Inside Facts of Stage and Screen (June 21, 1930)
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Inside Facts of Stage and Screen (September 20, 1930)
— STAGE PRICE 10 RADIO \ CENTS SCREEN Only Theatrical Newspaper on the Pacific Coast MUSIC ESTABLISHED 1924 EDITED BY JACK JOSEPHS Entered as Second Class Matter, April 29, 1927, at Post- Published Every Saturday at 800-801 Warner Bros. Down- Vol. XII office, Los Angeles, Calif., under Act of March 3, 1879. Saturday, September 20, 1930 town Building, 401 West Seventh St., Los Angeles, Calif. No. 12 LOCAL PREVIEWS ‘OUT’ MARATHON UNFINISHED DANCES IN FILMS GET BIG SPURT ‘PAN’ HERE Marathon dances, considered Elimination of previews of dead stuff around here and talking pictures in the vicinity which certain officials in the of Hollywood was a decision city have frowned upon, took a of the movie industry this sudden leap with the long dic- week. tance dance which Bill MeikeB Instead, advance public show- john promoted at the Casino in ings of pictures are to be given Balboa Beach. in San Francisco, San Diego, San Bernardino and other Contest endured for of a period points considerably distant from 1226 hours, and wound up in ex- the movie capital. citement and packed houses that, Too many wise ones in the in- notwithstanding the large overhead dustry, and their friends, have been and slow start, made a big profit for attending the local previews, and the promoters. making smart cracks about films, During last few hours of the not yet cut or actually finished. dance, excited spectators threw As' a result, many good pictures $2200 on the floor for the be- have been given the “black-eye” draggled dancers, which was in from these premature swats. -
Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Cartooning America: the Fleischer Brothers Story
NEH Application Cover Sheet (TR-261087) Media Projects Production PROJECT DIRECTOR Ms. Kathryn Pierce Dietz E-mail: [email protected] Executive Producer and Project Director Phone: 781-956-2212 338 Rosemary Street Fax: Needham, MA 02494-3257 USA Field of expertise: Philosophy, General INSTITUTION Filmmakers Collaborative, Inc. Melrose, MA 02176-3933 APPLICATION INFORMATION Title: Cartooning America: The Fleischer Brothers Story Grant period: From 2018-09-03 to 2019-04-19 Project field(s): U.S. History; Film History and Criticism; Media Studies Description of project: Cartooning America: The Fleischer Brothers Story is a 60-minute film about a family of artists and inventors who revolutionized animation and created some of the funniest and most irreverent cartoon characters of all time. They began working in the early 1900s, at the same time as Walt Disney, but while Disney went on to become a household name, the Fleischers are barely remembered. Our film will change this, introducing a wide national audience to a family of brothers – Max, Dave, Lou, Joe, and Charlie – who created Fleischer Studios and a roster of animated characters who reflected the rough and tumble sensibilities of their own Jewish immigrant neighborhood in Brooklyn, New York. “The Fleischer story involves the glory of American Jazz culture, union brawls on Broadway, gangsters, sex, and southern segregation,” says advisor Tom Sito. Advisor Jerry Beck adds, “It is a story of rags to riches – and then back to rags – leaving a legacy of iconic cinema and evergreen entertainment.” BUDGET Outright Request 600,000.00 Cost Sharing 90,000.00 Matching Request 0.00 Total Budget 690,000.00 Total NEH 600,000.00 GRANT ADMINISTRATOR Ms. -
June 2007 One Dollar
Second Class Permit Paid at Bronx, N.Y. USPS 114-590 Volume 36 Number 5 June 2007 One Dollar Good-bye, Mr. McConnell Islanders Sound Off About Cell By MIRIAM KLEINBERG Phone Antenna Installation By KAREN NANI Photos by NANCY FRIEDMAN Islanders raised concerns in May 2007 over the multiple cell phone antennas and equipment being installed atop 205 City Island Avenue across the street from P.S. 175. The installation of more cell phone tor said that he would have issued many Photo by KAREN NANI equipment on the roof of 205 City Island summonses, as no crane work is allowed Longtime P.S. 175 teacher Peter McConnell announced his retirement after 37 years Avenue, across from P.S. 175, raised con- near live power lines such as those along with the New York Board of Education. He is shown above at his desk teaching social cern among parents, nearby businesses and City Island Avenue near the site. studies to some of his seventh-grade students. residents during May. Meanwhile, some tenants in the 205 Centre Street residents Helen and building voiced their concerns to building Those of us beyond a certain age may what it takes to make a good teacher is the Nancy Friedman were awakened at 3 a.m. management. “We were notifi ed that cell remember a book and a fi lm entitled “Good- kind of human being you are. As Ena Ell- on May 22 by noise from a truck and work phone antennas were being installed on the bye, Mr. Chips” about a beloved schoolmas- wanger, former principal at P. -
Leo Robin Music's Second Open Letter to Ms. Kristin Chenoweth Re
Leo Robin Music's Second Open Letter to Ms. Kristin Chenoweth Re: Moral Wrong for Failure to Install the Star, "#Leosloststar," Awarded to the "Thanks For The Memory" Oscar-Winning Lyricist More Than 30 Years Ago SHERMAN OAKS, CA / ACCESSWIRE / May 25, 2021 / Dear Ms. Chenoweth, I, Leo Robin's grandson, sent you an open letter on March 2, 2021 via FedEx, nearly two months ago, but assume that you never received it since I haven't heard back from you. I am enclosing it once more so you will better understand the unprecedented circumstances surrounding the long-standing mistake made by the Hollywood Walk of Fame more than 30 years ago. The 1990 Walk of Fame Committee awarded a star to lyricist Leo Robin but the Hollywood Chamber of Commerce never installed it. The Hollywood Chamber as well as the Walk of Fame Committee continue to be morally adrift in regard to this unprecedented situation with the star awarded to Robin but not installed. And they must recognize that they bear responsibility for this on-going moral injustice and take the steps to address it. Ms. Chenoweth, you are known for your distinctive speaking voice, one which has been compared to that of Betty Boop. In an interview reported by Walter Scott in Parade magazine on April 5, 2014, "Kristin Chenoweth Takes a Wicked Vocal Turn in Rio 2." He posed this question, "You have such a distinctive voice - both singing and speaking. Some people would say, Are you related to Betty Boop? Are you sucking helium?" Ms. Chenoweth, you responded, "I have a sort of nineteen-thirties cartoon voice that's well-suited for animation. -
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location. -
Families Boycotting Publix for Donating $300,000 to Trumps' Rally
TC ROYALTY PUBLISHING COMPANY SUNDAY FEBRUARY 21, 2021 VOL. 49 NEWSPAPER Families Boycotting Publix For Donating $300,000 To Trumps’ Rally Wendy Mize’s family grew up on Publix, disciples to the giant supermarket chain’s empirical marketing slogan: “Where shopping is a pleasure”. As infants, her three daughters wore diapers bought from the Publix baby club. As children, they munched on free cookies from the bakery. There were even perks for the family’s pets, who are proud members of Publix Paws. But now the decades-long love affair is over. After a member of Publix’s founding family donated $300,000 to the Donald Trump rally Publix donated $100,000 to a political action committee looking to secure Ron DeSantis’s re-election in 2022 that preceded January’s deadly Capitol riots, Mize is pulling out of what she says has become By: TERRY HUGHEY “an abusive, dysfunctional relationship”, and joining others in a boycott of the Florida-based grocery chain that operates more than 1,200 Three years ago, in the aftermath of the high Others point to the juxtaposition of Publix being at the stores across seven south-eastern states. school shooting in Parkland, Florida, that forefront of vaccine distribution in Florida while failing killed 17, Publix temporarily halted political to enforce in-store mask-wearing in some areas of the “It was the last straw,” said Mize, 57, an donations after an outcry over its bankrolling state and defending a damaging wrongful death of Adam Putnam, a self-confessed “proud lawsuit from the family of an employee in Miami who advertising copywriter from Orlando whose National Rifle Association sellout”, for state died of Covid complications after being told not to youngest twin daughters are now 19. -
Jack Oakie and Victoria Horne Oakie Filmography
JACK OAKIE AND VICTORIA HORNE OAKIE FILMOGRAPHY JACK OAKIE Actor – filmography 1. · “Night Gallery” … aka Rod Serling’s Night Gallery (USA) – An Act of Chivalry (1971) TV Episode 2. · “Bonanza” … aka Ponderosa (USA: rerun title) – A Christmas Story (1966) TV Episode …. Thadeus Cole 3. · “Daniel Boone” – Goliath (1966) TV Episode …. Otis Cobb 4. · “Disneyland” … aka Disney’s Wonderful World (USA: new title) … aka The Disney Sunday Movie (USA: new title) … aka The Magical World of Disney (USA: new title) … aka The Wonderful World of Disney (USA: new title) … aka Walt Disney (USA: new title) … aka Walt Disney Presents (USA: new title) … aka Walt Disney’s Wonderful World of Color (USA: new title) – Kilroy: Part 4 (1965) TV Episode …. Joe Kelsey 5. · “Kilroy” – Part 4 (1965) TV Episode …. Joe Kelsey 6. · “The New Breed” – I Remember Murder (1961) TV Episode …. Ham Tucker 7. · Lover Come Back (1961) …. J. Paxton Miller 8. · “Target: The Corruptors” – Viva Vegas (1961) TV Episode …. Billy Stowe 9. · The Rat Race (1960) …. Mac, Owner of Macs Bar 10. · The Wonderful Country (1959) …. Travis Hyte 11. · “Studio One” … aka Studio One Summer Theatre (summer title) … aka Studio One in Hollywood (new title) … aka Summer Theatre (summer title) … aka Westinghouse Studio One … aka Westinghouse Summer Theatre (summer title) – The Award Winner (1958) TV Episode …. Frank Rey 12. · “Kraft Television Theatre” … aka Kraft Mystery Theatre (new title) … aka Kraft Theatre (new title) – The Battle for Wednesday Night (1958) TV Episode 13. · “The Real McCoys” (1957) TV Series …. ‘Rightly’ Ralph McCoy … aka The McCoys 14. · Around the World in Eighty Days (1956) …. -
Comedy: Violence, Change, Survival
Comedy: Violence, Change, Survival ”The predominant theme in comedy: A study of Violence, Change and Survival.” Case study: Marx Brother & W.C. Fields Content Content: Acknowledgment Introduction 1 General introduction. Chapter One - The Invention of Comedy 5 Historical development - Comedy. Chapter Two – The Theme: Survival 13 Thematic analysis - The concept of surviving in Comedy. Chapter Three – The Theme: Change 31 Thematic analysis - the concept of changing in Comedy. Chapter Four – The Theme: Violence 39 Thematic analysis - the concept of violence in Comedy. Chapter Five – Case Study: Marx Brothers & W.C. Fields 55 The theme of surviving in Marx Brothers and violence in W.C. Fields. Chapter Six – Conclusion 77 Concluding remarks. Acknowledgment Behind the scenes, groups, institutions, and many individuals have been of assistance in the creation of this thesis. First and foremost I would like to thank Jan Anders Diesen, for his patience, support, and encouragement. There has been one person, throughout out this thesis that has been there for me, have guided me, gave me hope, a vital person in the writing of this thesis. Me. So I thank, myself, I really do. (Let The Comedy Begin) Introduction ”It's a funny old world. A man's lucky if he gets out of it alive.” W.C. Fields You're Telling Me! (1934) In this master thesis, I will investigate specific themes or motives that have predominant existence in the genre comedy. By theme, i mean recurring motive associated with a particular person, place, or idea, in Opera this is called Leitmotif, literally meaning leading motif. In this thesis, I am in search, of the theme violence, change, and survival, which are archetypal themes in the genre comedy. -
Jack Oakie and Victoria Horne Oakie Filmography La
JACK OAKIE AND VICTORIA HORNE OAKIE FILMOGRAPHY LA SEMESTER ENTERTAINMENT EXCELLENCE AWARD JACK OAKIE Actor – filmography 1. The Rat Race (1960) …. Mac, Owner of Macs Bar 2. The Wonderful Country (1959) …. Travis Hyte 3. Tomahawk (1951) …. Sol Beckworth … aka Battle of Powder River (UK) 4. Last of the Buccaneers (1950) …. Sgt. Dominick 5. Thieves’ Highway (1949) …. Slob … aka Collision (USA) … aka The Thieves’ Market (USA) 6. When My Baby Smiles at Me (1948) …. Bozo 7. Northwest Stampede (1948) …. Mike Kirby (Clem) 8. She Wrote the Book (1946) …. Jerry Marlowe 9. On Stage Everybody (1945) …. Michael Sullivan 10. That’s the Spirit (1945) …. Steve ‘Slim’ Gogarty 11. Bowery to Broadway (1944) …. Michael O’Rourke 12. The Merry Monahans (1944) …. Pete Monahan 13. Sweet and Low-Down (1944) …. Popsy 14. It Happened Tomorrow (1944) …. Uncle Oscar Smith aka Gigolini 15. Wintertime (1943) …. Skip Hutton 16. Hello Frisco, Hello (1943) …. Dan Daley 17. Something to Shout About (1943) …. Larry Martin 18. Iceland (1942) …. Slip Riggs … aka Katina (UK) 19. Song of the Islands (1942) …. Rusty Smith 20. Rise and Shine (1941) …. Boley Bolenciecwcz (pronounced Bolenkowitz) 21. Navy Blues (1941) …. Cake O’Hara 22. The Great American Broadcast (1941) …. Chuck Hadley 23. Little Men (1940) …. William Deming aka Willie the Fox 24. Tin Pan Alley (1940) …. Harry Aloysius Calhoun 25. The Great Dictator (1940) …. Benzini Napaloni (Dictator of Bacteria) 26. Young People (1940) …. Joe Ballantine 27. Thanks for Everything (1938) …. Bates 28. Annabel Takes a Tour (1938) …. Lanny Morgan … aka Annabel Takes a Trip 29. The Affairs of Annabel (1938) …. Lanny Morgan 30. Radio City Revels (1938) …. -
The Billboard 1918-10-19: Vol 30 Iss 42
nVTIOC TO RCADKR: WTicb jtm *»■<«»» iMdtac ♦!«<« auifMlBr ■ le Maop <B this noUca, mail tho nacutno, uul It «U1 bo blanfa In Vol. XXX, No. 42 no « «■ ' tte hoTHli erf our lolcUrrs or talkm clmtinod to prorotKl ovor-opoo- No October 19,1918 iHCe, iDC «>»*■*. No arfdrm.—A. & BL'RLJESO.N. rcotmooler General Published weekly at Cincinnati, O. Subscription, $3.00 per year. Entered as second-class mail matter, June 4, 18S7, at Post Office, Cincinnati, under act of March 3. 1879. THE PROFESSIONAL ENTERTAINER’S GUIDE, MENTORAKD FRIEND THIS ISSUE CONTAINS 26 PER CENT ADVERTISING AND 74 PER CENT READING MATTER imm EXPLODE SOME TNT. WAKE 'EM UP What if the loan should fail? Of course such a thing is unthinkable, but at this writing two-thirds of the time to be devoted to the drive has elapsed and but a third of the subscriptions secured. So the showing is very disappointing. Each day since the beginning of the campai^ the average of the takings for the remaining days necessary for the loan’s success has increased until now it is so huge that it seems insurmountable. There is no mistaking what this means. Either the loan will not be taken or the larger part, the great bulk of it in fact, will be taken en bloc—an undigested mass—on the last day of the drive by the banks. That would mean that the loan had failed. No other interpretation could be put upon it. The people of this country, in that event, would not have taken it. After they had been begged, urged and pleaded with as never before! The great opportunity had been pointed out to them so clearly, so repeatedly and so'vividly that they must have realized every one of its glowing possibilities.