PDF Du Livre

Total Page:16

File Type:pdf, Size:1020Kb

PDF Du Livre Between Imagined Communities of Practice Participation, Territory and the Making of Heritage Nicolas Adell, Regina F. Bendix, Chiara Bortolotto and Markus Tauschek (dir.) Publisher: Göttingen University Press Year of publication: 2015 Published on OpenEdition Books: 12 April 2017 Serie: Göttingen Studies in Cultural Property Electronic ISBN: 9782821875494 http://books.openedition.org Printed version ISBN: 9783863952051 Number of pages: 321 Electronic reference ADELL, Nicolas (ed.) ; et al. Between Imagined Communities of Practice: Participation, Territory and the Making of Heritage. New edition [online]. Göttingen: Göttingen University Press, 2015 (generated 10 September 2020). Available on the Internet: <http://books.openedition.org/gup/191>. ISBN: 9782821875494. © Göttingen University Press, 2015 Terms of use: http://www.openedition.org/6540 ommunity and participation have become central concepts in the nomi- 8 Cnation processes surrounding heritage, intersecting time and again with questions of territory. In this volume, anthropologists and legal scholars from France, Germany, Italy and the USA take up questions arising from these in- tertwined concerns from diverse perspectives: How and by whom were these concepts interpreted and re-interpreted, and what effects did they bring forth Between in their implementation? What impact was wielded by these terms, and what kinds of discursive formations did they bring forth? How do actors from lo- Imagined Communities cal to national levels interpret these new components of the heritage regime, and Communities of Practice and how do actors within heritage-granting national and international bodies work it into their cultural and political agency? What is the role of experts and expertise, and when is scholarly knowledge expertise and when is it partisan? Participation, Territory and the How do bureaucratic institutions translate the imperative of participation into concrete practices? Case studies from within and without the UNESCO matrix Making of Heritage combine with essays probing larger concerns generated by the valuation and valorization of culture. ed. by Nicolas Adell, Regina F. Bendix, Chiara Bortolotto and Markus Tauschek Göttingen Studies in Cultural Property, Volume 8 Between Imagined Communities and Communities of Practice Between Imagined Communities and of Practice Nicolas Adell et al. (Ed.) ISBN: 978-3-86395-205-1 ISSN: 2190-8672 Universitätsverlag Göttingen Universitätsverlag Göttingen Nicolas Adell, Regina F. Bendix, Chiara Bortolotto, Markus Tauschek (eds.) Between Imagined Communities and Communities of Practice This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Published in 2015 by Universitätsverlag Göttingen as volume 8 in the series “Göttingen Studies in Cultural Property” Between Imagined Communities and Communities of Practice Participation, Territory and the Making of Heritage Edited by Nicolas Adell, Regina F. Bendix, Chiara Bortolotto and Markus Tauschek Göttingen Studies in Cultural Property, Volume 8 Universitätsverlag Göttingen 2015 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de Printed with funding from the DFG Address of the Editor Prof. Dr. Regina F. Bendix Institut für Kulturanthropologie/Europäische Ethnologie Georg-August-Universität Göttingen Heinrich-Düker-Weg 14 D-37073 Göttingen Email: [email protected] This work is protected by German Intellectual Property Right Law. It is also available as an Open Access version through the publisher’s homepage and the Göttingen University Catalogue (GUK) at the Göttingen State and University Library (http://www.sub.uni-goettingen.de). The license terms of the online version apply. Set and layout: Lea Stöver, Jörn Borowski English proofreading: Philip Saunders Cover picture: Gathering of journeymen joiners for Saint Ann’s day, their patronal feast, in Toulouse, France (Copyright: FCMB, Sociétédes compagnonsmenuisierset serruriersdu Devoirde Liberté) Meeting of the Intangible Cultural Heritage Committee at the UNESCO Headquarter in Paris, 2014 (photo: Chiara Bortolotto) © 2015 Universitätsverlag Göttingen http://univerlag.uni-goettingen.de ISBN: 978-3-86395-205-1 ISSN: 2190-8672 „Göttinger Studien zu Cultural Property“ / “Göttingen Studies in Cultural Property” Reihenherausgeber Regina Bendix Kilian Bizer Brigitta Hauser-Schäublin Gerald Spindler Peter-Tobias Stoll Editorial Board Andreas Busch, Göttingen Rosemary Coombe, Toronto Ejan Mackaay, Montreal Dorothy Noyes, Columbus Achim Spiller, Göttingen Bernhard Tschofen, Tübingen Homepage http://gscp.cultural-property.org Contents Nicolas Adell, Regina F. Bendix, Chiara Bortolotto and Markus Tauschek Preface…………………………………………………………………..5 Nicolas Adell, Regina F. Bendix, Chiara Bortolotto and Markus Tauschek Introduction. Between Imagined Communities and Communities of Practice: Participation, Territory and the Making of Heritage………….....7 **** Community Conundrums Ellen Hertz Bottoms, Genuine and Spurious………………………………………..25 Stefan Groth Between Society and Culture: Recognition in Cultural Heritage Contexts……………………………...59 Michael A. Di Giovine The Ethics of Participation, Community Formation, and Governmentality in UNESCO’s World Heritage Program…………83 **** 2 Contents Community and Territory from Legal Perspectives Benedetta Ubertazzi The Territorial Condition for the Inscription of Elements on the UNESCO Lists of Intangible Cultural Heritage………………...111 Sabrina Urbinati The Community Participation in International Law…………………....123 Lauso Zagato The Notion of “Heritage Community” in the Council of Europe’s Faro Convention. Its Impact on the European Legal Framework……...141 **** Cultural Values and Community Involvement beyond UNESCO Cyril Isnart Self Heritage-Making and Religious Minority in Greece: An Ethnography of Heritage Activities outside of the Cultural Institutions………………………………………………..171 Monika Salzbrunn The Place-Making of Communities in Urban Spaces: The Invention of the Village Saint-Louis Sainte-Marthe…………………..185 Noël Barbe, Marina Chauliac and Jean-Louis Tornatore Intangible Cultural Heritage Exposed to Public Deliberation: A Participatory Experience in a Regional Nature Park………………....201 Regina F. Bendix Patronage and Preservation: Heritage Paradigms and Their Impact on Supporting “Good Culture”…………………………219 **** Reflections on Heritage Experts and Decision Makers Nicolas Adell Polyphony vs. Monograph: The Problem of Participation in a French ICH Dossier…………………………………………………..237 Contents 3 Chiara Bortolotto UNESCO and Heritage Self-Determination: Negotiating Meaning in the Intergovernmental Committee for the Safeguarding of the ICH..……………………………………...249 Christoph Brumann Community as Myth and Reality in the UNESCO World Heritage Convention…………………………………………...273 **** Markus Tauschek Imaginations, Constructions and Constraints: Some Concluding Remarks on Heritage, Community and Participation…………………..291 **** Topics and Papers of the Three Trilateral Conferences………………….....307 Contributors……………………………………………………………….313 Preface Nicolas Adell, Regina F. Bendix, Chiara Bortolotto and Markus Tauschek The present volume is the result of two parallel endeavors. Between 2009 and 2012, the editors planned and carried through three trilateral conferences focused on the overall theme of “Institutions, Territories, and Communities: Perspectives on Intangible Cultural Heritage” and held under the auspices of Villa Vigoni. Sup- ported by funds from the Deutsche Forschungsgemeinschaft (DFG), the Fondation Maison des Sciences de l’Homme and Villa Vigoni, anthropologists, European ethnologists and legal scholars from Germany, France and Italy, augmented by a few participants from Switzerland and the USA, we had the opportunity to explore thematically linked questions concerning the heritage complex in a location and atmosphere highly conducive to intensive exchange. The German delegation for these meetings was largely drawn from the second undertaking, namely the research unit “The Constitution of Cultural Property,” funded from 2008-2014 by the DFG as well, and focused in part on research questions dovetailing those proposed for the trilat- eral meetings. To these sponsors we express our sincere thanks. Not all of the papers presented at the Villa Vigoni conferences are represented in this volume. A number of them have been integrated into the volume Heritage Regimes and the State (volume 6 of the present series). Others have seen publication in other venues. The full list of participants of the three conferences appears at the end of the introduction, providing the titles in the languages they were presented in, and stating where available their places of publication. We would like to thank all contributors for their engagement in this endeavor: the trilateral exchange has contributed to a better awareness of what kinds of research clusters and thematic priorities exist within our respective countries and has intensified the linkage be- 6 Nicolas Adell, Regina F. Bendix, Chiara Bortolotto and Markus Tauschek tween German speaking and Romance language scholars in the field of critical heritage studies. The participation of legal scholars, furthermore, has broadened the mutual understanding of the differences entailed in approaching heritage mak- ing, its constituent terminology and its consequences depending on one’s scholarly
Recommended publications
  • Executive Summary – TOP 100 in European Transport and Logistics
    DVV Media Group Martin Schwemmer 2019 2020 Editor: Alexander Pflaum A study by Fraunhofer Center for Applied Research on Supply Chain Services SCS Introduction and Acknowledgements We are in our 25th year of TOP100 studies. Since logistics is not really tangible from offi- cial statistics this study series was designed in 1995 at Fraunhofer SCS to fill this gap. Even if logistics market assessments are carried out now this long time, our interest and curiosity about what the future will bring for logistics is undiminished. And it is more exciting than ever to analyze logistics. The European logistics sector has reached a size of € 1,120 bn. for the total expenditure on logistics activities carried out in 2018. And even if the transported quantities flowing through the logistics systems increased only moderately the logistics sector could grow by 3.7 percent in 2018 for the whole of Europe because shipments are still increasing because ever lighter parcels flowing through the logistics networks. Even with hardly higher ton- nages in the overall system, lucrative growth for logistics can result, as the supply chains extend more and more to the end customers, resulting in more filigree flows of goods that are more complex to deliver. This development now meets the reality called driver shortage and digitization. If you like to find out more about this, then this issue of TOP100 is for you. Thus, this study is aimed at logistics service providers as well as logistics units in industry and trade, and also at shippers. The TOP100 is also aimed at suppliers of logistics, consult- ing, politics and business journalists.
    [Show full text]
  • Exploring Aspects of Korean Traditional Music in Young Jo Lee's
    EXPLORING ASPECTS OF KOREAN TRADITIONAL MUSIC IN YOUNG JO LEE’S PIANO HONZA NORI Jin Kim, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2013 APPROVED: Adam Wodnicki, Major Professor Elvia Puccinelli, Committee Member Joseph Banowetz, Committee Member Steven Harlos, Chair of the Division of Keyboard Studies John Murphy, Interim Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Kim, Jin. Exploring Aspects of Korean Traditional Music in Young Jo Lee’s Piano Honza Nori. Doctor of Musical Arts (Performance), August 2013, 29 pp., 4 tables, 9 figures, 13 musical examples, bibliography, 32 titles. Since the 1960s, several gifted Korean composers, including perhaps most notably Young Jo Lee (b. 1943), have been internationally acclaimed for their work. In Western countries, however, there has been a scarcity of academic studies examining the artistry of the music of these Korean composers. Nonetheless, as one of today’s most recognized composers in Korea, Young Jo Lee has been invited to numerous international concerts, conferences, and festivals where his works have been played and discussed. A salient feature of his compositions is the fusion of Korean traditional music and the elements of Western compositions, such as in, for one distinctive example, his piano composition, Piano Honza Nori. This musical study describes and analyzes how Lee integrates Korean traditional elements with Western musical ideas in Piano Honza Nori. Results of this study will contribute to the limited literature on the analysis of contemporary piano composition that integrates Korean traditional elements.
    [Show full text]
  • Realities of the European Online Marketplace ■ 2 6.2.11
    Content 1. Foreword ............................................................................................................................... 4 2. Introduction .......................................................................................................................... 5 3. Project experiences ............................................................................................................... 6 4. Research methodology .........................................................................................................7 4.1. Background and organisation ....................................................................................... 7 4.2. Questionnaire design ..................................................................................................... 8 4.3. Evaluation and external examination ........................................................................... 8 4.4. External statistical processing ........................................................................................ 8 5. Shopping exercise ................................................................................................................. 10 5.1. Brief summary of the key findings .............................................................................. 10 5.2. Results ............................................................................................................................ 10 5.2.1. Confirmations, payments and deliveries ..................................................................
    [Show full text]
  • Manufactum Schließt Sich Der Initiative „Cotton Made in Africa“ An
    06. Juni 2017 Manufactum schließt sich der Initiative „Cotton made in Africa“ an Manufactum bietet erstmals Baumwollkleidung mit der „Cotton made in Africa“-Auszeichnung an und unterstützt so den ressourcenschonenden Baumwollanbau sowie die Verbesserung der Arbeits-und Lebensbedingungen von Kleinbauern und Fabrikarbeitern in Afrika. Die Initiative „Cotton made in Africa“ (CmiA) setzt sich seit ihrer Gründung 2005 für den Schutz der Umwelt sowie für bessere Lebens- und Arbeitsbedingungen für über eine halbe Million Kleinbauern und Fabrikarbeiter in Afrika ein, die am Anfang der Modeindustrie stehen. Mittlerweile ist CmiA das weltweit führende Label für nachhaltig produzierte Baumwolle in Afrika. Auch das Warenhaus der guten Dinge hat sich nun dieser Initiative angeschlossen. „Wir freuen uns, mit Manufactum einen zuverlässigen Partner gewonnen zu haben. Durch ihre Partnerschaft tragen sie dazu bei, den Baumwollbauern und Fabrikarbeitern in Afrika sowie der Umwelt ein Lächeln zu schenken“, so Tina Stridde, Geschäftsführerin der Aid by Trade Foundation, Trägerorganisation von Cotton made in Africa. Zum Start der Kooperation gibt es zwei Unisex-Modelle: Ein T-Shirt in gerader Passform sowie eine klassische Kapuzenjacke. Beide Artikel sind in den Farben Oliv und Blaugrün erhältlich und werden zu 100% aus Baumwolle gefertigt. Die Produkte sind seit Mai in den Warenhäusern und im Onlineshop von Manufactum erhältlich. Weitere Produkte in Kooperation mit CmiA sind in Planung. Angele Zettner, Leiterin der Produkt- und Sortimentsentwicklung bei Manufactum, freut sich über die Zusammenarbeit: „Wir setzen uns für vielfältige Lösungen zur Bewältigung komplexer Problematiken ein. „Cotton made in Africa“ ist eine davon und für uns ein weiterer, wichtiger Baustein auf dem Weg zu mehr Nachhaltigkeit im Textilbereich.“ Das Prinzip funktioniert so: Große Textilunternehmen erwerben die CmiA-Baumwolle und das dazugehörige Siegel als Lizenznehmer.
    [Show full text]
  • Bin Einkaufen Fotografiert Von Bruce Weber
    SEPTEMBER2016 MODE SPEZIAL BIN EINKAUFEN FOTOGRAFIERT VON BRUCE WEBER AR7110 MOD. COM DIFFERENT EYES,DIFFERENT LIVES. FRAMESOFLIFE. NICOLE, RODEO GIRL_OREGON EDITORIAL 23 ndiesem Heft gehtesums Einkaufen. So banal, wiedas klingt,ist es nicht. Denn es ist kompliziertergeworden mit KAUFEN den vielen Kanälen, durchdie alldie Warenzuuns kommen I sollen. Gleichzeitig erhebt mandas Einholenvon Güterndes täglichenBedarfs zu einerKulturtechnik. DerAnglizismus UND fasstinseiner zweisilbigen Kürzegut dieDynamik der samstäg- lichen Ersatzbefriedigungzusammen: „shoppen“, dasklingt eindeutigfrischerals dasumständlich dreisilbige „einkaufen“. Diefröhliche Simplizität aberverbirgtdie perfektenbis perfiden LAUFEN Strategien,die dahinterstecken. In diesem Heft werden alldiese Technikenentlarvt, vonder KundenführungimSupermarktüber den Luxushandel im Internetbis zu den Marketingstrategiender Modebranche.Und weil wirnicht alsallzusäuerlichgeltenwollen, gibt es auch Einkaufstipps. Aber grundsätzlichgehtesnatürlich noch im Shopping-Zeitalter um atavistischeWünsche.Inder Altsteinzeitgab es Net-a-porter noch nicht, Rewe ebensowenig undleidernicht einmal Hornbach. Also mussten sich dieMänner ihre Nahrungund ihre Kleidung selbst erjagen, unddie Frauen gingensammeln undhüteten dieKinder.Bis zumBeginndes Ackerbaus gabesnomadisierend umherstreifende Menschengrup- pen. Ichwar nichtdabei. Aber allein dieVorstellung erinnert mich an dienomadisierenden Mädchen,die an der Zeil gemeinsam bei H&Mjagen undsammeln.Man kannsichvorstellen, wasfür ein Glücksgefgefüühlesvor
    [Show full text]
  • Download Program Notes
    Shin Arirang Traditional (arr. D. Kim) rirang is a Korean folk song — and as is the Exposition in Chicago — and were simply A case with many folk songs, its origins are passed on to her. In any case, these record- obscure and its history is meandering. One ings stand as monuments of sonic history. theory traces it to the 19th century, when Whatever its beginnings, the song’s Heungseon Daewongun served as regent to popularity grew organically and it was em- the monarch Gojong (his son), a period that braced and adapted throughout the Korean ran from 1863 to 1873. During that regency, peninsula. The lyrics, tune, and rhythms a large number of Chinese workers were were modified depending on the region and brought to Seoul to construct the Gyeongbok the performer; yet, even when altered, the Palace. They brought with them the ancestor piece is recognized as part of the Arirang of this piece, a Chinese song titled Airang, family. Musicologists and folklorists have which expressed the workers’ sorrow at be- catalogued and classified the variations of ing separated from their wives or lovers. Arirang — about 60 different varieties of the Or perhaps it is much older than that, song, comprising at least 3,600 variants. The with at least its text reaching to the time principal varieties are typically identified of Park Hyeokgeose (69 BCE–4 CE; reigned with a descriptor that connects the version 57 BCE–4 CE), the founding monarch of with a region of the Korean peninsula. The ver- Silla, one of the Three Kingdoms of Ko- sion called Jeongseon Arirang is widely viewed rea.
    [Show full text]
  • Table of Contents
    TABLE OF CONTENTS Introduction ........................................................................................................................................ 1 Overview Strategic Funding .................................................................................................................. 2 Arts Discipline Funding ......................................................................................................... 3 Loan Fund ............................................................................................................................. 4 Operations ............................................................................................................................. 5 Preliminary Results of Increased Grants Funding ............................................................................. 6 2013 Allocations Summary ................................................................................................................ 7 Income Statement & Program Balances for the quarter ended December 31, 2013 ........................ 8 Strategic Funding 2013 Partnership Programs .......................................................................................................... 9 Strategic Partnerships ........................................................................................................... 10 Strategic Allocations .............................................................................................................. 11 Recipient Details ..................................................................................................................
    [Show full text]
  • Die Zehner Jahre
    SEPTEMBER2019 DIE ZEHNER JAHRE OLYMP.COM/SIGNATURE GERARD BUTLER’S CHOICE DASHEMD, DASSICHWIE KEIN ANDERESTRÄGT. MS IA LL WI EG GR O: OT PH EDITORIAL 13 er Fehler warunterirdisch, dasgebeich unumwunden zu. Wirkönnenihn auch nichtauf dieAuto-Korrektur IMMER D schieben,denndie haben wirhiergar nicht, wirmachen allesmit der Hand undimIdealfall auchmit demKopf. Wir wollten auchnicht prüfen,obunsereLeser wirklich aufmerksam WIEDER sind.Nein, aufder Inhaltsseite unsererletzten Ausgabe wollten wireinfach aufden Artikel über einbizarresKapitel desKrieges hinweisen. Im SchwarzenMeerwurde erst in diesem Jahr das Wrackdes U-Boots23entdeckt. Derdamalige Kommandant FEHLER Rudolf Arendt,inzwischen96Jahre alt, hatunserem Nordrhein- Westfalen-Korrespondenten Reiner Burgeralles erzähltüberdie Selbstversenkungder 30.U-Boot-Flottille. Undwas stand auf unserer Inhaltsseite? Rudolf Arendt sei „U-Bahn-Kommandant“ gewesen. DieGegenleserwaren chancenlos, denndie Wortgestalt stimmteja, nurder Inhalt warabgerutscht.Unsere Leseraber merken alles. ManfredKruschel: „Können Siemir bitteauf die Sprünge helfen undmir mitteilen, wo undwie dieU-Bahnim Kriegeingesetzt wurde?“Peter Gaydoul: „Unerwartetwar es für mich,von einerneuen Geheimwaffe der Wehrmacht im Dritten Reichzuerfahren.“MarianneMönch:„DerarmeHerrArendt!“ G. Schuchardt:„Könntihr mirden Ausbildungsgangdazu beschreiben?“Michael Risse: „Der Rhein-Main-Verkehrsverbund suchtdringendFachkräfte.“HansW.Wolff:„Wirvom Traditions- verband ,Die MaritimenBahnfahrer‘ sind mitimBootund allzeit bereit,einen zu heben.“Michael
    [Show full text]
  • ICTM Abstracts Final2
    ABSTRACTS FOR THE 45th ICTM WORLD CONFERENCE BANGKOK, 11–17 JULY 2019 THURSDAY, 11 JULY 2019 IA KEYNOTE ADDRESS Jarernchai Chonpairot (Mahasarakham UnIversIty). Transborder TheorIes and ParadIgms In EthnomusIcological StudIes of Folk MusIc: VIsIons for Mo Lam in Mainland Southeast Asia ThIs talk explores the nature and IdentIty of tradItIonal musIc, prIncIpally khaen musIc and lam performIng arts In northeastern ThaIland (Isan) and Laos. Mo lam refers to an expert of lam singIng who Is routInely accompanIed by a mo khaen, a skIlled player of the bamboo panpIpe. DurIng 1972 and 1973, Dr. ChonpaIrot conducted fIeld studIes on Mo lam in northeast Thailand and Laos with Dr. Terry E. Miller. For many generatIons, LaotIan and Thai villagers have crossed the natIonal border constItuted by the Mekong RIver to visit relatIves and to partIcipate In regular festivals. However, ChonpaIrot and Miller’s fieldwork took place durIng the fInal stages of the VIetnam War which had begun more than a decade earlIer. DurIng theIr fIeldwork they collected cassette recordings of lam singIng from LaotIan radIo statIons In VIentIane and Savannakhet. ChonpaIrot also conducted fieldwork among Laotian artists living in Thai refugee camps. After the VIetnam War ended, many more Laotians who had worked for the AmerIcans fled to ThaI refugee camps. ChonpaIrot delIneated Mo lam regIonal melodIes coupled to specIfic IdentItIes In each locality of the music’s origin. He chose Lam Khon Savan from southern Laos for hIs dIssertation topIc, and also collected data from senIor Laotian mo lam tradItion-bearers then resIdent In the United States and France. These became his main informants.
    [Show full text]
  • Arirang”: the Korean Resistance Anthem That Became a Japanese Pop Hit
    The Journal of Asian Studies Vol. 66, No. 3 (August) 2007: 645–687. © 2007 Association of Asian Studies Inc. doi: 10.1017/S0021911807000927 The Dual Career of “Arirang”: The Korean Resistance Anthem That Became a Japanese Pop Hit E. TAYLOR ATKINS “Arirang” is known worldwide as the quintessential Korean folk song. Its iconic status in contemporary Korea derives from its perceived role in strengthening Korean resolve to resist the cultural violence of the Japanese colonial occupation (1905–45). A musical “skeleton” capable of countless improvised variations and interpretations, some “Arirangs” explicitly assailed the Japanese and thus were censored by colonial authorities. However, in the 1930s and 1940s, precisely the time when assimilationist pressures in colonial Korea were intensifying, Japanese songsmiths, singers, and recording companies released “Arirang” ren- ditions in prodigious quantities, sometimes in collaboration with Korean perfor- mers. “Arirang” became the most familiar song in the Japanese empire: Its persistent theme of loss spoke to Koreans of their lost sovereignty and to Japanese of the ravaging effects of modernity on traditional lifeways. For both peoples, it served as a mirror for self-contemplation and an “ethnographic lens” for gazing upon the other. E OFTEN ASSIGN TO music the burden of fostering intercultural communi- Wcation and understanding. Platitudes galore testify to the unique power of music to bridge imposing gaps between societies, to remind of us our shared humanity. But what, in fact, does music
    [Show full text]
  • Last Supper for King Francis I; a Masterpiece in Gold and Silk
    Leonardo da Vinci’s Last Supper for King Francis I; a masterpiece in gold and silk CHÂTEAU DU CLOS LUCÉ PARC LEONARDO DA VINCI Exhibition from 7th June to 8th September 2019 THE VATICAN MUSEUMS THUS PAY TRIBUTE TO LEONARDO’S GENIUS An historic loan from the Vatican Museums Barbara Jatta, Director of the Vatican Museums The Vatican Museums are taking part in the fifth-centenary celebrations of Leonardo da Vinci’s death during 2019 with various initiatives. This exhibition on the precious Vatican tapestry of The Last Supper at the Château de Clos Lucé in Amboise is perhaps the most representative of these but also of the multifaceted activities carried out today in the Vatican Museums, encompassing research, restoration and collaboration with various institutions at a range of levels. The papal museums thus pay tribute to Leonardo’s genius. It was a pleasure and an honour to enter into contact with the French institutions and thus resume a relationship that dates back to 1533, when the renowned tapestry, sumptuously woven in silk with silver and gold thread and a border of crimson velvet, was presented to Clement VII by François I of France on the occasion of the marriage of his son and heir Henry of Valois and the Pope’s niece Catherine de’ Medici. The ceremony was performed by Clement VII himself with all due pomp in Marseille in the autumn of 1533. The tapestry, whose origin and provenance have been the object of hypotheses and conjectures, is still so shrouded in mystery that it has even proved impossible to identify the workshop involved.
    [Show full text]
  • Open Access: Analiza Zjawiska Z Punktu Widzenia Polskiego Naukowca
    Piotr Kozierski Rafał Kabaciński Marcin Lis Piotr Kaczmarek Open Access Analiza zjawiska z punktu widzenia polskiego naukowca Poznań – Kraków 2013 Oficyna Wydawnicza "Impuls", Kraków 2013 Recenzent: dr Paweł Szczęsny Projekt okładki: Łukasz Tarka Publikacja jest udostępniona na licencji Creative Commons Uznanie autorstwa-Na tych samych warunkach 3.0 (CC BY-SA 3.0). Pełna treść licencji dostępna na stronie creativecommons.org Publikacja w najnowszej wersji jest zawsze dostępna w Internecie na stronie Oficyny Wydawniczej Impuls oraz Repozytorium CEON Patronat: ISBN: 978-83-7850-485-6 Oficyna Wydawnicza „Impuls” 30-619 Kraków, ul. Turniejowa 59/5 tel./fax: (12) 422 41 80, 422 59 47, 506 624 220 www.impulsoficyna.com.pl e-mail: [email protected] Wydanie I, Kraków 2013 Spis treści WstępV 1. Skąd się wziął Open Access?1 1.1. Historia................................1 1.2. Geneza.................................2 1.2.1. Internet............................2 1.2.2. Polityka wydawnictw.....................3 2. Czym jest Open Access?5 2.1. Inicjatywy...............................5 2.1.1. Open Science – otwarta nauka...............5 2.1.2. Open Access – otwarty dostęp................7 2.1.3. Open Data – otwarte dane.................8 2.1.4. Open Education – otwarta edukacja............9 2.1.5. Open Source – otwarte źródła................9 2.1.6. Wolna kultura........................ 10 2.2. Prawa autorskie............................ 11 2.3. Otwarte licencje............................ 12 2.4. Słownik................................ 18 2.5. Modele finansowania czasopism otwartego dostępu........ 19 2.6. Podsumowanie............................ 21 3. Czy otwarty dostęp ma sens? 22 3.1. Z punktu widzenia społeczeństwa – konsumentów publikacji... 22 3.2. Z punktu widzenia autora...................... 23 3.3. Z punktu widzenia państwa – fundatora badań.........
    [Show full text]