1 AUDIO BOOKS, MUSIC and MOVIES at Reinert-Alumni Library
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2011-2019 Cocktail Class Recipe Book
2011-2019 Cocktail Class Recipe Book [email protected] 734-276-3215 www.tammystastings.com Unique food and drink experiences Table of Contents Welcome! .............................................................................................................................. 3 Whiskey ................................................................................................................................ 4 Gin & Aquavit ...................................................................................................................... 16 Rum & Sugarcane Spirits ...................................................................................................... 29 Tequila & Mezcal ................................................................................................................. 38 Brandy ................................................................................................................................ 45 Vodka.................................................................................................................................. 49 Other Base Spirits ................................................................................................................ 53 Amaro ................................................................................................................................................... 53 Cordials ................................................................................................................................................. 55 Port, -
Gus Van Sant Retrospective Carte B
30.06 — 26.08.2018 English Exhibition An exhibition produced by Gus Van Sant 22.06 — 16.09.2018 Galleries A CONVERSATION LA TERRAZA D and E WITH GUS VAN SANT MAGNÉTICA CARTE BLANCHE PREVIEW OF For Gus Van Sant GUS VAN SANT’S LATEST FILM In the months of July and August, the Terrace of La Casa Encendida will once again transform into La Terraza Magnética. This year the programme will have an early start on Saturday, 30 June, with a double session to kick off the film cycle Carte Blanche for Gus Van Sant, a survey of the films that have most influenced the American director’s creative output, selected by Van Sant himself filmoteca espaÑola: for the exhibition. With this Carte Blanche, the director plunges us into his pecu- GUS VAN SANT liar world through his cinematographic and musical influences. The drowsy, sometimes melancholy, experimental and psychedelic atmospheres of his films will inspire an eclectic soundtrack RETROSPECTIVE that will fill with sound the sunsets at La Terraza Magnética. La Casa Encendida Opening hours facebook.com/lacasaencendida Ronda de Valencia, 2 Tuesday to Sunday twitter.com/lacasaencendida 28012 Madrid from 10 am to 10 pm. instagram.com/lacasaencendida T 902 430 322 The exhibition spaces youtube.com/lacasaencendida close at 9:45 pm vimeo.com/lacasaencendida blog.lacasaencendida.es lacasaencendida.es With the collaboration of Cervezas Alhambra “When I shoot my films, the tension between the story and abstraction is essential. Because I learned cinema through films made by painters. Through their way of reworking cinema and not sticking to the traditional rules that govern it. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Ruby Amanfu Soulful Superstar in the Making
For Immediate Release 3 March 2016 Contact: Jodi Joseph Director of Communications 413.664.4481 x8113 [email protected] Ruby Amanfu Soulful superstar in the making NORTH ADAMS, MASSACHUSETTS — Dubbed “Nashville’s Next Indie Star” by Billboard, astonishing soul-rock singer Ruby Amanfu is a force. Since her star turn on Jack White’s Love Interruption in 2012, she was nominated for a Grammy, toured with Norah Jones, and released her transcendent 2015 debut, Standing Still. Ruby Amanfu and her band get your heart beating a little faster up in the club on Saturday, April 2, at 8pm. Amanfu is no stranger to standing ovations. With a soulful voice that in turn harnesses the soaring power of gospel’s greats and crackles with hushed intimacy, she is well on her way to becoming one of the greats. A voice like hers makes an impression on its own, but a magnetic stage presence and a tremendous capacity to fill songs with emotion leave concert halls breathless. This soul sister is also a sartorial star, sweeping stages in elegant-funky fashion as she brings down the house. A highly skilled singer-songwriter, Amanfu’s Standing Still track list also manages to spotlight a flawlessly curated collection of covers paying homage to musical icons (including Wilco, Irma Thomas, and Brandi Carlile) as Amanfu breathes new life into beloved classics and makes them completely her own. NPR Music raves, “Some of the original versions feel practically perfunctory next to Amanfu's renditions, so patiently and intently does she linger over lyrics, her phrasing dwelling on ambiguities and drawing intimate distress out into the open.” In a stand-out track, she gracefully transforms Kanye West’s “Street Lights” into a soulful, vulnerable, and heartfelt ballad. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
The White Stripes De Stijl Mp3, Flac, Wma
The White Stripes De Stijl mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: De Stijl Country: US Released: 2000 Style: Indie Rock MP3 version RAR size: 1239 mb FLAC version RAR size: 1550 mb WMA version RAR size: 1823 mb Rating: 4.3 Votes: 978 Other Formats: FLAC WMA AUD DTS AC3 MP2 AU Tracklist Hide Credits 1 You're Pretty Good Looking (For A Girl) 1:50 Hello Operator 2 2:36 Harmonica – John Szymanski 3 Little Bird 3:06 Apple Blossom 4 2:13 Piano – Jack White I'm Bound To Pack It Up 5 Double Bass [Stand Up Bass] – Jack White Tom Tom [Floor Tom], Shaker [Red Egg Shaker] 3:09 – Meg WhiteViolin – Paul Henry Ossy Death Letter 6 4:29 Written-By – Son House 7 Sister, Do You Know My Name? 2:51 Truth Doesn't Make A Noise 8 3:14 Piano – Jack White A Boy's Best Friend 9 4:22 Piano – Jack White Tambourine – Meg White 10 Let's Build A Home 1:58 Jumble, Jumble 11 1:53 Voice [Uncredited] – Dominique Payette Why Can't You Be Nicer To Me? 12 3:22 Violin [Electric] – Paul Henry Ossy Your Southern Can Is Mine 13 2:31 Written-By – Blind Willie McTell Companies, etc. Phonographic Copyright (p) – XL Recordings Ltd. Licensed From – Third Man Records Copyright (c) – XL Recordings Ltd. Licensed From – Third Man Records Recorded At – Third Man Studio Mixed At – Ghetto Recorders Published By – Peppermint Stripe Music Published By – Sondick Music Published By – Columbia Phonograph Co. Pressed By – Sonopress – 50598794 Credits Artwork [Designs, Sculptures And Sketches Of] – Georges Vantongerloo, Gerrit Rietveld, Paul Overy, Theo Van Doesburg, Vilmos Huszár Design Concept [Cover Concept] – The White Stripes Drums – Meg White Layout – Artes Graficos Por CHOLOMITE!* Mixed By – Jack White , Jim Diamond Photography By – E. -
Accepted Version
ACCEPTED VERSION Katie Barclay Love and violence in the music of late modernity Popular Music and Society, 2018; 41(5):539-555 © 2017 Informa UK Limited, trading as Taylor & Francis Group This is an Accepted Manuscript of an article published by Taylor & Francis in Popular Music and Society on 21 Sep 2017 available online: https://www.tandfonline.com/doi/full/10.1080/03007766.2017.1378526 PERMISSIONS http://authorservices.taylorandfrancis.com/sharing-your-work/ Accepted Manuscript (AM) As a Taylor & Francis author, you can post your Accepted Manuscript (AM) on your personal website at any point after publication of your article (this includes posting to Facebook, Google groups, and LinkedIn, and linking from Twitter). To encourage citation of your work we recommend that you insert a link from your posted AM to the published article on Taylor & Francis Online with the following text: “This is an Accepted Manuscript of an article published by Taylor & Francis in [JOURNAL TITLE] on [date of publication], available online: http://www.tandfonline.com/[Article DOI].” For example: “This is an Accepted Manuscript of an article published by Taylor & Francis Group in Africa Review on 17/04/2014, available online: http://www.tandfonline.com/10.1080/12345678.1234.123456. N.B. Using a real DOI will form a link to the Version of Record on Taylor & Francis Online. The AM is defined by the National Information Standards Organization as: “The version of a journal article that has been accepted for publication in a journal.” This means the version that has been through peer review and been accepted by a journal editor. -
89Th Oscars® Nominations Announced
MEDIA CONTACT Academy Publicity [email protected] January 24, 2017 FOR IMMEDIATE RELEASE Editor’s Note: Nominations press kit and video content available here 89TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Academy President Cheryl Boone Isaacs, joined by Oscar®-winning and nominated Academy members Demian Bichir, Dustin Lance Black, Glenn Close, Guillermo del Toro, Marcia Gay Harden, Terrence Howard, Jennifer Hudson, Brie Larson, Jason Reitman, Gabourey Sidibe and Ken Watanabe, announced the 89th Academy Awards® nominations today (January 24). This year’s nominations were announced in a pre-taped video package at 5:18 a.m. PT via a global live stream on Oscar.com, Oscars.org and the Academy’s digital platforms; a satellite feed and broadcast media. In keeping with tradition, PwC delivered the Oscars nominations list to the Academy on the evening of January 23. For a complete list of nominees, visit the official Oscars website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Active members of the Academy are eligible to vote for the winners in all 24 categories beginning Monday, February 13 through Tuesday, February 21. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. -
FARBWECHSEL Auch Grün Steht Jack White Ausgezeichnet FOTO: BLINDTEXT
FARBWECHSEL Auch Grün steht Jack White ausgezeichnet FOTO: BLINDTEXT 64 | Rolling Stone | Mai 2012 JACK WHITE WÄCHTER DER EWIGEN MYTHEN Mit den White Stripes hat er abgeschlossen. Nun arbeitet JACK WHITE mit neuen Farben und alter Technik an seiner Vision von Blues Von Christoph Dorner edeckt sind jetzt raunen. Er wird dabei misstrauisch be eine Innovation in der Tonträ- ordinärer E-Bass auf dem Album zu hö- die Farben des Jack unter seiner getönten Fliegerson- gerdistribution ausprobieren wollen, ren ist. Stattdessen spielt Bryn Davies, White, Rot hat aus- nenbrille hervorgucken, kurz das teilte das Label mit cooler Noncha- eine Session-Musikerin aus Nashville, gedient. Ein dezent irre Grinsen von Johnny Depp aus lance mit. einen brummenden Kontrabass, der elegantes Smog- einem beliebigen Tim-Burton-Film Diese Anekdote erzählt jedoch um Aufmerksamkeit kämpft: „Es ist G Blau – vielleicht der Himmel über aufsetzen und mit gespreizten Hän- noch viel mehr: Jack White, der dem ziemlich schwierig, die Töne und Fre- Nashville – als Komplementär zum den diese Bewegung andeuten, mit Rock‘n‘Roll mit dem stampfenden Mu- quenzen des Kontrabass aufzunehmen, Schwarz des Blues und der unge- der man Kindern vormacht, man tanten-Blues der White Stripes seine ohne dass sie matschig klingen“, sagt sunden Blässe des Punk, dem der könne etwas wegzaubern. Seine alte letzte richtig gute Pointe abgerungen White, der Produzent. Er liebt solche optische Auftritt eines gemachten Action-Garderobe, die revolutions- hat, glaubt in seiner Detailversessen- Sätze, versichern sie ihm doch, dass er Mannes nun folgen soll. Der Kontrast roten Jeans und T-Shirts, werde er heit immer noch daran, dass ein rot- den lebenslangen Kampf des Bluesmu- zur comic-haften Pop-Explosion der nie wieder tragen, sagt White nüch- weißes Pfefferminzbonbon oder eben sikers gegen äußere Widerstände und White Stripes könnte kaum augen- tern. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.