HOWARD DUFF As SAM SPADE the Illustrated Press
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15 of the Most Iconic Fads from the Fifties
15 of the most iconic fads from the fifties: Car hops were THE way to get your hamburger and milkshake Hula hoops DA haircuts—yup, it stands for duck’s ass—the hair was slicked back along the sides of the head Poodle skirts are one of the most iconic fashion fads of the fifties. Invented by fashion designer Juli Lynne Charlot. Sock hops were informal dances usually held in high school gymnasiums, featuring the new Devil’s music—rock ‘n roll Saddle shoes, These casual Oxford shoes have a saddle-shaped decorative panel in the middle. Coonskin caps a major craze among young boys - a tribute to boyhood heroes of the era like Davy Crockett and Daniel Boone. Telephone booth stuffing ; college students crammed themselves into a phone booth. Drive-in movies capitalized on a fortuitous merging of the booming car culture Letterman jackets and letter sweaters: high school/college girls wanted to show off they were dating a jock. Conical bras Marilyn Monroe, Jayne Mansfield, and Jane Russell were largely responsible for igniting the fad. Cateye glasses:the accessory of choice for many young women. Jell-O molds people took a serious interest in encapsulating various foods in gelatin. Fuzzy dice During WWII, fighter pilots hung them in their cockpits for good luck. Sideburns: a classic element of the greaser look, along with DA haircuts, bomber jackets, and fitted T-shirts with sleeves rolled up, Weeks Reached #1 Artist Single @ #1 7-Jan-50 Gene Autry "Rudolph, The Red-nosed Reindeer" 1 14-Jan-50 The Andrews Sisters "I Can Dream, Can't I" 4 11-Feb-50 -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
Before Bogart: SAM SPADE
Before Bogart: SAM SPADE The Maltese Falcon introduced a new detective – Sam Spade – whose physical aspects (shades of his conversation with Stein) now approximated Hammett’s. The novel also originated a fresh narrative direction. The Op related his own stories and investigations, lodging his idiosyncrasies, omissions and intuitions at the core of Red Harvest and The Dain Curse. For The Maltese Falcon Hammett shifted to a neutral, but chilling third-person narration that consistently monitors Spade from the outside – often insouciantly as a ‘blond satan’ or a smiling ‘wolfish’ cur – but never ventures anywhere Spade does not go or witnesses anything Spade doesn’t see. This cold-eyed yet restricted angle prolongs the suspense; when Spade learns of Archer’s murder we hear only his end of the phone call – ‘Hello . Yes, speaking . Dead? . Yes . Fifteen minutes. Thanks.’ The name of the deceased stays concealed with the detective until he enters the crime scene and views his partner’s corpse. Never disclosing what Spade is feeling and thinking, Hammett positions indeterminacy as an implicit moral stance. By screening the reader from his gumshoe’s inner life, he pulls us into Spade’s ambiguous world. As Spade consoles Brigid O’Shaughnessy, ‘It’s not always easy to know what to do.’ The worldly cynicism (Brigid and Spade ‘maybe’ love each other, Spade says), the coruscating images of compulsive materialism (Spade no less than the iconic Falcon), the strings of point-blank maxims (Spade’s elegant ‘I don’t mind a reasonable amount of trouble’): Sam Spade was Dashiell Hammett’s most appealing and enduring creation, even before Bogart indelibly limned him for the 1941 film. -
The Modern Hardboiled Detective in the Novella Form
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-2015 "We want to get down to the nitty-gritty": The Modern Hardboiled Detective in the Novella Form Kendall G. Pack Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the English Language and Literature Commons Recommended Citation Pack, Kendall G., ""We want to get down to the nitty-gritty": The Modern Hardboiled Detective in the Novella Form" (2015). All Graduate Theses and Dissertations. 4247. https://digitalcommons.usu.edu/etd/4247 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. “WE WANT TO GET DOWN TO THE NITTY-GRITTY”: THE MODERN HARDBOILED DETECTIVE IN THE NOVELLA FORM by Kendall G. Pack A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in English (Literature and Writing) Approved: ____________________________ ____________________________ Charles Waugh Brian McCuskey Major Professor Committee Member ____________________________ ____________________________ Benjamin Gunsberg Mark McLellan Committee Member Vice President for Research and Dean of the School of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2015 ii Copyright © Kendall Pack 2015 All Rights Reserved iii ABSTRACT “We want to get down to the nitty-gritty”: The Modern Hardboiled Detective in the Novella Form by Kendall G. Pack, Master of Science Utah State University, 2015 Major Professor: Dr. Charles Waugh Department: English This thesis approaches the issue of the detective in the 21st century through the parodic novella form. -
Warner Bros. Entertainment, Inc.; * Warner Bros
United States Court of Appeals FOR THE EIGHTH CIRCUIT ________________ No. 10-1743 ________________ Warner Bros. Entertainment, Inc.; * Warner Bros. Consumer Products, * Inc.; Turner Entertainment Co., * * Appellees, * * v. * Appeal from the United States * District Court for the X One X Productions, doing * Eastern District of Missouri. business as X One X Movie * Archives, Inc.; A.V.E.L.A., Inc., * doing business as Art & Vintage * Entertainment Licensing Agency; * Art-Nostalgia.com, Inc.; Leo * Valencia, * * Appellants. * _______________ Submitted: February 24, 2011 Filed: July 5, 2011 ________________ Before GRUENDER, BENTON, and SHEPHERD, Circuit Judges. ________________ GRUENDER, Circuit Judge. A.V.E.L.A., Inc., X One X Productions, and Art-Nostalgia.com, Inc. (collectively, “AVELA”) appeal a permanent injunction prohibiting them from licensing certain images extracted from publicity materials for the films Gone with the Wind and The Wizard of Oz, as well as several animated short films featuring the cat- and-mouse duo “Tom & Jerry.” The district court issued the permanent injunction after granting summary judgment in favor of Warner Bros. Entertainment, Inc., Warner Bros. Consumer Products, Inc., and Turner Entertainment Co. (collectively, “Warner Bros.”) on their claim that the extracted images infringe copyrights for the films. For the reasons discussed below, we affirm in part, reverse in part, and remand for appropriate modification of the permanent injunction. I. BACKGROUND Warner Bros. asserts ownership of registered copyrights to the 1939 Metro- Goldwyn-Mayer (“MGM”) films The Wizard of Oz and Gone with the Wind. Before the films were completed and copyrighted, publicity materials featuring images of the actors in costume posed on the film sets were distributed to theaters and published in newspapers and magazines. -
Politics and the 1920S Writings of Dashiell Hammett 77
Politics and the 1920s Writings of Dashiell Hammett 77 Politics and the 1920s Writings of Dashiell Hammett J. A. Zumoff At first glance, Dashiell Hammett appears a common figure in American letters. He is celebrated as a left-wing writer sympathetic to the American Communist Party (CP) in the 1930s amid the Great Depression and the rise of fascism in Europe. Memories of Hammett are often associated with labor and social struggles in the U.S. and Communist “front groups” in the post-war period. During the period of Senator Joseph McCarthy’s anti-Communism, Hammett, notably, refused to collaborate with the House Un-American Activities Committee’s (HUAC) investigations and was briefly jailed and hounded by the government until his death in 1961. Histories of the “literary left” in the twentieth century, however, ignore Hammett.1 At first glance this seems strange, given both Hammett’s literary fame and his politics. More accurately, this points to the difficulty of turning Hammett into a member of the “literary left” based on his literary work, as opposed to his later political activity. At the same time, some writers have attempted to place Hammett’s writing within the context of the 1930s, some even going so far as to posit that his work had underlying left-wing politics. Michael Denning, for example, argues that Hammett’s “stories and characters . in a large part established the hard-boiled aesthetic of the Popular Front” in the 1930s.2 This perspective highlights the danger of seeing Hammett as a writer in the 1930s, instead of the 1920s. -
Living Well with Heart Failure
FALL 2012 Ranch Homes • Brownstone Condo-Stylel Homes • Apartmenti Homesv • Assisted Living ing Memory Care • Rehabilitation • Outpatient Therapy • Skilled Nursing Life your way. The Heart of the Matter: Resident Living Well with Profile: Helen Ramsdell By Lori Shutrump Heart Failure Living to be 105 years old is rare – as rare as Helen Ramsdell, who recently celebrated this monumental birthday. Oh, the changes she has seen! When she was born near Middletown, Ohio, the average life expectancy was 47 years of age, her family home did not have electricity or indoor plumbing, and women did not have the right to vote. “I was the oldest of seven children, and we lived on a farm with all kinds of animals,” she says. “We farmed the land, made our own maple syrup, milked the cows by hand, and every Saturday I cleaned and refilled the oil lamps.” She smiles and points to the lamp in her apartment, “That was my aunt’s courting lamp. If it was on, the boys were welcome to come over.” Helen’s keen mind easily retrieves memories from a century ago. “We had a tank outside that collected rain water for cooking and bathing, and we took our baths on “Oh, the changes Saturday night in a metal tub in the kitchen,” she says. I have seen!” Tuesdays • 10 a.m. • 90 minutes She attended a one-room school house with 30 children in Mary H. Kittredge Chapel grades one through eight. Helen graduated from the Cincinnati RSVP: Lori Shutrump 513.539.6062 Conservatory of Music with a master’s degree in music. -
Mcguire Sisters Hall of Fame Mp3, Flac, Wma
McGuire Sisters Hall Of Fame mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Hall Of Fame Country: Canada MP3 version RAR size: 1319 mb FLAC version RAR size: 1376 mb WMA version RAR size: 1858 mb Rating: 4.4 Votes: 859 Other Formats: VOX DXD MP3 TTA VOC AC3 ASF Tracklist A1 –McGuire Sisters I Just Went Along For The Ride A2 –McGuire Sisters When The Saints Go Marching In A3 –McGuire Sisters Hello My Baby A4 –McGuire Sisters Ring, Ring De Banjo A5 –The Snow Hill TV Singers Hot Time B1 –Caro Giovani Beyond The Reef B2 –The De John Sisters I'll Take You Home Again, Kathleen B3 –McGuire Sisters Oh Susanna B4 –McGuire Sisters She Wore A Yellow Ribbon B5 –The Snowhill TV Singers When You And I Were Young Credits Liner Notes – Misty Bedlington Barcode and Other Identifiers Matrix / Runout: ST-33-2760 Other versions Category Artist Title (Format) Label Category Country Year McGuire Sisters And The De McGuire Sisters John Sisters With Castellano And The De John Strings* - Hall Of Fame / PST-755 Sisters With Palace PST-755 US Unknown Featuring The McGuire Sisters Castellano And The De John Sisters With Strings* Castellano Strings (LP) McGuire Sisters And The De McGuire Sisters John Sisters With Castellano And The De John Strings* - Hall Of Fame / M-755 Sisters With Palace M-755 US Unknown Featuring The McGuire Sisters Castellano And The De John Sisters With Strings* Castellano Strings (LP, Mono) Comments about Hall Of Fame - McGuire Sisters Iraraeal This record sleeve also has P-187 and the bottom of the Label has (ST-33-2770). -
Radio TV Mirror
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The Hardboiled Outsider Hardboiled American Fiction As an Existential Idterature
The Hardboiled Outsider Hardboiled American Fiction as an Existential Idterature A Thesis Submitted to the Conmittee of Graduate Studies in Partial Pulfilment of the Requirements for the Degree of Master of Arts in the Faculty of Arts and Sciences Trent University Peterborough, Ontario, Canada @1995 by Catherine Anne May Jenkins Methodologies M.A. Program May 1996 The auîhor has granted a non- L'autet~ a accordé une licence non exclusive licence altowing the excIusiVc permettant à la National Li'brary of Canada to Bibliothèque nationaie du Canada de reprodyce, loan, distribute or sell reprodpire,pteter, dissniuerou copies ofhismer thesis by any means venQedescopies&sathèsede and m any fomi or format, making queIcpe d&met sous quelque this thesis available to interested perse*. exemplaires de cette thèse à la dispositi011despersomesintéressées. The author re2ams ownership of the L'auteur conserve la propEiéî6 du copyright m Mer thesis. Neither Qoit d'auteur qui ptége sa theSe. Ni the thesis nor substantial exûacts la thése ni des extraits substantiels de fiom it may be prhted or otherwise celleci ne doivent êûe imprim6s ou reproduced with the author's aufrementrrproduitssansson permissi011. autaiisation. The Haràbofleâ Outsider fs a study of American hardboiled writing as an eristentialist literature. Authors examhed include Carroll John Daly, Dashiell Hammett, Raymond Chandler, James W. Cain, Corne11 Wmlrich, Jim Thompson and David Goodie. Work produced by theee authors is examined in the light of French existential thought as expounded primarily by Jean-Paul Sartre. The pre-eminent popularity of hardboiled fiction was contemporary with the height of existentialism during an historical period from the late 1920s to the 1950s. -
The Eternal Detective
Montclair State University Montclair State University Digital Commons Theses, Dissertations and Culminating Projects 5-2019 The tE ernal Detective : Poe’s Creative and Resolvent Duality in the Hardboiled Era Michael Cresci Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/etd Part of the American Literature Commons Recommended Citation Cresci, Michael, "The tE ernal Detective : Poe’s Creative and Resolvent Duality in the Hardboiled Era" (2019). Theses, Dissertations and Culminating Projects. 266. https://digitalcommons.montclair.edu/etd/266 This Thesis is brought to you for free and open access by Montclair State University Digital Commons. It has been accepted for inclusion in Theses, Dissertations and Culminating Projects by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. ABSTRACT This paper traces the continuity of Edgar Allan Poe’s archetypal “creative and resolvent” detective from the nineteenth century’s classical detective fiction into the twentieth century’s hardboiled detective fiction. Specifically, this paper asserts that the duality first suggested by Poe in “The Murders in the Rue Morgue” (1841) did not only define classical era detectives, but it also persisted into the radically different hardboiled era of American detective fiction. First, this paper examines the cultural contexts of each era and establishes the shared links between the resolvent—or analytical—traits and creative—or abstract and Romantic—traits of classical era detectives C. Auguste Dupin and Sherlock Holmes and hardboiled detectives Race Williams, the Continental Op, Sam Spade, and Philip Marlowe. This paper claims that the analytical skills of classical detectives are similarly present in hardboiled detectives, and that the creative eccentricity and melancholy of the classical detectives manifests as personal codes of Romantic honor in the hardboiled era. -
A Visit with Jack Benny 0Lddmeradio "»Act.R,~ 'DIGESJ' S.,S: .., ~ ~ Old Time Radio No
No.141 Summer ZOU $J.75 A visit with Jack Benny 0ldDmeRadio "»act.R,~ 'DIGESJ' S.,S:_..,~ ~ Old Time Radio No. 141 Summer 2013 "'Fled Allen is tnaklnz cr.acks <1 bo111 ~ bar,g on lht Dt ~nis Day Sho'fl The Old Time Radio Digest 1s pnnted r11,, i lfY is 50 l ltt>n tt/lh mvy_ BOOKS AN D PAPER published and distributed by trery timt he opens his mr:1uu RMS & Associates SOmobo(fy mails • letter. 1ulle 1ii, Den,,;~ :show toniRbt- Allt.11 We have one of the largesc scledions in the USA of out of print Edited by Bob Burchett lt'On't be on it! books and paper items on all aspects of radio broadcast in~. Published qu,nlerly four I1111es a year ------------------·---- ·------· ·--------- -------- One year subscription 1s $15 per year - -- Hooks: A large asso11ment of books on tlw history ofbroacka~ting. Single copies $3.75 each radio writing, stars' biographies. radio sho\, "· and radio play~. Past issues are available. Make checks t;;/.. payable to Old Time Radio Digest. ~,s- Also hooks on broadcasting tcchniqul.'.s. social impact l1f radio etc .. Business and editorial office radio RMS &Assoc,ales, 10280 Gunpowder Rd ~ phcmcra: Material on specific stations. radio scripts, Florence. Kentucky 41 042 advertising literature, radio premiums. NAB anmwl reports, etc. 859.282 0333 -·----------·--- ----- bob [email protected] 6:30 P .M. ORDER OUR CATALOG Advertising rates as of January 1, 2013 ( Jur last cmC1lop, (/12.'i) 11·11s issued in .lufi- .'O I IJ ,md incl11dt•~ o\'l't ./Ofl ,1,•111< Full page ad $20 size 4 5/8 x 7 i11c/11d111y, n 111,e vart,'I)' o.f 1/em , 11 ,, hav1- 11e1·,•r 1een h<'/<,re p/m, cl 1111111/w, of Half page act $10 size 4 5/8 x 3 0/djal'orite.1 that ll'l'/'C llfl/ i11cl11ded Ill (//{/"'"'' colalug Mo.\/ / (('Ill.\ Ill lhi' Hall page ad $10 size2x7 ('(l/(l/og are still (Jvtlllahlt:.