Teachers' Notes Louis Kahn: the Power of Architecture

Total Page:16

File Type:pdf, Size:1020Kb

Teachers' Notes Louis Kahn: the Power of Architecture TEACHERS’ NOTES LOUIS KAHN: THE POWER OF ARCHITECTURE 09 JULY 2014 – 12 OCTOBER 2014 INTRODUCTION Louis Kahn (1901-1974) is an American architect who is considered to be one of the great master builders of the Twentieth Century. Kahn created buildings of monumental beauty with powerful universal symbolism. This exhibition shows architectural models, original drawings, travel NATIONAL ASSEMBLY BUILDING, DHAKA sketches, photographs and films. Highlights of the exhibition include a four-metre-high model of the spectacular City Tower designed for Philadelphia (1952-57). The room is divided into seven sections beginning with a biographical introduction. The work of Louis Kahn is then explored through the themes of: City, Science, Landscape, House, Eternal Present and Community. For students of any design discipline, this exhibition is an excellent primary source to support research. The exhibition provides insight LOUIS KAHN into ways that a designer develops and communicates ideas and how ideas can be expressed and evolved. The exhibition can also support reflection on the role of design in the built environment and the influence of architecture on identity and community. HIGHLIGHTS FROM THE EXHIBITION BIOGRAPHY FRANKLIN D. ROOSEVELT FOUR About Louis Kahn FREEDOMS PARK, NEW YORK Louis Kahn was born in 1901 in a country that is now part of Estonia. His family was very poor and migrated to America in 1906. Despite his family’s poverty, Kahn received an excellent education and, inspired by a high school course in architectural history, won a scholarship to study architecture at the University of Pennsylvania. Louis Kahn began his career working on housing and urban planning, but as his career progressed he also designed museums, laboratories, schools, churches, synagogues and even a national parliament. Despite his prolific designs, Kahn’s career as an architect SALK INSTITUTE, CALIFORNIA resulted in relatively few completed buildings. However the structures that were built established him as one of the most influential designers of his era. CITY Louis Kahn grew up, lived, learned and worked in the city of Philadelphia. He played a pioneering role in thinking about urban development. Beginning with housing projects, and then turning to bigger urban schemes during the 1950s and 1960s, Kahn ideas became more radical. His key proposals for the city of Philadelphia included the reorganization of urban traffic making the inner city pedestrian-friendly, and the bold project of a 180-meter high City Hall Tower which was never built. A scale model of the City Hall Tower at 1:50 scale can be seen in the exhibition. Its spiraling double helix is inspired by James Watson and Francis Crick's discovery of DNA in 1953. SCIENCE Through his many influences, Kahn brought together design, art, science and engineering, to develop a truly unique architectural style. Kahn’s influences included Buckminster Fuller who popularized the geodesic dome and Josef Albers whose work with geometric shapes sparked Kahn’s fascination with light and shadows. Kahn’s ideas were also shaped by his colleague Anne Tyng, who pioneered the use of space frame architecture, where interlocking geometric patterns are used to form light-filled space. LANDSCAPE Landscape was important to Kahn, and he viewed the gardens and grounds around his work as an extension of the buildings. He was interested in how buildings could be formed to make the most of light and natural elements. This can be seen in the dramatic Salk Institute for Biological Studies (1959–65) which is a geometric concrete structure with a channel running through the centre of an open courtyard, connecting the building to the nearby Pacific Ocean. HOUSE All of the houses designed by Kahn and built during his lifetime were in and around his home city of Philadelphia. Louis Kahn saw the home as an institution, and believed that the house was a basic element of a city. Kahn said ‘the plan of a city is like the plan of a house’ where every space has a function including social space, work space, rest and leisure areas. Kahn’s houses show the influence of the American Arts and Crafts Movement, favouring simple interiors and furniture of wood. ETERNAL PRESENT Kahn’s travels to Italy, Greece, and Egypt shaped his architectural thinking, as his travel drawings show. Kahn was capitvated by ancient monuments and ruins, and wanted to create modern monuments for a new age. Through this, Louis Kahn developed a new type of modern architecture by challenging the trends of using technology and material to make buildings lighter and taller. Instead, Kahn’s buildings celebrated that mass and weight of buildings. He composed structures that addressed the balance, scale, space, and form, and by doing so, he found a new way of presenting monumental, symbolic buildings. COMMUNITY Kahn wanted his buildings to be places for ppeople to meet, work, and live together. This was best expressed through Kahn’s late and largest projects in India and Bangladesh – both city-like complexes. Kahn’s design for the National Parliament House in the Bangladeshi capital of Dhaka (1962-1983) and the Indian Institute of Management, Ahmedabad (1962–74) were designed to enable people to meet, work and connect with each other. These projects bring together Kahn’s interest in landscape, geometry, materials, light and connected space. ACTIVITY SUGGESTIONS FOR SCHOOLS The suggestions below are starting points that could be adapted into activities for primary or secondary school students. 1. Material hunt Like many designers and architects, Louis Kahn used a variety of materials to explore and communicate his ideas. See how many different materials you can identify as you explore the different architectural models exhibited. We found: steel, paper, bronze, wood, cardboard, card, plasticine, chipboard, Bristol board, wood and acrylic. 2. Plan your city In the exhibition, find out Louis Kahn’s thoughts on home and cities, then design your own fantasy building. If there are several people in your group, each individual building could be put together to make a unique new city. 3. Travel sketches: for the way to or from the museum Louis Kahn travelled extensively, in the early stages of his career he gathered ideas and gained new experiences, later in his career he designed buildings in South-East Asia. Take photographs or do quick sketches of the landmarks that stand out on your journey to/from the Design Museum. What has inspired you along the way? DESIGN DICTIONARY More useful design definitions can be found online at: http://designmuseum.org/discoverdesign/glossary Albers, Josef (1888-1976) Artist, educator and influential member of the Bauhaus school. Arts and Crafts The Arts and Crafts Movement was an international Movement design movement most influential from 1860 to 1910. It favoured handmade, rather than mass produced design. Bauhaus Named after the Bauhaus School in Germany, the word Bauhaus is now used to describe 'modernist' design and architecture popular in 1920s-30s. Buckminster Fuller American architect, author, designer and inventor (1895-1983) who popularized the geodesic dome. Modern Architecture Buildings in the Modern style made use of technological and material innovation to challenge traditional structures and forms. Space frame architecture Lightweight geometric structures formed from interlocking struts Tyng, Anne (1920-2011) Architect and professor who collaborated with Louis Kahn at his practice in Philadelphia for 29 years. Urban planning Urban planning organizes the elements of a city including transportation, power and communication infrastructures, housing and central services such as schools and hospitals. FURTHER READING Current exhibition information http://designmuseum.org/exhibitions/2014/louis-kahn Overview biography and summary of the career of Louis Kahn: http://designmuseum.org/design/louis-kahn ‘My Architect: a son’s journey’, is a documentary film made by Nathaniel Kahn (2003), son of Louis Kahn. https://vimeo.com/67173077 EXHIBITION GUIDANCE This is a traditional exhibition including delicate models and rare prints. Many objects are in cases, but some items are on open display. Care should be taken when moving around the exhibition and no objects in this exhibition should not be touched. We would be grateful if you could brief your students accordingly. Depending on your group and your itinerary for the visit, we would recommend that you set aside approximately 30 minutes to explore this exhibition. Filming and photography is strictly prohibited in this exhibition. This is due to conservation requirements of the historic material on display. Please ensure that you read our school visit Terms and Conditions document before making your visit. We encourage the use of sketchbooks and pencils in the gallery. To access free downloadable gallery activity worksheets for students, please visit our online resource Discover Design http://designmuseum.org/discoverdesign/downloads.html Design Museum, Shad Thames, London SE1 2YD Daily 10am – 5.45pm T 020 7940 8782 E [email protected] .
Recommended publications
  • ANNE TYNG: INHABITING GEOMETRY April 15 – June 18, 2011 GRAHAM FOUNDATION
    ANNE TYNG: INHABITING GEOMETRY April 15 – June 18, 2011 GRAHAM FOUNDATION Anne Tyng, A Life Chronology By: Ingrid Schaffner, Senior Curator, Institute of Contemporary Art Philadelphia & William Whitaker, Curator and Collections Manager, The Architectural Archives, University of Pennsylvania All quotes: Anne Tyng. 1920 Bauer; classmates include Lawrence Halprin, Philip July 14: born in Jiangxi, China, to Ethel and Walworth Johnson, Eileen Pei, I.M. Pei, and William Wurster. Tyng, American Episcopal Missionaries. The fourth of five children, Tyng lives in China until 1934 with periodic furloughs in the United States. 1944 Graduates Harvard University, MA Architecture. In New York, works briefly in the offices of: Konrad Wachsmann; 1937 Van Doren, Nowland, and Schladermundt; Knoll Graduates St. Mary‘s School, Peekskill, New York. Returns Associates. to China for a family visit; continues to travel with her sister around the world via South Asia and Europe. 1945 Moves to Philadelphia to live with parents (having left as refugees of the Japanese invasion in 1939, they return to 1938 China in 1946). Employed by Stonorov and Kahn. The only Enrolls in Radcliffe College, majoring in fine arts. woman in an office of six, Tyng is involved in residential and city planning projects. 1941 1947 Takes classes at the Smith Graduate School of Architecture Joins Louis I. Kahn in his independent practice; initial and Landscape Architecture (a.k.a The Cambridge School), projects include the Weiss House (1947-50) and Genel the first women‘s school to offer architectural studies in House (1948-51), as well as the Radbill Building and the United States.
    [Show full text]
  • History of Twentieth Century Architecture: Richards Medical Labs by Louis Kahn
    History of Twentieth Century Architecture: Richards Medical Labs by Louis Kahn Louis I. Kahn (b. Kuressaare, Saaremaa, Estonia 1901; d. New York, NY, United States of America 1974) Louis Kahn completed his Bachelor of Architecture in 1924 at University of Pennsylvania. Former professor of Yale University and University of Pennsylvania. His most famous designs: Yale Art Gallery, Salk Institute, Fisher House, Jatiyo Sangshad Bhaban, Exeter Library and Kimbell Art Museum. Fellow in the American Institute of Architects and member of the American Academy of Arts and Sciences. Awarded with the Frank P. Brown Medal in 1964, the AIA Gold Medal and Royal Gold Medal by the RIBA in 1972. In 1957, Kahn left University of Yale to teach at University of Pennsylvania where he also received a commission to design a new building for the campus, the Alfred Newton Richards Medical Research Laboratories Buildings. In his first design, the service towers would act as columns for the laboratories’ floors, but he changed it, following the advice of his engineers who suggested him to position the columns to the third points of the buildings. (Vincent Scully, 1962, p. 28) A successful partnership between Kahn and August Komendant, a structural engineer, started during this project. Komendant was a pioneer in using precast and pre- Nelly Chang, 2010 The redbrick facade seemed to be a stressed concrete to build bridges in Germany. The use sensible choice for Richards Labs as it of his expertise can be easily seen in Richards Labs, was surrounded by the 19th century Xavier de Jauréguiberry, 2011 Xavier de Jauréguiberry, buildings of the University campus.
    [Show full text]
  • Design Museum Annual Review 2017-2018
    annual review 2017–18 designmuseum.org Annual Review 2017–18 Contents 3 Chairman’s Introduction 5 2017–18 Exhibitions 19 Designers in Residence 21 Learning 23 Research and Collection 25 The Global Museum 29 Building Partnerships 31 Engaging Audiences 33 Financial Review 35 Supporters Interior view of the Design Museum Chairman’s Introduction The Design Museum has now been open in its new Kensington home for 18 months and in this period it has welcomed more than 1m visitors, taught more than 60,000 learners in specific programmes, staged a series of critically acclaimed exhibitions, and run a provocative and engaging public programme. More recently the museum has won the European Museum of the Year award, further building upon these successes. We are proud of this achievement. In 2017–18 the museum sold a record 160,000 exhibition tickets and raised over £10m in income from admissions, commercial activities and fundraising efforts, doubling in scale from previous years at our former home in Shad Thames. This transformational achievement is the product of the imagination, continued commitment and generosity of our founder, Sir Terence Conran, the support of our donors and funders, an enterprising approach to running the museum and the sustained effort of our staff, volunteers and trustees. We have demonstrated that design is as much a part of the cultural landscape as contemporary art, music or theatre. The Design Museum’s purpose is to make the impact of design visible to the public, to policymakers, to educators, to industry and to entrepreneurs. We are a significant cultural institution with national and international stature that measures itself against the intellectual ambition of peers the world over.
    [Show full text]
  • Harriet Pattison Oral History Transcript
    The Cultural Landscape Foundation® Pioneers of American Landscape Design® ___________________________________ HARRIET PATTISON ORAL HISTORY INTERVIEW TRANSCRIPT ___________________________________ Interviews Conducted June 17-19, 2015 By Charles A. Birnbaum, FASLA, FAAR Gina M. Angelone, Director © 2016 The Cultural Landscape Foundation, all rights reserved. May not be used or reproduced without permission. The Cultural Landscape Foundation® Pioneers of American Landscape Design® Oral History Series: Harriet Pattison Interview Transcript Table of Contents PRELUDE ........................................................................................................................................................................ 4 BIOGRAPHY ................................................................................................................................................................... 4 Childhood................................................................................................................................................................... 4 Growing Up in Chicago .......................................................................................................................................... 4 City Full of Wonders .......................................................................................................................................... 4 Francis Parker School ........................................................................................................................................
    [Show full text]
  • Azzedine Alaïa: the Couturier Tour Proposal
    Azzedine Alaïa: The Couturier Tour proposal © GILLES BENSIMON / TRUNK ARCHIVE 2 Contents Exhibition overview 4 The themes 6 What are they saying 7 Exhibition details 8 Terms and conditions 9 Contact 10 The Design Museum Touring Programme The Design Museum Touring Exhibitions Programme was set up in 2002 with an aim to bring design exhibitions to audiences around the UK and internationally. Since then, the Museum has toured more than 100 exhibitions to 96 venues in 26 countries worldwide. In May 2018, The Design Museum was awarded the title of European Museum of the Year and commended by the panel for its effort in developing ‘an important democratic and multi-layered intercultural dialogue, with a significant social impact in the community’. The Design Museum touring exhibitions range in size from 150 to 1000 square metres and cover all areas of design – architecture, fashion, furniture, graphics, product, and more. EXHIBITION VIEW, ‘REVOLUTIONARY SKINS’. CREDIT: MARK BLOWER. 3 Exhibition overview EXHIBITION VIEW, ‘EXPLORING VOLUME’. CREDIT: MARK BLOWER. The first UK exhibition to present the outstanding work and creative talent of the Tunisian born Parisian fashion designer, Azzedine Alaïa: The Couturier was developed by the Design Museum in close collaboration with the designer and his team at Maison Alaïa. Azzedine Alaïa is known as one of the fashion industry’s free spirits, revered by stars and designers. Before his untimely passing last year, Alaïa produced a significant and highly influential body of work, from early made-to-measure garments for private clients such as Arletty and Greta Garbo to successful ready-to-wear collections in the 1980s which established his reputation in Europe and the US for his ‘second skin dressing’.
    [Show full text]
  • Kahn at Penn
    Kahn at Penn Louis I. Kahn is widely known as an architect of powerful buildings. But although much has been said about his buildings, almost nothing has been written about Kahn as an unconventional teacher and philosopher whose influence on his students was far-reaching. Teaching was vitally important for Kahn, and through his Master’s Class at the University of Pennsylvania, he exerted a significant effect on the future course of architectural practice and education. This book is a critical, in-depth study of Kahn’s philosophy of education and his unique pedagogy. It is the first extensive and comprehensive investi- gation of the Kahn Master’s Class as seen through the eyes of his graduate students at Penn. James F. Williamson is a Professor of Architecture at the University of Memphis and has also taught at the University of Pennsylvania, Yale, Drexel University, and Rhodes College. He holds two Master of Architecture degrees from Penn, where he was a student in Louis Kahn’s Master’s Class of 1974. He was later an Associate with Venturi, Scott Brown, and Associates. For over thirty years he practiced as a principal in his own firm in Memphis with special interests in religious and institutional architecture. Williamson was elected to the College of Fellows of the American Institute of Architects in recognition of his contributions in architectural design and education. He is the recipient of the 2014 AIA Edward S. Frey Award for career contribu- tions to religious architecture and support of the allied arts. Routledge Research in Architecture The Routledge Research in Architecture series provides the reader with the latest scholarship in the field of architecture.
    [Show full text]
  • A Biography of the American Architect Louis Kahn
    Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the Research Programs application guidelines at https://www.neh.gov/grants/research/public-scholar-program for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Research Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. The application format has been changed since this application was submitted. You must follow the guidelines in the currently posted Notice of Funding Opportunity (see above link). Project Title: American Architect Louis Kahn (1901-1974): A Portrait in Light and Shadow Institution: Threepenny Review Project Director: Wendy Lesser Grant Program: Public Scholars 400 Seventh Street, S.W., Washington, D.C. 20506 P 202.606.8200 F 202.606.8204 E [email protected] www.neh.gov Significance and contribution My project will be the first full-length biography of the architect Louis Kahn, and the only book about him to be aimed at a wide general audience.
    [Show full text]
  • Design Field Dice
    DESIGN ACTIVITY (6–12 GRADE) Design Field Dice Learners will create several concepts ideas using randomly selected categories. There are up to 216 combinations! Learners will... • Name the seven design fields along with a real world example of each field • Critique their own or a partner’s designs • Design 3-5 concepts within their selected design field DESIGN ACTIVITY (6–12 GRADE) Instructions Instruct them to choose their top two ideas to present to you 1 Before starting, print out and build the attached dice, or 7 follow this link to a digital randomizer for those without or a partner. Ask them to prepare a short presentation about printers or looking to save paper. their designs, including a section that addresses why their designs would benefit their audience. 2 Start by having a conversation about the design fields (use the definitions on page 3). Make sure to ask your learner to 8 Between each presentation, give your learner feedback on name an example of each field in their own daily lives. their design, phrased in questions. Examples: This is great! Looking at it now, what would you change? Can this be used by several people at once? How do you think we Hand your learner a drawing surface and utensil. Think 3 could build this? Who should we ask more information from? pencils, markers, paint, tablets, paper, whiteboards. 9 Repeat this cycle as many time as you’d like! 4 Have your learner roll each die (in person or digitally) and write down their results. 10 Debrief with them. Ask them about their experience and which field most closely aligns with their interest.
    [Show full text]
  • Designs of the Year 2015: Nominees Announced
    DESIGNS OF THE YEAR 2015: NOMINEES ANNOUNCED 76 NOMINATED PROJECTS INCLUDE AN OFF-GRID ECO TOILET, MICROCHIPS THAT MIMIC HUMAN ORGANS, A CAMPAIGN PROMOTING UGLY VEGETABLES AND A BOOK PRINTED WITHOUT INK 2015’s Designs of the Year nominees, announced today by London’s Design Museum, represent the global breadth of design talent, featuring some of the industry’s biggest names alongside rising stars and little-known practices. Google’s self-driving car, Frank Gehry’s Fondation Louis Vuitton and Asif Kahn’s Sochi Olympic Megafaces are just some of the high-profile projects to be represented in the exhibition of nominees which opens at the Design Museum on 25 March. Now in its eighth year, Designs of the Year celebrates design that promotes or delivers change, enables access, extends design practice or captures the spirit of the year. The international awards and exhibition showcase projects from the previous year, across six categories: Architecture, Digital, Fashion, Product, Graphics, and Transport. Design experts, practitioners and academics from across the world are asked by the Design Museum to suggest potential projects, from which the museum has selected 76 for nomination and display in the exhibition. A specially selected jury chooses a winner for each category and an overall winner. Designs of the Year’s wide-ranging scope provides a snapshot of the contemporary concerns of the design world, with nominees coming from over thirty countries across five continents. A strong theme for 2015 is the desire to harness new technologies to solve long-standing problems, as seen in projects as diverse as the world’s first lab for 3D printing prosthetic limbs, and the Moocall sensor which is connected to a cow’s tail and texts the farmer when calving is imminent.
    [Show full text]
  • Downloaded by [New York University] at 07:16 16 August 2016 Kahn at Penn
    Downloaded by [New York University] at 07:16 16 August 2016 Kahn at Penn Louis I. Kahn is widely known as an architect of powerful buildings. But although much has been said about his buildings, almost nothing has been written about Kahn as an unconventional teacher and philosopher whose influence on his students was far-reaching. Teaching was vitally important for Kahn, and through his Master’s Class at the University of Pennsylvania, he exerted a significant effect on the future course of architectural practice and education. This book is a critical, in-depth study of Kahn’s philosophy of education and his unique pedagogy. It is the first extensive and comprehensive investi- gation of the Kahn Master’s Class as seen through the eyes of his graduate students at Penn. James F. Williamson is a Professor of Architecture at the University of Memphis and has also taught at the University of Pennsylvania, Yale, Drexel University, and Rhodes College. He holds two Master of Architecture degrees from Penn, where he was a student in Louis Kahn’s Master’s Class of 1974. He was later an Associate with Venturi, Scott Brown, and Associates. For over thirty years he practiced as a principal in his own firm in Memphis with special interests in religious and institutional architecture. Williamson was elected to the College of Fellows of the American Institute of Architects in recognition of his contributions in architectural design and education. He is the recipient of the 2014 AIA Edward S. Frey Award for career contribu- tions to religious architecture and support of the allied arts.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • Why Documentaries Matter Recognised As an Innovative Cultural Form
    RISJ CHALLENGES CHALLENGES Documentaries have for many decades inhabited the schedules of public Why Documentaries Matter Why broadcasters. They have chronicled the lives and institutions of western democracies. In the past two decades, however, documentaries have become Why Documentaries Matter recognised as an innovative cultural form. Instead of being exclusively funded by television channels, documentaries receive money from a number of sources, including film funds, private investors and foundations. Rather than observing, documentaries are now thought capable of changing the world. Is this what they really do? How do we define a documentary? What does it mean to be the ‘author’ of a film? Nick Fraser has been editor of the BBC’s Storyville series since 1997; here he looks at the history of documentaries, showing how definitions of documentaries have changed – and how fragile is their funding. If we want good documentaries, he concludes, we have to find ways of encouraging their creators. “Nick Fraser writes about documentaries with unique authority. Not only has he made some good ’uns, he has commissioned more than practically anyone else on earth (for the BBC’s Storyville) and - as this book shows - he Nick Fraser has watched docs from their earliest days. His ideas on what the growth of the web and the decline of public service broadcasters mean for doc-makers are informed, imaginative and challenging.” Brian Lapping Chairman and Executive Producer, Brook Lapping “The rise of documentaries over the past two decades owes more to Nick Fraser than to any other single person. For so many of us who make non-fiction films, Nick’s peerless brand of tough love and mischievous curiosity have inspired us to aim higher as we try to promote greater understanding of the major events and issues of our time.” Eugene Jarecki Documentary film maker “This expert lament is beautifully written.
    [Show full text]