IAFOR Journal of Cultural Studies Volume 5 Issue 2
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British Naturism Written Evidence
Written evidence submitted by British Naturism [MISS0067] British Naturism written evidence Executive summary 1. Little or no progress has been made in improving body image over the past decade indicating that a radical rethink is necessary; 2. There is substantial evidence that a more relaxed attitude towards the body would result in significant improvements and there is no evidence of any deleterious effects; 3. Policy is not going to work unless firmly evidence-based and that must take precedence over fear of causing offence; 4. Significant improvements are possible at little or no cost. British Naturism 5. Naturism is everyday life without any requirement for clothing. There are many motivations for practising Naturism including freedom, convenience, comfort, health, and belief.1 6. British Naturism (BN) is the internationally recognised UK national naturist organisation. We exist to unite and support naturists, to protect, and provide more naturist venues, to make social nudity acceptable in the UK and to provide comprehensive information on naturism and naturists around the world. We have over 9000 active members and represent over 4 million naturists nationwide. BN is a member of the International Naturist Federation which covers 37 countries worldwide. 7. We have been working on body image and body knowledge related issues for at least twenty years. 8. We are grateful to the Committee for accepting a late submission from us. Overview 9. The seriousness of the poor body image problem is now better appreciated than it was, but comparisons with past government reports2 show that disturbingly little progress, if any, has been made. It is unlikely that continuing with the same strategies will produce the significant improvements necessary, and a radical rethink is required. -
Broadcast and on Demand Bulletin Issue Number 335 29/08/17
Issue 335 of Ofcom’s Broadcast and On Demand Bulletin 29 August 2017 Issue number 335 29 August 2017 Issue 335 of Ofcom’s Broadcast and On Demand Bulletin 29 August 2017 Contents Introduction 3 Broadcast Standards cases In Breach Russell Brand Radio X, 28 May 2017, 11:00 6 Top 3 in the Newspapers Al Magharibia TV, 9 February 2017, 04:30 and 10:35 11 The Bigger Drive Home City Beat Preston, 8 June 2017, 18:35 23 Behind the Success Channel i, 16 May 2017, 12:00 25 Amader Khobor Channel i, 1 February 2017, 09:30 29 In Breach/Not in Breach The World Right Now CNN International, 9 May 2017, 20:00 32 Advertising scheduling cases In Breach Advertising minutage Travel Channel, 3 and 8 April 2017, various times 41 Advertising minutage TLC (Slovenia), 26 February 2017, various times 43 Broadcast Licence Conditions cases In Breach Retention and production of recordings Radio Ramadan Stoke, 30 May 2017, 16:50 45 Broadcast Fairness and Privacy cases Upheld Complaint by Mr Muhammed Asghar News, Channel 44, 27 January 2017 47 Issue 335 of Ofcom’s Broadcast and On Demand Bulletin 29 August 2017 Not Upheld Complaint by Mrs Sara Webb on her own behalf and on behalf of Mr Jonathan Webb The Nightmare Neighbour Next Door, Channel 5, 16 March 2017 53 Tables of cases Investigations Not in Breach 60 Complaints assessed, not investigated 61 Complaints outside of remit 71 BBC First 73 Investigations List 75 Issue 335 of Ofcom’s Broadcast and On Demand Bulletin 29 August 2017 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. -
Broadcast@ ■ Melvyn Bragg on TV Street, London WC2H 9HQ ■ Jane Hudson Btinternet.Com the Author and Parliamentarian ■ Rtsdevonandcornwall@Rts
October 2017 A world of opportunity CAMBRIDGE CONVENTION 2017 MASTERCLASSES 14 November From the CEO The RTS Cambridge Convention not only kicked off the Society’s busy RTS STUDENT autumn events schedule, it generated headlines in abundance and helped to PROGRAMME set the media agenda. Huge thanks to the convention’s brilliant co-chairs, Sky’s Andrew MASTERCLASSES Griffith and Gary Davey, and to all the speakers and session producers. We enjoyed an extraordinary line-up of world-class entertainment execu- tives. James Murdoch’s appearance on the Thursday morning was a particular 15 November high point, as he outlined the corporate RTS STUDENT philosophy of 21st Century Fox. CRAFT SKILLS MASTERCLASSES Contents Kenton Allen’s TV diary Kenton Allen chills in Malibu and trades gossip at the RTS 5 Cambridge Convention RTS Cambridge Convention 2017 Reports by Matthew Bell, Maggie Brown, Steve Clarke and Tara Conlan One: A world of opportunity Steve Clarke listens as senior industry figures identify 7 British TV’s strengths and challenges Two: Zig when the others zag CEO Nancy Dubuc explains how A+E Networks has 10 prospered by taking risks and diversifying. Matthew Bell watches the showreel Three: Show me the money Maggie Brown hears how Andy Harries and Andy Wilman 12 made TV history by signing lucrative deals with Netflix and Amazon Four: Five fundamentals guiding the BBC Chairman Sir David Clementi lays out his vision for the 14 BBC – and defends its journalists from harassment Five: News we can trust? Steve Clarke watches news executives decide how to 17 handle emerging details of a terrorist attack as online reports of the event multiply Both at: Editor Production, design Writer IET, 2 Savoy Place, London WC2R 0BL Steve Clarke and advertising Matthew Bell [email protected] Gordon Jamieson [email protected] [email protected] Booking: www.rts.org.uk Journal of The Royal Television Society October 2017 l Volume 54/9 It was wonderful, too, to have the domestic news story unfolds. -
Channel 4 Response to Ofcom's Consultation on 'Protecting Participants in TV and Radio Programmes'
Channel 4 response to Ofcom’s consultation on ‘Protecting participants in TV and radio programmes’ Executive Summary • Channel 4 considers that treating contributors to programmes with due care is of paramount importance, separate to and including our responsibilities under the Ofcom Broadcasting Code (“the Code”).1 • Contributor care has for many years been, and continues to remain, a central priority for us. Working with our production partners we develop comprehensive, proactive and robust welfare protocols and processes which are regularly reviewed and updated. • We take a bespoke approach to contributor care, with the type of support given tailored to the individual nature of each situation. In our experience, what constitutes the proper exercise of our duty of care in each programme depends very much on the nature of the programme, and a ‘one size fits all’ or standard template approach is not appropriate. • As such, we welcome Ofcom’s recognition that “different types of participation may raise very different risks of harm to participants.” And that any proposed new rules “need to be flexible enough to work in a range of situations, and to take account of the fact that very different types and levels of care may be necessary.” • Channel 4 recognises that Ofcom, as the broadcast regulator, has an important role to play in ensuring consistent standards in contributor care across the industry and we believe our current approach is aligned with what Ofcom is seeking to deliver • Whilst we agree that it is vital that Ofcom should be able to provide guidance to the industry and to deal effectively with complaints by viewers and contributors, it must do so within the parameters of the authority granted to it by Parliament and with due regard to other rights and duties including the right to freedom of expression as expressed in Article 10 of the European Convention on Human Rights. -
Rannual Report 2017
T T ANNUAL REPORT RR2017 SS PATRONS PRINCIPAL PATRONS BBC ITV Channel 4 Sky INTERNATIONAL PATRONS A+E Networks International NBCUniversal International Akamai The Walt Disney Company CGTN Turner Broadcasting System Inc Discovery Networks Viacom International Media Networks Facebook YouTube Liberty Global MAJOR PATRONS Accenture ITN Amazon Video KPMG Atos McKinsey and Co Audio Network OC&C Boston Consulting Group Pinewood Studios BT S4C Channel 5 Sargent-Disc Deloitte Sony Endemol Shine STV Group Enders Analysis TalkTalk Entertainment One UKTV Finecast Vice FremantleMedia Virgin Media IBM YouView IMG Studios RTS PATRONS Alvarez & Marsal LLP Raidió Teilifís Éireann Autocue Snell Advanced Media Digital Television Group UTV Television Lumina Search Vinten Broadcast PricewaterhouseCoopers 2 CONTENTS Foreword by RTS Chair and CEO 4 Board of Trustees report to members 6 I Achievements and performance 6 1 Education and skills 8 2 Engaging with the public 16 3 Promoting thought leadership 26 4 Awards and recognition 32 5 The nations and regions 38 6 Membership and volunteers 42 7 Financial support 44 8 Summary of national events 46 9 Centre reports 48 II Governance and finance 58 1 Structure, governance and management 58 2 Objectives and activities 60 3 Financial review 60 4 Plans for future periods 61 5 Administrative details 61 Independent auditor’s report 64 Financial statements 66 Notes to the financial statements 70 Notice of AGM 2018 81 Agenda for AGM 2018 82 Form of proxy 83 Minutes of AGM 2017 84 Who’s who at the RTS 86 3 FOREWORD n 2017, we celebrated our 90th anniversary. It Our bursaries are designed to help improve social was a year marked by a rise in membership, mobility. -
Channel 4 Corporation Remit Research Report 2017
Channel 4 Corporation Remit Research report produced for Ofcom by Kantar Media 12th July 2017 Contents 1. Executive Summary 4 2. Research overview 10 Background 10 Aims 10 Methodology 12 3. General Impressions of Channel 4 Corporation 15 Television consumption 15 Consumption of on-demand services 19 The impact of on-demand services on channel brands 20 Service impressions 21 Perceptions of Channel 4 Corporation channels and services 23 4. Channel 4 PSB Remit duties 29 Channel 4 PSB Remit duties 29 How we report on Channel 4’s performance in the context of importance 30 Overview of perceived importance of Channel 4 duties 30 Overview of Channel 4’s perceived performance against its duties 32 Demonstrating innovation, experimentation and creativity 33 Includes programmes of an educational nature 37 Exhibiting a distinctive character 39 5. Channel 4 Corporation’s media content duties 42 Channel 4 Corporation Remit duties 42 How we report on Channel 4 Corporation’s performance in the context of importance 44 Overview of perceived importance of Channel 4 Corporation duties 45 Overview of Channel 4 Corporation’s perceived performance against its duties 49 News and current affairs 53 Diversity 57 Promote alternative views and new perspectives 64 Stimulating participation in society 68 Film 78 Older children and young adults 84 Summary of performance in the context of importance 91 6. Older Children’s Attitudes to Channel 4 Corporation 93 93 Older children’s views captured in an online survey 93 Television consumption 93 Consumption of on-demand services 95 Service impressions 95 Perceived performance of Channel 4 Corporation against its Remit 97 Programmes watched 100 7. -
Blgbtawards-Guardian-Supplement V3.Indd
An independent advertising supplement distributed in the Guardian on behalf of SPM Group Limited who take sole responsibility for its contents. CELEBRATING THE BEST OF BRITAIN Since its inception, the non-profit British The British LGBT Awards showcases public figures, businesses, and community. Find out who this year’s winners and Top 10s are, LGBT Awards has recognised and and why recognising them is important. championed the incredible work done by the individuals, allies and companies to homophobic comments at school, and musician Hayley Kiyoko; actress and political the various identities within the LGBT+ working towards LGBT+ equality. 60% in the safety of their own home. campaigner Cynthia Nixon; national treasure community. Celebrating these champions Stories from around the world show that Visibility is a fundamental agent of change Stephen Fry, gender-fluid drag performer and allies allows us to promote LGBT+ LGBT+ rights are still under attack: from when it comes to mainstream acceptance, Courtney Act and world-champion boxer causes, raise awareness about the issues Russia’s ‘propaganda’ law, to Kenya’s ban on and plays a crucial part in shaping people’s Nicola Adams OBE. that affect the community, recognise the the lesbian film,Rafiki , and the current rules opinions. From online media and television An expert panel of business leaders achievements that have been made and preventing transgender people from serving to the workplace, young LGBT+ people need invested in diversity judged the workplace increase the visibility of LGBT+ trailblazers in the US military, to name a few. to see themselves represented in order to entries, which relied on evidence. -
Directors UK Response to the Ofcom Call for Evidence
OFCOM CALL FOR EVIDENCE Review of Regional TV Production and Programming Guidance Closing date: 10th May 2018 INTRODUCTION We welcome the opportunity to comment on the Ofcom Review of Regional TV Production and Programming Guidance. This response is being submitted on behalf of Directors UK. Directors UK is the professional association for UK screen directors, representing the creative, economic and contractual interests of 6,500 members – the overwhelming majority of working film and television directors across the UK. Directors UK collects and distributes royalty payments and is a membership organisation providing a range of services including campaigning, commercial negotiations, legal advice and support, events, training and career development. Directors UK works closely with fellow organisations around the world to represent directors’ rights and concerns, promotes excellence in the craft of directing and champions change to the current landscape to create an equal opportunity industry for all. SUMMARY It is the experience of Directors UK members who live and work in the nations and regions, that engaging local creative talent to work on programmes commissioned within their nation or region has not been happening in a satisfactory way. Due to the way Ofcom monitors and reports on the use of regional off-screen talent the primary issue of the lack of hiring of key HOD roles e.g. Directors and Producers, based outside London, has largely gone unnoticed. Ensuring nations and regions representation both in front and behind camera, and to serve and represent audiences across the entire UK, can only be truly achieved if the people making the programmes live and work in the regions themselves. -
367 of the Broadcast and on Demand Bulletin
Issue 367 of Ofcom’s Broadcast and On Demand Bulletin 3 December 2018 Issue number 367 3 December 2018 1 Issue 367 of Ofcom’s Broadcast and On Demand Bulletin 3 December 2018 Contents Introduction 3 Broadcast Standards cases In Breach Steve Allen LBC 97.3FM, 1 October 2018, 04:00 6 Dog and Beth: On the Hunt CBS Reality+1, 16 August 2018, 05:40 11 Lunch with Lewi 883 Centreforce, 30 August 2018, 12:00 14 Programming Tudno FM, 21 August 2018, 14:08 17 Steg G in the Morning Sunny Govan Radio, 17, 20 and 25 September 2018, various times 20 Peter Popoff Ministries BEN TV, 28 January 2018, 22:00 23 Roast Battle Week (trailer) Comedy Central Extra +1, 14 September 2018, 18:25 29 Ferne McCann: First Time Mum ITVBe, 9 May 2018, 21:00 35 Broadcast Licence Conditions cases In Breach Provision of information: Diversity in Broadcasting ATN Bangla UK Limited 40 Broadcast Fairness and Privacy cases Upheld Complaint by Ms Y, made on her own behalf and on behalf of her daughter (a minor) Can’t Pay? We’ll Take It Away!, Channel 5, 9 October 2016 41 Complaint by Mrs R on her own behalf and on behalf of her two children (minors) Can’t Pay? We’ll Take It Away!, Channel 5, 3 May 2017 78 2 Issue 367 of Ofcom’s Broadcast and On Demand Bulletin 3 December 2018 Tables of cases Investigations Not in Breach 116 Complaints assessed, not investigated 117 Complaints outside of remit 127 BBC First 129 Investigations List 131 3 Issue 367 of Ofcom’s Broadcast and On Demand Bulletin 3 December 2018 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. -
Official Finalists List Marketing Team of the Year
1 OFFICIAL FINALISTS LIST MARKETING TEAM OF THE YEAR AMC NETWORKS INTERNATIONAL UK FRANCE TELEVISIONS NETFLIX CREATIVE STUDIO TNT4 TV 2 DENMARK V CRETIVE AT VIACOMCBS AGENCY OF THE YEAR GÉDÉON MULLENLOWE FRANCE NEW LAND PIKE MEDIA LAB SO WHEN FINALISTS TBWA\NEBOKO OF THE YEAR AWARDS 1 BEST BRAND SPOT MASTERS OF THE BEAT KINO TV DISNEY+ EUROPEAN LAUNCH SPOT THE WALT DISNEY COMPANY LTD FIGHT CANCER TV 2 DENMARK NATIONAL GEOGRAPHIC: CHANNEL POSITIONING CAMPAIGN THE WALT DISNEY COMPANY SKY CINEMA BRAND PROMO SKY ITALIA DISNEY+ "MAKE THIS CHRISTMAS WONDERFUL” THE WALT DISNEY COMPANY LTD GENERAL BRAND CAMPAIGN: CHANNEL, NETWORK OR PLATFORM HBO TELEKOM EDUCATIONAL SPOTS WARNERMEDIA MERRY WEIRD CHRISTMAS TV 2 DENMARK STAY WITH THE BEST MOVISTAR+ FINALISTS MTV 2020 ERROR FOUND CHANNEL BRANDING VIACOMCBS CREATIVE YOUTH AND MUSIC EMEAA FOX INTERVALO PROJECT THE WALT DISNEY COMPANY EUROPE AND AFRICA EVERYTHING IN A CLICK COSMO SPAIN 1 GENERAL BRAND DESIGN PACKAGE: CHANNEL, NETWORK OR PLATFORM AJE CHANNEL REFRESH AL JAZEERA TG4 REBRAND RED BEE CREATIVE CVI REEL HBO EUROPE 2020 WARNERMEDIA M6 GLOBAL IDENTITY GÉDÉON POP UK REFRESH SUPERESTUDIO DISCOVERY ULTRA DISCOVERY CREATIVE EMEA PAY TV SOCIAL RESPONSIBILITY ANNOUNCEMENT SPOT RAINBOW AWARDS TV 2 DENMARK FOX WOMENS DAY THE WALT DISNEY COMPANY, EUROPE AND AFRICA FIGHT CANCER FINALISTS TV 2 DENMARK NATIONAL GEOGRAPHIC WILD: WILD CALLING- SOCIAL DISTANCING PSA CHANNEL BRANDING THE WALT DISNEY COMPANY THE SHOWS WE NEVER WANT TO MAKE ITV CREATIVE REAL TIME FOR THE ELIMINATION OF VIOLENCE AGAINST WOMEN -
Interim Report: January to June 2017
INTERIM REPORT JANUARY TO JUNE 2017 ENTERTAIN. INFORM. ENGAGE. HIGHLIGHTS ESCAPE FROM REALITY FURTHER EXPANSION RTL Group became the largest investor in the Series A financing round of Inception, an Israel-based leader in OF AD-TECH BUSINESS Virtual Reality entertainment, and will hold a minority stake of 15.01 per cent in the company. With the RTL Group has agreed with the minority shareholders acquisition, RTL Group underlines its leading position in of SpotX to take full ownership of SpotX and will the total video universe. acquire the remaining 36.4 per cent shareholding for US-$ 145 million (€ 123 million); the transaction is Inception was founded in 2016 by a team with a broad expected to close in October 2017. range of talent led by serial tech entrepreneurs Benny Arbel and Gigi Levy-Weiss. The company will provide RTL Group plans additional investments to further Virtual Reality programming, creative, and distribution expand its ad-tech businesses and foster continued capabilities to RTL Group with its unique combination of synergies between its different ad-tech entities. a next generation content network, innovative technology This growth plan includes close collaboration between in the areas of interactivity and user experience, as SpotX and Smartclip, rolling out their solutions well as content creation expertise. The Inception app, across the Group’s operations and scaling up the available for all VR devices and mobiles, has already business with further acquisitions and partnerships. become one of the top 5 VR video apps. Mid-August, Inception was selected by Facebook to be one of the few beta partners for Facebook’s Camera Effects programme. -
Broadcasting-In-Britian
Amanda Reding Media in Britain Kelly 06 February 2020 Broadcasting in Britain When looking at broadcasting in the United Kingdom, and more specifically Britain, it is very different than broadcasting in the United States. One of the main differences is the strength and the coverage of their two Public Service Broadcasters, the BBC and Channel 4. While both the BBC and Channel 4 are both considered to be PSB, the two stations are run very differently and they each have a different remit, or goal, when it comes to producing their content. In addition, when studying or evaluating British broadcasting, one must also consider the role of commercial television and what it does for audiences. Lastly, an important and current debate that is currently happening in British broadcasting is the way in which the BBC is run, how they get their funding and whether or not this is a tradition of the past and will continue in the future. The British Broadcasting Corporation, otherwise known as the BBC, was Britain’s first official broadcaster. One thing that stands out about the BBC from all other broadcasters, including other public broadcasters in the UK, is the way in which they get their funding. The BBC is publicly owned and the funding for it comes from their universal licensing fee, which every household in Britain is required to pay. The fee is currently £154.50 per year and includes access to all BBC content via radio, TV, news, online and iPlayer (“BBC News”). While many people believe that this type of funding is a way of the past, some scholars such as Alessandro D'Arma argue that “it is to this changing, and more challenging, ideological climate that PSB organiZations have had to adjust and respond” (D’Arma).