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=MU RESUME 30 099 239 30 007 933 AUTHOR Forney, Trudy; and Others TITLE K-12 Art Guide

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=MU RESUME 30 099 239 30 007 933 AUTHOR Forney, Trudy; and Others TITLE K-12 Art Guide =MU RESUME 30 099 239 30 007 933 AUTHOR Forney, Trudy; And Others TITLE K-12 Art Guide. INSTITUTION Kansas State Dept. of Education, Topeka. Curriculum Section. PUB DATE 73 NOTE 80p. AVAILABLE FROM State Department of Education, 120 East 10th Street, Topeka, Kansas 66612 (Free) EDRS PRICE MF-$0.75 HC Not Available frog EDRS. PLUSPOSTAGE DESCRIPTORS Age Groups; *Art; Art Activities; Art Appreciation; *Art Education; Art Materials; *Child Development; Curriculum Guides; Educational Objectives; Educational Philosophy; Elementary Education; Fundamental Concepts; Program Descriptions; Secondary Education ABSTRACT The development of students in various art fieldsis the focus of this K-12 art curriculum guide. The philosophyof the art program and the roles of administrator, teacher,and parent are outlined. The underlying school community relationships,and the objective, goals, and purposes of art educationare described. Phases of child development in general and for specificage groups from 4 to 18 years of age are given with the art characteristicsof these age groups and their art program goals. Fundamental art concepts-- color, light and shade, design, and composition-- as well as the basic media, are outlinedas to objectives, materials, and suggested projects. The remainder of the guide followsa format of objectives, materials, working knowledge, concepts, and suggestedprojects in presenting several art techniques. Methods,motivations, and processes are not dictated but are left to the individual teachers. Techniques in the guide include the following: lettering,interior and mural design, paper and paper mache, batik,tie-dying, printing, silversmithing, enameling, stained glass, wood,leather, textiles, ceramics, and sand casting. (Author/KSM) ,` " z :1.11"a4413/"Aas4re sr. UI 011PARTIAINT OP HIALTIS. IDUCATIONSVOILPARO NATiONAI. INSTITUTE OP DecumplentONsies te * gnusPap OLICIO liAmv As ilocusvMS POO* T141 PERSON ON ORGANISATION OISIOIN At 04G IT POINTS Of VIEW OR OPINIONS fit ATEO 00 NOT NECESSAMLYREPRO SONY OPFICIAL NATIONAL INSTITUTE OF EDUCATION POSITION OR POLICY ...h: - . tri,"$,:it; 4.,,,, 1 ,'''" 2-bAt--4% ft ,. , c ^ -,-.:1,,,,t ,;41.7r,,,..., 'i'S ,ti.:, "t4'.): ''Ar.", ';:1'4 : \31v1',>.* -1",,,, :i,!_:. -3 . ' =i-rAy'' ;,,,C ,4!1,,fg `',1.4 : :olstis?:;:., 4L.4;414.44x,. ...xiikia, . t.A....,..,'''''''.4.!..1.. -trF,'.. II' c4- 4-..`e',,-, , 3-'.4i ,,.-"x'k '4v. .f,-- ''! t V' ^, '': :'' ., , ...., .i,. 4":, ,N, ,,,n,,,,,, )f.':it't...:,!--.': ,, ,,, ,.(.,t'',:v$.:3,.;!;,476',.i.-','?..m:'.f,?f'P... tIP-I'.;',--;i:-, :. -.- .... ,,..,.-. , )._.....,,.....--r-...,::Fy,:i_.;,,. ',.VVV,,..t,:.1 r.:3.,...4y.:;:, '.'.- r.. ' eM"?.;'451,,.,?:.) 'P.,: N,s'n'/:; . 1621784.11#ate Periei***4' tN :212i1a0m Mho 120 0110012 dow tops* amis 'o BEST COPY AMUSE, K-12 ART GUIDE Issued by: KANSAS STATE DEPARTMENT OF EDUCATION C. raylor Whittier, Commissioner DIVISION OF INSTRUCTIONAL SERVICE Warren I. Bell, Assistant Commissioner CURRICULUM SECTION Charles E. Nicholson, Director Prepared by: Trudy Furney Derril Castor Art Department Art Department Russell High School Russell High School Gary Kroeger Art Education Specialist State Department of Education Research: Art Priddy Sherry Brumgardt Elementary Art instructor Junior High Art Instructor Russell, Kansas Russell, Kansas 1973 BEST COPYAMIABLE Foreword This guide is not a program of work for individual teachersor students but rather a guide to the development ofa youth in the various art fieldsa development that will help himto adjust to adult life. Meth- ods, motivations, andprocesses are not dictated but are left to the individual teachers. The art instructoras the leader must have a broad cultural education and a thorough training in the arts, for withouta strong teacher no art curriculum can hea success. The teacher must possess imagination and originality, for resourcefulness is developedin the student by the teacher. It is thepurpose of the teacher to develop the youth rather than to provide stockanswers. The philosophy that underlines the artprogram is based on the firm belief that art education today isan integral part of our democratic way of life. Art no longer exists solely within the cloistered hall of the museums. It has become far broader. It isan educational expe- rience that no student should be denied for it is not forone person to predict what vistas lie ahead. It is safe tosay for the present that art has become a recognized factor in everyday living.Therefore, the understanding of art and its function isa necessary part of a well rounded educatipn. If yout.1 is handicapped bya lack of understanding and appreciation of the arts, vastavenues of experience are closed to him. All young people can never become artists, but since art isa visual statement of life, it is a language which a student can appreciate even if he cannot understand it. The artcourses in Kansas schools should he an integrating force in trainingour students to make the necessary adjustments essential to their healthy assimilation into adult society of a democratic people. We feel that a student who is educated without art is not truly educated at all. Acknowledgments Appreciation is extended to the following people who have contributed their ideas, efforts, resources, and research to this publication. The principal participants are listed here but many others have helped in secretarial and consultant capacities. Richard Simpson Marilyn Locke Art Instructor Elementary Art Consultant Wamego High School Manhattan Public Schools Wamego, Kansas Manhattan, Kansas Hester V. Snyder Edwin L. Smith Elementary Art Supervisor Art Supervisor El Dorado Public Schools Topeka Public Schools El Dorado, Kansas Topeka, Kanse Harry Hart Art Supervisor Emporia Public Schools Emporia, Kansas Photographs courtesy of: Edwin L. Smith Trudy Furney Derril Castor Art Supervisor Alt Instructor Art Instructor Topeka Public Schools Russell High SchoolRussell High School Topeka, Kansas Russell, Kansas Russell, Kansas Barry West Richard Stauffer Children's Art Workshop Childrens Art Workshop Kansas State Teachers CollegeKansas State Teachers College Emporia, Kansas Emporia, Kansas Jean Bass Art Instructor Topeka High Schoil Topeka, Kansas Layout Paul R. Picker: II DESCOP1MAL Table of Contents P4011 PAGE Philosophy 3 Interior Design 28 Art Program 3 Design 29 Role of Administrator 3 Mural Design 30 Role of the Teacher 4 Collage 31 Role of the Parent 4 Fold and Dye 32 School Community Relationships 4 Decorated Papers :32 Art as Creative Education 5 Paper 32 General and Educational Objectives ... 5 Two-Dimensional Art 33 Goals for Art Education 5 Stenciling 34 Purposes of Art Education 6 Tempera Batik 34 Phases of Child Growth 6 Batik 35 Kindergarten Art Characteristics .. 7 35 Art Characteristics Age 4-7 7 Wax and Resist Processes 35 Art Characteristics Age 8-9 7 Wax Resist 36 Art Characteristics Age 10-11 8 Block Printing 36 junior High Art 8 Printmaking 37 Goals for Junior High Art Program 9 Relief Printing :37 Growth and Development Age 12-14... 9 Printmaking 38 Senior High Art 10 Experimental Printing 38 Goals for the Senior High Art Program. 10 Monoprint 38 Growth and Development Age 15-18. 10 Etching or Intaglio 39 Suggestions for the use of this Guide ... 11 A Theory of Color 11 Intaglio Printing 39 Color 12 Lithography :39 Light and Shade 14 Graphic Arts 39 Figuie Drawing and Portraiture 15 Silk Screen Printing 40 Suggested ProblemsColor 16 Mobiles 41 Design 17 Paper Sculpture 41 Composition 18 Papier Mache 42 Approaches to Painting 20 Three-Dimensional Papier Mache 42 Drawing 21 Three-Dimensional Art 42 Water Color Painting 22 Mask Making 43 Painting 23 Crafts 43 Freehand Drawing 24 Silversmithing 44 Oil Painting 24 Enameling 48 Art Understanding 25 inass 50 Evaluation 26 Plaster 51 Alt History 26 Stained Glass 51 Lettering 27 Ftching on Glass 52 Lettering and Layout Design 28 Mosaics 52 1: PAUL PAGE Wood 53 Glazing and Decorative Effects 61 Leather 54 Stacking and Firing Kiln 61 The Textile Arts 54 Clay 61 Stitchery and Fabrics 55 The Potter's Wheel 63 Textile Decorating 55 Mold Making and Casting 63 Batik 56 Firing Ceramic Ware 64 Tie-Dyeing 56 Draping Methods of Sculpture 65 Applique 57 Sculpture 65 Netting and Macrame Knotting 57 Portrait in Clay 66 Rug Hooking 58 Mobile, Stabiles-Wire 66 Weaving 58 Sculptures 67 Ceramics 59 Plaster Sculpture 68 Design 59 Sand Casting 69 Hand Built Pottery 60 Casting 70 Wheel-Thrown Pottery 61 Glossary of Art Terms 71 Modeling 61 Recommended Teaching Aids 74 Introduction We emphasize the provision of creative art experiences and organizing them in a way that has meaning for for every student. This is basedon our belief in the him. These concepts, and this organization of them, unique quality of each .individual, his need for self- changes as he matures. His mind explores possibilities, fulfillment and the importance of his contributionto rejects some, accepts other, and finds new solutions the lives of others. as his work progresses. Certain expressive qualities of music, the dance and He feels an urge to establish order and begins to the language arts are shared by the visualarts. How- organize many random concepts toward the expression ever, creating in the visual arts'is unique since it is the of an idea. Growth in a student is evidenced by the only way in which a studentcan give tangible form to ability to organize his new responses to situations, to his experiences through the manipulation of various express these in forms that satisfy him, and to convey media. Moreover, expression in the visual arts is not his ideas to others as he paints, models, and constructs. hampered by limitations of languagenor by the lack At every stage of growth through art, a student affords of specialized skills associated with music, the dance us an insight into his world of experiences. or creative writing. Another very important aspect of . Art experiences, particularly at the early age levels, the visual arts is that the rinds which createan object afford a freedom of expression not commonly associ- can feed it, hold it, and experience it again and again ated with other areas of learning.
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