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Hartmut Boockmann 1934-1998
__________________________________________________ MITTEILUNGEN DER RESIDENZEN-KOMMISSION DER AKADEMIE DER WISSENSCHAFTEN ZU GÖTTINGEN JAHRGANG 8 (1998) NR. 2 MITTEILUNGEN DER RESIDENZEN-KOMMISSION DER AKADEMIE DER WISSENSCHAFTEN ZU GÖTTINGEN JAHRGANG 8 (1998) NR. 2 RESIDENZEN-KOMMISSION ARBEITSSTELLE KIEL ISSN 0941-0937 Herstellung: Vervielfältigungsstelle der Christian-Albrechts-Universität zu Kiel Titelvignette: Blick auf die Neue Burg mit Denkmal Prinz Eugens am Heldenplatz (© Österreich Werbung) INHALT Hartmut Boockmann 1934-1998 ...................................................................................5 Auswahlbibliographie Hartmut Boockmann........................................................9 Aus der Arbeit der Kommission ................................................................................ 15 Schriftenverzeichnis Karl-Heinz SPIESS ............................................................ 19 Die Arbeit der anderen .............................................................................................. 24 Jeroen DUINDAM, Utrecht: The court of the Austrian Habsburgs: locus of a com- posite heritage .................................................................................................. 24 Cordula NOLTE, Greifswald: Studien zum familialen und verwandtschaftlichen Beziehungsnetz der Markgrafen von Brandenburg (Projektskizze).................... 59 Kolloquiumsberichte................................................................................................. 65 6. Symposium der Residenzenkommission -
Sinfo-December-2013.Pdf
12 ISSN 1854-0805 December 2013 The latest from Slovenia ON THE POLITICAL AGENDA INTERVIEW: Miroslav Mozetič, MSc IN FOCUS INTERVIEW: Dr Bojana Rogelj Škafar HERITAGE: Slovenian Potica Polona Anja Valerija Tanja Irena Vesna Let this New Year be the one, where all your dreams come true, so with a joyful heart, put a start to this year anew. Wishing you a happy and prosperous New Year 2014. Editorial Board CONTEnts EDITORIAL ON THE POLITICAL AGENDA INTERVIEW 7 Miroslav Mozetič, MSc Photo: Bruno Toič In these times of financial and social crisis, the Consti- tutional Court faces new chalenges A Photo: Tamino Petelinšek/ST Tamino Photo: IN FOCUS INTERVIEW 14 Dr Bojana Rogelj Škafar Tanja Glogovčan, editor Research and communicating our knowledge of the wealth of ethnological heritage are of key importance A few of this year’s events to inspire you for the year to come Our December issue being focused on Slovenian ethnological Photo: Personal archives Personal Photo: characteristics, we are delighted to present below the work and success of the Slovene Ethnographic Museum, viewed through the experience of its Director, Dr Bojana Rogelj Škafar, and its permanent exhibition entitled “The Relationship between Nature and Culture”. The forthcoming year will mark the 600th anniversary of the beginning of the enthronement rituals of the Carinthian dukes, which has since been one of the most important distinctions of Slovenia in the European area and is also one of the topics dealt with in this issue. HERITAGE 28 Dr Janez Bogataj There is no holiday in Slovenia without the traditional Slovenian Slovenian potica festive cake potica. -
Giuseppe Arcimboldo's Composite Portraits and The
Giuseppe Arcimboldo’s Composite Portraits and the Alchemical Universe of the Early Modern Habsburg Court (1546-1612) By Rosalie Anne Nardelli A thesis submitted to the Graduate Program in Art History in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada July, 2014 Copyright © Rosalie Anne Nardelli, 2014 Abstract At the Renaissance noble court, particularly in the principalities of the Holy Roman Empire, alchemical pursuits were wildly popular and encouraged. By the reign of Rudolf II in the late sixteenth century, Prague had become synonymous with the study of alchemy, as the emperor, renowned for his interest in natural magic, welcomed numerous influential alchemists from across Europe to his imperial residence and private laboratory. Given the prevalence of alchemical activities and the ubiquity of the occult at the Habsburg court, it seems plausible that the art growing out of this context would have been shaped by this unique intellectual climate. In 1562, Giuseppe Arcimboldo, a previously little-known designer of windows and frescoes from Milan, was summoned across the Alps by Ferdinand I to fulfil the role of court portraitist in Vienna. Over the span of a quarter-century, Arcimboldo continued to serve faithfully the Habsburg family, working in various capacities for Maximilian II and later for his successor, Rudolf II, in Prague. As Arcimboldo developed artistically at the Habsburg court, he gained tremendous recognition for his composite portraits, artworks for which he is most well- known today. Through a focused investigation of his Four Seasons, Four Elements, and Vertumnus, a portrait of Rudolf II under the guise of the god of seasons and transformation, an attempt will be made to reveal the alchemical undercurrents present in Arcimboldo’s work. -
OF EUROPE by Tomasz Kosinski & Thomas Gregory Kosinski
COINS OF EUROPE by Tomasz Kosinski & Thomas Gregory Kosinski 17,3 g 32 mm AUSTRIA CATALOG 1901 - 2015 in COLOR May 2015 www.numikos.com #1 European coin Catalog! Selling in over 30 countries and 300+ locations now also for Smartphones, Tablets or Computers!! EUROPA MÜNZKATALOG COINS OF EUROPE von 1901 bis 2014 or 1901-2014/5 Oktober 2013 Ausgabe (English Edition) (Deutsche Sprache) Austria - 3 € Belarus - 2 € Belgium - 2 € Bulgaria -2€ Czech Republic - 2 € Denmark - 1 € France - 5 € Germany - 6 € Great Britain - 3 € Italy - 3 € Netherlands - 2 € Poland - 5 € Portugal - 2 € Romania - 2 € Russia - 7 € San Marino - 3 € Spain - 4 € Ukraine - 3 € Vatican - 3 € ... Pictures of every coin, description, weight, size, metal composition and fair market value of coins based on average or lowest prices from recent auctions. www.numikos.com [email protected] All e-Catalogs from series “Coins of Europe” will have new added interactive features. To use those features on your mobile or tablet I recommend to download FREE program “Office Suite 7” from Google play. You can use search function to navigate. Type 1 word eg. year... 2014 and coins dated 2014 will be displayed with highlighted green color. Arrows in the menu will bring you to other pages with coins dated 2014. All prices are highlighted in yellow color. When you use FREE Office suite 7 - you can customize every coin by changing colors. Most important improvement in latest upgrade is that you can add Annotation to every single coin making it truly interactive catalog! Now you can make your own coin inventory, mark coins you have with different colors or add any notes you wish. -
№ Wca № Castles Prefix Name of Castle Oe-00001 Oe-30001
№ WCA № CASTLES PREFIX NAME OF CASTLE LOCATION INFORMATION OE-00001 OE-30001 OE3 BURGRUINE AGGSTEIN SCHONBUHEL-AGGSBACH, AGGSTEIN 48° 18' 52" N 15° 25' 18" O OE-00002 OE-20002 OE2 BURGRUINE WEYER BRAMBERG AM WILDKOGEL 47° 15' 38,8" N 12° 19' 4,7" O OE-00003 OE-40003 OE4 BURG BERNSTEIN BERNSTEIN, SCHLOSSWEG 1 47° 24' 23,5" N 16° 15' 7,1" O OE-00004 OE-40004 OE4 BURG FORCHTENSTEIN FORCHTENSTEIN, MELINDA-ESTERHAZY-PLATZ 1 47° 42' 34" N 16° 19' 51" O OE-00005 OE-40005 OE4 BURG GUSSING GUSSING, BATTHYANY-STRASSE 10 47° 3' 24,5" N 16° 19' 22,5" O OE-00006 OE-40006 OE4 BURGRUINE LANDSEE MARKT SANKT MARTIN, LANDSEE 47° 33' 50" N 16° 20' 54" O OE-00007 OE-40007 OE4 BURG LOCKENHAUS LOCKENHAUS, GUNSERSTRASSE 5 47° 24' 14,5" N 16° 25' 28,5" O OE-00008 OE-40008 OE4 BURG SCHLAINING STADTSCHLAINING 47° 19' 20" N 16° 16' 49" O OE-00009 OE-80009 OE8 BURGRUINE AICHELBURG ST. STEFAN IM GAILTAL, NIESELACH 46° 36' 38,6" N 13° 30' 45,6" O OE-00010 OE-80010 OE8 KLOSTERRUINE ARNOLDSTEIN ARNOLDSTEIN, KLOSTERWEG 3 46° 32' 55" N 13° 42' 34" O OE-00011 OE-80011 OE8 BURG DIETRICHSTEIN FELDKIRCHEN, DIETRICHSTEIN 46° 43' 34" N 14° 7' 45" O OE-00012 OE-80012 OE8 BURG FALKENSTEIN OBERVELLACH-PFAFFENBERG 46° 55' 20,4" N 13° 14' 24,6" E OE-00014 OE-80014 OE8 BURGRUINE FEDERAUN VILLACH, OBERFEDERAUN 46° 34' 12,6" N 13° 48' 34,5" E OE-00015 OE-80015 OE8 BURGRUINE FELDSBERG LURNFELD, ZUR FELDSBERG 46° 50' 28" N 13° 23' 42" E OE-00016 OE-80016 OE8 BURG FINKENSTEIN FINKENSTEIN, ALTFINKENSTEIN 13 46° 37' 47,7" N 13° 54' 11,1" E OE-00017 OE-80017 OE8 BURGRUINE FLASCHBERG OBERDRAUBURG, -
Acta Historiae Artis Slovenica 25|2• 2020
XXXXXXXXXXXXXXXXXX Umetnostnozgodovinski inštitut Franceta Steleta ZRC SAZU France Stele Institute of Art History ZRC SAZU ACTA HISTORIAE ARTIS SLOVENICA 25|2• 2020 Likovna umetnost v habsburških deželah med cenzuro in propagando Visual Arts in the Habsburg Lands between Censorship and Propaganda LJUBLJANA 2020 XXXXXXX XXXXXXXXXX Acta historiae artis Slovenica, 25/2, 2020 Likovna umetnost v habsburških deželah med cenzuro in propagando Visual Arts in the Habsburg Lands between Censorship and Propaganda Znanstvena revija za umetnostno zgodovino / Scholarly Journal for Art History ISSN 1408-0419 (tiskana izdaja / print edition) ISSN 2536-4200 (spletna izdaja / web edition) ISBN: 978-961-05-0495-5 Izdajatelj / Issued by ZRC SAZU, Umetnostnozgodovinski inštitut Franceta Steleta / ZRC SAZU, France Stele Institute of Art History Založnik / Publisher Založba ZRC Glavna urednica / Editor-in-chief Tina Košak Urednika številke / Edited by Franci Lazarini, Tina Košak Uredniški odbor / Editorial board Renata Komić Marn, Tina Košak, Katarina Mohar, Mija Oter Gorenčič, Blaž Resman, Helena Seražin Mednarodni svetovalni odbor / International advisory board Günter Brucher (Salzburg), Ana María Fernández García (Oviedo), Hellmut Lorenz (Wien), Milan Pelc (Zagreb), Sergio Tavano (Gorizia-Trieste), Barbara Wisch (New York) Lektoriranje / Language editing Maria Bentz, Kirsten Hempkin, Amy Anne Kennedy, Andrea Leskovec, Tjaša Plut Prevodi / Translations Andrea Leskovec, Borut Praper, Nika Vaupotič Celosten strokovni in jezikovni pregled / Expert and language -
Celotna Številka
ACTA HISTORIAE ARTIS SLOVENICA 25|2 2020 UMETNOSTNOZGODOVINSKI INŠTITUT FRANCETA STELETA ZRC SAZU 2020 Vsebina • Contents 2 Franci Lazarini, Likovna umetnost v habsburških deželah med cenzuro in propagando. Predgovor • Visual Arts | in the Habsburg Lands between Censorship and Propaganda. Preface 25 Martin Bele, Did he Really Do it? Frederick V of Ptuj – Coward or Victim? • Je res to storil? Friderik V. Ptujski – strahopetec ali žrtev? Miha Kosi, Representative Buildings of the Counts of Cilli – an Expression of Dynastic Propaganda • Reprezentativne zgradbe grofov Celjskih – izraz dinastične propagande Mija Oter Gorenčič, Die Kartäuserpolitik der Grafen von Cilli – ein Vorbild für die Habsburger? • Kartuzijanska politika grofov Celjskih – zgled za Habsburžane? Susanne König-Lein, Das Habsburger Mausoleum in der Stiftskirche Seckau • Habsburški mavzolej v sekovski samostanski cerkvi Edgar Lein, Graz und Rom – der Petersdom als Vorbild für die Katharinenkirche und das Mausoleum • Gradec in Rim – bazilika sv. Petra kot vzor za cerkev sv. Katarine in mavzolej Ivan Vavpotič: Desetnik Max Woitischek, izrez, Friedrich Polleroß, Porträt und Propaganda am Beispiel Kaiser Karls VI. • Portret in propaganda na primeru cesarja © Vojnozgodovinski muzej, Dunaj / Karla VI. Corporal Max Woitischek, detail, © Museum of Military History, Vienna Tina Košak, Between Uniformity and Uniqueness. Depictions of Benefactors of Stična Cistercian Abbey • Med uniformnim in edinstvenim. Upodobitve dobrotnikov cistercijanskega samostana Stična Polona Vidmar, Porträts als visualisierte Erinnerung an verdienstvolle Leistungen der Bürger von Maribor (Marburg) • Portreti kot vizualizirani spomin na dosežke zaslužnih mariborskih meščanov Jan Galeta, National Houses in Moravia and Austrian Silesia before 1914. Architecture and Fine Arts as an Opportunity for the Manifestation of National Allegiance • Narodni domovi na Moravskem in v avstrijski Šleziji pred letom 1914. -
361 Ivo Purš and Hedvíka Kuchařová Eds. Knihovna Arcivévody
book reviews 361 Ivo Purš and Hedvíka Kuchařová eds. Knihovna arcivévody Ferdinanda II. Tyrolského (The Library of Archduke Ferdinand II of Tyrol), Vol. 1: Texty. Vol. 2: Katalog. 650 and 722 pp. (Prague, Artefactum, 2015, ISBN (for the two volumes) ISBN 9788086890746, CZK 980). Archduke Ferdinand II of Tyrol (1529-1595), a younger son of Emperor Ferdinand I and uncle to Emperor Rudolf II, was like his more famous nephew an avid collector. Concomitant to his ‘Kunst- und Wunderkammer’ and col- lection of weapons and armour, still to be seen, in part, in its original location at Ambras Castle near Innsbruck, Ferdinand owned a major library. After ser- vice as governor of Bohemia (1547-1567) his collections were transported from Prague Castle to Ambras Castle. The majority of the books and manuscripts entered the library from 1567 onwards, when Ferdinand was ruling Tyrol and Further Austria from his official court in Innsbruck and his preferred resi- dence Ambras Castle. Unfortunately, the library is not there anymore. The only early modern sources for its contents are an inventory made up a year after Ferdinand’s death at the behest of Emperor Rudolf II, and a long list of manu- scripts taken from Ambras Castle to the Imperial Library in Vienna by Peter Lambeck, Court Librarian to Emperor Leopold I, in 1665. In all, the library at © koninklijke brill nv, leiden, 2017 | doi 10.1163/15700690-12341388 362 book reviews Ambras Castle may have contained a couple of thousand printed books along- side hundreds of manuscripts. On the basis of these two sources which are complemented with modern bibliographies and data collections, many of them digitized, a reconstruction has now been produced in a catalogue com- prising 1231 titles stemming from the rooms of the library proper, 186 titles from the book collection in the ‘Kunstkammer’, and 10 titles from the Court Chapel (‘Hofkapelle’). -
Jahresbericht 2011 Kunsthistorisches Museum Mit MVK Und Ötm Jahresbericht 2011
M ÖT Sammlungen in der Neuen Burg www.khm.at Ephesos Museum Hofjagd- und Rüstkammer Sammlung alter Musikinstrumente 1010 Wien, Heldenplatz Kunsthistorisches Museum 1010 Wien, Maria Theresien-Platz Schatzkammer 1010 Wien, Hofburg – Schweizerhof Wagenburg 1130 Wien, Schloss Schönbrunn Museum für Völkerkunde 1010 Wien, Neue Burg, Heldenplatz Theseustempel Jahresbericht 1010 Wien, Volksgarten 2011 Schloss Ambras 6020 Innsbruck, Schlossstraße 20 978-3-99020-015-5 Österreichisches Theatermuseum 1010 Wien, Palais Lobkowitz, Lobkowitzplatz 2 Jahresbericht 2011 Kunsthistorisches Museum mit MVK und Jahresbericht 2011 2 SAMMLUNG Jahresbericht 2011 Kunsthistorisches Museum mit MVK und ÖTM IMPRESSUM MEDIENINHABER UND HERAUSGEBER Generaldirektorin Dr. Sabine HAAG REDAKTION Franz PICHORNER Elisabeth HERRMANN LEKTORAT Elisabeth HERRMANN Annette SCHÄFER ÜBERSETZUNGEN Elizabeth MORTIMER ART-DIREKTION Stefan ZEISLER FOTONACHWEIS ©, falls nicht anders angegeben: KHM Leitung Fotografie und Bildbearbeitung Stefan ZEISLER Bildbearbeitung Michael AUMÜLLER Fotografen Christian MENDEZ Thomas RITTER Alexander ROSOLI Andreas ULDRICH GRAFISCHE GESTALTUNG ATELIER SIMMA, Wien DRUCK Druckerei Walla GmbH www.khm.at © 2012 Kunsthistorisches Museum Wien Alle Rechte vorbehalten. INHALT 8 Geschäftsführung 17 Aus der Chronik von KHM, MVK und ÖTM 21 Sammlungen des Kunsthistorischen Museums 73 Sammlungen des Museums für Völkerkunde 91 Sammlungen des Österreichischen Theatermuseums 103 Abteilungen 137 Ausstellungen 169 Publikationen 173 Diverses 183 Mitarbeiterinnen und Mitarbeiter 187 English Summary Geschäftsbericht 6 SAMMLUNG SAMMLUNGEN KHM 7 GESCHÄFTSFÜHRUNG 8 VORWORT Seit 10 Jahren gibt das Kunsthistorische tungsphase ist ein problemloser Umzug aus im Fundraising und die wertvolle finanzielle Museum mit seinen angeschlossenen Museen den alten Depots erfolgt, wofür wir allen Unterstützung unseres Wiener Freundesver- jeweils einen Tätigkeitsbericht heraus, in Beteiligten unseren großen Dank aus- eins sowie der International Friends of KHM dem seine Forschungs-, Vermittlungs- und sprechen. -
Precious Textiles Have Always Played an Important Role As a Medium Of
FASHION SHOW Precious textiles have always played an important role as a PRINCELY WARDROBES medium of representation and as a means of expressing high OF THREE CENTURIES social rank. Only an elite segment of the public could afford exquisite textiles and dress in the latest fashion. Portraits in which personalities of standing had themselves depicted in SPECIAL EXHIBITION expensive clothing today give us insightful information about JUNE 17 TO OCTOBER 3, 2021 the original condition of these wardrobes. Their ingenuity and the exquisite materials used continue to captivate viewers. For the first time, a selection of paintings by renowned artists from the Habsburg Portrait Gallery kept at Ambras Castle, from Giuseppe Arcimboldo to Diego Velázquez, is placed at the centre of an exhibition, focusing on fashions from the Renaissance to the Baroque period. What are the sitters in these portraits wearing, how are their clothes obtained, and what do they communicate to the viewer? The show will be enriched by precious original clothing of which, due to their fragility, only a few are preserved. On dis- ILLUSTRATION: (DETAIL) ARCHDUCHESS MARIA MAGDALENA (1587–1631). FRANS play are, for example, the bridal robe of Duke August of Sa- POURBUS THE YOUNGER, C.1603/1604 xony from 1548, a doublet from 1555 and a velvet cloak from KUNSTHISTORISCHES MUSEUM VIENNA, 1560. Headdresses and shoes, accessories such as collars, PICTURE GALLERY, INV. NO. 3385 (SCHLOSS AMBRAS INNSBRUCK) gloves and fans, as well as exquisite pieces of jewelry, have © KHM-MUSEUMSVERBAND also been lent to the exhibition by international museums. Schloss Ambras Innsbruck, Schlossstraße 20, A-6020 Innsbruck, Austria [email protected], Tel.: +43 1 525 24 - 4802, www.schlossambras-innsbruck.at, FASHION SHOW An essential element of the exhibition is the inclusion of new PRINCELY WARDROBES media: film visualisations tell stories behind the pictures and put OF THREE CENTURIES fashion under the microscope, right down to the last detail. -
English / French
World Heritage 23BUR Distribution limited WHC-99/CONF.204/6 Paris, 1 April 1999 Original : English / French UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE BUREAU OF THE WORLD HERITAGE COMMITTEE Twenty-third session Paris, UNESCO Headquarters, Room X 5 - 10 July 1999 Item 5 of the Provisional Agenda : Information on Tentative Lists and examination of nominations of cultural and natural sites to the List of World Heritage in Danger and the World Heritage List SUMMARY 1. At its seventeenth session in Cartagena, December 1993, the Committee expressed its concern on the small number of tentative lists that meet the requirements as stipulated in the Operational Guidelines, paragraphs 7 and 8, and confirmed the importance of these lists for planning purposes, comparative analyses of nominations and for facilitating the undertaking of the global and thematic studies. These lists constitute also an inventory of the properties situated within the territory of each State Party, and which it considers suitable for inclusion on the World Heritage List. The Committee also confirmed that the tentative lists are mandatory for cultural properties which the State Party intends to nominate for inscription on the World Heritage List during the coming five to ten years. 2. Therefore, the Committee invited the States Parties, which had not yet done so, to submit tentative lists in accordance with the Operational Guidelines, with the understanding that "preparatory assistance should be provided if necessary and requested by the State Party concerned". The Committee also decided that "as of 1 October 1995, only nominations of cultural properties that are included in tentative lists which meet all requirements as stipulated in the Operational Guidelines would be processed." 3. -
Downloaded from Brill.Com10/04/2021 02:00:46AM Via Free Access
Chapter 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasks at Court 4.1 Looking for Patronage: Strada’s Arrival at the Imperial Court 4.1.1 Pope, King or Emperor: The Choice of a Patron We know very little about Strada’s activities immediately after his return to Germany, and we do not even know when exactly he returned. He must have visited Venice, possibly on his way up to Mantua, but more likely from there, leaving his family and his effects in the care of his relatives. In Venice he made arrangements for the printing of the two books of which he had acquired the manuscripts from Onofrio Panvinio, the Fasti et triumphi and the Epitome pontificum. By the end of 1555 the planning of this was sufficiently advanced for Strada to make a formal request for a copyright privilege, which Charles v granted him from Brussels on the 8th of January of 1556. Apart from the two books by Panvinio, the privilege also includes the first mention of a volumi- nous illustrated universal dictionary or encyclopaedia in the three classical languages, and of a new, Latin edition of Leandro Alberti’s Descrittione d’Italia, which was likewise intended to be illustrated.1 This request is the first indica- tion of Strada’s ambition to set up as a publisher himself, and particularly as a publisher of books aimed at a scholarly or at least educated audience. What is particular about the books mentioned here, is that all were planned to include printed images to illustrate the text, or to add information that could not easily be conveyed in words alone.