Broadcast Bulletin Issue Number 272 02/02/15
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Broadcast Bulletin Issue Number 228 22/04/13
Ofcom Broadcast Bulletin Issue number 228 22 April 2013 1 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Contents Introduction 4 Standards cases In Breach Retention and production of recordings My Channel, 24 December 2012, 04:00 5 Cancer: Forbidden Cures Showcase 2, 8 May 2012, 19:00 8 The Alan Titchmarsh Show ITV, 14 February 2013, 15:00 31 Advertising Scheduling cases In Breach Breach findings table Code on the Scheduling of Television Advertising compliance reports 37 Fairness and Privacy cases Not Upheld Complaint by Mrs Karen Peaston Obese: A Year to Save My Life, Sky1 HD, 30 January 2012 and repeat broadcasts until 13 May 2012 38 Complaint by Miss Karen Richardson EastEnders, BBC 1, 25 December 2012 46 Other Programmes Not in Breach 49 Complaints Assessed, Not Investigated 50 Investigations List 56 2 Ofcom Broadcast Bulletin, Issue 228 22 April 2013 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom must include these standards in a code or codes. These are listed below. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. We also report on the outcome of ODPS sanctions referrals made by ATVOD and the ASA on the basis of their rules and guidance for ODPS. -
West Midlands Police and Crime Commissioner Register of Gifts And
West Midlands Police and Crime Commissioner Register of Gifts and Hospitality - Police and Crime Commissioner and Deputy Police and Crime Commissioner Note: This register contains details of declarations made by the PCC and DPCC and includes details of offers of gifts and hospitality not accepted Name Name of person or organisation Details of Gift or hospitality Estimate of value Date offer received Comments Funeral for Don Jones partner to Cllr Diana refreshments offered after Bob Jones Holl-Allen funeral £10.00 23/11/2012 declined passed to office staff for Bob Jones Harmeet Singh Bhakna Punjabi News Indian Sweets £5.00 23/11/2012 consumption Bob Jones Asian Business Forum Samosas and pakoras offered £7.00 28/11/2012 refreshments consumed Bob Jones Home office PCC welcome Buffet lunch provided £7.00 03/12/2012 refreshments consumed Bob Jones APPG on Polcing meeting Buffett and wine offered £10.00 03/12/2012 buffet consumed, wine declined Bob Jones Connect Public Affairs lunch buffet offered £12.00 04/12/2012 Buffet consumed Annual Karate Awards presentation Bob Jones evening food and drink offered £12.00 07/12/2012 food and drink declined invite to Brisitsh Police Symphony Orchestra BPSO accepted but ticket unavailable on Yvonne Mosquito Steria sponsors Proms night special £21.00 08/12/2012 the evening Gavin Chapman and John Torrie - Steria Invite to supper at Hotel du Vin Yvonne Mosquito sponsors flollowing BPSO Proms £30.00 08/12/2012 declined Christmas lunch and drink offered. Small comemorative food consumed, Alcohol declined, Bob -
The Great Brexit Bake Off? | Nouse
Nouse Web Archives The Great Brexit Bake Off? Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Film & TV › Features Film Reviews TV Reviews Festivals The Great Brexit Bake Off? Maddie Scarlett questions the success of Bake Off’s move from the BBC to Channel 4 Tuesday 31 October 2017 Image: Channel 4 Now, we’ve been subjected to many disturbing and upsetting changes these past couple of years. I find myself asking: “Where is the world heading?” “Where is Britain heading?” “Why do I now have to press four on my remote to watch The Great British Bake Off?”. I am not alone in asking this, hundreds of thousands of people tweeted about the channel change last year. The baking paradise which had ma de its cosy home within the beloved British Broadcasting Corporation was being uprooted and, not only that (!), it was being stolen by the experimental and rebellious Channel 4. As an enthusiastic groupie for the show, I too was taken aback – however, after reading the initial coverage and opinion articles it became clear that the format of the show wasn’t going to be affected. Channel 4 had a ready packaged audience, whom it would be unwise to upset, and the same production team were making it – it might not be that bad? August 2017: adverts began to appear, bunting was being tied, and finally biscuit-crunch time was on the horizon. The public still considered the move a disaster and with protesting aplomb, baking equipment had been firmly stored at the backs of cupboards since last year. -
Anne Karpf/The Sound of Home? Some Thoughts on How the Radio Voice Anchors, Contains and Sometimes Pierces (Pre-Print Version; Published in The
1 Anne Karpf/The sound of home? Some thoughts on how the radio voice anchors, contains and sometimes pierces (pre-print version; published in The Radio Journal, vol.11, no.1, April 2013, pp.59-73) Abstract This article argues that while psychoanalytic theory has been valuably employed by television, film and cultural studies, there has been no comparable 'psychoanalytic turn' in radio studies. It suggests that the concept of 'containment', as developed variously by Wilfred Bion and Esther Bick, might go some way to explain the powerful role that the voice of the radio presenter can play in the regular listener's internal world, with the capacity both to 'hold' the listener together, and to transform overwhelming fears into more manageable feelings. It argues that the disembodied radio voice does this partly because it recalls the prenatal power of the maternal voice, and partly through the temporal order that regular radio voices impose on the internal and external world. Both Second World War British radio catchphrases and Roosevelt's Fireside Chats are discussed in relation to their containment function. The article also explores the radio as a transitional space, as defined by Donald Winnicott, through which it can constitute listeners into an 'imagined community'. It ends by reflecting on the impact of the angry voice of 2 the 'shock-jock' which, it suggests, amplifies rather than contains overwhelming feelings.1 Contributor's details Anne Karpf is Reader in Professional Writing and Cultural Inquiry at London Metropolitan University. A journalist, broadcaster and radio critic of The Guardian for seven years, her books include 'The Human Voice' (Bloomsbury, 2006; Ehrenwirth, 2007; Autrement, 2008; Soshisha, 2008). -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Awards for Excellence in Journalism 2020
Awards for Excellence in Journalism National Council for the Training of Journalists AWARDS FOR EXCELLENCE IN JOURNALISM 2020 HOSTED BY Awards for Excellence in Journalism The NCTJ Awards for Excellence recognise and reward the best journalism students, apprentices and trainees. With quality training at the heart of the NCTJ, these awards highlight the achievements of individuals with promising journalism careers ahead of them. Congratulations to all of our winners, and to everyone who has been commended and highly commended for this year’s awards. INNOVATION OF THE YEAR In times of great change in the media industry, this award aims to encourage and recognise innovation in journalism education and training. Launched in 2017, the Innovation of the Year Award recognises the unique contribution NCTJ centres make to the education and training of journalists on accredited courses. It is open to centres that have improved upon – or extended beyond – current expectations of best practice in education and training. News Associates WINNER News Associates is our winner for the course team's efforts in adapting teaching styles and exercises for remote learning, which was described by the judges as ‘impressive, innovative and pioneering’. The whole team kept morale up for students by encouraging themed fancy dress in lessons, online shorthand study groups in the evening and Zoom yoga session run by a part-time student. Staff, alumni and students offered their top tips for working from home via social media and the online journalism workshops were very successful. University of Brighton HIGHLY COMMENDED Highly commended is the University of Brighton for its virtual exchange with the University of Florida. -
Radio 4 Listings for 10 – 16 April 2021 Page 1 of 17
Radio 4 Listings for 10 – 16 April 2021 Page 1 of 17 SATURDAY 10 APRIL 2021 A Made in Manchester production for BBC Radio 4 his adored older brother Stephen was killed in a racially motivated attack. Determined to have an positive impact on SAT 00:00 Midnight News (m000twvj) young people, he became a teacher, and is now a motivational The latest news and weather forecast from BBC Radio 4. SAT 06:00 News and Papers (m000v236) speaker. The latest news headlines. Including the weather and a look at Tiggi Trethowan is a listener who contacted us with her story of the papers. losing her sight. SAT 00:32 Meditation (m000vjcv) Ade Adepitan is a paralympian and TV presenter whose latest A meditation following the death of His Royal Highness Prince series meets the people whose lives have already been affected Philip, Duke of Edinburgh, led by the Rev Dr Sam Wells, Vicar SAT 06:07 Open Country (m000twh9) by climate change. of St Martin-in-the-Fields, in London. Canna Alice Cooper chooses his Inheritance Tracks: Train Kept a Rollin’ by The Yardbirds and Thunderclap Newman, Something Canna is four miles long and one mile wide. It has no doctor in the air SAT 00:48 Shipping Forecast (m000twvl) and the primary school closed a few years ago. The islanders and your Thank you. The latest weather reports and forecasts for UK shipping. depend on a weekly ferry service for post, food and medical Producer: Corinna Jones supplies. Fiona Mackenzie and her husband, Donald, have lived on the island for six years. -
ABC Kids/ABC TV Plus: Week 32 Index
1 | P a g e ABC Program Guide: ABC Kids/ABC TV Plus: Week 32 Index Index Program Guide .............................................................................................................................................................. 3 Sunday, 1 August 2021 .......................................................................................................................................... 3 Monday, 2 August 2021 ........................................................................................................................................ 8 Tuesday, 3 August 2021 ...................................................................................................................................... 14 Wednesday, 4 August 2021 ................................................................................................................................ 20 Thursday, 5 August 2021 ..................................................................................................................................... 26 Friday, 6 August 2021.......................................................................................................................................... 32 Saturday, 7 August 2021 ..................................................................................................................................... 38 2 | P a g e ABC Program Guide: ABC Kids/ABC TV Plus: Week 32 Sunday 1 August 2021 Program Guide Sunday, 1 August 2021 5:05am Miffy's Adventures Big and Small (Repeat,G) 5:15am The Furchester -
The Royal Television Society Announces Television Journalism Awards Winners
PRESS RELEASE THE ROYAL TELEVISION SOCIETY ANNOUNCES TELEVISION JOURNALISM AWARDS WINNERS London, 28 February 2019 – The Royal Television Society (RTS), Britain’s leading forum for television and related media, announced the winners of its 2019 Television Journalism Awards, sponsored by GuestBooker, at a prestigious awards ceremony held last night at the London Hilton on Park Lane. The awards ceremony was hosted by celebrated British newsreader and television presenter Mary Nightingale. The awards celebrate talent across 20 categories in total, and this year Channel 4 led the way with eight wins spanning across both news and current affairs, followed by the BBC with five wins overall. The winner of the Oustanding Achievement Award was presented to Robin Elias, who this year is retiring after 38 years at ITN, starting as a copy taster on ITV News and ending up as acting editor. Robin edited News at 10 throughout the Nineties with Trevor MacDonald at the helm, including coverage of the death of Princess Diana and the 9/11 terror attack. The Television Journalism Awards celebrates creative and excellent journalism by organisations whose broadcasts are transmitted on a UK-based platform, or who create online video content from a UK production base across the following categories: Breaking news; Camera Operator of the Year; Current Affairs – Home; Current Affairs – International; Daily News Programme of the Year; Interview of the Year; Nations and Regions Current Affairs; Nations and Regions News; Nations and Regions Presenter of the Year; Network Presenter of the Year; News Channel of the Year; News Coverage – Home; News Coverage – International; News Technology; Scoop of the Year; Specialist Journalist of the Year; Television Journalist of the Year; Independent Award; Young Talent of the Year and Oustanding Achievement Award. -
The Radio 1 Breakfast Show with Nick Grimshaw Industries
AS and A LEVEL MEDIA STUDIES Factsheet Industries and audiences factsheet: The Radio 1 Breakfast Show with Nick Grimshaw Industries Production and distribution • The Radio 1 Breakfast Show with Nick Grimshaw is broadcast weekdays from 06.30-10.00 am. • The Breakfast Show has been running since 1967, but Nick Grimshaw took over as the 15th presenter in 2012. • BBC Radio 1 is broadcast on FM, DAB, Freeview, Freesat, Virgin, Sky, or online via BBC Radio Player (including via the phone or tablet app) where it can be heard live or streamed for 30 days. • It is produced by the BBC from its own studios at Broadcasting House in London. • There’s a useful BBC Academy podcast (with transcript) about how the programme is produced http://www.bbc. co.uk/academy/articles/art20170619095219011 • You can also hear what one of the producers (Fiona Hanlon) thinks when she talks about what it’s like to work on the programme: https://www.shu.ac.uk/learn-more/radio-1- breakfast-show • The music is largely playlisted – what is going to be played on daytime Radio 1 is decided by a committee; they choose around 40 records each week for repeated daytime play (A-list records get 25 plays a week, B-list 15, and C-list eight to 10). It’s explained here: http://www.bbc.co.uk/ programmes/articles/SYYQz3WNpBJFs6MrRcs0B5/how-do-i- get-my-music-played-on-radio-1 . Choices are partly guided by what’s already popular with young people online; many older artists are not included as the network is trying to keep an under-30 audience. -
Interviews, 1- 2 of Which Are Likely to Be National
Shout! Out Spring/Summer 2018 News, features and tips about Broadcast PR Including broadcast in a Peak, prime and perfect new business proposal By Catherine Bayfield It is often seen as the icing on the cake and if you're not considering broadcast as part of your campaign, you're missing out on a far reaching and influential medium. An opportunity on Chris Evans’ breakfast show on Radio 2 for example attracts a weekly audience of 9.43 million. Radio 4’s Today Programme reaches 7.15 million, but more importantly its analysis sets the news P&O Cruises' flagship Britannia agenda for the day. Listening figures like these are clearly The delicate art of securing long lead going to help you or your client reach your KPIs and even if broadcast PR is a service broadcast PR coverage you outsource, it's still possible to make a profit by marking up. By Keren Haynes beautiful ship” and we agree, she looked stunning. There are many different elements that The would-be apprentices were tasked with selling you could include in a new business The backdrop for an hour long, prime bespoke day tours round Bruges to Britannia broadcast proposal but some key ones are: time television programme, on the UK’s passengers. As any follower of the programme would expect, most watched channel: BBC One’s “The • Television the apprentices’ efforts were predictably chaotic, Apprentice” was filmed on P&O Cruises’ • Radio but their work was set against a stunning flagship Britannia and it resulted in an • Online video placement background, including the ship’s pool deck, luxury • Video production in particular B-roll amazing piece of PR generated coverage.