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Schering Stiftung /Performance, Copyright and the Archive & Bundeszentrale Für Politische Bildung

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Schering Stiftung /Performance, Copyright and the Archive & Bundeszentrale Für Politische Bildung live-performances und tagung Fr /Fri, 23.01.09 * 21 Uhr /9 p.m. re.act.feminism »Angel M« – eine Performance dank Das Programm mit Performances von Künstlerinnen unter- Ulrike Rosenbach Performancekunst der 1960er und 70er Jahre heute schiedlicher Generationen, Performance-Interviews, Gesprä- Eine Performance von /A performance by Andrea Saemann CH Ausstellung, Videoarchiv, Live-Performances und Tagung Ein Projekt von cross links e.V., kuratiert von chen und theoretischen Reflexionen geht der Frage nach der Fr /Fri, 23.01.09 22 Uhr /10 p.m. * Bettina Knaup und Beatrice E. Stammer, realisiert Archivierbarkeit, Dokumentierbarkeit und Wi(e)deraufführ- Never Mind Pollock … Women on Painting Eine Performance von /A performance by Lilibeth Cuenca DK in Partnerschaft mit der Akademie der Künste, Berlin barkeit von Performance nach und stellt aktuelle Strategien Performance art of the 1960s and 70s today Sa /Sat, 24.01.09 11–16:30 Uhr /11 a.m.– 4:30 p.m. genderkritischer und interventionistischer Performance vor. * Exhibition, video archive, live performances and conference Wi(e)deraneignung in zeitgenössischer A project by cross links e.V., curated by Bettina Knaup and Was motiviert junge Künstlerinnen und Künstler heute, sich performativer Praxis /Reappropriation in Beatrice E. Stammer, produced in partnership with contemporary performative practice Akademie der Künste, Berlin auf diese historischen Positionen zu beziehen? Was bedeutet Mak’a piece of Art!, Bed-in mit /with Lilibeth Cuenca dieser Rückgriff für die Zukunft? & Toke Lykkeberg DK Öffnungszeiten /Opening hours Tania Bruguera CU (Künstlerin /Artist), Pauline Boudry & Renate Dienstag bis Sonntag /Tuesday to Sunday 11– 20 Uhr Lorenz D (Künstlerinnen /Artists), Rebecca Schneider USA (Professorin Montags geschlossen /Closed on Mondays für /Associate professor of Theatre, Speech & Dance, Brown University 24.12.08 / 31.12.08 geschlossen /closed live performances Providence) 31.1.09, 19 – 2 Uhr Ausstellung geöffnet zu /Exhibition opened at 2 and conference »Lange Nacht der Museen« Sa /Sat, 24.01.09 * 17 – 19 Uhr /5 – 7 p.m. The programme with performances by artists of different gen- Performance im öffentlichen Raum Eintritt /Entrance fee: 5,–/3,– Ihr Eintrittsticket ist für einen zweiten Besuch gültig. Freier Eintritt an /Performance art in the public sphere erations, performance interviews, discussions and theoretical jedem ersten Sonntag im Monat. /Entrance cards are valid for a second visit. Suzanne Lacy USA (Künstlerin /Artist), Katrin Grögel & Andrea Entrance is free on the first Sunday of each month. Saemann CH, Performance Saga: Interview mit /with Sanja Ivekovic´ HR re.act.feminism reflections not only pursues the question of how performance Abendticket Live-Performances /Evening ticket live performances: 12,–/8,– (Künstlerin /Artist) performance art of the 1960s and 70s today can be archived, documented and re-enacted, but also intro- Karten für die Veranstaltungen können Sie unter +49.(0)30.200 57-2000 an der Kasse der Akademie der Künste, Hanseatenweg, reservieren. Sa /Sat, 24.01.09 20 Uhr /8 p.m. duces current strategies of gender-critical and interventionist * /Tickets for all events can be reserved in advance at the cash desk at The Vitruvian Body Akademie der Künste, Hanseatenweg: +49.(0)30.200 57-2000. Performance art emerging in the 1960s and 70s was infused performance. What motivates young artists today to refer Eine Performance von /A performance by Boryana Rossa BG & Oleg Mavromatti RU Führungen durch die Ausstellung /Guided tours with ideas of social emancipation and fundamentally influ- back to historical positions? And what does this return mean Mittwoch, 18 Uhr /Wednesday, 6 p.m.: 17.12.08, 7.1.09, 14.1.09, 21.1.09, enced by women artists interested in feminism. Performance for the future? Sa /Sat, 24.01.09 * 21 Uhr /9 p.m. 28.1.09, 4.2.09 Clothes, after Juniper Perlis »Clothes 1« Sonntag, 12 Uhr /Sunday, 12 a.m.: 28.12.08, 4.1.09, 25.1.09, 1.2.09 art explored the intersection of art and life, of private and Eine Performance von /A performance by Tanja Ostojic´ SRB/D Anmeldung /Registration: art:berlin, +49.(0)30.28 09 83-90, live-performances von live performances by [email protected] public. It offered an ideal medium for examining, decon- * Antonia Baehr D, Colette USA, Lilibeth Cuenca DK, Sanja Ivekovic´& Sonja Sa /Sat, 24.01.09 22 Uhr /10 p.m. Teilnahmegebühr /Admission fee: 4,–/2,– Pregrad HR, Tanja Ostojic´ SRB/D, Boryana Rossa BG & Oleg Mavromatti RUS, * structing or reinventing (female) identity moving beyond Lachen Veranstaltungsort /Venue Andrea Saemann CH, Carolee Schneemann USA, Cornelia Sollfrank D, Faith Eine Performance von /A performance by Antonia Baehr D Akademie der Künste, Hanseatenweg 10, D-10557 Berlin attributions of femininity in mainstream culture. Moreover, Wilding USA +49.(0)30.200 57-2000, www.adk.de as a new art form, occurring outside the confines of the tradi- Sa /Sat, 24.01.09 * 23 Uhr /11 p.m. U Hansaplatz, S Bellevue, Bus 106 Party tional art space, performance was a medium for collective www.adk.de/reactfeminism/index.htm So /Sun, 25.01.09 11 Uhr /11 a.m. and social intervention in the public sphere. re.act.feminism Do /Thu, 22.01.09 20 Uhr /8 p.m. * Kontakt /Contact: [email protected] * Performance breakfast Pressekontakt /Press contact: [email protected], Tel. +49.(0)30.21 96 18 43 Seven Easy Pieces by Marina Abramovi´c provides an exemplary overview of gender-critical perform- Reaktionen und Kommentare von /Reactions and responses from Ein Film von /A Film by Babette Mangolte USA (2007, 93 min) Kuratorinnen /Curators: Bettina Knaup & Beatrice E. Stammer * Kuratorische Assistenz ance art and investigates its resonances in current artistic André Lepecki USA (Dramaturg, Autor & Kurator /Dramaturg, author /Curatorial assistance: Svenja Moor Produktionsassistenz /Curatorial production assi- & curator) * Do /Thu, 22.01.09 22 Uhr /10 p.m. stance: Silke Baumann, Milena Monssen * Koordination Videoarchiv /Co-ordinator video productions in the form of re-enactments, re-appropriations, * archive: Maria Morata, Jörn Ebner Grafik /Design: slothrop.eu Presse- und Öffentlich- Practice Makes the Master * * So /Sun, 25.01.09 12 – 17 Uhr /12 a.m.– 5 p.m. keitsarbeit /Public relations: artpress – Ute Weingarten, Sara Stehr & Sabine Wimmel new formulations or documentary and archival projects. Eine Performance von /A performance by Sanja Ivekovic´ HR * Performance, Copyright und Archiv mit /with Sonja Pregrad HR Mit freundlicher Unterstützung von /supported by Hauptstadtkulturfonds, Schering Stiftung /Performance, copyright and the archive & Bundeszentrale für politische Bildung. * Für weitere Unterstützung und Kooperation dan- ken wir /Thanks for further support and co-operation Cine Plus, Institut Français, Pro Hel- Fr /Fri, 23.01.09 14 –19 Uhr /2 – 7 p.m. Paul Clarke UK, Forschungs Fellow /Research fellow »Performing the * Archive«, University of Bristol & Arnolfini Archive Bristol, Laurence vetia, Schweizer Kulturstiftung, Collegium Hungaricum. * Medienpartner /Media partner Jenseits des Kanons: Feministische Bewegungen taz, zitty, aviva. und Performancekunst der 1960er und 70er Jahre Rassel B/E, (Künstlerische Leiterin /Artistic director Fundació Antoni Tàpies, Barcelona), Chris Regn D (Künstlerinnenarchiv /Archive of women /Beyond the canon: Feminism(s) and performance artists »Bildwechsel«), Martha Wilson USA (Künstlerin & Direktorin von art in the 1960s and 70s /Artist & director of Franklin Furnace New York) Silvia Eiblmeyer A (Kunsthistorikerin & Kuratorin /Art historian & curator), Fabienne Dumont F (Kunsthistorikerin /Art historian), Partnerveranstaltung /Partner event Bojana Pejic´ SRB/D (Kunsthistorikerin & Kuratorin /Art historian Institut Français, Berlin, Kurfürstendamm 211, D-10719 Berlin & curator), Angelika Richter D (Kunstwissenschaftlerin & Kuratorin Do /Thu, 22.01.09 19 Uhr /7 p.m. »La femme sans tête« (1974), /Art historian & curator), Ulrike Rosenbach D (Künstlerin /Artist) * * 24 min, Video von /by Nil Yalter ET/F. Mit einem Gespräch zwischen /With a conversation between Fabienne Dumont F & Nil Yalter ET/F. Rossa:Boryana ZS–ZSPerformance, RossaBoryana© 2005 1 Antonia Baehr: Lachen, 2008, Photo: Julie Pagnier © Antonia Baehr 2 Orlan: Mesu- Fr /Fri, 23.01.09 * 20 Uhr /8 p.m. Rage de la Place Saint-Lambert, 1980, Courtesy: Galerie Michel Rein, Paris © Orlan/VG Waiting With Die Konferenz findet in englischer Sprache statt. /The conference will be held in English 13.12.08 – 8.2.09 Bild-Kunst, Bonn 2008 Eine Performance von /A performance by Faith Wilding USA language. Aktueller Stand bei Drucklegung /This information is current as of 18.11.08 COVER die ausstellung das videoarchiv re.act.feminism Die Ausstellung dokumentiert exemplarisch wegweisende per- Das Videoarchiv bietet die Möglichkeit, aus einer Fülle von performancekunst der 1960er und 70er jahre heute formative Arbeiten von 25 Künstlerinnen zweier Generationen. mehr als 70 Performance-Dokumenten, Video-Performances Der Blick soll über den Kanon des Bekannten und Eingeschrie- und Künstlerinnen-Interviews zu wählen und diese eigen- Die sich seit den 1960er und 70er Jahren entwickelnde Per- benen hinaus erweitert werden, um die Vielfalt und Kom- ständig zu sichten. Diese einmalige Sammlung erlaubt einen formancekunst war von Ideen einer gesellschaftlichen Emanzi- plexität performativer Strategien sichtbar zu machen. Perfor- intensiven Einblick in feministisch inspirierte Performance- pation durchdrungen und wesentlich von Künstlerinnen
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