The Nuremberg Rallies
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Printed Covers Sailing Through the Air As Their Tables Are REVIEWS and REFUTATIONS Ipped
42 RECOMMENDED READING Articles Apoliteic music: Neo-Folk, Martial Industrial and metapolitical fascism by An- ton Shekhovtsov Former ELF/Green Scare Prisoner Exile Now a Fascist by NYC Antifa Books n ٻThe Nature of Fascism by Roger Gri Modernism and Fascism: The Sense of a Beginning under Mussolini and Hitler by Roger n ٻGri n ٻFascism edited by Roger Gri Black Sun: Aryan Cults, Esoteric Nazism, and the Politics of Identity by Nicholas Go- A FIELD GUIDE TO STRAW MEN odrick-Clarke Gods of the Blood: The Pagan Revival and White Separatism by Mattias Gardell Modernity and the Holocaust by Zygmunt Bauman Sadie and Exile, Esoteric Fascism, and Exterminate All the Brutes by Sven Lindqvist Confronting Fascism: Discussion Documents for a Militant Movement by Don Hamerquist, Olympias Little White Lies J. Sakai, Anti-Racist Action Chicago, and Mark Salotte Baedan: A Journal of Queer Nihilism Baedan 2: A Queer Journal of Heresy Baedan 3: A Journal of Queer Time Travel Against His-story, Against Leviathan! by Fredy Perlman Caliban and the Witch: Women, the Body, and Primitive Accumulation by Silvia Federici Witchcraft and the Gay Counterculture by Arthur Evans The Many-Headed Hydra: Sailors, Slaves, Commoners, and the Hidden History of the Revo- lutionary Atlantic by Peter Linebaugh and Marcus Rediker Gone to Croatan: Origins of North American Dropout Culture edited by Ron Sakolsky and James Koehnline The Subversion of Politics: European Autonomous Social Movements and the Decolonization of Everyday Life by Georgy Katsia cas 1312 committee // February 2016 How the Irish Became White by Noel Ignatiev How Deep is Deep Ecology? by George Bradford Against the Megamachine: Essays on Empire and Its Enemies by David Watson Elements of Refusal by John Zerzan Against Civilization edited by John Zerzan This World We Must Leave and Other Essays by Jacques Camatte 41 total resistance mounted to the advent of industrial society. -
" Triumph of the Will": a Limit Case for Effective-Historical Consciousness?
DOCUMENT RESUME ED 355 611 CS 508 146 AUTHOR Schwartzman, Roy TITLE "Triumph of the Will": A Limit Case for Effective-Historical Consciousness? PUB DATE Jan 93 NOTE 27p.; Paper presented at the Annual Florida State University Conference on Literature and Film (18th, Tallahassee, FL, January 1993). PUB TYPE Speeches/Conference Papers (150) Reports Evaluative /Feasibility (142) Guid'ts Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MFOI/PCO2 Plus Postage. DESCRIPTORS *Audience Awareness; *Critical Viewing; Documentaries; Film Criticism; *Film Study; Foreign Countries; Higher Education; *Mass Media Role; *Mass Media Use; Media Research; Nazism; *Persuasive Discourse; Propaganda IDENTIFIERS Film Genres; Film History; Film Viewing; Gadamer (Hans Georg); Germany; *Triumph of the Will ABSTRACT A film presented as factual may permit critical responses that question its purported factual objectivity and political neutrality. In class, Hans-Georg Gadamer's concept 3f effective-historical consciousness can be used to evaluate the allegedly propagandistic messages in Leni Riefenstahl's "Triumph of the Will." Analysis of this 1934 film reveals how it reinforced racial doctrines propagated by the Nazis and by scientists who sympathized with these racial views. Somewhat paradoxically, Riefenstahl's film may be considered a harbinger of twogenres in film whose essences seem contradictory: documentary and propaganda. "Triumph of the Will" contains no narration whatsoever after brief introductory remarks. Nat verbalized, these remarks are printedon successive screens in short phrases. This lack of narration reduces the critical distance between viewer and event. The opening scene features Adolf Hitler emerging from a plane to grace Nuremberg with his presence, and to rescue and transform Germany. -
Film Propaganda: Triumph of the Willas a Case Study
Film Propaganda: Triumph of the Will as a Case Study Author(s): Alan Sennett Source: Framework: The Journal of Cinema and Media, Vol. 55, No. 1 (2014), pp. 45-65 Published by: Wayne State University Press Stable URL: http://www.jstor.org/stable/10.13110/framework.55.1.0045 . Accessed: 10/07/2014 11:40 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Wayne State University Press is collaborating with JSTOR to digitize, preserve and extend access to Framework: The Journal of Cinema and Media. http://www.jstor.org This content downloaded from 68.191.205.73 on Thu, 10 Jul 2014 11:40:03 AM All use subject to JSTOR Terms and Conditions Film Propaganda: Triumph of the Will as a Case Study Alan Sennett Until a reassessment by historians and film critics in the 1990s, Leni Riefenstahl’s cinematic “record” of the September 1934 Nazi party rally had generally been regarded as the quintessential example of the art of political film propaganda. Susan Sontag argued in a seminal article for the New York Review of Books that Riefenstahl’s “superb” films of the 1930s were powerful propaganda as well as important documentary art made by “a film-maker of genius.”1 She concluded that Triumph des Willens/Triumph of the Will (DE, 1935) was “a film whose very conception negates the possibility of the filmmaker’s having an aesthetic concep- tion independent of propaganda.”2 Although still an important source, Sontag’s assessment has been seriously challenged on a number of counts. -
Hard Hearts; the Volksgemeinschaft As an Indicator of Identity Shift Kaitlin Hampshire James Madison University
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Summer 2017 Hard times; Hard duties; Hard hearts; The Volksgemeinschaft as an indicator of identity shift Kaitlin Hampshire James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the European History Commons, Military History Commons, and the Other German Language and Literature Commons Recommended Citation Hampshire, Kaitlin, "Hard times; Hard duties; Hard hearts; The oV lksgemeinschaft as na indicator of identity shift" (2017). Masters Theses. 488. https://commons.lib.jmu.edu/master201019/488 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Hard Times; Hard Duties; Hard Hearts; The Volksgemeinschaft as an Indicator of Identity Shift Kaitlin Hampshire A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of History August 2017 FACULTY COMMITTEE: Committee Chair: Dr. Christian Davis Committee Members/ Readers: Dr. Michael Gubser Dr. Gabrielle Lanier To Mom and Dad, I do not know how I could have done this without you! II Acknowledgements Foremost, I would like to express my sincere gratitude to my director Dr. Christian Davis for his support of my Master’s Thesis. Besides my director, I would like to thank the rest of my thesis committee: Dr. Michael Gubser and Dr. Gabrielle Lanier. My deepest thanks goes to my Graduate Director and Mentor Dr. -
I Stick My Neck out for Nobody
Excerpted from We’ll Always Have Casablanca: The Life, Legend, and Afterlife of Hollywood’s Most Beloved Movie by Noah Isenberg. Copyright © 2017 by Noah Isenberg. With permission of the publisher, W. W. Norton & Company, Inc. All rights reserved. Chapter 3 I Stick My Neck Out for Nobody Propertyuring of the W. 1930s, W. and intoNorton the early ’40s,& Company as the Great D Depression continued to cast its long shadow and dis- tressing memories of the Great War were still fresh in the minds of most Americans, politicians and the public at large were disinclined to meddle with the political affairs of Europe. Even after Hitler’s stunning ascent in Germany in January 1933, and the gradual rise of fascism in Italy, Americans showed little interest in waging an opposition. Hollywood, for its part, was no exception. Most studios, still reliant on sig- nificant revenue streams from the European export market, which into the mid-1930s constituted 30 to 40 percent of its box-office profits, fiercely avoided subjects that could be- con strued as offensive or insensitive. A typical attitude, voiced by M-G-M producer Irving Thalberg after returning from a trip to Germany in 1934, was “Hitler and Hitlerism will pass.” The 85 WellAlwaysHaveCasablanca_txt_final.indd 85 11/10/16 2:14 PM We’ll Always Have Casablanca imposition of the anti-Jewish Nuremberg Laws in 1935 didn’t stop most studios from continuing to retain cordial business ties with Nazi Germany, nor did the ruthless expansion of the Third Reich. “Fascism tipped the European applecart,” wrote journalist Helen Zigmond in a sobering report from December 1938, several months after the Anschluss and just weeks after the violent pogroms of Kristallnacht, “and Hollywood, instead of crying out against the bunglers, still scrambles for the fruit.” Although not without fault, Warner Bros. -
The Nuremberg Party Rallies, Wagner, and the Theatricality of Hitler And
University of Hawai‘i at Hilo HOHONU 2015 Vol. 13 Cathedral of Light: The his imagery and music by the Nazi Party.7 Hitler was obsessed with Wagnerian operas. It was the only type of Nuremberg Party Rallies, music he listened to with any enthusiasm, and he could Wagner, and The Theatricality be heard whistling it perfectly.8 He was witnessed to be visibly calmed by the music of Wagner when agitated. of Hitler and the Nazi Party According to Goebbels, Hitler had a “strong inner need Stacey Reed for art,” and was known to, in the middle of important History 395 political negotiations or tactical battles to go by himself Fall 2012 or with a few comrades, to sit in a theater and listen to “the heroically elevated measures of a Wagnerian music The National Socialist, or Nazi, Party was drama in artistic unison with his political being.”10 This keenly aware of the power of the arts, the elements of was a tendency that began long before his appointment the theatre, and the power of spectacle on the minds and as Chancellor. Already a passionate follower of Wagner's attitudes of the German people. This was especially true works, Hitler was further directed on his path towards of music, and they found fertile ground in the minds of Führer when, upon meeting Wagner's son-in-law at the people through the imagination of Richard Wagner his Villa Wahnfried in Bayreuth in September, 1923, and his great, nationalistic Operas. The Nazi Party the master of the house told him that he saw in Hitler, engaged with the political philosophy of the composer Germany's savior.11 Hitler would go on to make Wagner and elevated the enjoyment of his art to a key ritual of a central part of his Nazi Mythos, incorporating his works the cult of Nazism. -
Filming the End of the Holocaust War, Culture and Society
Filming the End of the Holocaust War, Culture and Society Series Editor: Stephen McVeigh, Associate Professor, Swansea University, UK Editorial Board: Paul Preston LSE, UK Joanna Bourke Birkbeck, University of London, UK Debra Kelly University of Westminster, UK Patricia Rae Queen’s University, Ontario, Canada James J. Weingartner Southern Illimois University, USA (Emeritus) Kurt Piehler Florida State University, USA Ian Scott University of Manchester, UK War, Culture and Society is a multi- and interdisciplinary series which encourages the parallel and complementary military, historical and sociocultural investigation of 20th- and 21st-century war and conflict. Published: The British Imperial Army in the Middle East, James Kitchen (2014) The Testimonies of Indian Soldiers and the Two World Wars, Gajendra Singh (2014) South Africa’s “Border War,” Gary Baines (2014) Forthcoming: Cultural Responses to Occupation in Japan, Adam Broinowski (2015) 9/11 and the American Western, Stephen McVeigh (2015) Jewish Volunteers, the International Brigades and the Spanish Civil War, Gerben Zaagsma (2015) Military Law, the State, and Citizenship in the Modern Age, Gerard Oram (2015) The Japanese Comfort Women and Sexual Slavery During the China and Pacific Wars, Caroline Norma (2015) The Lost Cause of the Confederacy and American Civil War Memory, David J. Anderson (2015) Filming the End of the Holocaust Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps John J. Michalczyk Bloomsbury Academic An Imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2014 Paperback edition fi rst published 2016 © John J. -
SCW English Department Spring 2018 Course Descriptions
SCW English Department Spring 2018 Course Descriptions (If you have any questions about how a course ‘counts’ in the major, please see your English Faculty Advisor; if you still have questions, please contact Prof. Linda Shires [email protected] and if you do not have an English Major Advisor, please contact Prof. Matt Miller [email protected]) ENGL 1503 Columns and Editorials Wednesday, 5:30-8 Prof. Avital Goldschmidt This course examines opinion writing for print and online media, focusing on the importance of audience and drawing on both the published writing of major columnists and opinion pieces written by students. Emphasis will be put on political opinion writing, particularly as part of today's American political discourse, as well as longform thought essays. Topics include strategies for finding editorial and column ideas, research process, persuasion skills, and effective writing style and tone. Through readings, writing assignments, and class discussions, each student should be able to execute a well- thought-out, well-written column. This course, as one of three Journalism basic courses, is strongly recommended for students concentrating in Journalism. This course counts as an elective for the Media Studies and CW tracks. Pre-requisite: English 1100 or 1200H. It counts toward the Writing Minor. ENGL 1600 Advertising Copywriting Wednesday, 6-8:30 Prof. Erik Mintz Good advertising doesn’t have to be an oxymoron. In this course we’ll examine what it takes to make an ad that’s persuasive-- one that entertains or makes us laugh, cry, think or change our minds while simultaneously accomplishing the goal of selling a product, service or just getting us to nod our heads in agreement. -
Volunteer Translator Pack
TRANSLATION EDITORIAL PRINCIPLES 1. Principles for text, images and audio (a) General principles • Retain the intention, style and distinctive features of the source. • Retain source language names of people, places and organisations; add translations of the latter. • Maintain the characteristics of the source even if these seem difficult or unusual. • Where in doubt make footnotes indicating changes, decisions and queries. • Avoid modern or slang phrases that might be seem anachronistic, with preference for less time-bound figures of speech. • Try to identify and inform The Wiener Library about anything contentious that might be libellous or defamatory. • The Wiener Library is the final arbiter in any disputes of style, translation, usage or presentation. • If the item is a handwritten document, please provide a transcription of the source language as well as a translation into the target language. (a) Text • Use English according to the agreed house style: which is appropriate to its subject matter and as free as possible of redundant or superfluous words, misleading analogies or metaphor and repetitious vocabulary. • Wherever possible use preferred terminology from the Library’s Keyword thesaurus. The Subject and Geographical Keyword thesaurus can be found in this pack. The Institutional thesaurus and Personal Name thesaurus can be provided on request. • Restrict small changes or substitutions to those that help to render the source faithfully in the target language. • Attempt to translate idiomatic expressions so as to retain the colour and intention of the source culture. If this is impossible retain the expression and add translations in a footnote. • Wherever possible do not alter the text structure or sequence. -
What Are the Former Nazi Party Rally Grounds? from “Sleeping” Cipher to Productive Monument for the Future of Remembrance
embracing humanity - Menschlichkeit als Maß what are the former nazi party rally grounds? from “sleeping” cipher to productive monument for the future of remembrance Idea and concept: Marietta Piekenbrock on behalf of the Bid Office, N2025 - European Capital of Culture, Director: Prof. Dr. Hans-Joachim Wagner, May 2020 Everyone living in Western democracies has Nuremberg in their history. The former Reichsparteitagsgelände, known in English as the Nazi party rally grounds is one of the largest places of remembrance in Europe. The Zeppelin grandstand and the unfinished Congress Hall illustrate the architectural militarism of National Socialism. The scaleless psychological function of its architecture was to mould individuals into a Volksgemeinschaft, a national or ethnic community that is willing to make sacrifices and to use violence. There are reasons to doubt the effectiveness of our public culture of remembrance. Two generations after the Holocaust, anti-Semitism and racism are again on the rise, not only in our urban and media spaces, but also among the elites. Where does this sinister trend originate? In what gestures is it manifested in urban planning? What driving forces result from these dynamics for dealing with monuments and national myths? What driving forces result from these dynamics for dealing with monuments and places of remembrance? Not only government and scholars, but also art and culture are facing new challenges and tasks. embracing humanity - Menschlichkeit als Maß The German word Schauplatz describes an arena, a scene, a setting or location and, literally, a showplace. If we probe the meaning, we are soon examining the history of the theatre, a genre from which the eventful, presentational character attached to the term is derived. -
Hitler Youth Free
FREE HITLER YOUTH PDF Michael H. Kater | 368 pages | 12 May 2006 | HARVARD UNIVERSITY PRESS | 9780674019911 | English | Cambridge, Mass, United States Hitler Youth - Wikipedia The Nazi Party tried to extend its influence over all aspects of German society. The Hitler Youth and Hitler Youth League of German Girls were developed as Nazi Party youth groups to introduce children and juveniles to Nazi ideology and policy. While girls prepared for their futures as wives and mothers, boys participated in military training. By the end Hitler Youth the war, boys as young as 12 were serving in German civil defense and in the German home guard, the Volkssturm. The Hitler Youth emerged from the scouting and German youth movements of the nineteenth and early twentieth centuries. Early Nazi leaders hoped that the organizations would serve as conduits Hitler Youth political mobilization and ideological Hitler Youth for the young. By the time Adolf Hitler came to power as German chancellor in January Hitler Youth, the Hitler Youth had approximatelymembers. In Hitler Youth following year, all other youth organizations were forbidden. The Hitler Youth and its auxiliaries became the only legal youth movement in Nazi Germany. Inthe Law concerning the Hitler Youth made membership compulsory for all Hitler Youth over ten years old. Compliance was not universal, however, and two ancillary decrees were issued in to Hitler Youth youth service compulsory and non-membership a punishable offense. Children had to be both racially conscious and Hitler Youth fit in order to build Hitler Youth new future for Germany and the Aryan people. As a symbol of the future, the Hitler Youth were often present at Party rallies and marches, including the annual Nuremberg rallies. -
Life in Nazi Germany Revision Guide
Life in Nazi Germany Revision Guide Name: Key Topics 1. Nazi control of Germany 2. Nazi social policies 3. Nazi persecution of minorities @mrthorntonteach The Nazi Police State The Nazis used a number of Hitler was the head of the Third ways to control the German Reich and the country was set up to population, one of these was follow his will, from the leaders to the Police State. This meant the the 32 regional Gauleiter. Nazis used the police (secret and regular) to control what the As head of the government, Hitler people did and said, it was had complete control over Germany control using fear and terror. from politics, to the legal system and police. The Nazis use of threat, fear and intimidation was their most powerful tool to control the German All this meant there was very little people opposition to Nazi rule between 1933-39 The Gestapo The Gestapo, set up in 1933 were the Nazi secret police, they were the most feared Nazi organization. They looked for enemies of the Nazi Regime and would use any methods necessary; torture, phone tapping, informers, searching mail and raids on houses. They were no uniforms, meaning anyone could be a member of the Gestapo. They could imprison you without trial, over 160,000 were arrested for ‘political crimes’ and thousands died in custody. The SS The SS were personal bodyguards of Adolf Hitler but became an intelligence, security and police force of 240,000 Ayrans under Himmler. They were nicknamed the ‘Blackshirts’ after their uniform They had unlimited power to do what they want to rid of threats to Germany, The SS were put in charge of all the police and security forces in Germany, they also ran the concentration camps in Germany.