Chapter Iv Manga and Anime As the Tools of Japanese
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The System of Trade Between Japan and the East European Countries, Including the Soviet Union
THE SYSTEM OF TRADE BETWEEN JAPAN AND THE EAST EUROPEAN COUNTRIES, INCLUDING THE SOVIET UNION YATARO TERADA* INTRODUCTION Poor in natural resources, Japan has long been dependent on overseas supply for most of her raw material and fuel requirements. While imports of raw materials and fuel by the United States and West Germany in 197o accounted respectively for 14 per cent and 22 per cent of their total imports, Japan's imports of raw materials and fuel in the same year amounted to about 59 per cent of her total imports. In addition, Japan depends on imports from foreign countries for ioo per cent of her wool, raw cotton, and nickel; 98 per cent of her petroleum; 95 per cent of her iron ores; and 55 per cent of her industrial coal. Such being the case, one of the guiding principles in Japan's foreign trade policy has been to expand trade with any country, regardless of its political system. Japan was plagued by a gap between her economic growth and her international balance of payments until the mid-i96o's and, in order to improve this situation, promotion of exports was given highest priority. Thus, efforts have been made to expand trade with the Soviet Union and East European countries on a commercial basis. After the resumption of private foreign trade in 1949, trade between Japan and the Soviet Union and East European countries was conducted at a low level for some time. However, since the conclusion of a treaty of commerce and an agree- ment on trade and payment with the Soviet Union in 1957, and the conclusion of treaties of commerce with Poland and Czechoslovakia in 1958 and 1959, Japan's trade with Eastern Europe has increased yearly. -
What Is Cosplay?
NO, REALLY: WHAT IS COSPLAY? Natasha Nesic A thesis submitted in partial fulfillment of the requirements for a B. A. in Anthropology with Honors. Mount Holyoke College May 2013 ACKNOWLEDGEMENTS “In anthropology, you can study anything.” This is what happens when you tell that to an impressionable undergrad. “No, Really: What is Cosplay?” would not have been possible without the individuals of the cosplay community, who gave their time, hotel room space, and unforgettable voices to this project: Tina Lam, Mario Bueno, Rob Simmons, Margaret Huey, Chris Torrey, Chris Troy, Calico Singer, Maxiom Pie, Cassi Mayersohn, Renee Gloger, Tiffany Chang, as well as the countless other cosplayers at AnimeNEXT, Anime Expo, and Otakon during the summer of 2012. A heap of gratitude also goes to Amanda Gonzalez, William Gonzalez, Kimberly Lee, Patrick Belardo, Elizabeth Newswanger, and Clara Bertagnolli, for their enthusiasm for this project—as well as their gasoline. And to my parents, Beth Gersh-Nesic and Dusan Nesic, who probably didn’t envision this eight years ago, letting me trundle off to my first animé convention in a homemade ninja getup and a face full of Watercolor marker. Many thanks as well to the Mount Holyoke College Anthropology Department, and the Office of Academic Deans for their financial support. Finally, to my advisor and mentor, Professor Andrew Lass: Mnogo hvala za sve. 1 Table of Contents Introduction.......................................................................................................................................3 -
Upaya Jepang Dalam Menyebarkan Budaya Populer Di Indonesia Menggunakan Diplomasi Publik Melalui Anime Festival Asia Indonesia (AFAID)
Universitas Katolik Parahyangan Fakultas Ilmu Sosial dan Ilmu Politik Program Studi Ilmu Hubungan Internasional Terakreditasi A SK BAN –PT NO: 451/SK/BAN-PT/Akred/S/XI/2014 Upaya Jepang dalam Menyebarkan Budaya Populer di Indonesia Menggunakan Diplomasi Publik Melalui Anime Festival Asia Indonesia (AFAID) Skripsi Oleh Ainun Zidni Ilma 2011330168 Bandung 2018 Universitas Katolik Parahyangan Fakultas Ilmu Sosial dan Ilmu Politik Program Studi Ilmu Hubungan Internasional Terakreditasi A SK BAN –PT NO: 451/SK/BAN-PT/Akred/S/XI/2014 Upaya Jepang Dalam Menyebarkan Budaya Populer di Indonesia Menggunakan Diplomasi Publik Melalui Anime Festival Asia Indonesia (AFAID) Skripsi Oleh Ainun Zidni Ilma 2011330168 Pembimbing Sylvia Yazid, MPPM., Ph.D. Bandung 2018 Fakultas Ilmu Sosial dan Ilmu Politik Program Studi Ilmu Hubungan Internasional Tanda Pengesahan Skripsi Nama : Ainun Zidni Ilma Nomor Pokok : 2011330168 Judul : Upaya Jepang Dalam Menyebarkan Budaya Populer di Indonesia Menggunakan Diplomasi Publik Melalui Anime Festival Asia Indonesia (AFAID) Telah Diuji dalam Ujian Sidang Jenjang Sarjana Pada Rabu, 8 Agustus 2018 Dan Dinyatakan LULUS Tim Penguji Ketua Sidang Merangkap Anggota Dr. Atom Ginting Munthe, M.S. : Sekretaris Sylvia Yazid, MPPM., Ph.D. : Anggota Dr. Paulus Yohanes Nur Indro : Mengesahkan Dekan Fakultas Ilmu Sosial dan Ilmu Politik Dr. Pius Sugeng Prasetyo, M.Si PERNYATAAN Saya yang bertanda tangan di bawah ini: Nama : Ainun Zidni Ilma NPM : 20111330168 Jurusan/Program Studi : Ilmu Hubungan Internasional Judul : Upaya Jepang Dalam Menyebarkan Budaya Populer di Indonesia Menggunakan Diplomasi Publik Melalui Anime Festival Asia Indonesia (AFAID) Dengan ini menyatakan bahwa skripsi ini merupakan hasil karya tulis ilmiah sendiri dan bukanlah merupakan karya yang pernah diajukan untuk memperoleh gelar akademik oleh pihak lain. -
Piracy Or Productivity: Unlawful Practices in Anime Fansubbing
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aaltodoc Publication Archive Aalto-yliopisto Teknillinen korkeakoulu Informaatio- ja luonnontieteiden tiedekunta Tietotekniikan tutkinto-/koulutusohjelma Teemu Mäntylä Piracy or productivity: unlawful practices in anime fansubbing Diplomityö Espoo 3. kesäkuuta 2010 Valvoja: Professori Tapio Takala Ohjaaja: - 2 Abstract Piracy or productivity: unlawful practices in anime fansubbing Over a short period of time, Japanese animation or anime has grown explosively in popularity worldwide. In the United States this growth has been based on copyright infringement, where fans have subtitled anime series and released them as fansubs. In the absence of official releases fansubs have created the current popularity of anime, which companies can now benefit from. From the beginning the companies have tolerated and even encouraged the fan activity, partly because the fans have followed their own rules, intended to stop the distribution of fansubs after official licensing. The work explores the history and current situation of fansubs, and seeks to explain how these practices adopted by fans have arisen, why both fans and companies accept them and act according to them, and whether the situation is sustainable. Keywords: Japanese animation, anime, fansub, copyright, piracy Tiivistelmä Piratismia vai tuottavuutta: laittomat toimintatavat animen fanikäännöksissä Japanilaisen animaation eli animen suosio maailmalla on lyhyessä ajassa kasvanut räjähdysmäisesti. Tämä kasvu on Yhdysvalloissa perustunut tekijänoikeuksien rikkomiseen, missä fanit ovat tekstittäneet animesarjoja itse ja julkaisseet ne fanikäännöksinä. Virallisten julkaisujen puutteessa fanikäännökset ovat luoneet animen nykyisen suosion, jota yhtiöt voivat nyt hyödyntää. Yhtiöt ovat alusta asti sietäneet ja jopa kannustaneet fanien toimia, osaksi koska fanit ovat noudattaneet omia sääntöjään, joiden on tarkoitus estää fanikäännösten levitys virallisen lisensoinnin jälkeen. -
Skripsi IP Galih Dwi Ramadhan 14410359 ]LEGAL PROTECTION
LEGAL PROTECTION OF COSPLAY COSTUME BASED ON INDONESIA AND JAPAN’S COPYRIGHT AND DESIGN LAW A THESIS By: GALIH DWI RAMADHAN Student Number: 14410359 INTERNATIONAL PROGRAM FACULTY OF LAW UNIVERSITAS ISLAM INDONESIA YOGYAKARTA 2018 LEGAL PROTECTION OF COSPLAY COSTUME BASED ON INDONESIA AND JAPAN’S COPYRIGHT AND DESIGN LAW A THESIS Presented as the Partial Fulfillment of the Requirements To Obtain the Bachelor Degree at the Faculty of Law Universitas Islam Indonesia Yogyakarta By: GALIH DWI RAMADHAN Student Number: 14410359 INTERNATIONAL PROGRAM FACULTY OF LAW UNIVERSITAS ISLAM INDONESIA YOGYAKARTA 2018 i LEGAL PROTECTION OF COSPLAY COSTUME BASED ON INDONESIA AND JAPAN’S COPYRIGHT AND DESIGN LAW A BACHELOR DEGREE THESIS Presented as Partial Fulfillment of theRequirements to Obtain the Bachelor Degree at the Faculty of Law, Islamic University of Indonesia, Yogyakarta By: GALIH DWI RAMADHAN 14410359 Department: International Business Law INTERNATIONAL PROGRAM FACULTY OF LAW ISLAMIC UNIVERSITY OF INDONESIA YOGYAKARTA 2016 ii iii SURAT PERNYATAAN ORISINALITAS KARYA TULIS ILMIAH BERUPA TUGAS AKHIR MAHASISWA FAKULTAS HUKUM UNIVERSITAS ISLAM INDONESIA Yang bertanda tangan dibawah ini, saya: Nama : GALIH DWI RAMADHAN No. Mahasiswa : 14410359 Adalah benar-benar mahasiswa Fakultas Hukum Universitas Islam Indonesia Yogyakarta yang telah melakukan Penulisan Karya Tulis Ilmiah (Tugas Akhir) berupa Skripsi dengan judul: LEGAL PROTECTION OF COSPLAY COSTUME BASED ON INDONESIA AND JAPAN’S COPYRIGHT AND DESIGN LAW Karya ilmiah ini akan saya ajukan kepada Tim Penguji dalam Ujian Pendadaran yang diselenggarakan oleh Fakultas Hukum UII. Sehubungan dengan hal tersebut, dengan ini saya menyatakan: 1. Bahwa karya tulis ilmiah ini adalah benar-benar hasil karya sendiri yang dalam penyusunannya tunduk dan patuh terhadap, kaidah, etika, dan norma-norma penulisan sebuah karya tulis ilmiah sesuai dengan ketentuan yang berlaku; 2. -
Event Highlights
Event Highlights Events • Yoshihiro Ike: Anime Soundtrack World sponsored by Studio Kitchen: International debut performance of one of Japan’s most prolific music composers in the industry featuring a 50 piece orchestra that will bring to life the greatest collection of soundtracks from Tiger & Bunny, Saint Seiya, B: The Beginning, Dororo, Rage of Bahamut:Genesis, and Shadowverse. • 4DX Anime Film Festival: Featuring Detective Conan: Zero The Enforcer, Mobile Suit Gundam NT (Narrative) and Mobile Suit Gundam 00 the MOVIE – A Wakening of the Trailblazer- enhanced with immersive, multi-sensory 4DX motion and environmental effects. • Anime Expo Masquerade & World Cosplay Summit US Finals • Inside the World of Street Fighter & Street Fighter V: Arcade Edition - Ultimate Cosplay Showdown sponsored by Capcom • LOVE LIVE! SUNSHINE!! Aqours World LoveLive! in LA ~BRAND NEW WAVE~ • Fate/Grand Order USA Tour • Fashion Show: Featuring Japanese brands h. NAOTO with designer Hirooka Naoto, Acryl CANDY with guest model Haruka Kurebayashi, amnesiA¶mnesiA with guest model Yo from Matenrou Opera, and Metamorphose with designer Chinatsu Taira. In addition, Hot Topic will reveal a new collection and HYPLAND will debut new items from their BLEACH collaboration. Programming • 15+ Premieres & Exclusive Screenings: Promare, Dr. Stone, In/Spectre, Human Lost, Fire Force, My Hero Academia Season 4, “Pokémon: Mewtwo Strikes Back—Evolution!” and more. • 900+ Hours of Panels, Events, Screenings, Workshops, and more. • Programming Tracks: Career, Culture, Family, and Academic Program. • Pre-Show Night on July 4 (6 - 10pm) 150+ Guests & Industry Appearances • Creators: Katsuhiro Otomo, Bisco Hatori, Yoshiyuki Sadamoto, Yusuke Kozaki, Atsushi Ohkubo, Utako Yukihiro. • Japanese Voice Actors: Rica Matsumoto, Mamoru Miyano, Maya Uchida, Kaori Nazuka. -
Abenomics' Effect on Gender Inequality in Japanese Society And
Georgia Southern University Digital Commons@Georgia Southern Honors College Theses 2021 Abenomics’ Effect on Gender Inequality in Japanese Society and the Workplace Arianna C. Johnson Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the Japanese Studies Commons, and the Women's Studies Commons Recommended Citation Johnson, Arianna C., "Abenomics’ Effect on Gender Inequality in Japanese Society and the Workplace" (2021). Honors College Theses. 583. https://digitalcommons.georgiasouthern.edu/honors-theses/583 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in Honors College Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Abenomics’ Effect on Gender Inequality in Japanese Society and the Workplace An Honors Thesis submitted in partial fulfillment of the requirements for Honors in Political Science and International Studies. By Arianna C. Johnson Under the mentorship of Dr. Christopher M. Brown ABSTRACT In this study, I determine the extent to which Japan’s shrinking workforce population has been affected by gender roles. Many Asian countries are experiencing a prominent decline in birth rate and population, which has increased global interest in these issues. Prime Minister Shinzo Abe and Japanese government officials have eagerly responded, pushing Japanese women into the labor force as a possible solution. However, this decision has unanticipated drawbacks, which requires officials to address Japanese women’s concerns in and outside of the workplace. I argue that the Japanese government will have more success by addressing these needs, creating a more gender-equal society for Japanese women. -
The Formation of Temporary Communities in Anime Fandom: a Story of Bottom-Up Globalization ______
THE FORMATION OF TEMPORARY COMMUNITIES IN ANIME FANDOM: A STORY OF BOTTOM-UP GLOBALIZATION ____________________________________ A Thesis Presented to the Faculty of California State University, Fullerton ____________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Geography ____________________________________ By Cynthia R. Davis Thesis Committee Approval: Mark Drayse, Department of Geography & the Environment, Chair Jonathan Taylor, Department of Geography & the Environment Zia Salim, Department of Geography & the Environment Summer, 2017 ABSTRACT Japanese animation, commonly referred to as anime, has earned a strong foothold in the American entertainment industry over the last few decades. Anime is known by many to be a more mature option for animation fans since Western animation has typically been sanitized to be “kid-friendly.” This thesis explores how this came to be, by exploring the following questions: (1) What were the differences in the development and perception of the animation industries in Japan and the United States? (2) Why/how did people in the United States take such interest in anime? (3) What is the role of anime conventions within the anime fandom community, both historically and in the present? These questions were answered with a mix of historical research, mapping, and interviews that were conducted in 2015 at Anime Expo, North America’s largest anime convention. This thesis concludes that anime would not have succeeded as it has in the United States without the heavy involvement of domestic animation fans. Fans created networks, clubs, and conventions that allowed for the exchange of information on anime, before Japanese companies started to officially release anime titles for distribution in the United States. -
Financial Crime
Japan’s Shifting Geopolitical and Geo-economic relations in Africa A view from Japan Inc. By Dr Martyn Davies, Managing Director: Emerging Markets & Africa, Frontier Advisory Deloitte and Kira McDonald, Research Analyst, Frontier Advisory Deloitte The Japanese translation was published in changer” in Africa since the turn of the century; Building Hitotsubashi Business Review geopolitical stature and influence in Africa with a (Vol. 63, No. 1, June 2015, pp. 24-41). potential view toward gaining a permanent seat on the United Nations Security Council (UNSC); and the strategic Introduction need for securing resource assets with special emphasis on energy resources and key metals for its industrial Japan has been grappling with defining its Africa economy.1 strategy. Historically, Japanese engagement with Since 2000, Japan’s strategy toward Africa has begun Africa has emphasised aid and development rather to shift. Whereas previously the relationship was than focused pragmatic commercial interest. Japan’s characterised by a donor-recipient model to a more engagement in Africa is seen as benign due in large part commercially-orientated approach, encouraging to its non-involvement in the continent’s colonial history. development through private investment, and However, Japan’s engagement of Africa is undergoing a incorporating a greater focus on business aligned shift due in large part by the increased prominence of the to the interests of Japan Inc. But as Africa itself is African continent and rising competition from emerging rapidly changing, so too much the foreign policy and actors who this century are rapidly accumulating both commercial strategy of Japan toward the continent. geopolitical and geo-economic capital on the continent. -
The Rise of Nationalism in Millennial Japan
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2010 Politics Shifts Right: The Rise of Nationalism in Millennial Japan Jordan Dickson College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Asian Studies Commons Recommended Citation Dickson, Jordan, "Politics Shifts Right: The Rise of Nationalism in Millennial Japan" (2010). Undergraduate Honors Theses. Paper 752. https://scholarworks.wm.edu/honorstheses/752 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Politics Shifts Right: The Rise of Nationalism in Millennial Japan A thesis submitted in partial fulfillment of the requirement for the degree of Bachelors of Arts in Global Studies from The College of William and Mary by Jordan Dickson Accepted for High Honors Professor Rachel DiNitto, Director Professor Hiroshi Kitamura Professor Eric Han 1 Introduction In the 1990s, Japan experienced a series of devastating internal political, economic and social problems that changed the landscape irrevocably. A sense of national panic and crisis was ignited in 1995 when Japan experienced the Great Hanshin earthquake and the Aum Shinrikyō attack, the notorious sarin gas attack in the Tokyo subway. These disasters came on the heels of economic collapse, and the nation seemed to be falling into a downward spiral. The Japanese lamented the decline of traditional values, social hegemony, political awareness and engagement. -
(JET) Programme 【Objective】 to Increase Cross-Cultural Understanding As Well As Contribute to Internationalization Efforts Within Japan
The Japan Council of Local Authorities for International Relations (J.CLAIR), Singapore About CLAIR The Council of Local Authorities for International Relations (CLAIR) was established in July 1988 in response to rising concerns for local-level internationalization in Japan. CLAIR was created as a joint organization of local governments to promote and provide support for local internationalization. CLAIR’s headquarters are located in Tokyo with seven representative offices in Singapore, New York, London, Paris, Seoul, Sydney and Beijing. J.CLAIR Singapore J.CLAIR Singapore was set up in October 1990 and conducts activities in the 10 ASEAN countries (Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand, Vietnam) , India as well as Sri Lanka. Main Activities 1. International cooperation efforts at local government level 2. Promoting local level exchange 3. Conducting research on local administration and finance systems as well as the various policies 4. Supporting Japanese local governments’ overseas activities Sri Lanka Organizational Structure Our office consists of 19 staff dispatched from Japan and 6 local staff. No. Dispatched from Executive Director 1 Ministry of Internal Affairs & Communications Deputy Executive 1 Kyoto Director Senior Deputy Director 1 Hyogo Akita, Tochigi, Oyama City (Tochigi), Tokyo, Adachi City (Tokyo), Ota City (Tokyo), Nagano, Aichi, Ichinomiya City (Aichi), Deputy Director 14 Yamaguchi, Kitakyushu City (Fukuoka),Miyazaki, Kagoshima, Kagoshima City (Kagoshima) Division Director 2 Nagano, Kumamoto Local Staff 6 - 1 International Cooperation Efforts at Local Government Level Seminars and Exchange Sessions on Local Administration 【Objective】 With an aim to enhance cooperation and exchange in the area of local administration, J.CLAIR Singapore actively conducts seminars and exchange sessions with local government officials and related organizations in ASEAN countries, India as well as Sri Lanka. -
1 WHAT's in a SUBTITLE ANYWAY? by Katherine Ellis a Thesis
WHAT’S IN A SUBTITLE ANYWAY? By Katherine Ellis A thesis Presented to the Independent Studies Program of the University of Waterloo in fulfillment of the thesis requirements for the degree Bachelor of Independent Studies (BIS) Waterloo, Canada 2016 1 剣は凶器。剣術は殺人術。それが真実。薫どのの言ってる事は...一度も自分 の手血はがした事もないこと言う甘えだれ事でござる。けれでも、拙者は真実よ りも薫どのの言うざれごとのほうが好きでござるよ。願あくはこれからのよはそ の戯れ言の真実もらいたいでござるな。 Ken wa kyouki. Kenjutsu wa satsujinjutsu. Sore wa jijitsu. Kaoru-dono no itte koto wa… ichidomo jishin no te chi wa gashita gotomonaikoto iu amae darekoto de gozaru. Keredomo, sessha wa jujitsu yorimo Kaoru-dono no iu zaregoto no houga suki de gozaru yo. Nega aku wa korekara no yo wa sono zaregoto no jujitsu moraitai de gozaru na. Swords are weapons. Swordsmanship is the art of killing. That is the truth. Kaoru-dono ‘s words… are what only those innocents who have never stained their hands with blood can say. However, I prefer Kaoru- dono’s words more than the truth, I do. I wish… that in the world to come, her foolish words shall become the truth. - Rurouni Kenshin, Rurouni Kenshin episode 1 3 Table of Contents Abstract……………………………………………………………………………………………………………….5 Body Introduction………………………………………………………………….……………………………………..6 Adaptation of Media……………………………………………….…………………………………………..12 Kenshin Characters and Japanese Archetypes……………………………………………………...22 Scripts Japanese………………………………………………………………………………………………….29 English……………………………………………………………………………………………………35 Scene Analysis……………………………………………………………………………………………………40 Linguistic Factors and Translation………………………………………………………………………53