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Social Practice Bibio COMPLIMENTARY BIBLIOGRAPHY Social Practice Art: a pedagogical bibliography Adams, Don and Arlene Goldbard, Crossroads: Reflections on the Politics of Culture, DNA Press, 1990. Alewitz, Mike and Paul Buhle, Insurgent Images: The Agitprop Murals of Mike Alewitz, Monthly Review, 2001. Artists Meeting for Cultural Change (LMCC), An Anti-catalog, 1976: http://www.darkmatterarchives.net/? page_id=8 “Artist Placement Group.” Tate Archive, 2004. HYPERLINK "http://www.tate.org/uk/learning/ artistsinfocus/apg/default.htm" http://www.tate.org/uk/learning/artistsinfocus/apg/ default.htm (accessed 6/1/2009). Ault, Julie, ed., Show and Tell: A Chronicle of Group Material (Four Corners Books, London 2010) —— Alternative Art New York 1965-1985 (University of Minnesota, 2002). Becker, Carol and Ann Wiens, ed., The Artist in Society: Rights, Roles, and Responsibilities, Chicago New Art Association and New Art Examiner Press, 1995. Community Arts Network (defunct but archived at: http://www.communityarts.net/ ) Benny Andrews, “The BECC: Black Emergency Cultural Coalition,” Arts, Summer 1970, vol. 44, no. 8, pp. 18-20. Beuys, Joseph, Public Dialogue, videotape; Electronic Arts Intermix, 1974. Bishop, Claire. “Antagonism and Relational Aesthetics.” October 110, Fall 2004. Cambridge: October Magazine, Ltd., and Massachusetts Institute of Technology. Bishop, Claire. “The social turn: collaboration and its discontents.” New York: Artforum International Magazine, Inc., February 2006. 1 Boal, Augusto, Theater of the Oppressed, Pluto Press, 1979. Bogad, Larry, Electoral Guerrilla Theatre: Radical Ridicule and Social Movements, New York, Routledge, 2005. Bourdieu, Pierre and Hans Haacke, Free Exchange, Polity Press and Stanford University Press, 1995. Bourriaud, Nicholas. Relational Aesthetics. Paris: les Presses du Réel, 1998 Brecht, Bertolt, 1898-1956. Brecht on theatre : the development of an aesthetic / edited and translated by John Willett. New York : Hill and Wang ;London : Eyre Methuen, 1978, c1964. Brecht, Bertolt, 1898-1956. Brecht on art and politics / edited by Thomas Kuhn and Steve Giles; part 5 edited by Stephen Parker, Matthew Philpotts and Peter Davies; translations by Laura Bradley, Steve Giles and Tom Kuhn. London: Methuen, 2003. Brecht, Stefan, Peter Schumann's Bread and Puppet Theatre, Routledge, NY, 1988, (2 vols). Bryan-Wilson, Julia, Art Workers: Radical Practice in the Vietnam War Era, University of California Press, 2009. Buchloh, Benjamin H. D. et al., Art & Ideology, The New Museum of Contemporary Art, exhibition catalog, New York, 1984. Burnham, Linda Frye and Steven Durland, eds., The Citizen Artist: 20 Years in the Public Arena: An Anthology from High Performance Magazine 1978–98, Critical Press, 1998. Cohen-Cruz, Jan, Radical Street Performance: An International Anthology, Routledge, 1998. Critical Art Ensemble, “Observations on Collective Action,” Art Journal, vol. 57, no. 2 Summer 1998; also at CAE website, critical-art.net (9/10). Critical Art Ensemble, Marching Plague, Autonomedia Press, Brooklyn, 2006. —— Molecular Invasion, Autonomedia, 2002. —— Digital Resistance: Explorations in Tactical Media, Autonomedia, 2000. —— Flesh Machine: Cyborgs, Designer Babies, and New Eugenic Consciousness, Autonomedia, 1998. —— Electronic Civil Disobedience, and Other Unpopular Ideas, Autonomedia, 1996. —— Electronic Disturbance, Autonomedia, 1994. —— Electronic Disturbance, Autonomedia, 1994. Deutsche, Rosalyn, Evictions: Art and Spatial Politics, MIT, 1996. Duncombe, Stephen, Notes from Underground: Zines and the Politics of Alternative Culture, Verso, 1997. —— Dream: Re-imagining Progressive Politics in an Age of Fantasy, New Press, 2007. Esche, Charles and Will Bradley, eds., Art And Social Change: A Critical Reader, Tate Publishing, in association with Afterall, 2007. Felshin, Nina, ed., But Is It Art? The Spirit of Art as Activism, Bay Press, WA, 1995. 2 Finkelpearl, Tom, Dialogues in Public Art, MIT Press, 2000. Foster, Hal, Recodings: Art, Spectacle, Cultural Politics, New Press, 1984. —— ed., The Anti-Aesthetic: Essays on Postmodern Culture, New Press, New York, 1983. Fraser, Andrea, et al., “Services: Working Group Discussions on Institutional Commissioning of Art Projects, Luneburg, Germany, 1994,” October 80, Spring 1997 Goldbard, Arlene New Creative Community: The Art of Cultural Development (New Village Press, 2006. Greenwald, Dara, and Josh MacPhee, Signs of Change: Social Movement Cultures 1960s to Now, AK Press & Exit Art, 2010. Guerrilla Art Action Group, GAAG The Guerrilla Art Action Group. Printed Matter, NY 1978. Guerrilla Girls, Confessions of the Guerrilla Girls, Harper Perennial, NY, 1995. Guerrilla Girls, Bedside Companion to the History of Western Art, Penguin, 1998. Hebdige, Dick, Subculture: The Meaning of Style, Metheun, London, 1979. Hoffman, Abbie, “Museum of the Streets,” in Douglas Kahn and Diane Neumaier, editors, Cultures in Contention (Real Comet Press, Seattle, WA, 1985, pp. 135-36. —— Soon to Be a Major Motion Picture, Putnam, 1980). Holmes, Brian, Escape the Overcode: Activist Art in the Control Society, van Abbenmuseum and WHW, 2009. —— Unleashing the Collective Phantoms: Essays in Reverse Imagineering, Autonomedia Press, 2008. (The) Invisible Committee, The Coming Insurrection, Semiotext(e), 2009. Irish, Sharon, Suzanne Lacy: Spaces Between, University of Minnesota Press, 2010. Jacob, Wendy, Laurie Palmer, and John Ploof, eds., With Love From Haha: Essays and Notes on a Collective Practice, WhiteWalls, 2008. Jacobs, Mary Jane, Culture in Action: A Public Art Program of Sculpture Chicago, Bay Press, Seattle, WA, 1995. Kahn, Doug and Diane Neumaier, Cultures and [in] Contention, The Real Comet Press, 1985. Kester, Grant, Conversation Pieces. Berkeley: University of California Press, 2004. ——The One and the Many: Agency and Identity in Contemporary Art, Duke University Press, (forthcoming). Lacy, Suzanne, ed., Mapping the Terrain: New Genre Public Art, Bay Press, 1995. Lippard, Lucy, The Lure of the Local: Senses of Place in a Mulitcentered Society, New Press, 1997. —— The Pink Glass Swan: Selected Essays on Feminist Art, New Press, 1995. —— A Different War: Vietnam in Art, Real Comet, 1990. —— Mixed Blessings, Pantheon, 1990. 3 —— Get the Message? A Decade of Art for Social Change, Dutton, 1984. —— Six Years: The Dematerialization of the Art Object from 1966 to 1972, Praeger, 1973. Martin, Bradford D., The Theater is in the Street: Politics and Public Performance in Sixties America, University of Massachusetts Press, 2004. McKay, George, ed., DIY Culture: Party and Protest in Nineties Britain, Verso, 1998. McPhee, Josh, Erik Reuland, eds., Realizing the Impossible: Art Against Authority, AK Press, 2007. —— Stencil Pirates, Soft Skull Press, 2004. Kwon, Miwon, One Place After Another, MIT Press, 2004. Mogel, Liz and Lexis Bhagat, An Atlas of Radical Cartography, Journal of Aesthetics & Protest Press, 2008. Naidus, Beverly, Arts for Change: Teaching Outside the Frame, New Village Press, 2009. O’Brien, Mark and Craig Little, eds., Reimaging America: The Arts of Social Change, New Society, 1990. Mariani, Philomena, ed., Global Conceptualism: Points of Origin, 1950s-1980s, Queens Museum of Art, 1999. Purves, Ted, ed., What We Want is Free: Generosity and Exchange in Recent Art, State University of New York Press, 2005. Raunig, Gerald, Art and Revolution: Transversal Activism in the Long Twentieth Century, Semiotext(e), 2007. Raven, Arlene, ed., Art in the Public Interest, Da Capo Press, 1989. Roberts, John, The Intangibilities of Form: Skill and Deskilling in Art After the Readymade, Verso, 2007. —— Philosophizing the Everyday: Revolutionary Praxis and the Fate of Cultural Theory, Pluto Press, 2006. —— with John Beech, The Philistine Controversy, Verso, 2002. Rosler, Martha, Decoys and Disruptions: Selected Writings: 1975–2001, MIT Press, 2006. —— and B. Wallis, eds., If You Lived Here: The City in Art, Theory, and Social Activism, Bay/New Press, 1991. Senie, Harriet F. and Sally Webster, eds., Critical Issues in Public Art: Context and Controversy, Harper, 1992. Sholette, Gregory, Dark Matter: Art and Politics in the Age of Enterprise Culture, London, Pluto Press, 2011. Suzanne Lacy, ed., Mapping the Terrain: New Genre Public Art, Bay Press, 1995. Stimson, Blake and Gregory Sholette, eds., Collectivism after Modernism: The Art of Social Imagination after 1945, University of Minnesota Press, 2007. 4 Temporary Services, Group Work, Printed Matter, 2007. —— Public Phenomena, Half Letter Press LLC, 2008. —— Prisoners’ Inventions, Whitewalls, 2003. Thompson, Nato and Gregory Sholette, The Interventionists: Users' Manual For The Creative Disruption Of Everyday Life, North Adams, Mass.: Mass MoCA Publications; Cambridge, Mass.: Distributed by MIT Press, 2004, 05. —— Seeing Power: Art and Activism in the Age of Cultural Production, Autonomedia Books, (forthcoming). Moore, Alan and Marc Miller, eds., ABC No Rio: The Story of a Lower East Side Art Gallery, Collaborative Projects, NY, 1985, and available online at: http://98bowery.com/returntothebowery/ abcnorio-the-book.php Olander , William, Art and Social Change, USA, Allen Memorial Art Museum, 1982. Political Art Documentation/Distribution (PAD/D) newsletters, 1980–1984: http:// www.darkmatterarchives.net/?page_id=72 RepoHistory at: http://repohistory.org Tobocman, Seth, War in the Neighborhood, Autonomedia, NY, 2000. Wallis, Brian, ed., Hans Haacke: Unfinished Business, New Museum, NY, 1986. Walker, John A., Left Shift: Radical Art in 1970s Britain, I.
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