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Joseph L. Mankiewicz / All About Eve (Ève), États-Unis 1950, 132 Minutes]

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Joseph L. Mankiewicz / All About Eve (Ève), États-Unis 1950, 132 Minutes] Document généré le 24 sept. 2021 16:24 Séquences La revue de cinéma 1951, All About Eve Joseph L. Mankiewicz All About Eve (Ève), États-Unis 1950, 132 minutes Maurice Elia Cannes 50 ans Numéro 189-190, 1997 URI : https://id.erudit.org/iderudit/49337ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Elia, M. (1997). Compte rendu de [1951, All About Eve : joseph L. Mankiewicz / All About Eve (Ève), États-Unis 1950, 132 minutes]. Séquences, (189-190), 21–21. Tous droits réservés © La revue Séquences Inc., 1997 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Canne5°s 1951 -^ans ALL ABOUT EVE Joseph L. Mankiewicz ans conteste le chef-d'œuvre de son auteur, frère cadet de Herman Mankiewicz avait le goût Palmes d'or: Miracle à Milan Mankiewicz (qui partagea la paternité du scénario de Citizen Kane des portraits (de femmes (Vittorio de Sica) IT et Savec Orson Welles), All About Eve est devenu avec le temps, un peu surtout) et il les brossait avec Mademoiselle Julie comme Casablanca (1942), un de ces films cultes dont les fans, sur simple une vérité troublante, par­ (Alf Sjôberg) SUE demande, récitent encore aujourd'hui des paragraphes entiers de dialogue. fois bouleversante, ainsi • (Célèbre réplique: George Sanders décrivant Marilyn Monroe, actrice débu­ qu'un soin visuel que Prix spécial du jury: All About tante et sa protégée du moment, comme «diplômée de l'École d'art drama­ Hollywood ne connais­ Eve (Joseph L. Mankiewicz) USA tique de Copacabana»). sait pas encore. Les regards • Cinglante étude sur le cynisme et l'ambition dans les milieux du théâtre, qu'échangent Anne Baxter et Prix d'interprétation masculine: All About Eve donnait à Bette Davis et Anne Baxter les plus beaux rôles Bette Davis, la glace multi­ Michael Redgrave pour The de leur carrière et plaçait Mankiewicz parmi les très grands de Hollywood ple où se regarde une future Browning Version d'Anthony vedette à la fin du film sont Asquith (GB) restés des moments d'antho­ logie. La satire amère que Prix d'interprétation féminine: constituait All About Eve Bette Davis pour All About Eve fut l'occasion pour le ci­ néaste de proclamer bien Prix de la mise en scène: haut que le succès n'apparte­ Luis Bunuel pour Los Olvidados (MEX) nait qu'à ceux qui avaient le courage de marcher sans pi­ tié sur tous leurs rivaux, quitte à les écraser. Cependant, tôt ou tard, ce succès tant convoité se retournait contre eux à cause de leur absence totale de chaleur humaine. Pour la petite histoire: le prestigieux trophée Sarah Siddons que rem­ porte dans le film la meilleure actrice de l'année est devenu, quelques années après la sortie de All About Eve, une récompense véritable que le monde du théâtre de Chicago attribue chaque année à ses meilleurs comé­ diens. Helen Hayes en fut la première récipiendaire. Deborah Kerr et Géraldine Page eurent également droit à la fameuse statuette. De même que Celeste Holm et Bette Davis elles-mêmes, les vedettes du film de Man­ (il devait remporter l'Oscar du meilleur réalisateur et celui du meilleur kiewicz. scénario). L'homme fut longtemps considéré comme un maître du langage, M.E. ses dialogues étaient pétillants d'intelligence et de cette ironie amère qui caractérise les personnages richement et longuement décrits. Qu'on se sou­ ALL ABOUT EVE (Eve) vienne de l'élégance et de la sobriété pudique de ses films subséquents États-Unis 1950,132 minutes. Réal.: Joseph L Mankiewicz — Scén.: Joseph L. Mankiewicz, d'après (People Will Talk, The Barefoot Contessa, The Quiet American, la nouvelle The Wisdom of Eve de Mary Orr — Photo: Milton Krasner — Mus.: Alfred Newman — Mont: Barbara MacLean — Int: Bette Davis (Margo Channing), Anne Baxter (Eve Harrington), Suddenly Last Summer) où les personnages principaux qui, même s'ils George Sanders (Addison De Witt), Celeste Holm (Karen Richards), Gary Merrill (Bill), Gregory étaient menés par l'ambition, possédaient le visage complexe de ceux qui se Ratoff (Max), Barbara Bates (Phoebe), Marilyn Monroe (Claudia Caswell), Thelma Ritter (Birdie), Hugh Marlowe (Lloyd Richards) — Prod.: Darryl F. Zanuck/Fox. battent contre un univers sordide. No 189/190 21 .
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