Abraham Inc. Bonist and Arranger Fred Wesley, Celebrated Renowned Partnership with the Kronos Quartet for His Work with James Brown and George on Mr

Total Page:16

File Type:pdf, Size:1020Kb

Abraham Inc. Bonist and Arranger Fred Wesley, Celebrated Renowned Partnership with the Kronos Quartet for His Work with James Brown and George on Mr CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Sunday, November 13, 2011, 7pm n unprecedented collaboration Throughout his career, Mr. Krakauer has Zellerbach Hall Abetween three cultural visionaries—David enjoyed major ongoing artistic collaborations Krakauer, champion of klezmer music and with a diverse group of the world’s foremost per- world-class clarinetist; legendary funk trom- formers and composers. Highlights include his Abraham Inc. bonist and arranger Fred Wesley, celebrated renowned partnership with the Kronos Quartet for his work with James Brown and George on Mr. Golijov’s The Dreams and Prayers of Isaac David Krakauer, Fred Wesley Socalled Clinton; and hip-hop renegade and beat archi- the Blind, touring with the Emerson String with & tect Socalled—Abraham Inc. heralds a time Quartet; performing during the inaugural sea- when boundaries are eroding, mutual respect son of Carnegie Hall’s Zankel Hall with re- is presumed, and musical traditions can hit nowned jazz pianist Uri Caine; an eight-year with full force without concession or appropria- tenure with the Naumburg Award-winning tion. Backed by a three-piece horn section led Aspen Wind Quintet; tours with Music from by Mr. Wesley plus musicians who collaborate Marlboro; composing the music for Offering, frequently with Mr. Krakauer and Socalled, the an homage to the victims of September 11 by result is an all-out klezmer-funk dance party. modern dance duo Eiko and Koma; numerous Abraham Inc.’s debut release Tweet Tweet performances of David Del Tredici’s Magyar peaked at No. 1 in funk and No. 1 in Jewish Madness, commissioned by Music Accord for and Yiddish music and No. 35 in music sales on Mr. Krakauer and the Orion String Quartet; Amazon. It reached No. 7 in jazz on Billboard and performing in the International Emmy and was featured at No. 40 on the Billboard Award-winning BBC documentary Holocaust, A “Heatseekers” chart for fast sellers. Music Memorial from Auschwitz with music by Abraham Inc. is exclusively represented by Mr. Golijov. Bernstein Artists, Inc., www.bernsarts.com. Mr. Krakauer and his band Klezmer Madness! have performed around the world Clarinetist David Krakauer, praised interna- since 1996, forging alliances between his branch tionally for his astounding ability to play in a of world music and a multitude of musical myriad of music genres with “prodigious chops” genres including jazz, funk and, most recently, Wasserman (The New Yorker) and “soulfulness and electrify- electro. Touring internationally to major ven- ing showiness” (The New York Times), occupies ues and festivals including Carnegie Hall, the David Krakauer clarinet the unique position of being both one of the Library of Congress, Stanford Lively Arts, San Fred Wesley trombone world’s leading exponents of Eastern European Francisco Performances, Hancher Auditorium, Socalled sampler, accordion, keyboard Jewish klezmer music, plus a major voice in clas- the Krannert Center, the Venice Biennale, Sheryl Bailey guitar sical music and avant-garde improvisation. Krakow Jewish Culture Festival, BBC Proms, C-Rayz Walz vocals In recent years, Mr. Krakauer has emerged Saalfelden Jazz Festival, La Cigale, the Marciac Jerome Harris bass as a compelling soloist, introducing his dis- festival, WOMEX, the New Morning in Paris Freddie Hendrix trumpet tinctive sound to symphonic audiences in the and many others has enabled Klezmer Madness! Michael Sarin drums United States and Europe. He has performed to leave a lasting impression on diverse music Allen Watsky guitar with the Dresdner Philharmonie, the Pacific scenes around the world. Brandon Wright saxophone Symphony, the Weimar Staatskapelle, Detroit In 2006, Mr. Krakauer co-founded the Symphony, Phoenix Symphony, Colorado Music multi-genre super group Abraham Inc. with Festival Orchestra, Quebec Symphony, Seattle legendary funk trombonist and arranger Fred PROGRAM Symphony, Amsterdam Sinfonietta, New World Wesley and Jewish hip-hop renegade and beat Symphony, Brooklyn Philharmonic, Komische architect Socalled. Recent and upcoming Tonight’s performance will be announced from the stage. Oper Orchestra and the Orchestre Lamoureux. highlights include performances at the Apollo He has premiered and championed concertos by Theater and Symphony Space in New York, Cal Osvaldo Golijov, Paul Moravec, Jean-Philippe Performances, the Krannert Center in Illinois, Calvin, Ofer Ben Amots, George Tsontakis, Hancher Auditorium in Iowa, the Miller Cal Performances’ 2011–2012 season is sponsored by Wells Fargo. Mohammed Fairouz and Wlad Marhulets. Outdoor Theater in Houston, the Strathmore 28 CAL PERFORMANCES CAL PERFORMANCES 29 ABOUT THE ARTISTS ABOUT THE ARTISTS in Maryland, the Heineken Open’r Festival in Turner. He later was music director, arranger, hip-hop. When Socalled first heard klezmer mu- itself. This Bronx-bred emcee is a lyrical maniac Poland, the Cracow Jewish Culture Festival, the trombonist and a primary composer for James sic on an old Yiddish record, he was fascinated on stage, off the tip of his tongue, in the studio, Transmusicales de Rennes and Jazz à la Villette Brown from 1968–1975, then arranged for and by the cool sounds he could sample to make hip on MTV and everywhere you turn these days. in Paris. played with Parliament-Funkadelic and Bootsy’s hop beats. Then he realized that integrating this As one of the original members of the infamous In addition to Abraham Inc.’s Tweet Tweet, Rubber Band. Jewish music from the 1930s into his songs was rap crew Stronghold, C-Rayz Walz has been a Mr. Krakauer’s discography contains some of With Mr. Brown and as leader of his back- a way of representing himself and his cultural fixture in the New York hip-hop scene for years. the most important clarinet recordings of re- ing band The JBs, Mr. Wesley “was the world’s heritage. It enabled him bring something of his He hosts tons of hip-hop shows and events, has cent decades. His first release on the French jazz most famous sideman, orchestrating the sinu- own to funk and hip-hop, giving him what he dropped over 34 singles that consistently make label Label Bleu A New Hot One! was critically ous grooves and contributing the bold, surgi- calls “a real reason to make music.” noise on the Billboard charts, has had a video acclaimed. The Dreams and Prayers of Isaac the cally precise solos that defined the language of Known for his genre-bending approach in rotation on BET and started his own label, Blind received the Diapason D’Or in France. The funk.” In teaming with George Clinton and and his collaborations with musical giants of SunCycle Entertainment. Twelve Tribes was designated album of the year Bootsy Collins, he played a key role in taking funk, klezmer, hip-hop, lounge and classi- C-Rayz Walz has performed over 500 live in the jazz category for the Preis der Deutschen funk to the next level. Mr. Wesley is featured in cal music, Socalled has performed all over the shows since 2003. Blazing Stages in Europe, Schallplattenkritik. Klezmer, NY, on John the documentary film Soul Power, as well as the world. He has released three CDs: Socalled South America (Africa and Japan coming soon), Zorn’s Tzadik label, features Mr. Krakauer’s Oscar-winning When We Were Kings and count- Seder, HipHopKhasene and, most recently, shared the stage with the likes of Raekwon, visionary suite, A Klezmer Tribute to Sidney less other documentaries about James Brown Ghettoblaster, recorded with Yiddish singer dead prez, Mos Def, Aesop Rock, The Pharcyde, Bechet. Klezmer Madness (Tzadik) was one of and funk music. Theodore Bikel, lounge pianist Irving Fields, People Under the Stairs, Deep Rooted, the label’s best selling discs. Bubbemeises: Lies Seminal hits he helped create include Mr. musician and producer Gonzalez, master clari- Atmosphere, Mr Cheeks, De La Soul, Slick Rick, My Gramma Told Me (Label Bleu) features a Brown and the JBs’ “Big Payback” and “Pass netist David Krakauer, country singer Katie Doug E Fresh, Pete Rock, Insane Clown Posse, collaboration with Socalled. Other CDs in- the Peas.” Others include Parliament’s “P-Funk” Moore, rapper C-Rayz Walz and funk trombone R.A. The Rugged Man, Mickey Avalon, Killer clude the groundbreaking Rhythm and Jews and Bootsy’s “Stretching Out.” Author of the legend Fred Wesley, among others. All of these Priest, GhostFace Killa, Inspecta Deck, GZA, (Piranha/Flying Fish) and Jews with Horns acclaimed memoir, Hit Me, Fred: Recollections wonderful lunatics, and so many more, appear SoundTribe Sector Nine, Sage Francis, Digable (Piranha/Green Linnet) with the Klezmatics, of a Side Man (Duke University Press, 2002), in the Reframe Films/NFB The Socalled Movie, Planets, X-Clan, GrandMaster Caz, Mellie Mel, plus In the Fiddler’s House with violinist Itzhak Mr. Wesley is one of the world’s most-sampled available for exclusive download on YouTube. Cold Crush, Busy Bee, DJ JS-1 & Rahzel, Kool Perlman and the Klezmatics (Angel) and Ayre musicians. Artists who have sampled his work Keith, Self Scientific, Brother Ali, Spank Rock, with Dawn Upshaw and Mr. Golijov (Deutsche include Janet Jackson (“That’s the Way Love There is no description more apt for Sheryl The Juggaknots, DJ Muggz, Pigeon John, Reef Gramophon). His unique sound can be heard Goes”) and Nas (“Nastradamus”). Bailey than “a sizzling guitar goddess,” coined The Lost Cauze, Large Professor and The New in Danny Elfman’s score for the Ang Lee film A veteran of the Count Basie Orchestra, by Elliot Simon of All About Jazz. She attended Positive Reggae Vibe Light of Matisyahu. Taking Woodstock and throughout Sally Potter’s Mr. Wesley also has worked with a who’s who Berklee College of Music. Her years of dedication This prolific artist is more than a musician, The Tango Lesson. of other artists, including Ray Charles, Pancho and focus won her third place in the Thelonious poet and stage-wrecker—he has written two Mr.
Recommended publications
  • 2006 Brochure 5/19/06 11:15 AM Page 1
    2006 brochure 5/19/06 11:15 AM Page 1 CELEBRA RSARY TION NIVE AN 11th 2006 A Festival of Yiddish / Jewish Culture and the arts SUNDAY, AUGUST 20 TO SUNDAY, AUGUST 27 CAMP B’NAI BRITH LANTIER, QUEBEC (one hour north of Montreal) For further information: KlezKanada 5589 Queen Mary Road Montreal, Qc H3X 1W6 Tel.: (514) 489-9014 • Fax: (514) 489-0260 Website: www.klezkanada.com • e-mail: [email protected] 1 2006 brochure 5/19/06 11:15 AM Page 2 A Shaynem Dank !ebts ogbhha t KlezKanada, a division of the Conservatory for Judaic Performing Arts extends its profound thanks and appreciation to its many benefactors and supporters whose encouragement and financial support assure that KlezKanada’s goals and objectives are realized. N Herschel Segal Family Foundation N Zukerman Charitable Foundation (Toronto) N Élaine and David Sela N Tauben Charitable Foundation (Montreal) N Jewish Community Foundation of Montreal N Council on Jewish Identity and Continuity (Fed CJA - Montreal) N Stephani and David Azrieli, C.H.C.Q. N Joan and Hy Bloom N Neri Bloomfield and Evelyn Schachter N Joanne and Douglas Cohen N Cummings and Gold Families N Wally and Aaron Fish N Jojo and Bram Gelfand N Sandy and Hy Goldman N Marlene and Joel King N Millie Lande N Alta and Harvey Levenson N Dora and Avi Morrow KLEZKANADA BOARD OF DIRECTORS Hy Goldman Chairman Bob Blacksberg (Philadelphia) Chaim Ronn Vice Chairman Marc Dolgin (Ottawa) Herschel Segal Vice Chairman Adriana Kotler David Sela Vice Chairman David Novek Irwin Tauben Treasurer Bernard Rosenblatt Tzipie Freedman Secretary Rozlyn Rosenblatt (Pittsburg) Sandy Goldman Administrative Director Robert Smolkin (Toronto) Jack Wolofsky Norman Beiles Auditor Helen Zukerman (Toronto) Stan Cytrynbaum Legal Council Thanks are also extended to Sandy Cytrynbaum, Harvey and Alta Levenson, Evelyn Schachter, and Penny Meshwork for their support in so many ways.
    [Show full text]
  • BALONI Presskit French
    BALONI Joachim Badenhorst, Frantz Loriot & Pascal Niggenkemper baloni, soit Joachim Badenhorst le belge souffleur (clarinettes, saxophone ténor), Frantz Loriot l'altiste (violon-alto) français et Pascal Niggenkemper le contrebassiste franco-allemand se sont rencontrés à Brooklyn, New York en 2008. Une triple entente fondée sur l’écoute de l’autre, la possibilité d’étendre pour chacun son champ d’investigation. Résultat : ces trois funambules osent le saut vers l’inconnu, le vertige de l’instant présent. À les suivre dans les chemins escarpés, ces courbes jonchées de mélodies aussi fugaces que tenaces, on ne sait ce qui tient de l’improvisation et de l’écrit. Peu importe le flacon, pourvu que l’ivresse soit au bout de cette traversée poétique. baloni a tissé un lien complice avec le label portugais clean feed depuis 2011 et trois enregistrements ont vu le jour sur le label : "Fremdenzimmer" en novembre 2011, puis "belleke" en juillet 2014, et enfin "Ripples", en format vinyle, sorti en mars 2015. JOACHIM BADENHORST - clarinets & saxophone (Belgium). Joachim Badenhorst (1981 Antwerpen) is one of the biggest talents of the Belgian jazz scene. Joachim was chosen 'rising star Clarinet of 2013' in the renown Annual Downbeat Critic's Poll (U.S.A.) .Joachim Badenhorst was chosen ‘Clarinet player of 2011` by a group of international jazz critics in the‘4th Annual Intruso Critics Poll’. Joachim is featured on more than 30 recordings. On Belgian labels (De Werf, Igloo, Home Records, Rat- Records, Spocus, El negocito records) and international labels (Songlines-Canada, ILK-Denmark, Fresh Sound New Talent-Spanje, Cleanfeed-Portugal, Nobusiness-Lithuania, Red Toucan-Canada).
    [Show full text]
  • POLIN Museum of the History of Polish Jews Warsaw 2013 Museum of the City of New York New York 2014 the Contemporary Jewish Muse
    POLIN Museum of the History of Polish Jews Warsaw 2013 Museum of the City of New York New York 2014 The Contemporary Jewish Museum San Francisco 2015 Sokołów, video; 2 minutes Courtesy of the YIVO Institute for Jewish Research, New York Letters to Afar is made possible with generous support from the following sponsors: POLIN Museum of the History of Polish Jews Polish Ministry of Culture and National Heritage Museum of the City of New York Kronhill Pletka Foundation New York City Department of Cultural Affairs Righteous Persons Foundation Seedlings Foundation Mr. Sigmund Rolat The Contemporary Jewish Museum Patron Sponsorship: Major Sponsorship: Anonymous Donor David Berg Foundation Gaia Fund Siesel Maibach Righteous Persons Foundation Taube Foundation for Jewish Life & Culture Anita and Ronald Wornick Major support for The Contemporary Jewish Museum’s exhibitions and Jewish Peoplehood Programs comes from the Koret Foundation. POLIN Museum of the History of Polish Jews, Warsaw 05.18.2013 - 09.30.2013 Museum of the City of New York 10.22.2014 - 03.22.2015 The Contemporary Jewish Museum, San Francisco 02.26.2015 - 05.24.2015 Video installation by Péter Forgács with music by The Klezmatics, commissioned by the Museum of the History of Polish Jews and the YIVO Institute for Jewish Research. The footage used comes from the collections of the YIVO Institute for Jewish Research in New York, the National Film Archive in Warsaw, the United States Holocaust Memorial Museum in Washington, Beit Hatfutsot in Tel Aviv and the Steven Spielberg Jewish Film Archive in Jerusalem. 4 Péter Forgács / The Klezmatics Kolbuszowa, video; 23 minutes Courtesy of the YIVO Institute for Jewish Research, New York 6 7 Péter Forgács / The Klezmatics beginning of the journey Andrzej Cudak The Museum of the History of Polish Jews invites you Acting Director on a journey to the Second Polish-Jewish Republic.
    [Show full text]
  • TIME Global Health Summit Supported by the Bill & Melinda Gates Foundation Nov. 1
    TIME MAGAZINE TO CONVENE LEADERS TO DEVELOP SOLUTIONS TO GLOBAL HEALTH CHALLENGES Speakers Include Bill Gates, Richard Branson, Lee Jong-wook, Ted Turner, Ann Veneman, Paul Farmer, Madeleine Albright, Paul Wolfowitz, Agnes Binagwaho, Rick Warren, Julie Gerberding and Bono TIME Global Health Summit Supported by the Bill & Melinda Gates Foundation Nov. 1– 3, 2005, in New York City New York, NY (October 4, 2005) – TIME magazine will focus Americaʼs attention on global health during the TIME Global Health Summit, November 1-3, 2005, in New York City. Supported by the Bill & Melinda Gates Foundation, the TIME Summit will convene leaders in medicine, government, business, public policy and the arts to develop actions and solutions to health crises. TIME is partnering with PBS, as well as ABC News, to reach a broad audience. On Monday, October 31, a TIME special issue on global health will hit newsstands, reaching more than 27 million readers around the world. On Nov. 1-3 from 9-11 pm (check local listings), PBS will premiere Rx for Survival − A Global Health Challenge™, a six-part documentary series narrated by Brad Pitt. The series is co-produced by the WGBH/NOVA Science Unit and Vulcan Productions. Also this fall, ABC News will provide expanded coverage of global health issues. The TIME Summit will be on-the-record and open to credentialed media for news coverage. “The developed nations of the world can no longer ignore the health crisis faced by millions of people every day,” said Jim Kelly, managing editor of TIME magazine. “And the challenges presented by Hurricane Katrina bring home these daunting struggles.
    [Show full text]
  • Shalom: Peace, Not Just Peace of Mind Parashat Ki Tetze Rabbi Daniel Cotzin Burg, Beth Am 9.6.14 ~ 11 Elul 5774
    Shalom: Peace, Not Just Peace of Mind Parashat Ki Tetze Rabbi Daniel Cotzin Burg, Beth Am 9.6.14 ~ 11 Elul 5774 This week I spent a day in Washington with thought-leaders, rabbis and policy analysts. We were speaking about Israel, America’s relationship with the Jewish state and the current deeply troubling state of affairs in the Middle East. The most surprising and powerful presentation of the day was that of Mosab Hassan Yousef, son of Sheikh Hassan Yousef, a founder and spiritual leader of Hamas. Given the events of this summer, it was particularly poignant to hear the heartfelt and courageous words of this young author and former Israeli asset (as he sat on the dais across from his Shin Bet handler). To even begin to conceive of such heroism, we almost have to transport ourselves into a different time – say Germany of the 1940s, when precious few righteous individuals resisted and acted against the scourge of Nazism. We might visit Rwanda or Cambodia, Darfur or America’s antebellum south. There are far too many examples in human history of pervasive, systematic violence and too few stories of those who made the hardest choices to turn against their fathers, brothers and their communities and attempt to salvage their dignity and humanity. Or perhaps we should roll the Torah back from its current location near the end, to a story near the very beginning whose hero, a simple man named Noah, is tzadik tamim haya b’dorotav, “a righteous man, blameless in his generation” (Gen. 6:9). I would argue it’s virtually impossible for us, most or all of us in this room, to know what it is like to live among the truly malevolent and depraved – a society so bad God sees no recourse but to erase it and start over.
    [Show full text]
  • What Makes Klezmer So Special? Geraldine Auerbach Ponders the World Wide Popularity of Klezmer Written November 2009 for JMI Newsletter No 17
    What Makes Klezmer so Special? Geraldine Auerbach ponders the world wide popularity of klezmer Written November 2009 for JMI Newsletter no 17 Picture this: Camden Town’s Jazz Café on 12 August 2009 with queues round the block including Lords of the realm, hippies, skull-capped portly gents, and trendy young men and women. What brought them all together? They were all coming to a concert of music called Klezmer! So what exactly is klezmer, and how, in the twenty-first century, does it still manage to resonate with and thrill the young and the old, the hip and the nostalgic, alike? In the 18th and 19th centuries, in the Jewish towns and villages of Eastern Europe the Yiddish term 'klezmer' referred to Jewish musicians themselves. They belonged to professional guilds and competed for work at weddings and parties for the Jewish community – as well as the local gentry. Their repertory included specific Jewish tunes as well as local hit songs played on the instruments popular in the locality. Performance was influenced by the ornamented vocal style of the synagogue cantor. When life became intolerable for Jews in Eastern Europe in the late nineteenth century, and opportunity came for moving to newer worlds – musicians brought this music to the west, adapting all the while to immigrant tastes and the new recording scene. During the mid-twentieth century, this type of music fell from favour as the sons and daughters of Jewish immigrants turned to American and British popular styles. But just a few decades later, klezmer was back! A new generation of American musicians reclaimed the music of their predecessors.
    [Show full text]
  • Some Notes on John Zorn's Cobra
    Some Notes on John Zorn’s Cobra Author(s): JOHN BRACKETT Source: American Music, Vol. 28, No. 1 (Spring 2010), pp. 44-75 Published by: University of Illinois Press Stable URL: http://www.jstor.org/stable/10.5406/americanmusic.28.1.0044 . Accessed: 10/12/2013 15:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to American Music. http://www.jstor.org This content downloaded from 198.40.30.166 on Tue, 10 Dec 2013 15:16:53 PM All use subject to JSTOR Terms and Conditions JOHN BRACKETT Some Notes on John Zorn’s Cobra The year 2009 marks the twenty-fifth anniversary of John Zorn’s cele- brated game piece for improvisers, Cobra. Without a doubt, Cobra is Zorn’s most popular and well-known composition and one that has enjoyed remarkable success and innumerable performances all over the world since its premiere in late 1984 at the New York City club, Roulette. Some noteworthy performances of Cobra include those played by a group of jazz journalists and critics, an all-women performance, and a hip-hop ver- sion as well!1 At the same time, Cobra is routinely played by students in colleges and universities all over the world, ensuring that the work will continue to grow and evolve in the years to come.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • Poslovno Poroĉilo CD Za Leto 2009 1 I POSLOVANJE
    Poslovno poroĉilo CD za leto 2009 I POSLOVANJE CANKARJEVEGA DOMA V LETU 2009 .................................................. 3 1.1 ZAKONSKE IN DRUGE PODLAGE, KI POJASNJUJEJO DELOVNO PODROĈJE 3 1.2 ORGANI ZAVODA ........................................................................................................ 3 1.3 URESNIĈITEV DOLGOROĈNIH IN LETNIH CILJEV POSLOVANJA .................... 5 1.4 POSLOVNO OKOLJE CD ............................................................................................ 10 1.5 ĈLOVEŠKI VIRI ........................................................................................................... 12 1.6 ŠTEVILO PRIREDITEV IN OBISKOVALCEV .......................................................... 18 1.7 ZASEDENOST DVORAN ............................................................................................ 20 1.8 FINANĈNO POSLOVANJE V LETU 2009, PRIMERJAVE Z OSNOVAMI ............ 24 1.9 INVESTICIJE, NAKUPI OPREME, INVESTICIJSKO VZDRŢEVANJE ................. 35 1.10 PREGLED MEDIJSKEGA POJAVLJANJA IN MARKETINŠKIH PRIJEMOV ..... 39 1.11 PRODAJA VSTOPNIC ZA PRIREDITVE JAVNE SLUŢBE V LETU 2009 ........... 42 II KULTURNO – UMETNIŠKI PROGRAM CANKARJEVEGA DOMA ........................... 44 2 RESNA GLASBA IN OPERA ............................................................................................ 44 2.1 SIMFONIĈNA GLASBA .............................................................................................. 44 2.2 GLASBENO-SCENSKA DEJAVNOST .....................................................................
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Tanya Sources.Pdf
    The Way to the Tree of Life Jewish practice entails fulfilling many laws. Our diet is limited, our days to work are defined, and every aspect of life has governing directives. Is observance of all the laws easy? Is a perfectly righteous life close to our heart and near to our limbs? A righteous life seems to be an impossible goal! However, in the Torah, our great teacher Moshe, Moses, declared that perfect fulfillment of all religious law is very near and easy for each of us. Every word of the Torah rings true in every generation. Lesson one explores how the Tanya resolved these questions. It will shine a light on the infinite strength that is latent in each Jewish soul. When that unending holy desire emerges, observance becomes easy. Lesson One: The Infinite Strength of the Jewish Soul The title page of the Tanya states: A Collection of Teachings ספר PART ONE לקוטי אמרים חלק ראשון Titled הנקרא בשם The Book of the Beinonim ספר של בינונים Compiled from sacred books and Heavenly מלוקט מפי ספרים ומפי סופרים קדושי עליון נ״ע teachers, whose souls are in paradise; based מיוסד על פסוק כי קרוב אליך הדבר מאד בפיך ובלבבך לעשותו upon the verse, “For this matter is very near to לבאר היטב איך הוא קרוב מאד בדרך ארוכה וקצרה ”;you, it is in your mouth and heart to fulfill it בעזה״י and explaining clearly how, in both a long and short way, it is exceedingly near, with the aid of the Holy One, blessed be He. "1 of "393 The Way to the Tree of Life From the outset of his work therefore Rav Shneur Zalman made plain that the Tanya is a guide for those he called “beinonim.” Beinonim, derived from the Hebrew bein, which means “between,” are individuals who are in the middle, neither paragons of virtue, tzadikim, nor sinners, rishoim.
    [Show full text]
  • Diskographie Deutsch Stand Juni 2018
    1 Henning Sieverts, Luitfriedstr.14, 80995 München, Tel+Fax:089-74 08 05 62 Mobil: 0171/2070537 E-Mail: [email protected] www.henningsieverts.de DISKOGRAPHIE (Auswahl): (Eigenproduktionen: grösseres Schriftbild) # „Jazz live aus dem Feierwerk“ Beitrag des „Henning Sieverts Trios“ mit Martin Scales (g) und Falk Willis (dr) auf einem Sampler der Münchner Jazz-Szene (Feierwerk-Records 1991) # „Wolfgang Lackerschmidt: One More Life“ mit Wolfgang Lackerschmidt (vib), Milcho Leviev (p) und Bill Elgart (dr) (Bhakti Records BR 29, 1992) # “Der Rote Bereich” mit Rudi Mahall (bcl), Frank Möbus (g), Marty Cook (tb) und Jim Black (dr) (Jazz4ever Records 4715, 1992) # „Peter O`Mara Trio feat.Mike Nock: KURANDA“ mit Peter O´Mara (g), Mike Nock (p) und Tony Lush (dr) (ITM Pacific 970067, 1992) # “Bass-Spectren” Preisträger-Konzert-Mitschnitt der “International Society of Bassist`s Convention 1991“ (Thomastik-Infeld ITH 001, 1992) # “BuJazzO Vol.2” Bundesjazzorchester unter Leitung von Peter Herbolzheimer (Harmonia Mundi 1034-2, 1992) # “Peter Fulda : Tarot Suite” mit Peter Fulda (p) und Andreas Gandela (dr) (A+P 9406, 1994) # “Peter O`Mara: Cross Rhythms” mit Peter O`Mara (g), Johannes Enders (ts, ss) und Falk Willis (dr) (Jazz4ever Records 4720, 1994) # “Axel Beineke Jazz Trio: Let`s be true” mit Axel Beineke (tp) und Helmut Kagerer (g) (Edition Collage EC 469-2, 1994) # “German Jazz Orchestra: First Take” unter Leitung von Jiggs Whigham (Mons Records Mons Aris 874 669, 1994) 2 # “SDR Big Band with Frank Foster: A Tribute to Thad Jones”
    [Show full text]