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Front Matter Cambridge University Press 978-0-521-43270-2 - The Two Noble Kinsmen Edited by Robert Kean Turner and Patricia Tatspaugh Frontmatter More information THE NEW CAMBRIDGE SHAKESPEARE general editor Brian Gibbons associate general editor A. R. Braunmuller, University of California, Los Angeles From the publication of the first volumes in 1984 the General Editor of the New Cambridge Shakespeare was Philip Brockbank and the Associate General Editors were Brian Gibbons and Robin Hood. From 1990 to 1994 the General Editor was Brian Gibbons and the Associate General Editors were A. R. Braunmuller and Robin Hood. THE TWO NOBLE KINSMEN Since the late twentieth century, when scholarly attention began to focus on sexuality, collab- oration and Shakespeare’s late plays, The Two Noble Kinsmen has become an essential script. Turner and Tatspaugh’s edition presents a strong case for taking the play more seriously now than ever before. A lively introduction discusses Shakespeare’s craftsmanship in adapting a medieval tale for the Jacobean stage, the extent of co-authorship with John Fletcher, the rhetorical complexity of Shakespeare’s late style, the themes of sexuality and friendship, and contemporary critical responses to the play. In addition to presenting a detailed history of performance, the edition calls attention to productions that have demonstrated the play’s theatrical vitality, and solved – or failed to solve – difficulties inherent in the text. Bringing the textual history completely up to date, the edition reflects renewed interest in The Two Noble Kinsmen, confirming it as a play for today. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-43270-2 - The Two Noble Kinsmen Edited by Robert Kean Turner and Patricia Tatspaugh Frontmatter More information THE NEW CAMBRIDGE SHAKESPEARE All’s Well That Ends Well, edited by Russell Fraser Antony and Cleopatra, edited by David Bevington As You Like It, edited by Michael Hattaway The Comedy of Errors,editedbyT.S.Dorsch Coriolanus, edited by Lee Bliss Cymbeline, edited by Martin Butler Hamlet, edited by Philip Edwards Julius Caesar, edited by Marvin Spevack King Edward III, edited by Giorgio Melchiori The First Part of King Henry IV, edited by Herbert Weil and Judith Weil TheSecondPartofKingHenryIV, edited by Giorgio Melchiori King Henry V, edited by Andrew Gurr The First Part of King Henry VI, edited by Michael Hattaway TheSecondPartofKingHenryVI, edited by Michael Hattaway The Third Part of King Henry VI, edited by Michael Hattaway King Henry VIII, edited by John Margeson King John,editedbyL.A.Beaurline The Tragedy of King Lear, edited by Jay L. Halio King Richard II, edited by Andrew Gurr King Richard III, edited by Janis Lull Love’s Labour’s Lost, edited by William C. Carroll Macbeth, edited by A. R. Braunmuller Measure for Measure, edited by Brian Gibbons The Merchant of Venice, edited by M. M. Mahood The Merry Wives of Windsor, edited by David Crane A Midsummer Night’s Dream,editedbyR.A.Foakes Much Ado About Nothing,editedbyF.H.Mares Othello, edited by Norman Sanders Pericles, edited by Doreen DelVecchio and Antony Hammond The Poems, edited by John Roe Romeo and Juliet,editedbyG.BlakemoreEvans The Sonnets, edited by G. Blakemore Evans The Taming of the Shrew, edited by Ann Thompson The Tempest, edited by David Lindley Timon of Athens,editedbyKarlKlein Titus Andronicus, edited by Alan Hughes Troilus and Cressida, edited by Anthony B. Dawson Twelfth Night, edited by Elizabeth Story Donno The Two Gentlemen of Verona, edited by Kurt Schlueter The Two Noble Kinsmen, edited by Robert Kean Turner and Patricia Tatspaugh The Winter’s Tale, edited by Susan Snyder and Deborah T. Curren-Aquino the early quartos The First Quarto of Hamlet, edited by Kathleen O. Irace The First Quarto of King Henry V, edited by Andrew Gurr The First Quarto of King Lear, edited by Jay L. Halio The First Quarto of King Richard III, edited by Peter Davison The First Quarto of Othello, edited by Scott McMillin The First Quarto of Romeo and Juliet, edited by Lukas Erne The Taming of a Shrew: The 1594 Quarto, edited by Stephen Roy Miller © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-43270-2 - The Two Noble Kinsmen Edited by Robert Kean Turner and Patricia Tatspaugh Frontmatter More information THE TWO NOBLE KINSMEN Edited by ROBERT KEAN TURNER and PATRICIA TATSPAUGH © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-43270-2 - The Two Noble Kinsmen Edited by Robert Kean Turner and Patricia Tatspaugh Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo, Delhi, Tokyo, Mexico City Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521686990 c Cambridge University Press 2012 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2012 Printed in the United Kingdom at the University Press, Cambridge A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data Fletcher, John, 1579–1625. The two noble kinsmen / edited by Robert Kean Turner and Patricia Tatspaugh. p. cm. – (The new Cambridge Shakespeare) The earliest surviving text of The two noble kinsmen is the 1634 quarto, attributed to John Fletcher and William Shakespeare. Includes bibliographical references. isbn 978-0-521-43270-2 1. Knights and knighthood – Drama. 2. Athens (Greece) – Drama. I. Shakespeare, William, 1564–1616. II. Turner, Robert Kean, 1926– III. Tatspaugh, Patricia Elizabeth, 1938–IV.Title. pr2870.a2t87 2012 822.3 –dc23 2011041599 isbn 978-0-521-43270-2 Hardback isbn 978-0-521-68699-0 Paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-43270-2 - The Two Noble Kinsmen Edited by Robert Kean Turner and Patricia Tatspaugh Frontmatter More information CONTENTS List of illustrations page vi Acknowledgements vii List of abbreviations and conventions ix Introduction 1 Authorship 1 Date 6 Sources 6 Craftsmanship 7 Critical reception 16 Shakespeare’s late style 23 The Two Noble Kinsmen in performance 28 Early performances and adaptations 29 Twentieth century 31 Twenty-first century 47 Note on the text 52 List of characters 57 THE PLAY 59 Supplementary notes 213 Textual analysis 220 Appendix: Productions, staged readings, and recordings, 1928 to 2011 224 Reading list 227 v © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-43270-2 - The Two Noble Kinsmen Edited by Robert Kean Turner and Patricia Tatspaugh Frontmatter More information ILLUSTRATIONS 1 Title page, 1634 quarto. Courtesy of the Rare Book & Manuscript Library, University of Illinois at Urbana–Champaign and the Malone Society page 2 2 Theseus and the Amazons. Red-figured dinos (mixing bowl), 440–430 bc. British Museum 9 3 The queens petition Theseus (David Dodimead), Act 1, scene 1, Open Air Theatre, Regent’s Park, 1974. Photograph: John Timbers 35 4 Arcite (Martin Potter) resigns Emilia (Lea Dregorn) to Palamon (Philip Bowen), Act 5, scene 4, Open Air Theatre, Regent’s Park, 1974. Photograph: Nobby Clark 37 5 Jailer’s Daughter (Imogen Stubbs), Act four, scene 1,RSC,1986. Photograph: Donald Cooper 40 6 Schoolmaster (Richard Moore) and Countrymen lead the Jailer’s Daughter (Imogen Stubbs) into the Morris, Act three, scene 5,RSC, 1986. Photograph: Donald Cooper 41 7 Arcite (Hugh Quarshie) arms Palamon (Gerard Murphy), Act three, scene 6,RSC,1986. Photograph: Donald Cooper 43 8 Palamon (Jasper Britton) and Arcite (Will Keen), Act two, scene 2, Shakespeare’s Globe, 2000. Photograph: Donald Cooper 45 9 Emilia (Geraldine Alexander) and Hippolyta (Yolanda Vazquez), Act three, scene 6, Shakespeare’s Globe, 2000. Photograph: Donald Cooper 48 10 Emilia (Michelle Giroux), Palamon (Kami Posner), and Arcite (Brendan Murray), Act 2, scene 2, Stratford Festival, Ontario, 2002. Courtesy of Stratford Festival. Photograph: Michael Cooper 49 vi © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-43270-2 - The Two Noble Kinsmen Edited by Robert Kean Turner and Patricia Tatspaugh Frontmatter More information ACKNOWLEDGEMENTS I am grateful to the British Library, especially the staff in Humanities 2,the Shakespeare Centre Library, especially Sylvia Morris, the Shakespeare Institute Library, Shakespeare Library of the Birmingham Public Library, the library and archive of Shakespeare’s Globe, and the Theatre Collection of the Victoria and Albert Museum. Jane Edmonds of the Stratford (Ontario) Shakespeare Festival Archives kindly supplied copies of press notices and images for study. For help with illustrations I thank Agata Rutkowska, British Museum; Dennis Sears, The Rare Book and Manuscript Library, University of Illinois at Urbana–Champaign; and Colin Baldwin, Malone Society Reprints, as well as photographers John Timbers, Nobby Clark, and Donald Cooper. Without the help of Ellen Charendoff, Stratford Festival Archives, and the intervention of Ann Swerdfager, Publicity Director of the Festival, it would not have been possible to include a photograph of the Festival’s 2002 production. For the Appendix Terri Ross, Performing Arts Department, Santa Fe University of Art and Design, kindly tracked down the name of the director of the 1982 production at the (as it was then known) College of Santa Fe; I was unable to discover the directors of a few other productions listed in the Appendix.
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