The Beggar's Offering
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
How to Witness the World with a Distance Barbican Young Poets 2013–14 Barbican.Org.Uk How to Witness the World with a Distance Barbican Young Poets 2013–14 Contents
How to Witness the World with a Distance Barbican Young Poets 2013–14 barbican.org.uk How to Witness the World with a Distance Barbican Young Poets 2013–14 Contents Anthony Adler 6–7 Rena Minegishi 30–31 Coconut Crab, Mia Anima Tokyo / Beijing Canute Goes to the Seaside After the Argument Shoshana Anderson 8–9 Luke E.T Newman 32–33 Redwood How to Father the Father Indea Barbe-Willson 10–11 in Three Minutes Where Charred Minds Go Ya Hobb (In the Name of Love) Paint-Stripped Doors Damilola Odelola 34–35 Sunayana Bhargava 12–13 Lego People Toiling And the Stuff that Comes Before a Fall Wallpaper Ghosts Kareem Parkins–Brown 36–37 Cameron Brady–Turner 14–15 It’s Not the Hinges; Change the Door Bend Sinister We Knew Before Living Alone: An Experiment Kieron Rennie 38–39 Katie Byford 16–17 Tottenham Letters Amaal Said 40–41 Night and Day in the Midwest He Loves Me, He’s Just Hurting Omar Bynon 18–19 Vollsmose Are We? Ankita Saxena 42–43 The Blue To Blink (Verb) James Coghill 20 Times Square – Halloween / IP6 9PS The A4 – Karva Chaut To a Station of the Overground Isabel Stoner 44–45 Greer Dewdney 21 Innocence Meant to Be Why Don’t We All Dance this Way? Sibling Rivalry Will Tyas 46–47 Emily Harrison 22–23 Illinois I Can’t Sleep Specular ‘Cause My Bed’s on Fire Harry Wilson 48–49 T-Cut Light/Gold Dillon Leet 24–25 White Cliff Country The Accident Antosh Wojcik 50–51 Thank You Letter Living in the Ozone Layer with Lana Masterson 26–27 Major Tom After He Lost Ground Control Lost Generation The Novelty of Flying has a Strange Odour Kiran Millwood Hargrave 28–29 Dulcet Cover image: Amaal Said Golden Shovel Courtesy of Susana Sanroman, Barbican 2014. -
Supernatural Elements in No Drama Setsuico
SUPERNATURAL ELEMENTS IN NO DRAMA \ SETSUICO ITO ProQuest Number: 10731611 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731611 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Supernatural Elements in No Drama Abstract One of the most neglected areas of research in the field of NS drama is its use of supernatural elements, in particular the calling up of the spirit or ghost of a dead person which is found in a large number (more than half) of the No plays at present performed* In these 'spirit plays', the summoning of the spirit is typically done by a travelling priest (the waki)* He meets a local person (the mae-shite) who tells him the story for which the place is famous and then reappears in the second half of the.play.as the main person in the story( the nochi-shite ), now long since dead. This thesis sets out to show something of the circumstances from which this unique form of drama v/as developed. -
Winter 2005 and WHATEVER the HOLY SPIRIT MIGHT BLOW OUR WAY
The Franciscan Times A QUARTERLY NEWSLETTER HELPING MEMBERS OF THE THIRD ORDER OF THE SOCIETY OF ST. FRANCIS SHARE THEIR COMMON JOURNEY THROUGH NEWS FROM FELLOWSHIPS AND INDIVIDUALS, REVIEWS OF BOOKS AND TAPES, POETRY, STORIES, ESSAYS, REFLECTIONS, MEDITATIONS, GRAPHICS, Winter 2005 AND WHATEVER THE HOLY SPIRIT MIGHT BLOW OUR WAY. Minister’s Musings As members of the Third Order we spend most of lives “in the world” as individuals, observing our personal Ken Norian, Minister Provincial rules. But we are bound together in company with our brothers and sisters by fellowship, a common spiritual- “You can show your love for them by wishing that they ity, a common mission and, most importantly, prayer. should be better Christians”, said Saint Francis in his Letter to a Minister. We come from a variety of countries, cultures, sexual orientations, political persuasions, educational levels, In the past few months since my election as Minister theological perspectives, races, economic circumstanc- Provincial I’ve been refl ecting on this role of service es… the list goes on and on. Lionel E. Deimel, Presi- I’ve been called to. Our Statutes refer to “the adminis- dent of Progressive Episcopalians of Pittsburgh (PEP), tration of the Order” and responsibility for “prepara- recently said, “It is shameful when Christians seem tion of the agenda for Chapter…..” There is, however, only able to see their differences and to be incapable an equally important but less easily described role of celebrating their common commitment to serve shared by leaders of all groups - secular and sacred. their God.” As Franciscans, we have a particular call to This role is one of collaborating with other members of reconciliation and peacemaking. -
FIFF-PROGRAMME-2017-WEB 2.Pdf
#programme #films #events #emotions www.fiff.ch #fiff17 Souvenirs Achetez des souvenirs du FIFF Un bout de FIFF à la maison : à partir du 16.03.17, des produits dérivés du FIFF sont disponibles aux points de vente du Festival. Vous serez aussi chic que le Festival ! Holen Sie sich die FIFF 2017 Merchandise-Artikel Ein Stück FIFF für Zuhause: Ab dem 16.03.17 sind diverse FIFF- Artikel an den Verkaufsstellen des Festivals erhältlich. Sie werden festival-chic aussehen! Get Your FIFF 2017 Merchandise now! A piece of FIFF at home: As from 16.03.17, FIFF merchandise is available for purchase at the Festival’s points of sale. You’ll look festival-chic! 1 Souvenirs Festival International de Films de Fribourg Internationales Filmfestival Freiburg Fribourg International Film Festival Sommaire | Inhaltsverzeichnis | Contents #introduction #parallel #sections Souvenirs 1 Cinéma de genre Genrekino | Genre Cinema 65 Index des films Histoires de fantômes Filmverzeichnis Gespenstergeschichten Index of Films 6 Ghost stories Index des réalisateurs/trices Décryptage Verzeichnis der RegisseurInnen Entschlüsselt | Decryption 89 Index of Directors 8 Cabinet de curiosités cinématographiques Messages 12 Ein filmisches Kuriositätenkabinett A cinematic cabinet of curiosities Comité d’honneur Unterstützungskomitee Diaspora 109 Board of Honour 24 Myret Zaki et l’Egypte Myret Zaki und Ägypten Membres des jurys Myret Zaki and Egypt Jurymitglieder Jury members 27 Hommage à… 119 Freddy Buache Nouveau territoire #official #selection Neues Territorium | New Territory -
Decolonizing the White Colonizer? by Cecilia Cissell Lucas a Dissertation
Decolonizing the White Colonizer? By Cecilia Cissell Lucas A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Education in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Patricia Baquedano-López, Chair Professor Zeus Leonardo Professor Ramón Grosfoguel Professor Catherine Cole Fall 2013 Decolonizing the White Colonizer? Copyright 2013 Cecilia Cissell Lucas Abstract Decolonizing the White Colonizer? By Cecilia Cissell Lucas Doctor of Philosophy in Education University of California, Berkeley Professor Patricia Baquedano-López, Chair This interdisciplinary study examines the question of decolonizing the white colonizer in the United States. After establishing the U.S. as a nation-state built on and still manifesting a colonial tradition of white supremacy which necessitates multifaceted decolonization, the dissertation asks and addresses two questions: 1) what particular issues need to be taken into account when attempting to decolonize the white colonizer and 2) how might the white colonizer participate in decolonization processes? Many scholars in the fields this dissertation draws on -- Critical Race Theory, Critical Ethnic Studies, Coloniality and Decolonial Theory, Language Socialization, and Performance Studies -- have offered incisive analyses of colonial white supremacy, and assume a transformation of white subjectivities as part of the envisioned transformation of social, political and economic relationships. However, in regards to processes of decolonization, most of that work is focused on the decolonization of political and economic structures and on decolonizing the colonized. The questions pursued in this dissertation do not assume a simplistic colonizer/colonized binary but recognize the saliency of geo- and bio-political positionalities. -
Area Catholics Stand up for Life in the State Capital
www.theleaven.com | newspaper of the archdiocese of Kansas city in Kansas | vol. 31, no. 24 january 29, 2010 leaven photo by marc anderson From left to right, immaculata students Ashley o’neil, Jessica Budke, and Bridget o’neil were among the 2,000 who participated in the annual march for life held in downtown topeka. on the mArch Area Catholics stand up for life in the state capital By Marc and Julie Anderson Our Lady Guadalupe Parish in they would know where to ob- special to the leaven Topeka. Also featured were talks tain assistance. by members of both chambers of Prior to the walk and rally, OPEKA — Some the Kansas Legislature, including some 1,700 Catholics from 2,000 Kansans Rep. Lance Kinzer and Sen. Tim across the state — including the braved chilly Huelskamp. entire 500-member student body t e m p e r a t u r e s In addition, Vickie Tiahrt, the of Hayden High School in Topeka on Jan. 22 to wife of U.S. Rep. Todd Tiahrt, and 150 eighth-graders from the participate in a made a brief appearance. capital city’s five Catholic grade walk sponsored Kansans for Life’s executive schools — participated in a re- by Kansans for Life to mark director Mary Kay Culp and gional Mass to pray for an end to Tthe 37th anniversary of Roe development director David abortion. v. Wade, the 1973 Supreme Gittrich also addressed the Celebrated by Father Brian Court decision legalizing abor- crowd. Schieber, pastor of Most Pure tion. The walk wound its way Near the end of the rally, Heart of Mary Parish in Topeka, through downtown Topeka, crisis pregnancy workers from the Mass was held at the Topeka stopping at the Kansas Judicial across the state were intro- Performing Arts Center and was Center, headquarters of the duced, and donations of dia- concelebrated by 13 other priests state Supreme Court, where a pers, clothes and other items from the region, other parts of rally took place. -
Kim Sujin and the Shinjuku Ryozanpaku
Carleton College Carleton Digital Commons Faculty Work Asian Studies 2009 The Avant-garde and Resident Korean Film-making: Kim Sujin and the Shinjuku Ryozanpaku Noboru Tomonari Carleton College Follow this and additional works at: https://digitalcommons.carleton.edu/asst_faculty Part of the Japanese Studies Commons Recommended Citation Tomonari, Noboru. "The Avant-garde and Resident Korean Film-making: Kim Sujin and the Shinjuku Ryozanpaku." Journal of Japanese & Korean Cinema, Journal of Japanese & Korean Cinema, 1, no.1 (2009): 65-81. Accessed via Faculty Work. Asian Studies. Carleton Digital Commons. https://digitalcommons.carleton.edu/asst_faculty/1 This Article is brought to you for free and open access by the Asian Studies at Carleton Digital Commons. It has been accepted for inclusion in Faculty Work by an authorized administrator of Carleton Digital Commons. For more information, please contact [email protected]. Journal of Japanese and Korean Cinema Volume 1 Number 1 © 2009 Intellect Ltd Article. English language. doi: 10.1386/jjkc.1.1.65/1 The avant-garde and resident Korean film-making: Kim Sujin and the Shinjuku Ryozanpaku Noboru Tomonari Carleton College Abstract Keywords The plays and films of Kim Sujin (1954– ) and his company Shinjuku Koreans in Japan Ryozanpaku attest to the variety of styles employed in recent works by resident Japanese cinema Korean artists in Japanese literature and theatre. The appearance of his plays Japanese theatre and films is connected to the changing identities of resident Koreans, especially Kim Sujin since the 1980s. Kim makes use of political theatre performances of the earlier Shinjuku Ryozanpaku period to magnify and to remake into art the experiences of resident Koreans in Japan. -
16.-22. Oktober 2003 På Bergen Kino Lørdag 18
16.-22. OKTOBER 2003 PÅ BERGEN KINO www.filmweb.no/biff LØRDAG 18. OKTOBER KP1 KL. 19.00 Et hav av film venter deg.. Lunsjretter, middagsretter, utstillinger, cafe-quiz mandager, BIFF byr på et rekordstort program i år. Med mer enn hundre langfilmer og nærmere 150 kortfilmer på programmet er BIFF den desiderte største konserter tirs- og torsdager og klubb onsdag og i helgene... filmfestivalen i Norge. BIFF er i år selve lokomotivet i Bergen Art Festival, som består av åtte partnere innen samtidskunstfeltet. ”På vei mot den 7. kunstart” har vi kalt denne fellesmarkeringen – fordi film er den kunstkunstart som tar opp i seg de andre fagfeltene, så som litteratur, musikk, billed- og scenekunst. PRØV VÅR NYE SANDWICHMENY, OGSÅ TAKE-AWAY!!! Hva er så de viktigste tema for årets BIFF? Det er først nå vi får rushet av Åpningstider: filmer som er laget etter 11. september 2001. Flere av filmene bærer preg mandag - lørdag 11.00 - 00.30/03.30 av den nye verdensuro i kjølvannet av det som skjedde og hva som er skjedd i etterkant. søndag 12.00 - 00.30 Café Opera Et annet tema er det vi i forrige århundre kalte kvinnefrigjøring. Det handler om kvinner som på forskjellig vis kutter kontakten til menn og prøver å stake ut sin egen kurs. PERSONAL VELOCITY er et Engen 18 - 5011 Bergen - tlf. 55 23 03 15 godt eksempel her. Så har vi en del filmer som har ensomhet som grunnleggende tema, selv om de på overflaten handler om noe annet og mer konkret. Og videre: "Grenseland i film" – vårt prosjekt i samarbeid med Statens filmtilsyn - handler i år om moralske panikker vis à vis f.eks. -
Sooner Catholic
Sooner Catholic www.soonercatholic.org April 30, 2017 www.archokc.org Go Make Disciples Family chalice ministry encourages prayer for priests By Steve Gust area when he was on a quiet retreat The Sooner Catholic last year. He was so impressed, he visited with the pastor and decided A prayer effort to increase vo- to institute it at Saint John. cations, called the Family Chalice “I brought it before the Worship Ministry, involves hundreds of Pillar (ministries) and Maggie Beck- families at Saint John the Baptist in ham just ran with it after that,” he Edmond. said. Next month, the program will Beckham started recruiting mark one year of existence at Saint hundreds of families to receive the John. For the thousands who attend chalice. Mass weekly at the parish, it serves “Father Ackerman explained what as a reminder that an increase in we were trying to do for a few week- vocations continues to be needed. ends and then we signed up fami- Near the end of each Mass, a lies,” she said. pastor asks a volunteer fam- She said finding volunteers ily to step forward to receive hasn’t been a problem as hundreds of parishioners have the chalice. The stepped forward priest marks since the program the ceremony began in May with a prayer 2016. and asks “All of the the fam- feedback ily to I’ve heard fill up about it the con- has been secrat- positive,” Father ed chalice with Ackerman said. prayers during Beckham agrees. the week. The “I’ve had some of the families family is given a ask if they can keep the booklet prayer guide book and asked and continue the prayers, even to pray that young men hear though their week with the chalice the voice of God in discerning a is over,” she said. -
Ken Feingold Figures of Spee
| Honorowy Patronat Prezydenta Rzeczypospolitej Polskiej Bronisława Komorowskiego | Honorary Patronage of the President of the Republic of Poland Bronisław Komorowski Publikacja towarzyszy wystawie KEN FEINGOLD: Figury mowy – skradzione głosy zorganizowanej przez Gdańską Galerię Miejską we współpracy z Centrum Sztuki Współczesnej ŁAŹNIA w ramach projektu Art+Science Meeting w dniach 18 maja–13 lipca 2014 The publication accompanies the exhibition KEN FEINGOLD: Figures of Speech – Stolen Voices organised by the Gdańsk City Gallery in cooperation with the LAZNIA Centre for Contemporary Art in Gdańsk as part of the Art+Science Meeting project 18 May–13 July 2014 kurator | curated by Ryszard W. Kluszczyński KEN FEINGOLD: Figury mowy KEN FEINGOLD: Figures of Speech Centrum Sztuki Współczesnej Łaźnia Laznia Centre for Contemporary Art 2014 redaktor | edited by Ryszard W. Kluszczyński Spis treści Contents Ryszard W. Kluszczyński Znajdując siebie w innych. Wstępne refleksje na temat twórczości Kena Feingolda | Finding Oneself in Others. Introductory Reflections on Ken Feingold’s Art 6 | Ken Feingold Figury mowy | Figures of Speech 24 | Erkki Huhtamo Z ust lalki, niejasno. O sztuce Kena Feingolda | From The Puppet’s Mouth, Darkly. About Ken Feingold’s Art 36 | Ewa Wójtowicz Pisanie tożsamości. Sztuka wobec sztucznej inteligencji – Kena Feingolda „Figury mowy” | Writing Personalities. Art Vis-à-vis Artificial Intelligence – Ken Feingold’s “Figures of Speech” 76 | Edward Shanken Miłość to dobry początek. Rozmowa z Kenem Feingoldem | Love Is a Good Place to Start. Interview with Ken Feingold 108 | Biogramy | Biographies 138 | Znajdując siebie w innych Wstępne refleksje na temat twórczości Kena Feingolda Finding Oneself in Others Introductory Reflections on Ken Feingold’s Art Ryszard W. -
An Irish Blessing Family, Students Create Celtic Cross to Remember a Youth’S Life by John Shaughnessy
FutureFuture meetsmeets past Pilgrimage past roots seminarians in archdiocesan history, page 9. Serving the ChurchCriterion in Central and Southern Indiana Since 1960 CriterionOnline.com September 1, 2006 Vol. XLVI, No. 46 75¢ An Irish blessing Family, students create Celtic cross to remember a youth’s life By John Shaughnessy She knew it would be the trip of a lifetime, a journey Submitted photo to Ireland and Scotland that would help her show her students the beauty and mystery of art and faith. Photo by John Shaughnessy So when Siby Hill received a Teacher Creativity grant from Lilly Endowment in Indianapolis this year, she immediately made plans to study the Celtic crosses and other stone carvings that have captivated her for years—the crosses and carvings that have dotted the landscapes of Ireland and Scotland for at least 15 centuries. With her $8,000 grant, Hill even secretly dreamed of having her students at Cathedral High School in Indianapolis eventually create a Celtic cross. The 26-year-old art teacher believed a Celtic cross would be a natural addition for a Catholic school with the nick- name “Irish.” After all, for Irish Catholics, the Celtic cross is a symbol that blends faith, heritage and the belief in eternity. Yet amid the excitement and joy of her plans came devastating news just nine days after St. Patrick’s Day. One of her art students had died unexpectedly. The news rocked Hill and soon led her on a different journey—a journey that would bring her closer to the family of the student, a journey that would lead the family from the depths of heartbreak to the hope of healing, a journey that would show all of them the beauty and mystery of life and faith. -
Con Michael Pitt, Keira Knightley, Alfred Molina, Koji Yakusho, Sei
DOMENICO PROCACCI presenta SSEETTAA Regia di Francois Girard Tratto dall’omonimo romanzo di Alessandro Baricco Con Michael Pitt, Keira Knightley, Alfred Molina, Koji Yakusho, Sei Ashina Una co-produzione Canada/Italia/Giappone Prodotto da Rhombus Media, Fandango e Bee Vine Pictures, in associazione con Productions Soie e Vice Versa Films Una distribuzione MEDUSA FILM SSEETTAA CAST TECNICO REGIA FRANCOIS GIRARD SCENEGGIATURA FRANCOIS GIRARD MICHAEL GOLDING DIRETTORE DELLA FOTOGRAFIA ALAIN DOSTIE MUSICHE RYUICHI SAKAMOTO MONTAGGIO PIA DI CIAULA SCENOGRAFIA FRANCOIS SEGUIN COSTUMI CARLO POGGIOLI KAZUKO KUROSAWA CASTING SUSIE FIGGIS PRODOTTO DA NIV FICHMAN NADINE LUQUE DOMENICO PROCACCI SONOKO SAKAI . Seta è una co-produzione Canada/Italia/Giappone, prodotta da Rhombus Media, Fandango e Bee Vine Pictures, in associazione con Productions Soie e Vice Versa Films. Picturehouse si occuperà della distribuzione negli Stati Uniti; Motion Picture Distribution LP lo distribuirà in Canada, Medusa in Italia e Asmik Ace in Giappone. New Line International gestirà gli altri territori. CREDITI NON CONTRATTUALI 2 SSEETTAA CAST ARTISTICO Hervé Joncour MICHAEL PITT Hèléne Fouquet KEIRA KNIGHTLEY Baldabiou ALFRED MOLINA Hara Jubei KOJI YAKUSHO La Ragazza SEI ASHINA Madame Blanche MIKI NAKATANI Umon JUN KUNIMURA Ludovic MARK RENDALL Sindaco Joncour KENNETH WELSH Commerciante CALLUM KEITH RENNIE Il Ragazzo KANATA HONGO Verdun TONI BERTORELLI CREDITI NON CONTRATTUALI 3 SSEETTAA SINOSSI Eterea e delicata, eppure assai resistente, la seta è stata desiderata e cercata per centinaia di anni. Inafferrabile, sensuale, trasformazione quasi alchimistica del mondano in magico, la seta è un materiale diverso da tutti gli altri. Per coloro che trattano il tessuto, è quasi senza prezzo… come l’amore.