Strategies for Neutralising Sexually Explicit Language

Total Page:16

File Type:pdf, Size:1020Kb

Strategies for Neutralising Sexually Explicit Language Strategies for neutralising sexually explicit language George R. S. Weir and Ana-Maria Duta Department of Computer and Information Sciences University of Strathclyde Glasgow, UK e-mail: [email protected] Abstract — While scales for the ‘strength’ of pornographic images have been developed and used in research and for Whilst children can make themselves vulnerable in judicial purposes, the potential emotive impact of text-based relation to their online behaviour it is equally the pornography has received little attention. In this paper we case that offenders target and exploit this describe our approach to characterising dimensions of sexually vulnerability. CEOP sees frequent grooming explicit language and outline their use in strategies for behaviour targeted towards children and social neutralising such language. Our intended application of this networking sites are the most commonly reported work is contexts where we may wish to affect the content to environment in which this activity takes place. This which a student, trainee or other professional may be exposed. By controlling the quantity and degree of such content, we aim to is likely to be due to the ease with which minimise any detrimental effects (observer impact) that such individuals can create profiles on such sites. [4, p.7] content may have on ill-prepared individuals. Through such networking sites, criminals may seek to Keywords- sexually explicit text; dimensions of sexual language; develop a relationship with one or more minors as part of the neutralising emotive force grooming process toward child exploitation. I. INTRODUCTION Criminals use a number of methods to build Exposure to hard-core pornography in the form of friendships with children on social networking explicit images and video is often a necessary aspect of the sites. Once a relationship is formed the offender professional's role in digital forensics, law enforcement or will use their position to initiate some form of legal representation. In presenting court evidence that sexually exploitative activity”. (op. cit.) includes paedophile imagery, a common strategy is to register the 'strength' of each item as a shorthand record of In such settings, the content may be entirely (or largely) the content and as a means of conveying the seriousness of text-based and the collation of evidence against an offender any offence. In Europe, the COPINE (Combating will require the assembly and annotation of such computer- Paedophile Information Networks in Europe) classification based interactions. As in the graphic image setting noted model is often used [1]. This model, conceived as an aid both earlier, we have several contexts in which exposure to to research and criminal proceedings, categorises the severity explicit materials may be a professional requirement - as a of victimisation in child pornography on a ten point scale [2]. digital forensic investigator, a legal professional or a member Based on the COPINE classification, the Sentencing Advisor of law enforcement. Panel of the UK’s judiciary developed the five point SAP In the present paper, our application domain is the range scale for use in court cases [3]. of professional contexts in which individuals may be Clearly, a primary motivation behind such an approach is exposed to sexually explicit content, but content that is text- the need to provide a standard for gauging the seriousness of based rather than image-based. Our purpose is to explore the offences. A further motivation is a desire to limit the need to possibility of developing techniques, based upon the expose individuals to potentially distressing or damaging classification of such textual content, which will provide materials. Thereby, an outline description of the means to neutralise by varying degrees, the content to which classification scheme, added to a COPINE or SAP measure a student, trainee or other professional may be exposed. This of the materials in a suspect's possession, can convey one purpose is motivated by a desire to control the quantity and significant dimension in a criminal case, i.e., the degree or degree of such content in the hope of minimising any 'strength' of any individual image or video content. (A detrimental effects (observer impact) that such content may second significant dimension will be the quantity of have on ill-prepared individuals. Given that such raw materials that fall under each classification.) material may be highly sexualised and explicit, we see such a One major area of concern for law enforcement is the use development as a component in the duty of care toward of social networking and similar chat-based sites for the professionals early in a career who may ultimately require sexual grooming of minors. According to the Child first-hand exposure to sexually explicit or paedophilic Exploitation and Online Protection (CEOP) Centre, materials. II. AN EASY SOLUTION ? unlikely to be the case for textual materials. (Of course, this If our objective was purely evidential, then there would will depend upon the prevailing detail of the obscene appear to be an easy solution to the classification of such publications act.) The offence more commonly committed in text-based materials. Having derived the content from a a text-based child interaction setting is that of grooming. suspect’s on-line interactions with a child, we might apply Significantly, images have no required role in establishing the existing COPINE or SAP classification. Let us consider grooming behaviour. Rather, grooming would be this prospect with reference to the SAP categories [5] listed determined by the record of interaction between the groomer in Table 1. and the target child. A distinctive feature of text content over images is that the mood, attitude and intentions of an TABLE I. SAP IMAGE CLASSIFICATION offender may be apparent from the content of text-based interaction in a fashion that could not be matched by mere 1. Images depicting nudity or erotic posing with no sexual activity possession of extreme imagery. 2. Sexual activity between children, or solo masturbation by a child 3. Non-penetrative sexual activity between adult(s) and child(ren) One further point confirms the need to step beyond a 4. Penetrative sexual activity between child(ren) and adult(s) SAP or COPINE classification for text content. Put simply, 5. Sadism or bestiality while the incidence of grooming may be disconcertingly high, the incidence of paedophiles providing a factual textual These five categories of paedophile images present a record of their child exploitation activities will be very low. clear ranking of content severity and, if we ignore the Thereby, a SAP or COPINE category will rarely be usefully explicit reference to images in the first category, the applicable in cases of text-based materials. Possession of descriptors could be applied to texts. For instance, a textual accounts that meet such categories will not itself paedophile may have a blog that records exploits with constitute proof of deed. Neither will such classifications children and such activity as described in the blog may map assist in the identification of grooming activity. directly to one or more categories in the SAP classification. There is concern in many quarters about the incidence of While such text contexts may allow the evidential use of the adult grooming of vulnerable minors through communication SAP categories, one characteristic of this classification is the channels such as social media, chat rooms and email. presumption of reality . Indeed, many law enforcement agencies are devoting energy When dealing with images, there is reasonable assurance to proactive monitoring of chat forums used by young that they represent real events that have actually taken place. people, in order to detect, track and prevent child sexual Indeed, as a step toward prevention of further exploitation, exploitation. In this section, we have argued that a content law enforcement agencies exert considerable energy in classification model such as SAP or COPINE is not suited to attempting to identify children from their appearance in text-based materials paedophile images. So, the evidential application of such image classification schemes relies upon this assumption that III. REDUCING OBSERVER IMPACT the content so described represents real events. Another way The clear overlap between our objective and the use of of expressing this point is that the primary evidential basis of image classifications (such as COPINE and SAP), is the such imagery is its role as proof that offences have been presumption that exposure to explicit materials may be committed. The SAP categories can equally apply to harmful to an individual. While this may not be the case for ‘fabricated’ images in which no real children are represented every individual who has such exposure, many will be or exploited. In such cases, possession of these images may distressed or (at least) embarrassed when confronted by serve a secondary evidential basis toward establishing the sexually explicit content. This is all the more likely in a character or inclination of a suspect, but since they would not professional context in which the individual is aware that be tied to any real event, they are not evidence of child others (including peers and superiors) are aware of the exploitation. situation. For want of a better term, we have called this The presumption of reality is less strong when dealing effect ‘observer impact’, with the idea that the content to with textual descriptions of events. This is why we often which the individual is exposed may have more or less have to suspend disbelief when reading novels or listening to emotive force and associated discomfort, distress or damage radio plays. Of course, textual accounts (like verbal to the observer. accounts) may provide corroborative evidence that can be As noted above, in some contexts image classification tied to other sources and known events, e.g., through the schemes can reduce the observer impact by eliminating the presence of precise details that are unlikely to be known by need to observe the raw content.
Recommended publications
  • National News Local News
    LOCAL NEWS NATIONAL NEWS -Justin Vedder #1 Pick in Alternate Dimension Bizarro NFL Draft -Felonious Monk Bops Brother -“Man” Pronounced “Dead” by Illiterate Paramedic -“Duck Hunt” Remains Least Popular Nesticle Download -Skateboarding Now a Crime -Phone.com Calls Ghostbusters.com -White Student Only Vaguely Understands His Chinese Tattoo -Battered Women’s Support Site Gets 5 Million Hits -”Stanfurd” Fan Chased from Cheese ‘N’ Stuff for Knife-Chasing, Spitting -Government Requires Monitoring of Nocturnal Emissions May 2000 Vol. 9 Issue 5 Local Idiots Mad Scientist Emerges Stumble Upon from Laboratory with Printing Press New Wheel Design BY BRET HEILIG BY LUKE FILOSE According to Dusseldorf, GUY WITH FACE wheel design technology has ad- FUCKING LOONY TOON vanced considerably in the past Students tittered briefly last Doctor Klaus “White Knuck- five millennia, but strong vested month as The California Patriot, les” Dusseldorf shocked the interests in the international making its official publishing de- world Monday when he emerged wheel lobby have stifled innova- but, delivered a walloping dose of from his lab deep in the Swiss Alps tion. “I’ve received death healthy conservative thought to with a potentially groundbreaking threats,” he said. “Apparently, the UC campus. Featuring several discovery: he claims to have re- someone is making a lot of money correctly spelled words and dis- invented the wheel. on the current wheel and doesn’t playing a keen sense of how to Looking haggard but confi- appreciate my efforts.” Asked to operate Microsoft Paint, the soon- dent outside of his laboratory, in describe his new wheel design, to-be-famous first issue left a last- front of a large gathering of the Dusseldorf was less forthcoming.
    [Show full text]
  • Tinder-Ing Desire: the Circuit of Culture, Gamified Dating and Creating Desirable Selves
    Tinder-ing Desire: The Circuit of Culture, Gamified Dating and Creating Desirable Selves Tanya F. Oishi A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: LeiLani Nishime, Chair Ralina Joseph Carmen Gonzalez Program Authorized to Offer Degree Communication 2 ©Copyright 2019 Tanya F. Oishi 3 University of Washington Abstract Tinder-ing Desire: Tanya F. Oishi Chair of the Supervisory Committee: LeiLani Nishime Communication This dissertation starts at intersection of race, gender, and technology, all of which will be discussed in depth throughout this project, and the fluid state of being constituted and being undone by one another. It is in this state of vulnerability that relationships are initiated, through technology that these relationships are shaped and facilitated, and within the constraints of social expectations that these interactions are able/allowed to occur (Duck, 2011). As life becomes more mediated and interactions more facilitated through technological means, focusing on relationships facilitated through dating apps is illustrative of the ways in which mobile technologies are changing the way we communicate with one another. The introduction provides the theoretical overview of the literature off of which the rest of the dissertation builds its arguments: the importance of interpersonal connections, the positionality of Asian men in the U.S., and the mutual shaping of society and technology, as well 4 as a justification for a mixed methodological approach to these areas of inquiry. The second chapter looks at the subreddit r/Tinder Profile Review Week thread to see how individuals seek feedback on creating a desirable self and describes how these impression management strategies of Asian men differ from the group which is comprised predominantly by white men.
    [Show full text]
  • Beside You in Time
    UC Davis Books Title Beside You in Time Permalink https://escholarship.org/uc/item/98w2f40b ISBN 9781478005674 Author Freeman, Elizabeth Publication Date 2019 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California beside you in time This page intentionally left blank BESIDE YOU in TIME SENSE METHODS & Queer Sociabilities in the American 19 TH CENTURY elizabeth freeman Duke University Press Durham and London 2019 © 2019 Duke University Press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Text design by Amy Ruth Buchanan. Cover design by Amy Ruth Buchanan and Courtney Baker. Typeset in Garamond Premier Pro and Din Std by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Freeman, Elizabeth, [date] author. Title: Beside you in time : sense methods and queer sociabilities in the American nineteenth century / Elizabeth Freeman. Description: Durham : Duke University Press, 2019. | Includes bibliographical references and index. Identifiers: lccn 2018061092 (print) | lccn 2019013604 (ebook) isbn 9781478006350 (ebook) isbn 9781478005049 (hardcover : alk. paper) isbn 9781478005674 (paperback : alk. paper) Subjects: lcsh: Time—Social aspects—United States— History—19th century. | Homosexuality—Social aspects— United States—History—19th century. | Time perception in literature. | Human body in literature. | American literature— African American authors—19th century—History and criticism. | Literature and society—United States—History— 19th century. | Queer theory. Classification: lcc hm656 (ebook) | lcc hm656 .F73 2019 (print) | ddc 306.7601—dc23 lc Record available at https://lccn.loc.gov/2018061092 Cover art: Susan Grabel, Confluence, 2006.
    [Show full text]
  • Evil Habits: New Zealand's Anti-Masturbation Fervour, 1860S
    New Zealand Journal of History, 50, 1 (2016) Evil Habits NEW ZEALAND’S ANTI-MASTURBATION FERVOUR, 1860s–1960s1 IN DUNEDIN IN 1883, SEVEN-YEAR-OLD JOSEPH WAIN DIED. His parents had beaten him, tied his hands to his back and confined him to his bedroom without food, drink or a source of heat. At the inquest Dr Hocken explained that ‘this little boy was given to an evil habit, and that the correction was administered to cure him’. In desperation Joseph’s father had approached Dr Isaiah De Zouche in the hope of having Joseph circumcised to stop the ‘evil habit’.2 ‘Evil habit’ was a euphemism for masturbation, a term indicating ‘self-stimulation which is deliberate and designed to effect erotic arousal’.3 The post mortem revealed that Joseph had a fractured arm, but had died from tuberculosis. There had been irritation in the bladder and he had probably passed a kidney stone.4 Joseph was simply trying to gain relief, yet his parents interpreted his actions as autoerotic and therefore masturbatory – a commonly made parental and medical error when dealing with prepubertal boys during the nineteenth and early twentieth centuries. Why did Joseph’s parents so vehemently fear masturbation? The answer lay in a blend of Judeo- Christian religious dogma and nineteenth-century mainstream medicine and quackery, both of which fed off an inheritance of the eighteenth century’s erroneous comprehension of male sexuality.5 Historians have provided various accounts of the rise and fall of masturbation anxiety. Jean Stengers and Anne Van Neck have given an overview
    [Show full text]
  • Lols, Lulz, and ROFL: the Culture, Fun, and Serious Business of Internet Memes
    LOLs, Lulz, and ROFL: The Culture, Fun, and Serious Business of Internet Memes by Noah David Levinson Bachelor of Philosophy, University of Pittsburgh, 2012 Submitted to the Faculty of The University of Pittsburgh Honors College in partial fulfillment of the requirements for the degree of Bachelor of Philosophy University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH University Honors College This thesis was presented by Noah David Levinson It was defended on July 30, 2012 and approved by Gabriella Coleman, PhD, Department of Art History & Communications, McGill University Dana Och, PhD, Film Studies Program Annette Vee, PhD, English Department Thesis Advisor: Daniel Morgan, PhD, Film Studies Program ii Copyright © by Noah David Levinson 2012 iii LOLs, Lulz, and ROFL: The Culture, Fun, and Serious Business of Internet Memes Noah David Levinson, BPhil University of Pittsburgh, 2012 This thesis takes an analytical look into the workings of Internet Memes and the culture that surrounds and nourishes them. Through a selection of Internet Meme case studies, a list of cultural qualities are compiled and then used to identify the attitudes of Internet Meme Culture. Then by comparing the relationship between Internet Memes and advertising, film, and television, a contrast between Old and New Media is established. Alongside using political Memes to find connections between Internet Memes and general expression and communication, the final hope is to understand Internet Meme Culture and where it might take Mass and Popular Culture as the digital millennial becomes the new digital citizens. iv TABLE OF CONTENTS 1.0 INTRODUCTION: WHY STUDY INTERNET MEMES? ............................................. 1 1.1 WEB 3.33333333… AND BRONIES ......................................................................
    [Show full text]
  • Perversity Think Tank a Seminar on the Concept of Perversity by Supervert 32C Inc
    Perversity Think Tank A Seminar on the Concept of Perversity by Supervert 32C Inc. Perversity Think Tank Perversity Think Tank A Seminar on the Concept of Perversity by Supervert 32C Inc. Perversity Think Tank © 2010 Supervert 32C Inc. ISBN 978-0-9704971-2-3 This work is distributed under the Creative Commons “Attribution- Noncommercial-Share Alike 3.0 United States” license. You are free to share and remix the work under the following conditions: Attribution You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Noncommercial You may not use this work for commercial purposes. Share Alike If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. For further information, please visit http://creativecommons.org/licenses/by-nc-sa/3.0/us/ Text: Supervert 32C Inc. Cover Design: Supervert 32C Inc. Typesetting: Supervert 32C Inc. web: supervert.com email: [email protected] Manufactured in the United States of America. DIGITAL EDITION Let me take this opportunity of answering a question that has often been asked me, how to pronounce “slithy toves.” The “i” in “slithy” is long, as in “writhe”; and “toves” is pronounced so as to rhyme with “groves.” Again, the first “o” in “borogoves” is pronounced like the “o” in “borrow.” I have heard people try to give it the sound of the “o” in “worry.” Such is Human Perversity. — Lewis Carroll, Preface, The Hunting of the Snark When I created PervScan, I had the idea to use the web site as a chronicle and compendium of perverse behav- ior — a living, breathing psychopathia sexualis.
    [Show full text]
  • KAPSULA Magazine Is Published Under the Creative Com- Yoli Terziyska DEVELOPMENT Mons Canada BY-NC-ND 4.0 Licence
    PRODUCTION LICENSING ZACH PEARL MANAGEMENT & ART DIRECTION L indsAY LeBLANC EDITORIAL SA RA ENGLAND MARKETING & COMMUNICATIONS KAPSULA Magazine is published under the Creative Com- Yoli TerziYSKA DEVELOPMENT mons Canada BY-NC-ND 4.0 licence. Subscribers are legally In Consultation with: and freely permitted to redistribute this document without pen- CAOIMHE MORGAN-FEIR alty. However, subscribers may not attempt to edit or sell access FRANCSICO-FERNANDO GRANADOS to its contents. For more information on what this entails and/ KATHERINE DENNIS or the various types of Creative Commons licences,visit: CONTRIBUTORS JON HENRY This document is an interactive PDF Version 1.7, compatible with MIKLOS LEGRADY Adobe Acrobat 9.0 and later. For optimal functionality we recom- mend you download the latest version of Adobe Acrobat Reader. On The Cover ALISON SNOWBALL KAPSULA Magazine acknowledges the views expressed by our contributors are not necessarily those of the masthead, and that all For The Vault text, images and illustrations published herein are done so with the Pennies, plastic coin rollers, elastic bands, wire, spray paint permission of their respective owners. 4”h x 2”l x 2”h each 2012 Alison is no less than four nouns, KAPSULA Magazine is an imprint of: three adjectives, and one place. 44 Hedges Boulevard Toronto, Ontario M9B 3C4 We thought the risk was in the unknown— There exists inherent conflict in opting out of where there are no established rules or guide- the “beaten path.” Perhaps we have reached lines to organize behavior. The threat of the some consensus that older theoretical frame- unknown shapes perceived risk, determining works are lacking, not only in their glaring where we see the potential for catastrophe.
    [Show full text]
  • 3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
    3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money
    [Show full text]
  • Foul Language Moderation List
    Foul Language Moderation List Copy and paste the words listed below into your social media platforms profanity filter. Ass,asses,asshole,assholes,asskisser,asswipe,balls,bastard,beastial,beastiality,beastility,beave r,belly whacker,bestial,bestiality,bitch,bitcher ,bitchers,bitches,bitchin,bitching, biotch,biotching,blow job,blowjob,blowjobs,bonehead,boner,brown eye,browneye,browntown, bucket cunt, bull shit,bullshit,bum,bung hole,butch,butt,butt breath,butt fucker,butthair,buttface, buttfuck, buttfucker,butthead,butthole,buttpicker,chink,circle jerk,clam,clit,cobia,cock, cocking,cocks,cocksuck,cocksucked,cocksucker,cocksucking,cocksucks,cooter,crap,cum,cumm er,cumming,cums,cumshot,cunilingus,cunillingus,cunnilingus,cunt,cuntlick,cuntlicker,cuntlicking, cunts,cyberfuc,cyberfuck,cyberfucked,cyberfucker,cyberfuckers,cyberfucking,damn,dick,dike,dil do,dildos,dink,dinks,dipshit,dong,douche bag, dicks,dickhead,dickhead,dumbass,dyke, ejaculate,ejaculated,ejaculates,ejaculating,ejaculatings,ejaculation,fag,fagget,fagging,faggit,fagg ot,faggs,fagot,fagots,fags,fart,farted,farting,fartings,farts,farty,fatass,fatso,felatio,fellatio,fingerfuc k,fingerfucked,fingerfucker,fingerfuckers,fingerfucking,fingerfucks,fistfuck,fistfucked,fistfucker,fist fuckers,fistfucking,fistfuckings,fistfucks,fuck,fucked,fucker,fuckers,fuckin,fucking,fuckings,fuckm e,fucks,fuk,fuks,furburger,gangbang,gangbanged,gangbangs,gaysex,gazongers,goddamn,gona ds,gook,guinne,hard on,hardcore sex,homo,hooker,horniest,horny,hotsex,hussy,jack off,jackass,jacking off,jackoff,jack-off,jap,jerk,jerk-off,jism,jiz,jizm,jizz,kike,kock,kondum,
    [Show full text]
  • Queering the Dick: Moby-Dick As Coming-Out Narrative
    University of Mary Washington Eagle Scholar Student Research Submissions Fall 12-9-2016 Queering the Dick: Moby-Dick as Coming-Out Narrative Ryan M. Brady Follow this and additional works at: https://scholar.umw.edu/student_research Part of the English Language and Literature Commons Recommended Citation Brady, Ryan M., "Queering the Dick: Moby-Dick as Coming-Out Narrative" (2016). Student Research Submissions. 165. https://scholar.umw.edu/student_research/165 This Honors Project is brought to you for free and open access by Eagle Scholar. It has been accepted for inclusion in Student Research Submissions by an authorized administrator of Eagle Scholar. For more information, please contact [email protected]. QUEERING THE DICK: MOBY-DICK AS COMING-OUT NARRATIVE An honors paper submitted to the Department of English, Linguistics, and Communication of the University of Mary Washington in partial fulfillment of the requirements for Departmental Honors Ryan M Brady December 2016 By signing your name below, you affirm that this work is the complete and final version of your paper submitted in partial fulfillment of a degree from the University of Mary Washington. You affirm the University of Mary Washington honor pledge: "I hereby declare upon my word of honor that I have neither given nor received unauthorized help on this work." Ryan Brady 05/09/17 (digital signature) Brady 1 Ryan Brady ENGL 455J: Moby-Dick Seminar ​ ​ Sponsoring Professor: Mary Rigsby Queering the Dick: Moby-Dick as Coming-Out Narrative ​ ​ “Damn me, but all things are queer, come to think of ‘em.” — Stubb, “Enter Ahab; to him, Stubb” I first read Moby-Dick in my junior year of high school, around the same time I fell in ​ love with my best friend.
    [Show full text]
  • The Uncut Version: the Mattachine Society's Pornographic Epilogue
    Article Sexualities 2016, Vol. 19(4) 449–464 The uncut version: ! The Author(s) 2016 Reprints and permissions: The Mattachine Society’s sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1363460715599159 pornographic epilogue sex.sagepub.com Lucas Hilderbrand University of California, Irvine, USA Abstract Countering dominant historical narratives of the Hal Call-led Mattachine Society (a homophile organization dating from the 1950s) as ‘conservative’ or ‘respectable,’ this article examines the organization’s 1970s evolution into a porn theatre and sex club known as the Cinemattachine (later the Circle J Cinema). Arguing for continuities between the 1970s Cinemattachine and prior Mattachine tactics, Call’s own publishing business ventures, and discourses of sexual education, this article suggests that the organization continued to negotiate evolving sexual politics through the exhibition of pornography. Keywords Gay history, Hal Call, Mattachine Society, pornography, San Francisco ‘Tired of feeling guilty when you go to a porny movie?’ So queried an advertise- ment for the Mattachine Society’s Sex Education Film Series in the Bay Area Reporter, San Francisco’s gay newspaper, in November 1972.1 The Mattachine Society, best remembered as a homophile organization whose tactics were viewed as outmoded by the time of post-Stonewall gay liberation, had been screening explicit sex films in San Francisco since the prior year and would soon rebrand this effort as the Cinemattachine in 1973. The venue could only be entered through the back of the Adonis gay adult bookstore—literally making the entire operation an extended ‘back room.’ As a latter-day part of the Mattachine’s history, the Cinemattachine falls outside the standard historical narrative of the overtly ‘respectable’ homophile (early gay rights) organization dating from 1951.
    [Show full text]
  • Increased Adult Content and Harder Core Pornography
    Sean Hannon Williams The Parallel Trends of Increased Adult Content in Mainstream Media and Harder Core Pornography: A Tale of Market Failure? INTRODUCTION Over the past fifteen years, mainstream media increasingly incorpo- rated pornographic references and themes into its content. This occurred on broadcast television, mainstream cable stations, billboards, and in print advertising. During a similar period, the adult industry’s video production skyrocketed from 1,500 new titles per year to more than 11,000. Many of these films depicted increasingly hard core acts, which the industry felt were necessary to satisfy customer demand. Although pleasingly parallel, these trends are probably not directly related. Rather, the shift to harder core pornography can most likely be traced to competition among direc- tors and actors to differentiate their work from other adult films. Part I describes the proliferation of pornography and sex in main- stream media. There are a substantial number of explicitly pornographic ref- erences in broadcast television, cable televisions, movies, and advertising. Part II documents the current financial state of the pornography industry. The pornography industry makes $10 billion per year. Reverberations between the content of mainstream media and the content of pornography would thus have a huge financial impact. Part III documents the shift toward harder core material in the pornography industry. Plot-driven pornography has been on the decline. Plotless all-sex films are now the norm. These so-called “gonzo” films often contain much more violence, and more hard core sex acts such as double penetration, fisting, and urination. Part IV examines each trend, and discusses the relationships between these parallel trends.
    [Show full text]