SEPT. 1970 • the HUMOR MAGAZINE • 75 CENTS W^

Total Page:16

File Type:pdf, Size:1020Kb

SEPT. 1970 • the HUMOR MAGAZINE • 75 CENTS W^ SEPT. 1970 • THE HUMOR MAGAZINE • 75 CENTS w^ Copyright © 2007 National Lampoon Inc. On Columbia and Epic Records, q Copyright © 2007 National Lampoon Inc. They suffer, so you don't have to. WINS has two of the best critics in town. Ted Hoffman on theatre and Bob Salmaggi on films. They'll save you the agony of sitting through something mediocre. Poor guys. 'WESTINGHOUSE BROADCASTING COMPANY 1010 WINS NEW YORK RADIO ALL NEWS. ALLTHE TIME. Copyright © 2007 National Lampoon Inc. Vol 1 No. 6 CONTENTS Sept ,1970 Page 20 Page 40 Page 62 John and Yoko Unmasked Waiting in the Left Wings Cashing In on Charlie by Robert Goldman by Michael O'Donoghue by George Trow Was their marriage Made in Heaven or A day with radical starlet Nana Bi­ Or how to make a silk purse out of in Japan? Senior citizens want to know. jou . The New Breed! Sharon Tate's ear. Page 23 Page 44 Page 65 College Concert Cutups The Tragedy Team Raquel Welch Laid Bare by Michel Choquette by Tony Hendra by Frank Kafka The comix for kids who have their eyes What did the woodpecker sdy to the Her first nude photos, live from the on the ball and their feet on the ground. blind dog with only three legs? moon! Or something! Page 33 Page 47 Page 69 The Comedians' Wire Service Screen Slime The Shooting Gallery by Tony Hendra by D. Kenney & J. Maslin by Rick Meyerowitz Click Israelis steal radar click they Lester Lanin, Connie Francis and Flip­ A man who loves cute little rabbits can't must be good thieves, they eat lox. per linked to L.A. love nest. be all bad. Page 36 Page 57 Page 72 Keeping Up with the Joneses The MGM Scandal Auction Iron Curtain Calls by Michael O'Donoghue by Mark Smith by H. Beard & M. O'Donoghue The Joneses are your answer! They'll Some of the sentimental cinema souve- There's no collective like the show col- solve consumer woes. nirs you missed out on. lective, like no collective, I know . COLUMNS FEATURES Editorial, Page 4 'Page 13, Dick Oldden Letters, Page 6 Page 16, Travel Tours of Tomorrow Horrorscope, Page 8 Page 70, Stan Mack Mrs. Agnew's Diary, Page 12 Page 80, Show Biz Match 'Em Quiz NATIONAL LAMPOONTM MAGAZINE: "National Lampoon" is a regis­ CHANGE OF ADDRESS: Subscriber please send change of address to tered trademark of National Lampoon, Inc. The Lampoon name is used with Circulation Manager, National Lampoon Magazine, 635 Madison Avenue, permission of the Harvard Lampoon, Inc. New York, N.Y. 10022 Be sure to give old address, new address, and zip code for both. Allow six weeks for change. POSTMASTER: Please mail Form 3579 notices to: Circulation Manager, National Lampoon Magazine, 635 Madison Copyright © 1970 National Lampoon, Inc., 635 Madison Avenue, New York, Avenue, New York, N.Y. 10022. N.Y. 10022. All rights reserved. Nothing may be reprinted in whole or in part without written permission from the publisher. Any similarity to real people ADVERTISING INFORMATION: Contact Advertising Director, National and places in fiction and semi-fiction is purely coincidental. Lampoon Magazine, 635 Madison Avenue, New York, N.Y. 10022, or call (212) 688-4070. SUBSCRIPTIONS: Published monthly by National Lampoon, Inc., 635 Madi­ EDITORIAL INFORMATION: Contact Managing Editor, National Lam­ son Avenue, New York, N.Y. 10022. $6.95 paid annual subscription, $11.50 poon Magazine, 635 Madison Avenue, New York, N.Y. 10022, or call <-z'*> paid two-year subscription, and $15.50 paid three-year subscription in terri­ 688-4070. Return postage must accompany all manuscripts, tlrawin'j:' "° torial U.S. Additional $1.00 for Canada and Mexico, $2.00 for Foreign. photographs submitted. If they are to be returned. Publisher assumes no responsibility for unsolicited material. 2 NATIONAL LAMPOON Copyright © 2007 National Lampoon Inc. We may tell you more about yourself than you care to know. PSYCHOLOGY TODAY is about your hopes. Your fears. Your oedipal complexes, guilt feelings or sexual hang-ups — potentialities. And what science has learned about them. PSYCHOLOGY TODAY has just the opposite attitude. It sees Every month, you'll read in its pages what the world's the behavioral sciences as enlarging our possibilities... foremost authorities have to say about the human condi­ as endlessly multiplying the choices open to us. Instead tion. Men like B. F. Skinner. Rollo May. Ashley Mon­ of seeing men and women in black and white, PSYCHOL­ tagu. David Riesman. Bruno Bettelheim. These behav­ OGY TODAY finds human behavior encouragingly colorful. ioral scientists explain their latest discoveries in clear, In its graphics, PSYCHOLOGY TODAY is a splendid gal­ straightforward language, without oversimplifications or lery of all the things we've lately learned about the mys­ pseudo-profundities. teries of perception. Each issue is a visual adventure... Some of their findings are reassuring. Some are alarm­ an uninhibited collaboration between science and art. ing. Some just plain fascinating. All of them are a giant Many issues include revealing tests, visual experiments step ahead of the kind of psychology you may have picked and fold-out games. up in school. Or from your friends who are in analysis. Doesn't this sound like a magazine you ought to see? If Where psychological writing all too often tends to nar­ you agree, we'll be glad to send you a complimentary copy. row the possibilities—reducing almost every impulse to Just mail the coupon and you'll receive the latest issue. Among the current and coming articles in PSYCHOLOGY TODAY: The Grim Generation Is Man a Machine? Does ESP Exist? The Nudity Explosion Learning Under Drugs Who Will Help in a Crisis? Is Suicide a Human Right? Dangers of Group Therapy Are Leaders Made or Born? Are I.Q. Tests Intelligent? Impulse, Aggression & the Gun Memory's Molecular Maze Homosexuality Reconsidered Can We Immunize the Weak? The Sickness of Corporations Nudity in Group Therapy Hiding from Big Brother A Conversation with Masters Adult Play Therapy & Johnson Love and Will The White Race and Its Heroes The Mentally Retarded Child Breast Feeding Receive the current issue as a gift and begin a better understanding of your children, your spouse, your boss, your mother-in-law ...yourself. psychology today PSYCHOLOGY TODAY 6-350 P.O. Box 2990, Boulder, Colorado 80302 Please send me my complimentary current issue of PSYCHOLOGY TODAY. I may keep my sample copy and owe nothing. However, unless I cancel, you may enroll me as a trial subscriber and send me the next 11 issues. Bill me after my subscription has started for just $6.00, my special Introductory rate—instead of the regular $10 annual price. Name. (Please Print) Address. City. .State. .Zip. Copyright © 2007 National Lampoon Inc. Editor Douglas C. Kertney Executive Editor Henry N. Beard Managing Editor Robert K. Hoffman Art Direction Bill Skurskl Peter Bramley —LETTER FROM THE EDITOR— Special Issue Editor Michel Choquette /"vnce upon a time, "Show Biz" meant a lot of greasy looking ^ sharpies clustered around a slack-jawed, bleached blonde Contributing Editors Michael O'Donoghue whose biggest claim to immortality was a pair of monster Christopher Cerf udders and a steel back brace. Hype and baloney sandwiches Michael Frith were Hollywood's daily fare and rhinestone-studded movie Tamara Gould stars competed among themselves armed with kidney-shaped swimming pools and cashew-sized cerebrums. Assistant Art Director Stephanie Phelan But things have changed. Kids everywhere are seeing through the tinsel and papier-mache of their folks' era, and Editorial Assistant the new show biz stars reflect this disenchantment with the Mary Martello phony tin gods of yesteryear. Only the sincere and the com­ mitted can hope to make it nowadays. That's why the Temp­ Production Manager tations can rip off four hits, all dubbed over the same rhythm Charlotte Goodwin track, Rolling Stone reads like a bell-bottomed Business Week Subscription Manager and that's why there's still a ready market for some more Howard Jurofsky Monkees, should their originator ever put another want ad in the Los Angeles Times. Circulation Director Further on in this issue, you will see some embarrassing Alexander Turkish items from Hollywood's secret Blackmail Auction. Omitted, Design and Layout due to lack of space, were Janis Joplin's Villager blouse, Cloud Studio, Inc. Johnny Winters's peroxide bottle and Tiny Tim's .30-06 cus­ tom-built hunting rifle. Publisher Leonard Mogel —DCK —THE COVER— Four deadlocked editorial meetings, a flurry of confusion and The National Lampoon, Inc. is a subsidiary of Twenty First Century an eleventh hour telegram to Sagebrush Studios produced the Communications, Inc. Kute 'n Kampy Kut-Up on this month's cover. It expresses both our hard-hitting editorial policies and Sagebrush's ob­ Matty Simmons, Chairman session with female mouse knockers. • Leonard Mogel, President George Agoglia, Vice President ADVERTISING SALES New York: Barry Grieff, Advertising Di­ rector, National Lampoon, 635 Madison Avenue, New York, N.Y. 10022, (212) 688-4070 Chicago: William H. Sanke, Western Ad­ vertising Manager, National Lampoon, 645 North Michigan Ave., Chicago, III. 60611, (312) 337-7625 Detroit: George S. Bywater, Sales Moti­ vating Associates, 19400 West Ten Mile Road, Southfield, Michigan 48075, (313) 354-0560 West Coast: Smith & Hollyday, Inc., 5478 Wilshire Blvd., Los Angeles, Calif. 90036, (213) 938-0111 Smith & Hollyday, Inc., 22 Battery St., San Francisco, Calif. 94111, (415) YU 1-2999 New England: J & M Co., P.O. Box 233, Chestnut Hill, Mass. 02167, (617) 731-3133 4 NATIONAL LAMPOON Copyright © 2007 National Lampoon Inc. Announcing DDDnnDDD the only film magazine rated "NT "M" for mature.
Recommended publications
  • New Audiobooks 1/1/05 - 5/31/05
    NEW AUDIOBOOKS 1/1/05 - 5/31/05 AVRCU = AUDIOBOOK ON CASSETTE AVRDU = AUDIOBOOK ON COMPACT DISC [ 1] Shepherds abiding :with Esther's gift and the Mitford snowmen /by Jan Karon. AVRCU3876 Karon, Jan,1937- [ 2] Kill the messenger /by Tami Hoag. AVRCU3889 Hoag, Tami. [ 3] Voices of the Shoah :remembrances of the Holocaust /[written by David Notowitz]. AVRDU0352 [ 4] We're just like you, only prettier :confessions of a tarnished southern belle /Celia Rivenbark. AVRCU4020 Rivenbark, Celia. [ 5] A mighty heart /by Mariane Pearl with Sarah Crichton ; narrated by Suzanne Toren. AVRCU4025 Pearl, Mariane. [ 6] The happiest toddler on the block :the new way to stop the daily battle of wills and raise a secure and well-behaved one- to four-year-old /Harvey Karp with Paula Spencer. AVRCU4026 Karp, Harvey. [ 7] Black water /T.J. MacGregor. AVRCU4027 MacGregor, T. J. [ 8] A rage for glory :the life of Commodore Stephen Decatur, USN /James Tertius de Kay. AVRCU4028 De Kay, James T. [ 9] Affinity /Sarah Waters. AVRCU4029 Waters, Sarah,1966- [ 10] Dirty laundry /Paul Thomas. AVRCU4030 Thomas, Paul,1951- [ 11] Horizon storms /Kevin J. Anderson. AVRCU4031 Anderson, Kevin J.,1962- [ 12] Blue blood /Edward Conlon. AVRCU4032 Conlon, Edward,1965- [ 13] Washington's crossing /by David Hackett Fischer. AVRCU4033 Fischer, David Hackett,1935- [ 14] Little children /Tom Perrotta. AVRCU4035 Perrotta, Tom,1961- [ 15] Above and beyond /Sandra Brown. AVRCU4036 Brown, Sandra,1948- [ 16] Reading Lolita in Tehran /by Azar Nafisi. AVRCU4037 Nafisi, Azar. [ 17] Thunder run :the armored strike to capture Baghdad /David Zucchino. AVRCU4038 Zucchino, David. [ 18] The Sunday philosophy club /Alexander McCall Smith.
    [Show full text]
  • EDITORIAL Screenwriters James Schamus, Michael France and John Turman CA 90049 (310) 447-2080 Were Thinking Is Unclear
    screenwritersmonthly.com | Screenwriter’s Monthly Give ‘em some credit! Johnny Depp's performance as Captain Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl is amazing. As film critic after film critic stumbled over Screenwriter’s Monthly can be found themselves to call his performance everything from "original" to at the following fine locations: "eccentric," they forgot one thing: the screenwriters, Ted Elliott and Terry Rossio, who did one heck of a job creating Sparrow on paper first. Sure, some critics mentioned the writers when they declared the film "cliché" and attacked it. Since the previous Walt Disney Los Angeles film based on one of its theme park attractions was the unbear- able The Country Bears, Pirates of the Caribbean is surprisingly Above The Fold 370 N. Fairfax Ave. Los Angeles, CA 90036 entertaining. But let’s face it. This wasn't intended to be serious (323) 935-8525 filmmaking. Not much is anymore in Hollywood. Recently the USA Today ran an article asking, basically, “What’s wrong with Hollywood?” Blockbusters are failing because Above The Fold 1257 3rd St. Promenade Santa Monica, CA attendance is down 3.3% from last year. It’s anyone’s guess why 90401 (310) 393-2690 this is happening, and frankly, it doesn’t matter, because next year the industry will be back in full force with the same schlep of Above The Fold 226 N. Larchmont Blvd. Los Angeles, CA 90004 sequels, comic book heroes and mindless action-adventure (323) 464-NEWS extravaganzas. But maybe if we turn our backs to Hollywood’s fast food service, they will serve us something different.
    [Show full text]
  • Surreal Visual Humor and Poster
    Fine Arts Status : Review ISSN: 1308 7290 (NWSAFA) Received: January 2016 ID: 2016.11.2.D0176 Accepted: April 2016 Doğan Arslan Istanbul Medeniyet University, [email protected], İstanbul-Turkey http://dx.doi.org/10.12739/NWSA.2016.11.2.D0176 HUMOR AND CRITICISM IN EUROPEAN ART ABSTRACT This article focused on the works of Bosh, Brughel, Archimboldo, Gillray, Grandville, Schön and Kubin, lived during and after the Renaissance, whose works contain humor and criticism. Although these artists lived in from different cultures and societies, their common tendencies were humor and criticism in their works. Due to the conditions of the period where these artists lived in, their artistic technic and style were different from each other, which effected humor and criticism in the works too. Analyzes and comments in this article are expected to provide information regarding the humor and criticism of today’s Europe. This research will indicate solid information regarding humor and tradition of criticism in Europe through comparisons and comments on the works of the artists. It is believed that, this research is considered to be useful for academicians, students, artists and readers who interested in humour and criticism in Europe. Keywords: Humour, Criticism, Bosch, Gillray, Grandville AVRUPA SANATINDA MİZAH VE ELEŞTİRİ ÖZ Bu makale, Avrupa Rönesans sanatı dönemi ve sonrasında yaşamış Bosch, Brueghel, Archimboldo, Gillray, Grandville, Schön ve Kubin gibi önemli sanatçıların çalışmalarında görülen mizah ve eleştiri üzerine kurgulanmıştır. Bahsedilen sanatçılar farklı toplum ve kültürde yaşamış olmasına rağmen, çalışmalarında ortak eğilim mizah ve eleştiriydi. Sanatçıların bulundukları dönemin şartları gereği çalışmalarındaki farklı teknik ve stiller, doğal olarak mizah ve eleştiriyi de etkilemiştir.
    [Show full text]
  • Research.Pdf (1.328Mb)
    VISUAL HUMOR: FEMALE PHOTOGRAPHERS AND MODERN AMERICAN WOMANHOOD, 1860- 1915 A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Meghan McClellan Dr. Kristin Schwain, Dissertation Advisor DECEMBER 2017 © Copyright by Meghan McClellan 2017 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled Visual Humor: Female Photographers and the Making of Modern American Womanhood, 1860-1915 presented by Meghan McClellan, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Dr. Kristin Schwain Dr. James Van Dyke Dr. Michael Yonan Dr. Alex Barker To Marsha Thompson and Maddox Thornton ACKNOWLEDGMENTS The difficulty of writing a dissertation was never far from anyone’s lips in graduate school. We all talked about the blood, sweat, and tears that went into each of our projects. What we also knew was the unrelenting support our loved ones showed us day in and day out. These acknowledgments are for those who made this work possible. This dissertation is a testament to perseverance and dedication. Yet, neither of those were possible without a few truly remarkable individuals. First, thank you to all my committee members: Dr. Alex Barker, Dr. Michael Yonan, and Dr. James Van Dyke. Your input and overall conversations about my project excited and pushed me to the end. Thank you Mary Bixby for giving me the “tough love” I needed to make sure I met my deadlines.
    [Show full text]
  • Catalog Sixty-Five Log Sixty-Five
    Royal Books Royal Royal Cata Books catalog sixty-five log Sixty-Five log royalbooks.com THE CELLULOID PAPER TRAIL Royal Books is pleased to announce the publication of The Celluloid Paper Trail by Terms and Conditions Oak Knoll Press, the first book All books are first editions unless indicated otherwise. ever published on film script All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected identification and description, by new archival covers. Single, unframed photographs lavishly illustrated and detailed, housed in new, archival mats. designed for any book scholar, In many cases, more detailed physical descriptions for including collectors, archivists, archives, manuscripts, film scripts, and other ephemeral items can be found on our website. librarians, and dealers. Any item is returnable within 30 days for a full refund. Books may be reserved by telephone, fax, or email, Available now at royalbooks.com. and are subject to prior sale. Payment can be made by credit card or, if preferred, by check or money order with an invoice. Libraries and institutions may be billed Please feel free to let us know if you would like according to preference. Reciprocal courtesies extended your copy signed or inscribed by the author. to dealers. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS Priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter.
    [Show full text]
  • Livecarlin 3.24Transcriptqueries 1 a TRIBUTE to GEORGE CARLIN
    A TRIBUTE TO GEORGE CARLIN HOSTED BY WHOOPI GOLDBERG March 24, 2010 LIVE from the New York Public Library www.nypl.org/live Celeste Bartos Forum GEORGE CARLIN: To get around a lot of this, I decided to worship the sun, but as I said, I don’t pray to the sun. You know who I pray to? Joe Pesci. (laughter/applause) Joe Pesci. Joe Pesci. Two reasons. First of all, I think he’s a good actor, okay? To me that counts. Second, he looks like a guy who can get things done. (laughter/applause) Joe Pesci doesn’t fuck around. (laughter/applause) Doesn’t fuck around. In fact—in fact, Joe Pesci came through on a couple of things that God was having trouble with. For years I asked God to do something about my noisy neighbor with the barking dog. Joe Pesci straightened that cocksucker out with one visit. (laughter/applause) LIVECarlin_3.24TranscriptQUERIES 1 There is no God. None. Not one. No God, never was. In fact, I’m going to put it this way. If there is a God, if there is a God, may he strike this audience dead. (laughter/applause) See, nothing happened. Nothing happened, everybody’s okay. Tell you what. Tell you what. I’ll raise the stakes, I’ll raise the stakes a little bit. If there is a God, may he strike me dead. See, nothing happened. Wait. I’ve got a little cramp in my leg (laughter) and my balls hurt (laughter), plus, I’m blind. Now I’m okay again.
    [Show full text]
  • The Ideological Discourse of the Islamist Humor Magazines in Turkey: the Case of Misvak
    THE IDEOLOGICAL DISCOURSE OF THE ISLAMIST HUMOR MAGAZINES IN TURKEY: THE CASE OF MISVAK A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY NAZLI HAZAL TETİK IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN THE DEPARTMENT OF MEDIA AND CULTURAL STUDIES JULY 2020 Approval of the Graduate School of Social Sciences Prof. Dr. Yaşar Kondakçı Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Master of Science. Assoc. Prof. Dr. Barış Çakmur Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Master of Science. Prof. Dr. Necmi Erdoğan Supervisor Examining Committee Members Assist. Prof. Dr. Özgür Avcı (METU, PADM) Prof. Dr. Necmi Erdoğan (METU, PADM) Prof. Dr. Lütfi Doğan Tılıç (Başkent Uni., ILF) PLAGIARISM I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Nazlı Hazal Tetik Signature: iii ABSTRACT THE IDEOLOGICAL DISCOURSE OF THE ISLAMIST HUMOR MAGAZINES IN TURKEY: THE CASE OF MISVAK Tetik, Nazlı Hazal M.S., Department of Media and Cultural Studies Supervisor: Prof. Dr. Necmi Erdoğan July 2020, 259 pages This thesis focuses on the ideological discourse of Misvak, one of the most popular Islamist humor magazines in Turkey in the 2000s.
    [Show full text]
  • 1 for IMMEDIATE RELEASE Contact: Sloane Crosley, Associate Director of Publicity Phone
    FOR IMMEDIATE RELEASE Contact: Sloane Crosley, Associate Director of Publicity Phone: 212.572.2016 E-mail: [email protected] VINTAGE BOOKS TO PUBLISH NIGHTLIGHT: A TWILIGHT PARODY AS A VINTAGE ORIGINAL IN TIME FOR THE MAJOR MOTION PICTURE RELEASE OF TWILIGHT SEQUEL” NEW MOON” New York, NY 10/05/09: Vintage Books announces the publication of the first Harvard Lampoon novel parody in exactly 40 years. In 1969, The Harvard Lampoon took affectionate aim at a massive pop culture phenomenon with Bored of the Rings. The paperback original Nightlight, a pitch-perfect spin on the Stephanie Meyers series, will be available on NOVEMBER 3RD. The Twilight movie sequel, “New Moon,” arrives in theaters on November 20th. “Funny” might get you a blog post these days, but it’s the Lampoon-level of satire that makes Nightlight worth every pseudo-bloodsucking, angst-ridden page. Nightlight stakes at the heart of what makes Twilight tick…or, really, cuts to the core of it. As demonstrated by the cover of the book. Or takes a bite out of it, as also demonstrated by the cover of the book. Brooding and hilarious, let Nightlight be your guide through the Twilight fandom that has eclipsed the mind of every teenager you have ever met. About the Plot Pale and klutzy, Belle Goose arrives in Switchblade, Oregon looking for adventure, or at least an undead classmate. She soon discovers Edwart Mullen, a super-hot computer nerd with zero interest in girls. After witnessing a number of strange events–Edwart leaves his Tater Tots™ untouched at lunch! Edwart saves her from a flying snowball!–Belle has a dramatic revelation: Edwart is a vampire.
    [Show full text]
  • Analyzing Dave Barry's Writing His Influences and the Traits He Shares with the Past Century's Newspaper Humorists
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2003 "I am not making this up!": Analyzing Dave Barry's writing his influences and the traits he shares with the past century's newspaper humorists Nathaniel M. Cerf The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Cerf, Nathaniel M., ""I am not making this up!": Analyzing Dave Barry's writing his influences and the traits he shares with the past century's newspaper humorists" (2003). Graduate Student Theses, Dissertations, & Professional Papers. 5089. https://scholarworks.umt.edu/etd/5089 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of Monnttainia Permission is granted by the author to reproduce this material in its entirety, provided that this material is used for scholarly purposes and is properly cited in published works and reports. !*Please check "Yes" or "No" and provide signature Yes, I grant permission ___ No, I do not grant permission ___ Author's Signature: Date:_ i z / n / w s _____________ / Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. 8/98 “I AM NOT MAKING THIS UP!”: ANALYZING DAVE BARRY’S WRITING, HIS INFLUENCES AND THE TRAITS HE SHARES WITH THE PAST CENTURY’S NEWSPAPER HUMORISTS by Nathaniel M.
    [Show full text]
  • Humour and Laughter in History
    Elisabeth Cheauré, Regine Nohejl (eds.) Humour and Laughter in History Historische Lebenswelten in populären Wissenskulturen History in Popular Cultures | Volume 15 Editorial The series Historische Lebenswelten in populären Wissenskulturen | History in Popular Cultures provides analyses of popular representations of history from specific and interdisciplinary perspectives (history, literature and media studies, social anthropology, and sociology). The studies focus on the contents, media, genres, as well as functions of contemporary and past historical cultur- es. The series is edited by Barbara Korte and Sylvia Paletschek (executives), Hans- Joachim Gehrke, Wolfgang Hochbruck, Sven Kommer and Judith Schlehe. Elisabeth Cheauré, Regine Nohejl (eds.) Humour and Laughter in History Transcultural Perspectives Our thanks go to the German Research Foundation (Deutsche Forschungsge- meinschaft) for supporting and funding the project. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-2858-0. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommercial-No- Derivatives 4.0 (BY-NC-ND) which means that the text may be used for non-commer- cial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/ To create an adaptation, translation, or derivative of the original work and for commer- cial use, further permission is required and can be obtained by contacting rights@ transcript-verlag.de Creative Commons license terms for re-use do not apply to any content (such as graphs, figures, photos, excerpts, etc.) not original to the Open Access publication and further permission may be required from the rights holder.
    [Show full text]
  • A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964
    AMERICAN CHRONICLES THE 1960-1964 byby JOHN JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chroncles ........ 4 Note on Comic Book Sales and Circulation Data......................................................... 5 Introduction & Acknowlegments................................. 6 Chapter One: 1960 Pride and Prejudice ................................................................... 8 Chapter Two: 1961 The Shape of Things to Come ..................................................40 Chapter Three: 1962 Gains and Losses .....................................................................74 Chapter Four: 1963 Triumph and Tragedy ...........................................................114 Chapter Five: 1964 Don’t Get Comfortable ..........................................................160 Works Cited ......................................................................214 Index ..................................................................................220 Notes Introductory Note about the Chronological Structure of American Comic Book Chronicles The monthly date that appears on a comic book head as most Direct Market-exclusive publishers cover doesn’t usually indicate the exact month chose not to put cover dates on their comic books the comic book arrived at the newsstand or at the while some put cover dates that matched the comic book store. Since their inception, American issue’s release date. periodical publishers—including but not limited to comic book publishers—postdated
    [Show full text]
  • Read the Transcript
    Crossroads Cultural Center in collaboration with The Department of Art History and Music present: PPeegguuyy aanndd tthhee CCaatthheeddrraall ooff CChhaarrttrreess AA LLOOVVEE SSTTOORRYY Pope Auditorium, Fordham University, New York, NY Wednesday, December 17, 2008 Crossroads: Good evening, and welcome on behalf of the Crossroads Cultural Center. We would like to thank the co-sponsor of tonight’s event, the Department of Art History and Music at Fordham University, and Radius, the Fordham student club that helped organizing it. It is a great pleasure to be here with all of you a few days before Christmas. It is also a great pleasure to be, so to speak, in the company of Charles Peguy a few days before Christmas because it is impossible to approach the figure of Peguy without being immediately reminded in the most carnal, direct way of what Christmas is about: This marvelous, unique, extraordinary, unbelievable, eternal temporal eternal, divine human divine story, that point of intersection, that unique, marvelous encounter of the temporal in the eternal, and reciprocally of the eternal in the temporal, of the divine in the human, and mutually of the human in the divine... Here is Christianity. Everything else, my friend...let's say that everything else is very good for the history of religions...” For Peguy, truly Christianity was never an intellectual system or a moral code: it was a dramatic event, a new life breaking through into the fallen world. At Crossroads we have always looked at him as a witness and an example of how a Catholic should look at the world, and in particular at culture.
    [Show full text]