Nat Taylor Fonds Inventory #183
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
PDF: Nathan L. Nathanson Introduces Canadian Odeon
PAUL S. MOORE NATHAN l, NATHANSON INTRODUCES CANADIAN ODEON: Producin. National Competition In Film Exhibition ......: Apartir de documenls pLlbiles dans 105 joumaux Iocaux ainsi que dans Ies /_ prolessionneU05 comme Ie Canadian Moving PiC11Jre Digest et Ie Cono<lion Film Ho\!eIdy. rauteur examine Ia carri~/e de Nathan L Nathanson et son «lIe C1Ucia1 dans Ia a~ation du canadian Odeon en 1941. L05 affiliations ell-1dentit~ ~ du Canadian Odeon dlangeaient selon Ie lieu geog"",hique des sous-dIalnes impIant~ • _,ToooolO, Montreal et ailleurs au pays. En '-a_<!antplus aIa constru<tion des salles de cinema qu'aux questions de distribution, celle ~ Mpasse los sim ples ~ du conttoI qu'a toujours exerre Hollywood sur Ie cinema canadien pour oIIrir un cadre de recherche pennetlant de comp/endre la ~cit~ locale de renthousiasme des fool.. pour Ie ci~ma. '.lb.e.o the Canadian Odeon theatre chain was created in 1941. II compet· V. ed Wllb Jong-donunanl Famous Players theatres by locaJixtog and ·.. regjon.al.iz.ing Ibe Odeon identity. This was partly because its business origins - varied amoD8 alies and regions. Vancouver Odeons. the onginal slronghold. were an independent hometown success story. They were largely suburb>!n and an:hilecturally modem. Monln!a] Odeons were French in focus and 1"""1 td mainly in predominantly irancophone areas in eastern aDd north·end neighbourhoods. In Thromo and urban Omaria. Odeons were newly built. lotemauana1~llyle versions of lhe British Odeans that were Iconic for the 'home country,· which was especially iropanaDt during and after World Wu ll. In addition 10 establishing itself in Canada's three largesl cities, Odeon affiliated wiJ..b regional entrepreneurs and business people acros the country. -
Indian Institute of Management (IIM) Lucknow
Indian Institute Of Management (IIM) Lucknow MARKETING PROJECT ON ““EMERGENCE OF PVR IN INDIA”” Syndicate -3 (DGMP - 13) XXXX XXXX XXXX 1 Introduction 1. 1. In the literal sense, aa multiplex can be defined as a ““single complex with multiple screens.”” They are built in specifically-designed buildings and as per its capacity, it can accommodate numerous people. Origins around the world 2. 2. In December 1947, Nat Taylor, and operator of a theatre called ““Elgin Theatre”” inin Ottawa, Canada, opened a smaller second theater named "Little Elgin", right next door to his first theater. However, it was only in 1957 that he started to run different movies in each theater. Later in 1962, he opened dual-screen theaters in Montreal and then in 1964, in Ontario. In Apr 79, he opened an 18-screen multiplex under one roof in Toronto's Eaton Centre. Later in Dec 96, AMC Ontario Mills 30, opened a 30-screen theater in California that became the theater with the largest number of screens in the world. Today, Kinepolis Madrid in Spain is the world's largest cinema complex with 25 screens and a total seating capacity of 9,200. Early Years of Multiplex Cinema in India 3. 3. Movie-exhibition till the mid-90s was dominated predominantly by the single screen halls. Also, the surge of customers to watch movies was mostly during holidays, on weekends or around festivals. In India, the multiplex culture started to bloom in the mid-90s. It enticed the customers with not only the prospect of upgrading the concept of watching movies but transformed it into a whole new experience. -
TAKE on E Volume 10, Issue No
FROM THE EDITOR TAKE ON E Volume 10, Issue No. 32 MAY 2 0 0 I ocated near the Yonge and Dundas subway station, right in the heart of down- town Toronto, the first Cineplex theatre complex opened April 19, 1979. It closed PUBLISHER AND EDITOR-IN-CHIEF March 12, 2001, just 23 days shy of its 22nd anniversary. It revolutionized Wynd11,1111 L motion-picture exhibition in North America and around the world, and in that lies a CONTRIBUTING EDITORS Canadian story worth retelling. Maurie Alioff, Cynthia Amsden, Tom McSorley The idea for a multiplex cinema was the brainchild of distributor / producer /journalist Nat Taylor. In 1948, he opened his first twin cinema in Ottawa and nurtured the idea for EDITORIAL BOARD a chain of such theatres. Nearly 30 years later, Garth Drabinsky came into his life, a FROM HALIFAX: Ron Foley Macdonald young, smart, very ambitious entertainment law student eager to get ahead in the busi- FROM MONTREAL: Maurie Alioff, Claire Valade FROM OTTAWA: Tom McSorley ness. At first Drabinsky worked for Taylor writing for his various film publications, but FROM CoaouRG: Cynthia Amsden he had bigger ideas. In 1977, he become involved with raising tax-shelter financing for FROM TORONTO: Wyndham Wise Daryl Duke's The Silent Partner, which was being produced by Stephen Young. Part of FROM WINNIPEG: Dave Barber the shoot took place in Toronto's recently opened Eaton Centre, and there Drabinsky FROM VANCOUVER: Jack Vermee saw an opportunity to implement Taylor's long-cherished dream. ART DIRECTOR The first Cineplex opened under the parking garage of the Centre with 18 screens and Erick Querci seating from 53 to 137 (a total of 1,600 seats), enough to earn itself a place in the Guinness Book of World Records. -
Revaluing Montreal's Movie Palaces
Beyond the Decline: Revaluing Montreal’s Movie Palaces By: Alexandra Heather Gibb Department of Art History & Communication Studies McGill University, Montreal May 2015 A thesis submitted to McGill University in partial fulfillment of the requirements of the deGree of Doctor of Philosophy in Communication Studies © Alexandra Heather Gibb 2015 Acknowledgements This project would not have been possible without generous contributions from the Beaverbrook Foundation, Media@McGill, Fonds de Recherche Société et Culture (FRQSC) and Professor Will Straw. Also essential were the collections I perused at the Canadian Centre for Architecture, HeritaGe Montreal, the Bibliothèque et Archives Nationale du Québec, the City of Montreal Archives and the Library and Archives of Canada. And of course, I am forever indebted to the beautiful city of Montreal, my home of ten years and my muse. To Paul Moore, Charles Acland, Darin Barney and Sara Swain, thank you for the helpful conversations about and/or feedback on this project at different stages of the research and writinG. These interactions were crucial to expandinG my own thinkinG about the movie palace. Thank you to Zoë Constantinides for pointinG me to Gerald Pratley’s colourful views, and for sendinG me anythinG movie palace-related over the years. Thank you to Kristopher Woofter, Dru Jeffries, Poppy Robbins and Diane Dechief for our (ill-fated, but enjoyable) writing group. Thank you, also, to Sanja Obradovic for our early collaboration on Cinéma L’Amour, which helped pique my interest in the movie palace, and to Gilda Boffa for her last-minute translation work. BiGGest thanks of all Go to my wonderful advisor, Will Straw, for his unwavering guidance. -
Robert Haché, Vice-President Research and Innovation From: Dawn R. Bazely, Professor of Biology and Director, Institute Fo
Memo To: Robert Haché, Vice-President Research and Innovation From: Dawn R. Bazely, Professor of Biology and Director, Institute for Research and Innovation in Sustainability (2012-13) York Institute for Research and Innovation Date: Friday November 1, 2013 in Sustainability (IRIS) 349 YORK LANES Subject: Senate Rechartering Application for the Institute for Research and Innovation in 4700 KEELE ST Sustainability TORONTO ON CANADA M3J 1P3 T 416 736 5784 Please find attached the Senate Rechartering Application for IRIS, the Institute for the [email protected] www.iris.info.yorku.ca Research and Innovation in Sustainability, as a university-wide (Institutional) Senate- Chartered Organized Research Unit, which I am respectfully submitting on behalf of those faculty named herein. In submitting this proposal, please may I draw your attention to the following points: 1. The majority of IRIS Executive members and IRIS-affiliated and engaged researchers have expressed the opinion, that since sustainability research has such a broad definition, that the research interests of the university would be best served by a cross-cutting, institution wide ORU viz. IRIS in its current institutional format. This view was expressed at numerous Executive meetings from 2012-13, along with the concern that the shift, within the university to activity-based budgeting may be likely to create barriers to interdisciplinary collaborations that cut across faculties, and may also provide disincentives in the future, to the kind of signature collaborative research in sustainability, that IRIS has striven to develop, champion and support, since 2004. 2. The rechartering proposal concepts and ideas were developed by a core group of PIs, Executive members and engaged researchers, in consultation with, collectively and individually, members of the York University professoriate and the broader York University community (staff and student), who have stated, at some point in the last 5 years, an interest in sustainability research. -
Canadian Film Anc Television an Excerpt from Take One's Essential Guide to Canadian Film • EDITED by WYNDHAM WISE
Canadian Film anc Television An Excerpt from Take One's Essential Guide To Canadian Film • EDITED BY WYNDHAM WISE In conjunction with Take One's 10th anniversary, the University of Toronto Press is publish- ing Take One's Essential Guide to Canadian Film, the most exhaustive and up—to—date reference book on Canadian film and filmmakers, combining 700 reviews and biographical listings with a detailed chronology of major events in Canadian film and television history. Complied by myself, with a foreward by director Patricia Rozema, this is the only reference book of its kind published in English. Wynd ham Wise Take One's Essential able, a brief career overview and a filmogra- Guide to Canadian phy. Take One's Essential Guide is by no means Film had its gene- complete. It is a start, a work in progress that sis in an issue I will grow with each new edition. Some names put together in the summer of 1996 for Take and films have been omitted due both to space One's celebration of the 100th anniversary of constraints and the availability of the films to Canadian cinema. This issue featured 100 of be viewed (always a problem when it comes the most famous Canadians to have made a to Canadian cinema). It is my intention that living in film, whether at home, in Hollywood they will be included in future editions. or abroad; it engendered a shock of recogni- Take One's Essential Guide to Canadian Film tion. From the stars of silent movies, such as would not have been possible without the Walter Huston, Mary Pickford, Norma helpful assistance and encouragement -
“The Girl Friend in Canada”: Ray Lewis and Canadian Moving Picture Digest (1915–1957)
CHAPTER 7 “The Girl Friend in Canada”: Ray Lewis and Canadian Moving Picture Digest (1915–1957) Jessica L. Whitehead, Louis Pelletier, and Paul S. Moore “Gentlemen and Lady Ray Lewis” is how a veteran of the Canadian film industry opened an address to the guests at a banquet held in 1952 by the Canadian Picture Pioneers.1 Ray Lewis (née Rae Levinsky) was a singular female presence in the national film trade as editor of theCanadian Moving Picture Digest (hereafter CMPD) from 1918 to 1954 (Image 7.1).2 In its pages, she ardently fought for the independent Canadian exhibitor and to have a Canadian cultural presence in the film industry, typically by calling for a greater share of British films to tap into the young J. L. Whitehead (*) Department of Italian Studies and Cinema Studies Institute, University of Toronto, Toronto, ON, Canada L. Pelletier Département d’histoire de l’art et d’études cinématographiques, Université de Montréal, Montreal, QC, Canada P. S. Moore Department of Sociology, Communication and Culture, Ryerson University, Toronto, ON, Canada Copyright © 2020. Springer International Publishing AG. All rights reserved. AG. All rights Publishing © 2020. Springer International Copyright e-mail: [email protected] © The Author(s) 2020 127 D. Biltereyst, L. Van de Vijver (eds.), Mapping Movie Magazines, Global Cinema, https://doi.org/10.1007/978-3-030-33277-8_7 Mapping Movie Magazines : Digitization, Periodicals and Cinema History, edited by de Vijver, Lies Van, and Daniël Biltereyst, Springer International Publishing AG, 2020. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/ryerson/detail.action?docID=6151496. Created from ryerson on 2020-04-21 10:33:51. -
2004 Recipient.Pdf
2004 C ANADIAN P IONEER P ICTURE OF THE Y EAR Sadly, Mike passed away a few years after acquiring the company whereupon it was run by his children. Enter Garth Drabinsky. Garth was then a neighbour of Allen's and solicited him to attempt to convince the family to sell Canadian Odeon to Garth's and Nat Taylor's fledgling, but struggling Cineplex Theatres. In due course a transaction was completed and Garth asked Allen to act as legal counsel to the newly created Cineplex Odeon Corporation. After about a year (while guiding the new company through major transactions including the acquisition of Plitt Theatres in the United States and the major investment of MCA Universal into Cineplex Odeon) Garth asked Allen to join him in helping to run the company. Although reluctant at first, Allen finally succumbed to Garth's charm and the magnetic pull of the motion picture industry and left his law practice to become, ultimately, Allen President of the North American Theatre Division of Cineplex Odeon Corporation. The history thereafter has been well publicized in that some three years later (1989) a “war” broke out between Garth and his two principle shareholders Claridge Investments (the Bronfman's of Montreal) and MCA Universal. In the result, Garth and his partner, Myron Karp Gottlieb, left the company and Allen succeeded as President and C.E.O., a position he held until the merger of the company with Loews Theatres, a subsidiary of Sony Corporation of America. Thereafter, Allen has acted as Chairman of Cineplex Odeon Corporation and, following a total reorganization is currently, Chairman Emeritus. -
Nat Taylor Fonds (F0183)
York University Archives & Special Collections (CTASC) Finding Aid - Nat Taylor fonds (F0183) Generated by Access to Memory (AtoM) 2.4.0 Printed: April 03, 2018 Language of description: English York University Archives & Special Collections (CTASC) 305 Scott Library, 4700 Keele Street, York University Toronto Ontario Canada M3J 1P3 Telephone: 416-736-5442 Fax: 416-650-8039 Email: [email protected] http://www.library.yorku.ca/ccm/ArchivesSpecialCollections/index.htm https://atom.library.yorku.ca//index.php/nat-taylor-fonds Nat Taylor fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 3 Notes ................................................................................................................................................................ 4 Access points ................................................................................................................................................... 4 York University Archives & Special Collections (CTASC) Page 2 F0183 Nat Taylor fonds Summary information Repository: York University Archives & Special Collections (CTASC) Title: Nat Taylor fonds ID: F0183 -
Committee of Council Item D4 for March 5, 2014
bM- SB BRAMPTON Corporate Services brampton.ca FlOWef City Council and Administrative Services Request for Delegation Attention: City Clerk's Office, City of Brampton COMMITTEE OF COUNCIL 2 Wellington Street West, Brampton ON L6Y 4R2 Email: [email protected] www.brampton.ca date: Uorch 5 / 2fl!jfc Phone: (905) 874-2100 Fax: (905) 874-2119 Meeting: City Council Planning, Design and Development Committee V Committee of Council Other: Meeting Date Requested: Marcn 5th> 2014 Agenda Item (if applicable):. Name of Individual(s): Bart Danko Position/Title: JD/MES Candidate 2014, Osgoode Hall Law School, York University Organization/Person being Represented: Full Address for Contact: Email/ Telephone No. Fax No. To present research on green roofs and green roofing policy to various policy bodies Subject Matter to within the City of Brampton in the hope that Council as well as City staff be informed of and implement a green roof policy in Brampton. be Discussed It is recommended that Brampton commit to actively encourage a green roof policy in Brampton in two immediate forms: 1) Mandating green roofs on all new City buildings 2) Action Requested Fast-tracking City processes for construction involving green roofs, followed by further recommendations as outlined in the attached presentation. Attach additional page if required Iam submitting a formal presentation to accompany my delegation: s/_ Yes No I will require the following audio-visual equipment/software for my presentation: Computer Notebook DVD Player V_ PowerPoint Other - please specify Note: Delegates are requested to provide to the City Clerk's Office well in advance of the meeting date: (i) 30 copies of all background material and/or presentations for publication with the meeting agenda and/or distribution at the meeting, and (ii) for PowerPoint and other visual presentations, an electronic copy of the presentation (e.g., DVD, CD, .ppt file) to ensure compatibility with corporate equipment. -
Alliance Atlantis Communications Inc: the Emergence of A
The Pennsylvania State University The Graduate School College of Communications ALLIANCE ATLANTIS COMMUNICATIONS INC: THE EMERGENCE OF A CANADIAN CONTENDER IN THE INTERNATIONAL MEDIA MILIEU A Thesis in Mass Communications by Marsha Ann Tate © 2007 Marsha Ann Tate Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2007 ii The thesis of Marsha Ann Tate was reviewed and approved* by the following: Dr. Jorge R. Schement Professor of Communications Chair of Committee Thesis Co-advisor Dr. Theordore R. Alter Professor of Agricultural, Environmental, and Regional Economics Thesis Co-advisor Dr. Richard D. Taylor Professor of Telecommunications Studies Dr. Patrick R. Parsons Professor of Ethics Dr. John S. Nichols Professor of Communications Associate Dean of Graduate Studies *Signatures are on file with the Graduate School. iii Abstract Using a combination of case study and historical research methodologies, this study examines the development of Toronto, Ontario-based Alliance Atlantis Communications Inc. and its predecessor companies within the context of a globalized media environment. Specifically, the study identifies and analyses key factors that helped Alliance Atlantis to emerge as a viable competitor in both the North American and international television marketplaces. The in-depth investigation of Alliance Atlantis Communications Inc.—one of Canada’s most successful integrated distribution- exhibition-production companies to date—illustrates the complex interrelationships between domestic and international economics, regulatory policies, technological innovations, as well as entrepreneurial skills in shaping the development of a modern-day media corporation. By highlighting key stakeholders, productions, and mergers over the course of Alliance Atlantis’ and its predecessor companies’ histories, the study also considers how the above-mentioned factors have forcibly changed Alliance Atlantis’ corporate structure, strategies, and entertainment products.