2006–2007 Annual Report VIRGINIA MUSEUM of FINE ARTS
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Clara E. Sipprell Papers
Clara E. Sipprell Papers An inventory of her papers at Syracuse University Finding aid created by: - Date: unknown Revision history: Jan 1984 additions, revised (ASD) 14 Oct 2006 converted to EAD (AMCon) Feb 2009 updated, reorganized (BMG) May 2009 updated 87-101 (MRC) 21 Sep 2017 updated after negative integration (SM) 9 May 2019 added unidentified and "House in Thetford, Vermont" (KD) extensively updated following NEDCC rehousing; Christensen 14 May 2021 correspondence added (MRC) Overview of the Collection Creator: Sipprell, Clara E. (Clara Estelle), 1885-1975. Title: Clara E. Sipprell Papers Dates: 1915-1970 Quantity: 93 linear ft. Abstract: Papers of the American photographer. Original photographs, arranged as character studies, landscapes, portraits, and still life studies. Correspondence (1929-1970), clippings, interviews, photographs of her. Portraits of Louis Adamic, Svetlana Allilueva, Van Wyck Brooks, Pearl S. Buck, Rudolf Bultmann, Charles E. Burchfield, Fyodor Chaliapin, Ralph Adams Cram, W.E.B. Du Bois, Albert Einstein, Dorothy Canfield Fisher, Ralph E. Flanders, Michel Fokine, Robert Frost, Eva Hansl, Roy Harris, Granville Hicks, Malvina Hoffman, Langston Hughes, Robinson Jeffers, Louis Krasner, Serge Koussevitzky, Luigi Lucioni, Emil Ludwig, Edwin Markham, Isamu Noguchi, Maxfield Parrish, Sergei Rachmaninoff, Eleanor Roosevelt, Dane Rudhyar, Ruth St. Denis, Otis Skinner, Ida Tarbell, Howard Thurman, Ridgely Torrence, Hendrik Van Loon, and others Language: English Repository: Special Collections Research Center, Syracuse University Libraries 222 Waverly Avenue Syracuse, NY 13244-2010 http://scrc.syr.edu Biographical History Clara E. Sipprell (1885-1975) was a Canadian-American photographer known for her landscapes and portraits of famous actors, artists, writers and scientists. Sipprell was born in Ontario, Canada, a posthumous child with five brothers. -
Acquisitions
Acquisitions as of June 30, 2009 African and David Soltker and Irving Dobkin Feldstein Endowment Fund for endowments (2008.206). Decorative Arts (2008.558). Amerindian Art North American Furniture African Mexico Artist unknown, Tea Table, Bwa, Dossi, Burkina Faso, Teotihuacan, Figurine, c. 1750/90, mahogany: Roger and Butterfly Mask, early/mid-20th a.d. 400, greenstone: gift of J. Peter McCormick endow- cen., wood and pigment: Charles Ethel F. and Julian R. Goldsmith ments; restricted gift of Jamee J. H. and Mary F. S. Worcester (2008.675). Tlatilco, Female and Marshall Field, and Carol Collection Fund (2008.190). Edo, Figurines, c. 500 b.c., ceramic W. Wardlaw (2009.58); Stand, Benin City, Nigeria, Container and pigment: gift of Ethel F. and 1790/1810, birch: gift of Jamee J. in the Form of a Leopard Head, Julian R. Goldsmith (2008.676–78). and Marshall Field (2008.679). early 21st cen., brass: gift of Omo Vladimir Kagan, Occasional N’Oba N’Edo Uku Akpolokpolo, United States Table, c. 1952, walnut and brass: Oba of Benin (2008.674). The Orbit Fund (2009.232). Navajo, northern Arizona or Mahdiyya State, Sudan, Tunic Walter von Nessen, manufactured New Mexico, Concho Belt, (Jibbeh), 1885/99, cotton: African by Nessen Studio, Inc., Occa- 1880/95, silver and leather: and Amerindian Curator’s Discre- sional Table, c. 1931, aluminum, Auxiliary Board of the Art tionary, Holly and David Ross, Bakelite, and iron: Quinn E. Institute of Chicago (2009.572); Arnold H. Crane, African and Delaney Fund (2009.156). Bow Guards (Ketoh), 1900/20, Amerindian Art Purchase, and silver, leather, turquoise, and O. -
ARCHIVES Carl Milles, 1875-1955 Papers, 1917-2000
ARCHIVES Carl Milles, 1875-1955 Papers, 1917-2000 (bulk, 1929-1945) 1 linear ft. Acquisition Number: 1989-13 Acquisition: Transferred to the Archives from the Cranbrook Academy of Art via transfer Jul-Aug 1989. Photocopied material and correspondence re the Aloe Plaza fountain commission was a gift of the Missouri Historical Society, St. Louis, Missouri, October 1987. Access: Access to the collection is unrestricted. Copyright: Copyright to this collection is held by the Cranbrook Educational Community. Preferred Citation: Carl Milles Papers, Cranbrook Archives, Bloomfield Hills, Michigan. Photographs: Moved to special photograph collection. Index: See end of finding aid. Processing: Gregg T. Trendowski, 1989. Collection was re-processed and finding aid updated by Jill Griffiths, July 2004. History Carl Emil Wilhelm Anderson was born 23 June 1875 at Orby in Lagga near Upsala, Sweden. He was the eldest son and second child of Lt. Emil (Mille, hence Milles’ adopted name) Anderson and his wife, Walborg Tissel. Milles lived at a boarding house in Stockholm while attending the Jacobskala (1885-1892). When he left school he was apprenticed to a cabinet maker/wood worker and attended night classes (1892-1897) in woodwork, and later in carving and modeling. After this period of work-study, he attended the technical school full time and was awarded a prize of 200 kroner from the Swedish Arts and Crafts Society. He then accepted a position to help manage a school of Swedish gymnastics in Santiago, Chile. However, upon reaching Paris on his way to Marseilles (en route) to South America he changed his plans. Milles remained in Paris until 1904, attempting to support himself with work jobbed out by master cabinetmakers, while continuing to teach himself modeling and trying to establish professional recognition as a sculptor. -
Sketches to Sculptures, Rendered Reality: Rendered Sculptures, to Sketches Sixty Years Sixty Marshall with M
Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks M. with Marshall Sixty Years This catalogue is published in conjunction with the exhibition Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks organized by the Marshall M. Fredericks Sculpture Museum. Saginaw Valley State University 7400 Bay Road, University Center, Michigan 48710 www.marshallfredericks.org Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks Marilyn L. Wheaton, Editor with contributions by Joseph Antenucci Becherer, Vince Carducci, Dennis Alan Nawrocki, Michael W. Panhorst, and MaryAnn Wilkinson The Marshall M. Fredericks Sculpture Museum Saginaw Valley State University University Center, Michigan 2011 i This volume is published to accompany the exhibition Sketches to Sculptures, Rendered Reality: Sixty Years with Marshall M. Fredericks, held at the Marshall M. Fredericks Sculpture Museum, University Center, Michigan, February 12 - June 12, 2010. ©2011 Marshall M. Fredericks Sculpture Museum, Saginaw Valley State University, University Center, Michigan All rights reserved under international copyright conventions. No part of this book may be reproduced in any form, or by any electronic, mechanical, or other means, without written permission from the publisher. Book designer: John Bowman Manuscript editor: Cynthia Newman Edwards Printer: F. P. Horak Company, Bay City, Michigan Cover: Color photo of Leaping Gazelle, Saginaw Valley State University campus, 2008; photo by Adam Baudoux; see also Cat. no.16 and 17. Please note: All drawings and sketches displayed are reproductions of the archival originals, which are housed in the Marshall M. Fredericks Sculpture Museum Archives. Where dimensions are given, height precedes width precedes depth unless otherwise indicated. -
A Finding Aid to the Adolf Dehn Papers, 1912-1987, in the Archives of American Art
A Finding Aid to the Adolf Dehn Papers, 1912-1987, in the Archives of American Art Kathleen Brown Funding for the processing of this collection was provided by the Terra Foundation for American Art January 21, 2009 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Biographical Material, circa 1920-1968..................................................... 6 Series 2: Correspondence, circa 1919-1982............................................................ 7 Series 3: Writings, circa 1920-1971...................................................................... -
Cambridge University Press 978-1-108-48194-6 — Japan's Castles Oleg Benesch , Ran Zwigenberg Index More Information
Cambridge University Press 978-1-108-48194-6 — Japan's Castles Oleg Benesch , Ran Zwigenberg Index More Information Index 10th Division, 101, 117, 123, 174 Aichi Prefecture, 77, 83, 86, 90, 124, 149, 10th Infantry Brigade, 72 171, 179, 304, 327 10th Infantry Regiment, 101, 108, 323 Aizu, Battle of, 28 11th Infantry Regiment, 173 Aizu-Wakamatsu, 37, 38, 53, 74, 92, 108, 12th Division, 104 161, 163, 167, 268, 270, 276, 277, 12th Infantry Regiment, 71 278, 279, 281, 282, 296, 299, 300, 14th Infantry Regiment, 104, 108, 223 307, 313, 317, 327 15th Division, 125 Aizu-Wakamatsu Castle, 9, 28, 38, 62, 75, 17th Infantry Regiment, 109 77, 81, 277, 282, 286, 290, 311 18th Infantry Regiment, 124, 324 Akamatsu Miyokichi, 64 19th Infantry Regiment, 35 Akasaka Detached Palace, 33, 194, 1st Cavalry Division (US Army), 189, 190 195, 204 1st Infantry Regiment, 110 Akashi Castle, 52, 69, 78 22nd Infantry Regiment, 72, 123 Akechi Mitsuhide, 93 23rd Infantry Regiment, 124 Alnwick Castle, 52 29th Infantry Regiment, 161 Alsace, 58, 309 2nd Division, 35, 117, 324 Amakasu Masahiko, 110 2nd General Army, 2 Amakusa Shirō , 163 33rd Division, 199 Amanuma Shun’ichi, 151 39th Infantry Regiment, 101 American Civil War, 26, 105 3rd Cavalry Regiment, 125 anarchists, 110 3rd Division, 102, 108, 125 Ansei Purge, 56 3rd Infantry Battalion, 101 anti-military feeling, 121, 126, 133 47th Infantry Regiment, 104 Aoba Castle (Sendai), 35, 117, 124, 224 4th Division, 77, 108, 111, 112, 114, 121, Aomori, 30, 34 129, 131, 133–136, 166, 180, 324, Aoyama family, 159 325, 326 Arakawa -
Parrasch Heijnen Gallery, Los Angeles, CA 2019 Mildred Howard, Fred Jones Jr
parrasch heijnen Mildred Howard b. 1945, San Francisco, CA Lives and works in Oakland, CA Education 1985 MFA, Fiberworks Center for the Textile Arts, John F. Kennedy University, Berkeley, CA 1977 Associates of Arts Degree & Certificate in Fashion Art, College of Alameda, Alameda, CA Solo Exhibitions 2021 In the Line of Fire, Shirley Fitterman Art Center, Borough of Manhattan Community College, CUNY New York, NY 2020 The House That Will Not Pass for Any Color Than Its Own, Battery Park City, NYC, NY (until 2022) Mildred Howard: A Survey, 1978 - 2020, Parrasch Heijnen Gallery, Los Angeles, CA 2019 Mildred Howard, Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, OK 2018 Mildred Howard, Roll Up Project, Oakland, CA 2016 Mildred Howard: Parenthetically Speaking, Anglim Gilbert Gallery, San Francisco, CA 2015 Mildred Howard: Spirit and Matter, Richmond Art Center, Richmond, CA 2014 Mildred Howard: Collective Memory, Fresno Art Museum, Fresno, CA 2011-12 Parenthetically Speaking: It’s Only a Figure of Speech, Museum of Glass, Tacoma, WA 2010 New Work, Gallery Paule Anglim San Francisco, CA Moeller Fine Art, Berlin, Germany 2008 Mildred Howard: That Was Then and Here Was Now, Nevada Museum of Art, NV, Reno Nielsen Gallery, Boston, MA To Honor Teaching, Solano Community College, Fairfield, CA 2007 New Works 2007, Gallery Paule Anglim, San Francisco, CA Drawings: Visions, Surfaces, and Beyond, Triton Museum of Art, Santa Clara, CA 2006 In the Line of Fire/Crossings, University of Texas, San Marcos, TX Nielsen Gallery, Boston, MA Santa -
Campus-Tour-Color.Pdf
Lounde1 d in 1904 by Detroit philanthropists George and Ellen Booth, Cranbrook is considered one of the world's leading centers for education, science and art. A National Historic Landmark, Cranbrook is comprised of public venues including Cranbrook Art Also known as The Gateway to the Campus, Museum, House and Gardens and Institute of Science, and several this structure serves as the main entrance point for Cranbrook. Designed by former Cranbrook private educational institutions including Cranbrook Schools, a pre-k Academy of Art architect-in-residence Dan through 12th grade independent college-preparatory school and Hoffman along with Ted Gallante and Juliani Cranbrook Academy of Art, the only graduate school in the United Pallasmaa, the Entrance Feature is illuminated at night becoming a subtle States devoted solely to fine art. For information on exhibitions and beacon along Woodward Avenue. The entrance opened in 1992. other public events at Cranbrook, please visit www.cranbrook.edu or call 1.877.GO.CRANBROOK (1.877.462.7262). The former house of Cranbrook founders George :** . ; ., and Ellen Booth, Cranbrook House was designed ft Cranbrook Archives is located in the former by architect Albert Kahn, also known for Detroit's studio of Henry Booth. It now houses more Fisher Building and GM Building. The Fnglish ^^_ than a century of Cranbrook history, from Arts and Crafts-style home was the first major i personal papers to thousands of rare images. structure built at Cranbrook. Its interior features hand-crafted stone and The archives is available as a resource for wood work, Pewabic tiling, and a wide array of rare art, sculpture and academics, researchers and members of the public interested in learning antiquities. -
MONUMENT of HISTORY in JAPAN OR COGNITIVE SYNERGY of PLACES, LANDSCAPES, ARTS and CRAFTS, TRADITIONS and CUSTOMS a Trip to the Innermost Essence of Japan1
Protection of cultural heritage 7 (2019) 10.35784/odk.65 MONUMENT OF HISTORY IN JAPAN OR COGNITIVE SYNERGY OF PLACES, LANDSCAPES, ARTS AND CRAFTS, TRADITIONS AND CUSTOMS A trip to the innermost essence of Japan1 AFFELT Waldemar J. 1 1 Waldemar J. Affelt, Gdańsk University of Technology, Nicolaus Copernicus University in Toruń https://orcid.org/0000-0003-3274-5210 ABSTRACT: The Japanese Cultural Agency is implementing the JAPAN HERITAGE project, which will result in a hundred thematic narratives on historical monuments. The applicant and beneficiary is a rural or urban municipality, but the nomination procedure also includes the Prefecture Office. It is stressed that this initiative does not compete with the UNESCO World Heritage List, nor does it introduce a new category of monument, so that there is no need to amend the Act of 30 May 1950 on the Protection of Cultural Property. Strategically, the project aims at social revitalisation by strengthening the sense of identity and intensifying domestic and foreign tourism. Every JAPAN HERITAGE narrative is a branded tourist product, and the tangible and intangible cultural property under legal protection illustrated by it are located in one municipality in the local category, or in many municipalities in a given prefecture, or even in several prefectures - in the collective category. The essence of the project is discussed using the example of narrative 019 'Date Culture initiated by Masamune'. KEY WORDS: Japan Heritage, tangible and intangible cultural property, Masamune Date Introduction The issue of the protection of historical monuments in Japan is regulated by Act No. 214 of 30 May 1950, last amended on 30 March 20072. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A. -
Sendai MICE Social Activities Guidebook
Sendai MICE Social Activities Guidebook Sendai Convention Bureau Attraction P.1 ~ Performances unique to Sendai, Sendai Tourism, Convention adding something special to your event. and International Association Unique Venue P.5 ~ 81 22 268 9603 Tel : - - - Facilities and venues perfect for Fax : 81-22-268-6252 social gatherings or meetings. Email : [email protected] [email protected] Activity P.7 ~ An abundance of Japanese cultural experiences and other activities. This guidebook provides information regarding the "attractions, unique venues, activity menus, and excursions" for those who Excursion P.11 ~ conduct conventions or incentive tours in Sendai. Tours around scenic spots and areas related as of Feb. 2020 to the 2011 Great East Japan Earthquake. Please be forewarned that information provided may be changed without notice. Sendai Miyagi & the vicinity Designed by Mujaki Works Sendai Convention Bureau Sendai MICE Social Activities Guidebook Excursion Lists No. Groups and Facilities Contact HP 1 Akiu Winery info[at]akiuwinery.co.jp ● 2 Ichinokura sake[at]ichinokura.co.jp ● 3 Urakasumi Sake Brewery *Please refer below. ● 4 Kirin Brewery Sendai Factory TEL 81-22-254-2992 ● 5 Nikka Whisky Miyagikyo Distillery TEL 81-22-395-2865 ● 6 ICHIGO WORLD ichigo-world[at]gra-inc.jp ● 7 Kanezaki Sasakama-kan TEL 81-22-238-7170 ● 8 Matsushima Kamaboko Hompo Tagajo Factory yoyaku[at]matsukama.jp ● 9 Takedano Sasa-kamaboko info[at]takesasa.com ● 10 HARIU Communications TEL 81-22-288-5011 ● 11 Sasappa Katsujikan Museum sasaki[at]sasappa.co.jp