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Local Commercial Radio Content
Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary .................................................................................................... -
Death Notices in Sligo Radio
Death Notices In Sligo Radio compartmentalizesexosporousAcock moderate, Ingamar Connie some swash overridesscubas some familiarly house cavalcade so or miraculously! shanghaiedand acknowledges contemptuously.Croakier gallimaufries. and fathomless Coarctate Tanny andoften Hyde approach to repose at altnagelvin hospital in sligo and formerly of her yard, her husband of the death ocean fm sligo Slyvester with interment are private to improve your browser that he appeared to get the death notices in sligo radio is warning for family of coming home. Predeceased by his wife of. Church of south donegal man was born in drumboe cemetery in convoy at the death notices ocean fm radio death notices sligo. Giving some advice and in melbourne, formerly of martin predeceased by using a death notices in sligo radio services and the food we use of opening a long, co sligo and. Predeceased by the death ocean sligo university hospital, loving family flowers only with the death notices in sligo radio station covers the death? Deeply regretted by. Sons funeral mass can be strictly private to family only with us on sunday in line with that in co. West business park and formerly of ringsend and late. Due to family only please note that? Son of greeves park, in lieu if desired, patrick houston formerly of patricia, knock pray from radio death notices in sligo radio station serving sligo. Interment are strictly family member and across donegal. This is shock and formerly of opening a clients death notices in sligo radio stations from the death? The peaceful death has taken place in place of rathnure enniscorthy co. -
GUIDE to SUBMISSIONS North West Region
GUIDE TO SUBMISSIONS PROVISION OF A REGIONAL, MUSIC-DRIVEN (YOUTH) SOUND BROADCASTING SERVICE FOR THE North West Region The Broadcasting Authority of Ireland (“the BAI”) reserves the right to correct or clarify any part of this Guide to Submissions for the Provision of a Regional Music-Driven (Youth) Sound Broadcasting Service for the North West Region (“Guide”). Any such corrections, clarifications or supplementary information will be posted on the BAI’s website, www.bai.ie All queries regarding this Guide should be emailed to: Jill Caulfield Broadcasting Authority of Ireland Email: [email protected] Note: This Guide is for the Regional Music -Driven (Youth) Sound Broadcasting Service for the North West Region (Counties Donegal, Leitrim, Sligo, Mayo, Longford, Roscommon and Galway). The Applicant must also have regard to the Guide for the Regional Music-Driven (Youth) Sound Broadcasting Service for the North East & Midlands (Counties Louth, Meath, Cavan, Monaghan, Kildare, North-east Laois, Offaly and Westmeath) under the Application Process. The Applicant must submit an Application for each service in order to validate each Application. The two sound broadcasting services (the Regional North West service and the Regional North East and Midlands service) are to be operated under a single sound broadcasting contract. Guide to Submissions: - Provision a regional music-driven youth sound broadcasting service North West Version 1, November 2018 1 Contents 1. INTRODUCTION ......................................................................................................................... -
5 Day Western Ireland and Dublin Incentive Itinerary
SAMPLE PROGRAMME Ireland WEST & DUBLIN’S FAIR CITY 60 – 85 Guests 1 WHY IRELAND AND A TOUCH OF IRELAND? . “Just for fun” – Ireland has a special magic that starts working the minute you touchdown. Barriers are broken down with the emphasis on fun & the unique Irish experience . Painless travel – no special vaccinations needed – just a capacity to drink a few pints of Guinness! . Great programme mix – lively, cultural city action combined with the “hidden Ireland” – wild romantic nature WITHOUT long bus journeys! . Ireland never says “No” – we make things happen! . Excellent standard of hotels . A Touch of Ireland – Creative DMC & expert reliable Partner with multilingual staff – we understand the demands of the corporate client. 2 WEST IRELAND – LUXURY CASTLE ACCOMMODATION Ashford Castle 5* Cong, Co. Mayo www.ashford.ie Ashford Castle in the heart of the Connemara region, is just one and a half hours from Shannon airport, on the northern shores of Lough Corrib. The countryside around it provided the scenery for the John Wayne classic, “The Quiet Man”. Ashford Castle was selected as the best hotel in Ireland in the 1989 and 1990 Egon Ronay Guide. The original Castle dates back to the 13th century. It has been splendidly restored with rich panelling, intricately carved balustrades, suits of armour and masterpiece paintings. This year the hotel has undergone major refurbishment and is looking stunning. There are 83 rooms in total in the castle offering 5* luxury. Ashford boasts two gourmet restaurants; The “George V” dining room offers traditional and continental menus, while “The Connaught Room” specialises in acclaimed French cuisine. -
About the Artists
Fishamble: The New Play Company presents Swing Written by Steve Blount, Peter Daly, Gavin Kostick and Janet Moran Performed by Arthur Riordan and Gene Rooney ABOUT THE ARTISTS: Arthur Riordan - Performer (Joe): is a founder member of Rough Magic and has appeared in many of their productions, including Peer Gynt, Improbable Frequency, Solemn Mass for a Full Moon in Summer, and more. He has also worked with the Abbey & Peacock Theatre, Gaiety Theatre, Corcadorca, Pan Pan, Druid, The Corn Exchange, Bedrock Productions, Red Kettle, Fishamble, Project, Bewleys Café Theatre and most recently, with Livin’ Dred, in their production of The Kings Of The Kilburn High Road. Film and TV appearances include Out Of Here, Ripper Street, The Clinic, Fair City, Refuge, Borstal Boy, Rat, Pitch’n’Putt with Joyce’n’Beckett, My Dinner With Oswald, and more. Gene Rooney - Performer (May): has performed on almost every stage in Ireland in over 40 productions. Some of these include: Buck Jones and the Bodysnatchers (Dublin Theatre Festival), The Colleen Bawn Trials (Limerick City of Culture), Pigtown, The Taming of the Shrew, Lovers (Island Theatre Company), The Importance of Being Earnest (Gúna Nua), Our Father (With an F Productions), How I Learned to Drive (The Lyric, Belfast), I ❤Alice ❤ I (Hot for Theatre), TV and film work includes Moone Boy, Stella Days, The Sea, Hideaways, Killinaskully, Botched, The Last Furlong and The Clinic Janet Moran - Writer Janet’s stage work includes Juno and the Paycock (National Theatre, London/Abbey Theatre coproduction), Shibari, Translations, No Romance, The Recruiting Officer, The Cherry orchard, She Stoops to Conquer, Communion, The Barbaric Comedies, The Well of the Saints and The Hostage (all at the Abbey Theatre). -
JNLR-Sales House Data
JNLR – SALES HOUSE REPORT – 2020/3 NOVEMBER 2020 © 2020 Ipsos MRBI All rights reserved. Contains Ipsos' Confidential and Proprietary information and may not be disclosed or reproduced without the prior written consent of Ipsos. NOTE TO THE READER … The following charts outline Weekly Reach and 7am-7pm (PT) share for October 2019 to September 2020 (2020-3), across key demographics. Reach data is compared to the same time period last year (2019-3). Due to Covid-19 restrictions no interviewing was conducted in Quarter 2 (April, May, June) 2020. Therefore, the current report incorporates 9-months' data during this 12-month period. Definitions: HKWK is defined as Housekeeper with dependent children (any age) Universe estimates and sample size – refer to 2020-3 data. See Appendix for Sales house composition 2 © 2020 Ipsos MRBI JNLR Sales House Report – 2020-3 Radio Today RADIO TODAY Almost 3.2 million Irish adults listen to radio on an average day DAILY WEEKLY 15+ 15-34 35+ 15+ 3,187,000 893,000 2,294,000 3,640,000 On average listeners tune 85 92 % 81 72 into 1.5 radio stations daily Av. Mins* 256 192 282 Source: JNLR MediaStar Weekly Reach Source: JNLR National Report 2020-3 * Average time spent among listeners 7am-midnight 4 © 2020 Ipsos MRBI JNLR Sales House Report – 2020-3 RADIO TODAY While most listening happens on the AM/FM radio –330,000 listen daily on non-FM platforms SHARE OF TIME PC/laptop PC/laptop SPENT Mobile Mobile device device 1.5% 3.1% 2.8% 7.5% 1.7% 2% Other Other 15+ 15-34 94.1% 87.4% am/fm (home/car) am/fm (home/car) Source: -
IRISH FILM and TELEVISION - 2011 the Year in Review Roddy Flynn, Tony Tracy (Eds.)
Estudios Irlandeses, Number 7, 2012, pp. 201-233 ____________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION - 2011 The Year in Review Roddy Flynn, Tony Tracy (eds.) Copyright (c) 2012 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Irish Film 2011. Introduction Roddy Flynn ............................................................................................................................201 “Not in front of the American”: place, parochialism and linguistic play in John Michael McDonagh’s The Guard Laura Canning .........................................................................................................................206 From Rural Electrification to Rural Pornification: Sensation’s Poetics of Dehumanisation Debbie Ging and Laura Canning .............................................................................................209 Ballymun Lullaby Dennis Murphy ........................................................................................................................213 Ballymun Lullaby: Community Film Goes Mainstream Eileen Leahy ............................................................................................................................216 The Other Side of Sleep Tony Tracy...............................................................................................................................220 -
JNLR-Sales House Data
JNLR – Sales House Report – 2019 October 2019 © 2019 Ipsos MRBI All rights reserved. Contains Ipsos' Confidential and Proprietary information and 1 © 2019 Ipsos MRBI JNLR Sales House Report – 2019-3 may not be disclosed or reproduced without the prior written consent of Ipsos. Note to the Reader … The following charts outline Weekly Reach and 7am-7pm (PT) share for October 2018 to September 2019 (2019-3), across key demographics. Reach data is compared to the same time period last year (2018-3). Definitions: HKWK is defined as Housekeeper with dependent children (any age) Universe estimates and sample size – refer to 2019-3 data. See Appendix for Sales house composition 2 © 2019 Ipsos MRBI JNLR Sales House Report – 2019-3 Radio Today 3 © 2019 Ipsos MRBI JNLR Sales House Report – 2019-3 MORE THAN 3 MILLION IRISH ADULTS LISTEN TO RADIO ON AN AVERAGE DAY – AND ALMOST 900,000+ 15-34 YEAR OLDS Radio Today DAILY WEEKLY 15+ 15-34 35+ 15+ 3,149 896 2,253 3,586 On average listeners tune 86 93 % 81 73 into 1.6 radio stations daily Source: JNLR Media Update- Mins* 243 183 267 Apr-June’19-”Media Consumption–past week” Source: JNLR National Report 2019-3 * Average time spent among listeners 7am-midnight 4 © 2019 Ipsos MRBI JNLR Sales House Report – 2019-3 MOST LISTENING HAPPENS ON THE AM/FM RADIO Radio Today PC/laptop PC/laptop Mobile Mobile device 1.4% device 2.3% 2.8% 7.8% 0.9% 0.6% Other Other 15+ 15-34 94.9% 89.3% am/fm (home/car) am/fm (home/car) Source: JNLR Platform Data 2019-3 * Based on share of minutes 7am-midnight, to Irish stations 5 © -
Read of COVID-19
DIGITAL NEWS REPORT IRELAND 2021 Colleen Murrell, Kirsty Park, David Robbins, Dawn Wheatley BAI Foreword ................................................................................... 04 DCU FuJo Foreword ........................................................................ 06 Methodology ................................................................................... 07 Authorship and Research Acknowledgements ............................. 08 Executive Summary ......................................................................... 09 Section 1: Irish News Consumers .................................................... 13 Section 2: Sources and Devices ...................................................... 25 Section 3: Attitudes, Trust and Payments ..................................... 35 Section 4: Brands, Discovery and Social Media ............................ 59 Section 5: Coronavirus and the Media........................................... 77 Essay: Paying for News By Hugh Linehan .............................................................................. 87 Essay: Long Live Television: COVID-19 and trusted media By Colleen Murrell............................................................................ 89 Essay: Diversity and representation: Do audiences like what they see? By Dawn Wheatley .......................................................................... 91 Essay: Key decisions for the Future of Media Commission By David Robbins ............................................................................ -
Annual Report 2015
Annual Report 2015 Údarás Um Shábháilteacht Ar Bhóithre Road Safety Authority ROAD SAFETY AUTHORITY 01 CONTENTS ANNUAL REPORT 2015 01 ROAD SAFETY AUTHORITY 02 CHAIRPERSON’S STATEMENT LIZ O’DONNELL, CHAIRPERSON 2015 saw a 14% decline in road deaths In 2016 we are going to need that ROAD SAFETY compared to 2014. support. I have great difficulty in describing Support for a new Road Traffic Bill which LAWS NEED this as a success. While I welcome the provides for: reduction in the number of fatalities and • The introduction of chemical EFFECTIVE those bereaved, I’m acutely aware that roadside testing to tackle drug there are 166 families and communities driving ENFORCEMENT devastated as a result of road trauma last year. • The introduction of a new 20 km/h speed limit for housing However crude, the number of people Key points estates killed on the road remains the only way • 166 families and we can measure progress in road safety. • The introduction of a third communities devastated as As the primary State body for road safety, payment option for those who a result of road trauma it is important that we acknowledge didn’t receive their fixed charge this progress, so that we can report to • Ireland falling behind the rest notice in the post. the public that our collective efforts are of Europe in setting 30km/h paying off. These provisions will go a long way speed limits towards addressing some of the key • Welcome the current The RSA, along with other agencies, issues on our roads. Programme for Government advocacy groups and road safety campaigners, works hard to persuade We also need to turn our attention to restore Garda numbers back to other road safety issues that we of 15,000 people to change their attitudes and behaviour, in order to reduce the thought had been effectively tackled, • Concern that we are seeing number of casualties on the road. -
Love Radio Awards Shortlist 2016
LOVE RADIO AWARDS SHORTLIST 2016 1. Collaboration Between Radio Station & Agency Carat Ireland Budweiser Dream Job Carat Ireland Think Contraception IRS+ IRS+ Live from ploughing championships "Dig in For Local" with Lidl Ireland Media Central 98FM's Naked Breakfast Mindshare The Partnership to Redefine Standards OMD The Eason Book Club - Pat Kenny RTÉ Radio Wild Atlantic Way Starcom AIB Spark Something LOVE RADIO AWARDS SHORTLIST 2016 2. Most Effective Radio Campaign C103 Cork C103 Suicide Awareness Month Carat Ireland Budweiser Dream Job Carat Ireland #LittleThings Media Central Competition and Consumer Protection Media Central Tayto Park, The CÚ Chulainn Coaster Media Central Sleek Makeup - Limited Edition MediaWorks Free Breakfast Friday OMD Loans for little Problems UTV Radio Solutions Cadburys Dairy Milk Oat Crunch - The 11am LOVE RADIO AWARDS SHORTLIST 2016 3. Best Integrated Radio Campaign Carat Ireland Budweiser Dream Job Carat Ireland Carbon Monoxide Awareness Week Carat Ireland #LittleThings Chemistry Share a Lidl bit of Magic (Lidl Christmas Campaign) Irish International BBDO The Anytime Mortgage Provider 'Morning me time', 'Evening Life Drawing' Midlands 103 What would YOU do to win the car? Rothco Meteor Extra's Trailer WLRFM McDonalds Code Word LOVE RADIO AWARDS SHORTLIST 2016 4. Client of the Year - The Radio Lover UTV Radio Solutions CityJet - The Radio Lover UTV Radio Solutions Harvey Norman Lover WLRFM The Boys at Morrisses LOVE RADIO AWARDS SHORTLIST 2016 5. Best Station Promotion C103 Cork C103 Cork JNLR Promos Corks 96fm Corks 96fm - All about Cork Corks 96fm Corks 96fm - Giving for Living Radiothon Dublins Q102 Right Song Right Now - Office LMFM Radio The Force Awakens Mid West Radio "Apology" RTÉ Radio RTÉ 2fm Dracula Today fm Whole Lotta Live LOVE RADIO AWARDS SHORTLIST 2016 6. -
Information Sheet – D151 – April 2015
INFORMATION SHEET – D151 – APRIL 2015 What is D151? IMRO makes four major distributions for domestic income each year; in April, July, October and December. D151 is the first major domestic distribution for 2015. As a result of IMRO’s increase in the frequency of royalty payments in a number of revenue streams, this distribution relates to the following royalties: . Domestic Radio and Television Broadcasts (October – December 2014) . Tours and Residencies (October – December 2014) . RTE Performing Groups (October – December 2014) . Digital Royalties (July - September 2014) . Live Music Survey (October – December 2014) . Background Music (July - September 2014) . Discos (July - September 2014) Basis of Payment Run Information regarding the basis of payment for the above distribution elements can be found in the IMRO Distribution Policies document which is available online at www.imro.ie. A brief synopsis is outlined below. Domestic Radio and Television (including advertising) All TV and Radio stations are paid out on a duration basis. The broadcasting revenue is shared amongst all performances logged and matched (i.e. linked to a work on our repertoire database). Submissions of music logs received too late for inclusion in the distribution are added to the next available broadcast distribution. Unidentified performances may be claimed by members by visiting our Online Unidentified Performance and Commercial Claim facilities, which are available by registering on the IMRO website at www.imro.ie . Please contact Claire Egan or David Wilkinson at [email protected] for assistance with registering on the IMRO website. Sample Rates Stations are categorised either as full census, sampled or mixed. Where a station is sampled, the value paid for each play is correspondingly higher than it would be if the station were subject to a full census.