Asylumforart.Ca February 13, 2018 Townes Van Zandt Delta Momma Blues (1971) No Capo Dm F I Used to Wake and Run with The

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Asylumforart.Ca February 13, 2018 Townes Van Zandt Delta Momma Blues (1971) No Capo Dm F I Used to Wake and Run with The

Rake Townes Van Zandt Delta Momma Blues (1971) Dm F I used to wake and run with the moon No Capo G Dm Dm F I lived like a rake and a young man I was takin’ my pride in the pleasures I’d known Dm F G Dm I covered my lovers with flowers and wounds I laughed and said I’ll be forgiven G Dm Dm F My laughter the devil would frighten But my laughter turned ‘round eyes blazing and said F G F Dm G Dm The sun she would come and beat me back down My friend, we’re holdin’ a wedding C Dm F G F Dm But every cruel day had its nightfall I buried my face but it spoke once again F G F Dm C Dm I’d welcome the stars with wine and guitars The night to the day we’re a bindin’ C Dm F G F Dm Full of fire and forgetful And now the dark air is like fire on my skin C Dm Dm F And even the moonlight is blinding My body was sharp, the dark air clean G Dm And outrage my joyful companion Dm F Whisperin’ women how sweet did they seem G Dm Kneelin’ for me to command them F G F Dm And time was like water but I was the sea C Dm I wouldn’t noticed it passin’ F G F Dm Except for the turnin’ of night into day C Dm And the turnin’ of day into cursin’ Dm F Well, you look at me now, don’t think I don’t know G Dm What all your eyes are a sayin’ Dm F Does he want us to believe these ravings and lies G Dm They’re just tricks that his brain’s been a playin’ F G F Dm A lover of women he can’t hardly stand C Dm He trembles he’s bent and he’s broken F G F Dm I’ve fallen it’s true but I say to you C Dm Hold your tongues until after I’ve spoken asylumforart.ca February 13, 2018 Moonshadow Cat Stevens Rake Words & Music by Cat Stevens Moderate = 80 Intro Dm F G 1 2 3 1 1 1 1 1 1 1 3 3 3 3 3 1 1 0 0 3 3 3 3 3 3 1 0 0 0 0 0 0 0 0 0 2 2 2 0 2 2 2 2 2 0 0 2 0 0 0 0 0 0 0 0 0 0 0 0 3 3 Dm 4 5 1 1 1 1 1 1 1 1 1 1 1 1 3 3 3 3 3 3 3 3 3 3 3 3 2 2 2 0 2 2 2 2 2 2 2 0 2 2 2 2 0 0 2 1/1.

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Steve Earle Townes Biography
Steve Earle Townes Biography Steve Earle had two reasons for coming out with this long-planned tribute to Townes Van Zandt now. The first reason is practical. Earle is currently pushing himself to finish a years-in-the-making novel, and he wants to see it in print before the publishing business goes belly up. The second is a more personal concern. Like all artists worthy of the name, Steve Earle loves the truth, and in the case of Van Zandt, he sees that the waters are muddying before his eyes. Very often over periods of years, the truth first becomes myth and myth later becomes truth. In regards to his teacher, hero and friend Townes Van Zandt, Steve Earle was not about to let that happen. “I’m very thankful that when I got out of jail I started meeting people like Jay Farrar and other people his age that knew Townes chapter and verse,” he says. “I’ve always been very thankful for that. But a lot of what powered that is a take on roots music that comes from alternative music, and the crowd that kind of attached itself to Townes was the same kind of people that have White Light / White Heat in the front of their record collection so everybody knows how intense they are when they have a party. I love that record, but I don’t think I’ve listened to it all the way through since I bought it.” “I’m tryin’ not to kill myself,” he laughs. Van Zandt’s reputation has been under something of an overhaul since the dawn of the 1990s.
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TEN Wildness, Eschatology, and Enclosure in the Songs of Townes Van Zandt
TEN Wildness, Eschatology, and Enclosure in the Songs of Townes Van Zandt Michael B. MacDonald INTRODUCTION Loss and tragedy were present in the earliest days of American country music in part because it emerged from the great urbanization of America. This was a time of massive relocation when American life quickly and violently became city life. Country music, like folk music before it, was born from the shock of urbanization. Lola Scobey, in the liner notes of Van Zandt' s 1978 release Flyin' Shoes, remarked: "Townes carries the terror and the sorrow of a deeply sensitive man who has looked into the abyss and seen... the abyss." But this is too romantic; there is no abyss. Van Zandt looked at the folk on Main Street and wrote about it; however, this makes it sound too obvious, perhaps too na1ve. Van Zandt is anything but naive. His observations cut to the bone and reverberate upon the fractured psyche of America gone wrong, an America suffering from loss. I would contend that he wrote about the dark side of the American dream, or, perhaps, that he wrote mini-docu mentaries of the American dream becoming nightmare. However, sloppy words such as these do Van Zandt an injustice. These are the words of platitude and marketing, of Hallmark sentimentality. Van Zandt does not choose these words; instead, he strikes out against marketing corpora tions and entertainment companies who ingest romanticism and replace history with an imaginary vision of an ideal past. Culture is transformed from a living system, developed to help the individual deal with the vagaries, dangers, and paradoxes of life, into a constellation of consum- 145 146 Michael B.
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Delta Momma Blues Townes Van Zandt
www.acordesweb.com Delta Momma Blues Townes Van Zandt b7 E E7 Come away with me, A my little delta boy b7 E I wanna be your delta mama for awhile b7 E E7 And if you stay you'll see A that I bring you lots of joy b7 E A E I can turn those little teardrops to a smile Well, if you're blue don't cry just wander right downtown you can find your delta mama waitin' there Well, I thought you knew that I would never let you down I can ease your mind and take away your cares Come away with me, Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com my little delta boy I wanna be your delta mama for awhile And if you stay you'll see that I bring you lots of joy I turn those little teardrops to a smile Well, if the grass goes brown don't you hang your head too low Well, there ain't no need for you to sit and pine If you'll just ask around I'm sure someone will know just exactly what it takes to get you back to feelin' fine Well, if you don't know by now what I've been tryin' so hard to say Well my delta boy I'm afraid you're up to tight but you take it slow and somehow you come meandering out my way and I'll take you in my arms and make it right Ah, come away with me, my little dleta boy I wanny be your delta mama for awhile And if you stay you'll see Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com that I bring you lots of joy I turn those little teardrops to a smile #--------------------------------------------------------------# Encuentra muchas canciones para tocar en Acordesweb.com www.acordesweb.com Acordes para Guitarra: Encuentra muchas canciones para tocar en Acordesweb.com.
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A Rumor in His Own Time
16 BERKELEY BARB, June 30-July 6, 1978 A Rumor In His Own Time by Michael Goldberg standing of the hopelessness of existence. Yet he can appreciate the small joys that sed to be, I was gonna solve make life worth living. And so many of the world's problems," said his songs express those joys. "Loretta, I Townes Van Zandt. "I was she's a barroom girl/Wears them sevens gonna keep the sun from burn ownes Van Zand on her sleeve/ Dances like a diamond ingu out by writing a particular song and shines/ Tells me lies I love to believe." playing it up towards the sun." Because of his career failure, heavy Townes Van Zandt is a Nashville-based drinking and dirt poor existence, Van folksinger. He is best known for a witty and Zandt is seen by those familiar with his telling ballad, "Pancho and Lefty," that work to be somewhat of a tragic figure. Emmylou Harris recorded and which was Confronted with that observation, he the highlight of her album, Luxury Liner agreed with some reservations. "It might (Warner Bros.). be true. I mean it's just living pretty fast "Pancho and Lefty" is the tale of two I guess and being semi-crazy. That repu men, one becomes an outlaw, the-other a tation I got from being in and out of the coward who never takes a risk. The song hospital a few times. Just going looney." depicts the hopelessness of either course. Asked if that still happens, he said, Townes ends it like this.
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# 8 9 JANUARY 1997 TOWNES IMN ZANDT The days up and down (hey come Like rain on a conga drum Forgetting most, remember some But don't turn none away Everything is not enough Nothing is too much to bear Where you've been is good and gone All you keep’s the getting there To live s to fly. lou; and high So shake the dust off of your wings And the sleep out of your eyes He changed my life MCT1996 POLL HONEST JOHN REVIEWS Russ Bartlett • Ray Campi v Professor Longhair • Michele Murphy j KEN SCHAFFER’S A EGGE • KIM MILLER • LINDA LOZANO SAFETY IN NUMBERS SHOWCASE at its new home in the highly acclaimed LA PALAPA Restaurant and Cantina 6640 HWY 290 EAST (east of Highland Mall) at 6:00PM, NO COVER ' ’+ o o * i > o ° <0 ¿F Í , í J . u N .»O' « a i Ken lays out the welcome mat to all comers TOGETHER seeking the quintessential Austin music moment, Sat, Jan 11th, Belton Acoustic Concert Series, 7pm (details 817/778-5440) because he”H bet they can find it here. Fri, Jan 24th, Waterloo Ice House, 6th & Lamar, 9pm Call 419-1781 for sign up and details Egge: Thu, Jan 30th, Artz Rib House, 7pm Miller: Rouse House Concert, with L J Booth, u THE BEST OF THE UP AND COMING’’ April 26th (837-2333) < J / l N U A R y n V oVonW r i / aUer'i' VÜRE f X W s B s n d Mondays at gabe's, 9pm V Tuesdays at *Jovita's, 8pm Saturday 4th, groken Spoke, 9pm Saturday 18th, Mucky Duck, Houston, 8pm <£ 10.30pm RETR9VOGU6 Jriday 24th, Cactus Cafe, 9pm, & RELICS with special guest Staid Cleaves 2024 South Lamar Boulevard • Phone No 442-4446 &K9Mg9Mg you t h e /j e s t 9 m eouM^ny m u s 9C 'EÜKSÍlH ^tryiIIiñJKS— i KUT MAKES MUSIC! 5 5 3 5 BURNET RD.
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There Ain't No Easy Runs
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Townes Van Zandt Tribute Bottom Line, New York, 23 February 1997 As Heard on Vin Scelsa's Idiot's Delight on New York's WNEW (102.7 FM)
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