantment,”1 New York audiences were by no means greeting Dolly for the first time. Through a process of recycling which probably owed as much to the potential of the original story as it did to a logic of commercial security, the story of Mrs. Dolly Levi – the meddling matchmaker who sorts out everyone’s love lives and contrives to marry her biggest client herself – had been prosperous on stage and screen for the previous ten years, and would continue to attract audiences to this day.2 Not unlike My Fair Lady, which previously held the record for longest-running Broadway musical, Hello, Dolly! trod on the “surer road to success,”3 with a book based on a popular play by an acclaimed playwright – Thornton Wilder’s The Matchmaker –, and one which had already been famously adapted to the screen with a cast starring, among others, Shirley Booth and Shirley MacLane. -
Program Notes by Joshua Ritter
PROGRAM NOTES BY JOSHUA RITTER In the late 1960s, political, “Jimmy” and the title song. Many other aspects of the stage social, and artistic change production similarly diverged from the film version. was sweeping across the nation. Virtually everything Universal Pictures released the film at a time when racism was in flux, including was more institutionalized, accepted, and apparent in popular interest in movie peoples’ daily lives. The film reflected this reality. There musicals. When the film was trepidation among the creative team about taking Thoroughly Modern Millie on a project that could offend modern audiences. In fact, was released in 1967, Mayer was not willing to commit to the project unless he director George Roy Hill, could portray the Asian characters in culturally appropriate producer Ross Hunter, and ways. Mayer’s solution was to make the Chinese henchmen screenwriter Richard Morris fully-realized characters that are central to the plot and were inspired by pastiche to have them speak Chinese. He later chose to embrace musicals (e.g., The Boy actress Harriet Harris’ extreme portrayal of an Asian Friend) that were gaining stereotype when she first played Mrs. Meers. The creative popularity in London at the team realized that the opportunity to juxtapose an over- time. In the waning days the-top Asian stereotype with authentic Asian characters of the Hollywood musical, would delegitimize the offensive characterization of Asian Millie spoofed silent films Americans. This daring theatrical choice worked and helped from the 1920s and embraced the farcical slapstick style of propel the show to greater acclaim. this bygone age. -
2010 Tony Award Nominee Reactions! Printer-Friendly (Broadwayworld.Com) Page 1 of 8
Print 2010 Tony Award Nominee Reactions! Printer-Friendly (BroadwayWorld.com) Page 1 of 8 2010 Tony Award Nominee Reactions! Back to the Article by BWW News Desk The Tony Awards Nominations were announced this morning on Tuesday, May 4th. The Tony Awards will be broadcast in a live three-hour ceremony from Radio City Music Hall on the CBS television network on Sunday, June 13, 2010. Click here for the full list of nominations! BroadwayWorld.com will be talking to nominees throughout the day so keep checking back! "Well I woke up to phone ringing and a friend leaving me a message singing into my machine. And then I went to breakfast with my daughter and told her about the nomination and she started screaming. This is a special show. It is not like any other show that has been on Broadway from what I know and different from any show I have been a part of in the past. I was hopeful people would "get it" and I think they did. We're a hard working cast and it's amazing to me that we can do as many shows as we do each week. Everyone pulls their weight and I expected us be noticed for the excellence. The highlight of this show for me is being in a cast people who are so dedicated. The music is great to listen to every night and we have a crew that is great to us. It's nice to be back on Broadway." Lillias White, nominee for Best Featured Actress in a Musical for Fela! "My wife called me this morning with the news. -
HELLO DOLLY Program Notes.Pdf
` PROGRAM NOTES By Joshua S. Ritter Goodspeed Education & Library Director When Hello, Dolly! opened on Broadway in January of 1964, the nation was still reeling from the shock of President Kennedy’s assassination and apprehensive about the worsening situation in Vietnam. The Beatles invasion had just begun; a youthful fervor for change and rock ‘n’ roll was palpable. David Merrick, a preternaturally gifted producer, could sense the longing of another American generation. He undoubtedly knew the time was right to provide the comfort and nostalgia of a good old-fashioned Broadway musical. After all, he was in possession of a successful theatrical property that was screaming to be set to music. It could also serve as a star vehicle for Ethel Merman, and it contained a 1890’s period flavor that would offer much-needed diversion from current events. Merrick began assembling a team of future Broadway legends to give music and new life to Thorton Wilder’s highly-successful play The Matchmaker. The title would quickly change to Dolly! A Damned Exasperating Woman; Call on Dolly; and finally to Hello, Dolly!. Merrick hired Gower Champion and Michael Stewart, with whom he had previously worked on Carnival!, to stage and adapt the book for what would later be called Hello, Dolly!. Merrick hired the young Jerry Herman to compose the music soon after his success penning the score for his first Broadway musical, Milk and Honey. Champion, Stewart, and Herman worked together to anchor the show to the title song and “Put on your Sunday Clothes.” These became massive production numbers, the former involving whirling waiters, trays of food, and Dolly Levi’s grand descent down a flight of stairs. -
Creative Team and Guest Artists
Creative Team and Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway AMY WEINSTEIN PRESIDENT, CEO AND FOUNDER OF STUDENTSLIVE A GLOBAL ARTS EDUCATION ORGANIZATION FOUNDER, ARTISTIC DIRECTOR OF PASSPORT TO BROADWAY INTERNATIONAL Personal note: My name is Amy Weinstein and I am the CEO and Founder of StudentsLive, A Global Broadway Education Company for the past 14 years and more recently Founder and Artistic Director of our Sister Company, Passport to Broadway Musical Theater Intensives. My entire career, up to this point, has been dedicated to serving and developing my passion for arts education. As early as High School, I was drawn to both leadership and the arts. Young as I was at the time, I knew that I wanted to share the magic and the power of theater with as many people as possible – and I watched it change the lives of the inner city kids whom I have directed in some of my first theater productions. I went on to try my hand at writing for film and theater, producing talent, teaching theater at conservatories across the country, and offering my services as a judge and a motivational speaker at various international arts events, while leading the education department of Tony Randall's National Actors Theater for over twenty classical productions over eight years. All with the purpose of sharing my passion for theater and for the arts. -
Are They Family?: Queer Parents and Queer Pasts In
ARE THEY FAMILY?: QUEER PARENTS AND QUEER PASTS IN CONTEMPORARY AMERICAN CULTURE BY MICHAEL SHETINA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2019 Urbana, Illinois Doctoral Committee: Associate Professor Siobhan Somerville, Chair Professor Chantal Nadeau Associate Professor Julie Turnock Associate Professor Richard T. Rodríguez, University of California, Riverside ABSTRACT The early twenty-first century saw a marked increase in depictions of LGBTQ people and communities in American popular culture occurring alongside political activism that culminated in the repeal of the Pentagon's Don't Ask, Don't Tell policy (2010) and the Supreme Court's overturning of same-sex marriage bans in Obergefell v. Hodges (2015). Even as these events fueled a triumphant progressive narrative in which social and political representation moved LGBTQ people into a better future, a significant strain of LGBTQ-focused popular culture drew its attention to the past. My dissertation, Are They Family?: Queer Parents and Queer Pasts in Popular Culture, examines how American film, television, and literature between 2005 and 2016 construct relationships among LGBTQ people across recent history in generational and familial terms. These works queer the concept of the family by deploying parents and parental figures to examine the role of families in the transmission of queer knowledges, practices, and identities, countering notions of families as mere precursors to queer identity—“families of origin”—or as the agential creations of out LGBTQ people—“families of choice.” These works demonstrate how such dichotomous conceptions of family limit the people, experiences, and forms of affect that are legible within the category of LGBTQ history. -
New York City Center Announces Upcoming Encores! Productions
FOR IMMEDIATE RELEASE: New York City Center announces upcoming Encores! productions: The Life, Adapted and Directed by Tony Award winner Billy Porter; The Tap Dance Kid, Directed by Tony Award winner Kenny Leon, Adapted by Lydia Diamond; and An Annual Celebration of Iconic American Musicals: a new tradition at City Center exploring the ways musical theater connects us across generations In-development productions and spring 2020 cancelled shows explored in new behind-the-scenes digital series Encores! Inside the Revival launching October 14 Encores! team adds new leadership and artistic voices: Tony Award winner Clint Ramos joins as Encores! Producing Creative Director Camille A. Brown, Eisa Davis, and Robert O’Hara join as Encores! Creative Advisors Jenny Gersten to serve as Producer of Musical Theater for New York City Center New York, NY/September 18, 2020 – New York City Center President & CEO Arlene Shuler today announced the musical productions in development as part of the next chapter of the longstanding Tony-honored Encores! series, all of which will be explored in-depth as part of the 2020-2021 season in a new digital series Encores! Inside the Revival. The five-part mini documentary series, which launches Lear deBessonet’s first season as Encores! Artistic Director, will explore the behind-the-scenes process—through conversations and performances—for the productions being developed and ultimately produced at City Center upon reopening. “Last fall, when I began to program my first Encores! season I never could have imagined the world in which we find ourselves today. As we look ahead, it is essential that we preserve the Encores! mission and weave an ever- deepening portrait of the history of American musicals.