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User Manual for Your Receiver Or Display for More Information on How to Enable HDMI Audio and Connecting a Display to Your A/V Receiver
C M Y CM MY CY CMY K ECM 2 High Performance Balanced Network Media Player (with integrated DAC and Streamer) Owner's Manual Version 1.1 EN ENGLISH ENG Table of contents Safety & precautions ............................................................................................. 4 The contents of the carton ...................................................................................... 4 Front panel ........................................................................................................... 4 Navigator controls ................................................................................................ 5 Rear panel connections ......................................................................................... 5 Remote control ...................................................................................................... 6 Installation .................................................................................................................. 7 Connecting audio/video..................................................................................... 7 • Analog audio output – balanced XLR ................................................ 7 • Analog audio output – unbalanced RCA ........................................... 7 • Digital audio output – HDMI ............................................................ 7 • Digital audio output – S/PDIF............................................................ 7 Connecting to a network ................................................................................. -
Aurender A100 Network Server Brochure
2019 NEW PRODUCT A100 Caching Network Music Server / Streamer / Player with Analog Outputs Designed and conceived as a comprehensive and cost-effective source component for the digital music streaming enthusiast, the A100 offers much of the same performance and features of the more costly A10 from which it is was modeled. A100 is, at its foundation, a streamer with support for both TIDAL and Qobuz subscription-based high-resolution streaming services and internet radio. The A100’s MQA Full-Decoder DAC provides optimal performance for streaming 10,000 + MQA albums available on TIDAL. A100 can also function as a music server with 2TB of storage with 120GB of SSD caching playback. Both streaming and file playback functions are exclusively controlled by our critically acclaimed app, Aurender Conductor. Hailed by reviewers worldwide for its speed and intuitive operation, Conductor was designed with managing large music databases in mind and provides exceptionally browsing and searching of your music collection. A100 can perform streaming, cached file serving, file storage, and preamp functionality using the A100’s DAC-level volume control. Connect directly to a power amp and control volume from the Conductor app, supplied IR remote or the front panel rotary control. The Aurender A100 is the ideal digital hub to replace an aging cd player or old-fashioned computer audio system. A100 Caching Network Music Server / Streamer / Player with Analog Outputs • 2TB of internal HDD storage • 120GB SSD storage for caching playback • Unbalanced (RCA) Audio -
B160s Networked Streaming Stereo Amplifier
B160S NETWORKED STREAMING STEREO AMPLIFIER The Bluesound Professional B160S networked streaming stereo amplifier is a complete solution for a commercial music installation. The B160S combines a high-quality stereo amplifier with a BluOS enabled network music player. The B160S’s HybridDigital™ amplifier section provides 2 x 60W of power into 8Ω – plenty for most small/medium spaces and thermostatic fan cooling provides for reliable operation in commercial environments. The amplifier technology is highly energy efficient and also has a standby mode consuming only 6W of power. The player within the B160S is based on the established BluOS platform and is capable of playing and distributing content from local storage as well as from a large number of streaming services, including some specifically designed for commercial use, such as SoundMachine. As well as stand-alone use, it is possible to use the B160S in a larger BluOS system allowing for grouping into user-definable groups of whatever size is required with other B160S units and/or any other connected Bluesound Professional players on the network. As well as the amplified outputs, a dedicated balanced line level subwoofer output is provided for connection to an active subwoofer. Access to network control is via ethernet for increased reliability. Balanced analog mic/line (with phantom powering) allows for the connection of a local source. A USB input further adds to the capability of the system by provid- ing replay of files stored on connected drives. Built-in DSP allows for equalization as well as other audio processing. Control of the system can be accomplished by any Windows/Mac computer as well as iOS/Android phones or tablets and the Bluesound Professional CP100W wall mount controller. -
Smart Speakers & Their Impact on Music Consumption
Everybody’s Talkin’ Smart Speakers & their impact on music consumption A special report by Music Ally for the BPI and the Entertainment Retailers Association Contents 02"Forewords 04"Executive Summary 07"Devices Guide 18"Market Data 22"The Impact on Music 34"What Comes Next? Forewords Geoff Taylor, chief executive of the BPI, and Kim Bayley, chief executive of ERA, on the potential of smart speakers for artists 1 and the music industry Forewords Kim Bayley, CEO! Geoff Taylor, CEO! Entertainment Retailers Association BPI and BRIT Awards Music began with the human voice. It is the instrument which virtually Smart speakers are poised to kickstart the next stage of the music all are born with. So how appropriate that the voice is fast emerging as streaming revolution. With fans consuming more than 100 billion the future of entertainment technology. streams of music in 2017 (audio and video), streaming has overtaken CD to become the dominant format in the music mix. The iTunes Store decoupled music buying from the disc; Spotify decoupled music access from ownership: now voice control frees music Smart speakers will undoubtedly give streaming a further boost, from the keyboard. In the process it promises music fans a more fluid attracting more casual listeners into subscription music services, as and personal relationship with the music they love. It also offers a real music is the killer app for these devices. solution to optimising streaming for the automobile. Playlists curated by streaming services are already an essential Naturally there are challenges too. The music industry has struggled to marketing channel for music, and their influence will only increase as deliver the metadata required in a digital music environment. -
Infinite Setlist: Analyzing Pioneer DJ's Catalogue Streaming Partnerships
Cybaris® Volume 12 Issue 1 Article 2 2021 Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud Nicholas Rivera Follow this and additional works at: https://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Rivera, Nicholas (2021) "Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud," Cybaris®: Vol. 12 : Iss. 1 , Article 2. Available at: https://open.mitchellhamline.edu/cybaris/vol12/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law CYBARIS®, AN INTELLECTUAL PROPERTY LAW REVIEW INFINITE SETLIST: ANALYZING PIONEER DJ’S CATALOGUE STREAMING PARTNERSHIPS WITH BEATPORT AND SOUNDCLOUD Nicholas Rivera1 Table of Contents Introduction ................................................................................................................................... 36 The Story Thus Far ................................................................................................................... 38 The Rise of Streaming .............................................................................................................. 39 Brief History of DJing -
Universidad Pol Facultad D Trabajo
UNIVERSIDAD POLITÉCNICA DE MADRID FACULTAD DE INFORMÁTICA TRABAJO FINAL DE CARRERA ESTUDIO DEL PROTOCOLO XMPP DE MESAJERÍA ISTATÁEA, DE SUS ATECEDETES, Y DE SUS APLICACIOES CIVILES Y MILITARES Autor: José Carlos Díaz García Tutor: Rafael Martínez Olalla Madrid, Septiembre de 2008 2 A mis padres, Francisco y Pilar, que me empujaron siempre a terminar esta licenciatura y que tanto me han enseñado sobre la vida A mis abuelos (q.e.p.d.) A mi hijo icolás, que me ha dejado terminar este trabajo a pesar de robarle su tiempo de juego conmigo Y muy en especial, a Susana, mi fiel y leal compañera, y la luz que ilumina mi camino Agradecimientos En primer lugar, me gustaría agradecer a toda mi familia la comprensión y confianza que me han dado, una vez más, para poder concluir definitivamente esta etapa de mi vida. Sin su apoyo, no lo hubiera hecho. En segundo lugar, quiero agradecer a mis amigos Rafa y Carmen, su interés e insistencia para que llegara este momento. Por sus consejos y por su amistad, les debo mi gratitud. Por otra parte, quiero agradecer a mis compañeros asesores militares de Nextel Engineering sus explicaciones y sabios consejos, que sin duda han sido muy oportunos para escribir el capítulo cuarto de este trabajo. Del mismo modo, agradecer a Pepe Hevia, arquitecto de software de Alhambra Eidos, los buenos ratos compartidos alrrededor de nuestros viejos proyectos sobre XMPP y que encendieron prodigiosamente la mecha de este proyecto. A Jaime y a Bernardo, del Ministerio de Defensa, por haberme hecho descubrir las bondades de XMPP. -
Who Pays for Music?
Who Pays For Music? The Honors Program Senior Capstone Project Meg Aman Professor Michael Roberto May 2015 Who Pays For Music Senior Capstone Project for Meg Aman TABLE OF CONTENTS ABSTRACT ....................................................................................................................... 3 LITERATURE REVIEW ................................................................................................ 4 INTRODUCTION ................................................................................................................. 4 MUSIC INDUSTRY BACKGROUND ...................................................................................... 6 THE PROBLEM .................................................................................................................. 8 THE MUSIC INDUSTRY ..................................................................................................... 9 THE CHANGING MUSIC MARKET .................................................................................... 10 HOW CAN MUSIC BE FREE? ........................................................................................... 11 MORE OR LESS MUSIC? .................................................................................................. 12 THE IMPORTANCE OF SAMPLING ..................................................................................... 14 THE NETWORK EFFECTS ................................................................................................. 16 WHY STREAMING AND DIGITAL MUSIC STORES ............................................................ -
April 06,1882
.•• 1- r. i ..... i .b* ...... ... i, *>■ « *A H-i \ |7 FARM. GARDEN AND HOUSEHOLD. theological exposition of the matter, and then inquired, “Hut, my man, why did you ask so For this brief facts department suggestions, unusual a question?” "Oh, nothin' answered and experiences are solicited from liousekeep- the innocent we have seen it > rs. farmers and gardeners. Aildress Agri- Dick, "only stamp- cultural editor. Journal Office, Belfast Maine.] ed on these sheets of hard tack, and were curi- ous to know why it was there.” At this point A New Industry. the listeners all exploded with laughter, the I luring the past two years a new in- Chaplain saw ttiat lie was sold, and walked dustry has been introduced into the rapidly away. State, one which we believe has come to But of all the “shining lights,” or men pos- stay and which will prove of value to sessing remarkable qualities, in company II, it both the manufacturers and the farmers. is safe to say that our company cook ranked ail 1 allude to the Facto- Evaporated Apple others. He is living now, and if lie reads these one of the two ries, already established, lines I know he will forgive the description I located at East Baldwin, on the Portland Seasonable Advice. Miss Lollipop’s Housekeeping. dishes if they would have “I must see Huldali!” he said, thought- Longfellow. Sketches of Army Life. give of him, and also thank me for revelatious \ R. li., I visited and accomplished Ogdensburg lay such wonderful She was and was Farmer" in the Boston Jour-j Little Miss Lollipop thought she must help things. -
WTX Microstream EN Manual-1
WTX MicroStream First Multiroom Plug & Play Audiophile Streamer What is the WTX-MicroStream The WTX-Microstream is an innovative wireless HiFi streamer which can be used with any amplier, HiFi sytem, soundbar, home theater into your home wi network. This system is multiroom. You can play your own music (PC/MAC, NAS), enjoy streaming services like Spotify, Tidal, Qobuz, etc... or radio service. The WTX-Microstream has an open interface with upgradable capability for future services and evolutions. Android and IOS apps will be available soon. What you will nd in the gift box - The WTX MicroStream x1 - The power adapter x1 - The EC plug x1 - The UK plug x1 - The US plug x1 Interface Wi-Fi led WPS button indicator for association Left channel Power supply To plug on your HiFi, active speaker, soundbar... Right channel Download your App / Android or Apple - To control your WTX-Microstreamer, please download on the App Store (if you are using Apple devices) or on Google Play (if you you are using an Android device). The name of the App is ADVANCE PLAYSTREAM How to connect your WTX MicroStream with WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Type your password of your router in ADVANCE PLAYSTREAM App. - Press WPS button on WTX MicroStream How to connect your WTX MicroStream without WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Enter “Setting” ->”WLAN” ->directly connect WTX MicroStreamer - Type your password of your router in ADVANCE PLAYSTREAM App. -
Heos CLI Protocol Specification Version 1 16
HEOS CLI Protocol Specification 1. Overview 1.1 Supported music services 2. Connection 2.1 Controller Design Guidelines 2.1.1 Driver Initialization 2.1.2 Caveats 2.1.2.1 Compatibility 2.1.2.2 Issues & Solutions 2.1.3 Miscellaneous 3. Command and Response Overview 3.1 Commands 3.2 Responses 4. Command and Response Details 4.1 System Commands 4.1.1 Register for Change Events 4.1.2 HEOS Account Check 4.1.3 HEOS Account Sign In 4.1.4 HEOS Account Sign Out 4.1.5 HEOS System Heart Beat 4.1.6 HEOS Speaker Reboot 4.1.7 Prettify JSON response 4.2 Player Commands 4.2.1 Get Players 4.2.2 Get Player Info 4.2.3 Get Play State 4.2.4 Set Play State 4.2.5 Get Now Playing Media 4.2.6 Get Volume 4.2.7 Set Volume 4.2.8 Volume Up 4.2.9 Volume Down 4.2.10 Get Mute 4.2.11 Set Mute 4.2.12 Toggle Mute 4.2.13 Get Play Mode 4.2.14 Set Play Mode 4.2.15 Get Queue 4.2.16 Play Queue Item 4.2.17 Remove Item(s) from Queue 4.2.18 Save Queue as Playlist 4.2.19 Clear Queue 4.2.20 Move Queue 4.2.21 Play Next 4.2.22 Play Previous 4.2.23 Set QuickSelect [LS AVR Only] 4.2.24 Play QuickSelect [LS AVR Only] 4.2.25 Get QuickSelects [LS AVR Only] 4.2.26 Check for Firmware Update 4.3 Group Commands 4.3.1 Get Groups 4.3.2 Get Group Info 4.3.3 Set Group 4.3.4 Get Group Volume 4.3.5 Set Group Volume 4.2.6 Group Volume Up 4.2.7 Group Volume Down 4.3.8 Get Group Mute 4.3.9 Set Group Mute 4.3.10 Toggle Group Mute 4.4 Browse Commands 4.4.1 Get Music Sources 4.4.2 Get Source Info 4.4.3 Browse Source 4.4.4 Browse Source Containers 4.4.5 Get Source Search Criteria 4.4.6 Search 4.4.7 Play Station 4.4.8 Play Preset Station 4.4.9 Play Input source Limitations for the system when used multi devices. -
Spotify:Fast Facts
Spotify: Fast Facts A quick guide to Spotify What is Spotify? Play, discover and share for free Spotify is a new way to listen to music. We’re the Think of Spotify as the world’s music collection, free, world’s biggest music streaming service, giving you free legal, and at your fingertips. It’s how music should be. and instant access to over 18 million* tracks, any time you like. • Search for any track or album and hit play – it’s that simple. Now you can get all the music you’ll ever need, • Build your own library of playlists and share them wherever you are, on your computer, your mobile, your with friends with one click. iPad, and many more of your favourite devices. • Discover new music – check out your friends’ music collections, plus get inspired with great Spotify Apps like Last.fm, Rolling Stone and Spotify Radio. Choose how you listen There are three ways to enjoy Spotify: Spotify Free – millions of tracks for free, with ads to pay the music makers. Sign up at spotify.com Spotify Unlimited – ad-free, non- stop music to your computer. or Facebook Spotify Premium – the ultimate Spotify experience. Unlimited, ad-free music to your computer, iPad, mobile and favourite devices. Plus, store your playlists and listen offline – no connection needed. Better for artists, better for everyone Spotify is drawing people away from piracy. We’ve created a better, more convenient alternative where every single play results in revenue for artists and rights holders. It’s better for everyone. Give me some numbers Paying subscribers: Number of songs: -
Using Standard Syste
PHYSICAL REVIEW E VOLUME 55, NUMBER 6 JUNE 1997 Cumulative Author Index All authors of papers published in this volume are listed alphabetically. Full titles are included in each ®rst author's entry. For Rapid Communi- cations an R precedes the page number. The letters (C) and (BR) following the page number indicate that a paper is a Comment or a Brief Report, respectively. References with (E) are to Errata. Abarbanel, Henry D. I. — ͑see Huerta, Ramon͒ E 55, R2108 and Jin-Qing Fang — Synchronization of chaos and hyperchaos ͑see Liu, Clif͒ E 55, 6483 using linear and nonlinear feedback functions. E 55, 5285 Abdullaev, F. Kh. and J. G. Caputo — Propagation of an envelope Aliaga, J. — ͑see Gruver, J. L.͒ E 55, 6370 soliton in a medium with spatially varying dispersion. E 55, 6061 Alig, I. — ͑see Mayer, W.͒ E 55, 3102 Abel, T., E. Brener, and H. Mu¨ller-Krumbhaar — Three-dimensional Allahyarov, E. A., L. I. Podloubny, P. P. J. M. Schram, and S. A. growth morphologies in diffusion-controlled channel growth. Trigger — Damping of longitudinal waves in colloidal crystals E 55, 7789͑BR͒ of finite size. E 55, 592 Abramson, Guillermo — Ecological model of extinctions. E 55, 785 Allain, C. — ͑see Senis, D.͒ E 55, 7797͑BR͒ Acharyya, M., J. K. Bhattacharjee, and B. K. Chakrabarti Allegrini, M. — ͑see Bezuglov, N. N.͒ E 55, 3333 — Dynamic response of an Ising system to a pulsed field. E 55, 2392 Allen, Christopher K. and Martin Reiser — Bunched beam envelope Ackerson, Bruce J. — ͑see Paulin, S. E.͒ E 55, 5812 equations including image effects from a cylindrical pipe.