DOCSLIB.ORG

ATE'5 LTOUSE 'Ojvt STEAM HEAT - ROCBS and MEALS Breakfast* 8 - 9 0 0 SQUARE DANCES WED

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ATE'5 LTOUSE 'Ojvt STEAM HEAT - ROCBS and MEALS Breakfast* 8 - 9 0 0 SQUARE DANCES WED THE GALAX NEWS JULY 19, 1962 PAGE 19 SYLVIA'S BE RUT Y SflLOll k e e n e r^ s r a d io & tv s e r v ic e PROFESSIONAL EXPERT CARE FOR YOUR SKIN LOCATED NEXT TO HAIR. TREZ LOTION FOR INSECT BITES & HIGHLANDS LAUNDRY Phone 3305 Highlands,N*C, For Prompt Service 'P h o n e 5225 (HAPPY MKMORI CON'T FRCM PAGE 1) may have overdone it* Two sermons the same his column in the Sunday edition of the nighti One man said after the first night, Journal: cup runneth over** and didn*t come back, but all in all I think it did soie good* ”The Buster Birds must have an extra­ ‘•Maybe more than we know— or will ever ordinary amount of patience because I know* I*ve always believed and still believ stayed a whole week with them at their if you get a good convenient place and start home in Highlands and they were just as preaching and singing and do it the best you gracious the last day as they were the can, it will do somebody some good* day I arrived* ”1*11 file this week away among my It Was the occasion of the annual happy memories and leave the results to Him Preaching Mission at the small but beau>- who keeps a ”Book of Remembrance.” tiful Methodist Church at Highlands# ”We only had services at night at “TAMMY TELL ME TRUE" ~ which time Mshop Moore and I both preach­ Enchanting and perfect screen enter­ ed# I preached the first senroji and the tainment— -with a nostalgic look at a way Bishop preached the closing one* of life that used to be— is the pleasure- was the "lead-off” man* He is filled "Tammy Tell Me True," the warm and not expected to hit any home runs— just delightful romantic comedy which opens at to get on base* It is the '’clean-t^** the GALAX THEATRE Wednesday, July 25. man, which Bishop Moore was, who hits the The title role is played by that re­ home runs, which he did. markably- talented young star, the blonde "During the day we had our time free, and beautiful Sandra Dee, as lovable a hair- George Woodruff (a friend of 52 years ), braided little gal as has ever been seen on arranged a golf match between Army A n n a - both land and water, Sandra*s co-star is strong with me as his left-handed part­ the tall, dark, and very handsome John ner, and Buster Bird carrying the ball Gavin, who is rapidly emerging as one of for the Woodruff team. We had fun. Hollywood*s foremost leading men, "We caught a few brook trout, too* "Tammy Tell Me True," a Ross Hunter "I found out the hard way......... that if production for Universal International, you want to take home any fish vdien you*re that studio* s sequel to their outstand— fishing for brook trout, you*d better have successful "Tammy and the Bachelor," some red-wigglers and fish on the bottom. picture, in color recreates on It may not be the "sporting" way— but it»s screen the heart-warming Tammy character- sure— and we wanted to be sure* I got my ization which captivated audiences all over limit and at breakfast the next morning, the world. they tasted mightv good. As portrayed by the effervescent Miss Now, about tne preaching mission. We Dee. Tammy is a shanty-boat-bred youngster woefully lacking in formal education, yet possessing more common sense than many a m dedicated scholar. In her homespun ap­ proach to the ccmplexities of modern life, she is determined to attend college, where FORMERLY CALLED "ThE D uGOUT** she succeeds in resolving the dilemas con­ fronting the more so-called "civilized" OLD GOINS gentry who cross her gentle path, John Gavin is cast as a young college C o n f e d e r a t e Ho n e y a n d T o k e n s professor who befriends Sandra in the very trying period in which she has decided to concentrate on book learning. He ably shows WANT TO BUY OLD COINS, his remarkable versatility in this portrayal, demonstrating a natural gift for comedy tht I n d ia n h e a d p e n n i e s , b o l d c o i n s ® Impressive career. ATE'5 LTOUSE 'OJVt STEAM HEAT - ROCBS and MEALS Breakfast* 8 - 9 0 0 SQUARE DANCES WED. & SAT. NIGHTS Lunchs 12 - 2:00 COLORED COffiO FRI. NIGHTS Dinner: 6 - 9*00 VARIED DANCE MUSIC - 8:30-12*00 pm COUNTRY HAM „ FRIED CHICKEN - STEAKS Dance Instruction Mon. Nights— 7*30 "If you don^t believe we have the best ^dmi ss-i on 99^ country ham and steaks on the hill, give us a try." Op«n Daily for Dancing & Hfefreah^ments _______________________ PHONE 3960.
Load more

Recommended publications
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]
  • The Return of the 1950S Nuclear Family in Films of the 1980S
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 The Return of the 1950s Nuclear Family in Films of the 1980s Chris Steve Maltezos University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Scholar Commons Citation Maltezos, Chris Steve, "The Return of the 1950s Nuclear Family in Films of the 1980s" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3230 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Return of the 1950s Nuclear Family in Films of the 1980s by Chris Maltezos A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities College Arts and Sciences University of South Florida Major Professor: Daniel Belgrad, Ph.D. Elizabeth Bell, Ph.D. Margit Grieb, Ph.D. Date of Approval: March 4, 2011 Keywords: Intergenerational Relationships, Father Figure, insular sphere, mother, single-parent household Copyright © 2011, Chris Maltezos Dedication Much thanks to all my family and friends who supported me through the creative process. I appreciate your good wishes and continued love. I couldn’t have done this without any of you! Acknowledgements I’d like to first and foremost would like to thank my thesis advisor Dr.
    [Show full text]
  • Conncensus Vol. 46 No. 4
    Connecticut College Digital Commons @ Connecticut College 1960-1961 Student Newspapers 10-20-1960 ConnCensus Vol. 46 No. 4 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_1960_1961 Recommended Citation Connecticut College, "ConnCensus Vol. 46 No. 4" (1960). 1960-1961. 8. https://digitalcommons.conncoll.edu/ccnews_1960_1961/8 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 1960-1961 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. lOeper eop1 Vol. 46-No. 4 New London, Connecticut, Thursday, October 20, 1960 Science Fellowships Offered; Giulini Will Announce ETS Teacher Exams Conduct Israel The National Academy of Set- stipend for postdoctoral Fellows ences-National Research Council is $4500. Limited allowances will Philharmonic has again been called upon to also be provided to apply toward Carlo Marla Giullnl will con- advise the National Science tuition, laboratory fees, and trav- duct the Israel PhUhannonic Or- Foundation in the selection of el. Dr. Weiss to Speak on "The chestra for the opening program candidates for the Foundation's Further information and appli- of the twenty-second annual Con- program of graduate and post- cation materials may be obtained Creative Life" tonight at 8 doctoral fellowships. The Fcunda- from the Fellowship Office, Na- necticut Orchestra Concert Series tion plans to award approximate- tional Academy of Scienees-Na- o'clock in Palmer Auditorl· on October 26, In Palmer Audi· ly 1,200 graduate and 150 post- tional Research Council, 2101 urn.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • First Friday Breakfast Club News
    JUNE 2013 First Friday VOLUME 18 News & Views ISSUE 6 THE MONTHLY NEWSLETTER TIME FOR SOME GOOD OLE’ FASHIONED OF THE DISCRIMINATON FIRST FRIDAY By Jonathan Wilson BREAKFAST CLUB, INC. Before there were employment protections written into Iowa law to guard against discrimi- nation based on actual or perceived sexual orientation, I advocated the initiation of a Fire-a- INSIDE Straight Day. The idea, which never really caught on, was that on the designated day gay em- ployers would terminate the employment of a straight staff member for no other reason than that. Sean Faircloth by Bruce I, for example, have a terrific secretary who has been with me and supportive for many years and 2 Carr throughout my coming out. She has also been indispensable to the success of the First Friday Breakfast Club. Her capabilities, loyalty, and support could not be questioned. That was the How Far Out by Bruce whole point. If fired admittedly because she is straight would bring home graphically the lack of 2 McCabe legal recourse for such an injustice. The objective was to call to people’s attention the fact that there are both gay and straight employees and employers and the needed protection would pro- tect everyone. The idea never caught on because it relied upon an obvious injustice -- and we live in Iowa where most folks are pretty fair-minded. Hurting the innocent to express homopho- bia or to make a point would be equally anathema. Briefs & Shorts 3 That said, I recently received a solicitation from my insurance agent asking that I renew my various insurance policies.
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • Preview of “Ray Evans, Lyricist of Hit Songs from Movies, Dies at 92
    Ray Evans, Lyricist of Hit Songs From Movies, Dies at 92 - New York Times http://www.nytimes.com/2007/02/17/arts/music/17evans.html?_r=1... February 17, 2007 Ray Evans, Lyricist of Hit Songs From Movies, Dies at 92 By RICHARD SEVERO Ray Evans, a pop lyricist who teamed up with the composer and lyricist Jay Livingston to write three Academy Award- winning songs and one of Nat King Cole’s best-known classics, as well as the Christmas standard “Silver Bells,” died on Thursday in Los Angeles. He was 92. Jim Steinblatt, a spokesman for the American Society of Composers, Authors and Publishers, announced the death. In their heyday, in the 1940s and ’50s, the team of Evans and Livingston was much in demand in Hollywood, turning out songs for film after film that often became big jukebox hits. The team was formed after Mr. Evans met Mr. Livingston at the University of Pennsylvania, survived separation during the war years and enjoyed decades of success until the emergence of rock ’n’ roll. Evans and Livingston received their first best- song Oscar for “Buttons and Bows,” a bouncy tune from the 1948 comedy- western “The Paleface.” It was introduced by Bob Hope, playing the timid dentist “Painless” Peter Potter, who sang it to Jane Russell. Dinah Shore had a hit record with it, and the song spent 19 weeks on the “Hit Parade” radio program. “Mona Lisa” was written in 1950 for a forgettable Alan Ladd film called “Captain Carey, U.S.A.” In the movie, the song is used to send a signal to Italian partisans during World War II.
    [Show full text]
  • WLBT Archives MSS.366
    Note: To navigate the sections of this PDF finding aid, click on the Bookmarks tab or the Bookmarks icon on the left side of the page. Mississippi State University Libraries Special Collections Department Manuscripts Division P.O. Box 5408, Mississippi State, MS 39762-5408 Phone: (662) 325–7679 E-mail: [email protected] WLBT archives MSS.366 Dates: 1967-1980 Extent: 155 cubic feet Preferred Citation: WLBT archives, Special Collections Department, Mississippi State University Libraries. Access: Open to all researchers. Copyright Statement: Any requests for permission to publish, quote, or reproduce materials from this collection must be submitted in writing to the Manuscripts Librarian for Special Collections. Permission for publication is given on behalf of Mississippi State University as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. Donor: Communications Improvement, Incorporated, August 1982. Scope and Contents The WLBT archives have been arranged in the following series: Hewitt Griffin joined WLBT in 1961 as program manager, the position he continued to hold throughout Communications Improvement, Incorporated’s (CII) tenure with the exception of the period from January to September 1973. Series 1, 1967-1979, consists of Griffin's files, which primarily concern programming. The series has been grouped into ten divisions: General/personal, Programming, Programs Available, Programs Aired, Network Affiliates, Ratings/research, Promotional Materials (including photographs), TV Guide (1974-1978), Programming Logs (June 14, 1971 - December 31, 1977), and Discrepancy Sheets. See also Series 7. 38 cubic feet. In 1972 William H. Dilday, Jr.
    [Show full text]
  • Motherhood, Occupational Prestige and the Roles of Women in Hollywood Films of the 1940S and 1950S
    UNIVERSITY OF CALIFORNIA RIVERSIDE The Good, the Bad, and the Beautiful: Motherhood, Occupational Prestige and the Roles of Women in Hollywood Films of the 1940s and 1950s A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Tracey Kim Hoover August 2010 Dissertation Committee: Dr. Toby Miller, Co-Chairperson Dr. Adalberto Aguirre, Co-Chairperson Dr. Scott Coltrane Dr. Ellen Reese Copyright by Tracey Kim Hoover 2010 APPROVAL PAGE The dissertation of Tracey Kim Hoover is approved as partial fulfillment of the requirements for the Doctor of Philosophy Degree. __________________________________________________ (Signature of Committee Member) __________________________________________________ (Signature of Committee Member) __________________________________________________ (Signature of Committee, Co-Chairperson) __________________________________________________ (Signature of Committee, Co-Chairperson) University of California, Riverside ACKNOWLEDGMENTS I found the dissertation process to be a growth-fostering process. The relationships that have formed during this journey have strengthened my voice in so many ways and I would like to take this time to acknowledge and honor those relationships and the people who supported and inspired me. I would first like to recognize my relationships with the members of my dissertation committee, specifically, my relationship with Dr. Toby Miller as chair of my committee. From the first brain storming session, Dr. Miller has been my primary support for this project. He has been a mentor, advisor, and sounding board as I have waded through the dissertation process. I will be forever grateful to him. I would also like to thank Dr. Ellen Reese for being an unending source of encouragement during those seemingly unending times of discouragement.
    [Show full text]
  • Press Release
    press release Contact: Diane Steinert [email protected] 330-677-4549 FOR IMMEDIATE RELEASE New Musical Programs Dominate PBS PBS 45 & 49 Programming Schedule in March 45 & 49 Specials feature the 1960s British beat, Northeastern movie songs, classical music and more Educational Television of Ohio, Inc. KENT, Ohio — March 2, 2007 — From the British rock ‘n’ roll of the 1960s to 1750 Campus rockabilly to the Italian classical crossover group Andiamo, music is at the forefront Center Drive of the PBS 45 & 49 March programming schedule. The programs are part of the PBS P. O. Box 5191 45 & 49 Spring Membership Drive, which has a goal of $170,400. Contributions received during the drive help to pay for the purchase of high-quality programs and Kent, Ohio the development of local productions. The March programs are new but much of the music is nostalgic, with many of the 44240-5191 specials featuring 1950s-era music and programs. Tune in to PBS 45 & 49 to enjoy the following specials: Phone 330.677.4549 Tuesday, March 6 Kenny Rogers: The Journey, 9:30 p.m. Fax Featuring Kenny Rogers’ hits such as “Ruby, Don’t Take Your Love to Town,” 330.678.0688 “Lucille” and “The Gambler,” this special brings Rogers’ story to life with insightful interviews and rare concert footage spanning several decades. E-mail [email protected] Wednesday, March 7 Web Site Heavenly Voices, 8 p.m. www.pbs4549.org Heavenly Voices introduces four exceptional singers — Ryland Angel, Giorgia Fumanti and Sasha and Shawna — in a concert of intimate songs.
    [Show full text]
  • 84-Year-Old Actress Debbie Reynolds, Dies One Day After Her Daughter, Carrie Fisher Died (Video/Pictures)
    84-Year-Old Actress Debbie Reynolds, Dies One Day After Her Daughter, Carrie Fisher Died (Video/Pictures) Her son, Todd Fisher, said Reynolds died Wednesday, a day after her daughter, Carrie Fisher, who was 60. KCBS Jennifer Kastner reports. Hollywood legend Debbie Reynolds, who sang and danced her way into the hearts of millions of moviegoers around the world in musicals like “Singin’ in the Rain,” died on Wednesday at age 84, her son said. Reynolds, one of the most enduring and endearing Hollywood actresses, died hours after being rushed to the hospital in Los Angeles after suffering a stroke, her son, Todd Fisher said. Her death came just one day after her daughter, the actress Carrie Fisher, died of a heart attack. Reynolds, who rose to stardom in the film “Singin’ In the Rain,” appeared in dozens of films. She starred opposite Gene Kelly, Frank Sinatra, Tony Curtis, Donald O’Connor, Fred Astaire and Dick Van Dyke. She received a best actress Academy Award nomination for the 1964 musical “The Unsinkable Molly Brown.” At the peak of her stardom, Reynolds was drawn into a scandal when her husband, singer Eddie Fisher, began an affair with actress Elizabeth Taylor. Reynolds and Fisher divorced in 1959 and he married Taylor. Actress Debbie Reynolds holds the Lifetime Achievement Award in Comedy for a Female which she received at the 11th annual American Comedy Awards in Los Angeles, February 9, 1997, as she poses with her daughter Carrie Fisher. Reynolds stars in the new film “Mother.” REUTERS/Fred Prouser Reynolds and Taylor, who eventually divorced Fisher, made peace years later and appeared together in the 2001 television movie “These Old Broads,” written by Carrie Fisher.
    [Show full text]
  • By the Hollywood Chamber of Commerce
    Hollywood Chamber of Commerce Community Foundation presents HEROES of HOLLYWOOD Awards Luncheon Taglyan Cultural Complex June 6, 2013 On behalf of the Hollywood Chamber Community Foundation, we gratefully acknowledge the following companies for their sponsorship and thank them for their continued support. Gold Sponsors Thursday, June 6, 2013 Hollywood Museum Millennium Hollywood Occidental Entertainment Group Holdings, Inc. Dear Guest, Silver Sponsors It is a great pleasure to welcome you to the 2013 HEROES of HOLLYWOOD Academy of Motion Picture Arts and Sciences awards luncheon. Andrews International Security Bank of America We are here today, at the lovely Taglyan Cultural Complex, CIM Group to honor true heroes from our community who continue to First Republic Bank make a difference every day. Taglyan Cultural Complex To our sponsors and guests, a heartfelt thanks for your generous support. Also, thank you to our dedicated Bronze Sponsors Allen Matkins committee members and to all the board members of the Avison Young Hollywood Chamber Community Foundation. Briggs Law Famous Hollywood Dental Care Congratulations to all of our honorees on this special day! Gensler Gilmore Bank Hollywood Forever Cemetery Sincerely, Hollywood Hotel Hollywood Hollywood Work Source Center Chamber Carole Sarian Homer Alba Kaiser Permanente Los Angeles Medical Center Community Lloyd S. Berkett Insurance Agency, Inc. Foundation Mirman, Bubman & Nahmias LLP NAI Capital Commercial Real Estate Original Farmers Market 2013 Heroes of Hollywood 2013 Heroes of Hollywood Paramount Contractors & Developers Planning Committee Planning Committee The Private Bank of California Event Co-chair Event Co-chair Sunset Gower/Sunset Bronson Studios Congratulations to HEROES of HOLLYWOOD The Heroes of Hollywood Co-chairs Carole Sarian and Homer Alba 2013 PROGRAM for an extraordinary event.
    [Show full text]