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Ottawa Jewish Bulletin Subscription
blue - 300 c gree n - 362 c brown - 1535 c JNF CANADA EDUCATORS Call today to arrange or renew your MISSION TO ISRAEL Ottawa Jewish JULY 13 - 19, 2020 ISRAEL AT THE RIGHT TIME, RIGHT PRICE Bulletin Subscription JNFOTTAWA.CA 613.798.2411 Call 613-798-4696, Ext. 256 Ottawa Jewish Bulletin MARCH 23, 2020 | ADAR 27, 5780 ESTABLISHED 1937 OTTAWAJEWISHBULLETIN.COM | $2 Remembering Jon Braun, 1957-2020 Jon Braun, director of ing thousands of kids about the value of sports. For many, he was their connec- athletics, leagues and tion to the Jewish community. “Jon was all about the kids… mak- summer camps at the ing sure they got to experience and SJCC since 1988 was a get a taste of different activities in the sporting world,” said SJCC Youth Pro- beloved figure to the grams Manager and Specialty Camps Director Gail Lieff. “This was his prior- generations of chil- ity when he took over the JCC Sports Camp and turned it into the Travelling dren and adults whose Sports Camp.” lives he touched over Jon’s official title at the SJCC was director of Athletics where he oversaw the past 32 years. sports leagues for adults and kids, in addition to being executive director BY PAMELA ROSENBERG of Summer Camps and director of the SOLOWAY JEWISH COMMUNITY CENTRE Travelling Sports Camp. Although none of those job descriptions include fund- on Braun passed away unexpectedly raising, ensuring there was enough on March 9, at age 63, leaving gen- money in the pot so that every child erations of Ottawa families at a loss. -
Blues Symphony in Atlanta Two Years Ago, Wynton Marsalis Embarked on a New Challenge: Fuse Classical Music with Jazz, Ragtime and Gospel
01_COVER.qxd 12/10/09 11:44 AM Page 1 DOWNBEAT DOWNBEAT BUDDY GUY BUDDY // ERIC BIBB // JOE HENRY JOE HENRY // MYRON WALDEN MYRON WALDEN DownBeat.com $4.99 02 FEBRUARY 2010 FEBRUARY 0 09281 01493 5 FEBRUARY 2010 U.K. £3.50 02-27_FRONT.qxd 12/15/09 1:50 PM Page 2 02-27_FRONT.qxd 12/15/09 1:50 PM Page 3 02-27_FRONT.qxd 12/15/09 1:50 PM Page 4 February 2010 VOLUME 77 – NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Contributing Designer Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
The Internationally Acclaimed Festival of Yiddish/Jewish Culture and the Arts KLEZKANADA
The Internationally Acclaimed Festival of Yiddish/Jewish Culture and the Arts KLEZKANADA August 22- 28, 2011 Founders From the KlezKanada Board of Directors Hy and Sandy Goldman Again we are so privileged to welcome you (and welcome you back) to KlezKanada on behalf of the Board, our faculty and artistic staff. As we arrive at Camp B’nai Brith, we marvel when our Artistic Coordinator, Summer Festival gem of Jewish culture comes alive, in its sounds, songs, language, dance and performance. It Frank London binds us as a community committed to connect, not to a lost past, but to a living present. We are grounded in our contact with our treasured giants, such as Flory Jagoda and Theodore Bikel, and Artistic Coordinator, Local Programming and Montreal Jewish Music Festival nourished and realized in the work of our faculty who created the renaissance and the generation Jason Rosenblatt of younger leaders who carry it to new places. Our pride, our nakhes, knows no limit when we see artists who came of age in our scholarship and fellowship programs, now take the world Founding Artistic Director and Senior Artistic Advisor stage. Jeff Warschauer We are also extremely gratified that KlezKanada has now linked up with the McGill University Board of Directors Schulich School of Music through the Department of Jewish Studies and will be hosting a group of McGill students for the week. This sets a precedent and augers well for future academic Bob Blacksberg, Stan Cytrynbaum (legal consultant), Tzipie Freedman (secretary), Hy associations. Goldman (chair), Sandra Goldman (registrar), Adriana Kotler, Robin Mader, Sandra Mintz, Bernard Rosenblatt, Roslyn Rosenblatt, Herschel Segal, David Sela, Robert Smolkin, Eric Now 16 years strong, we feel we have just begun. -
Naftule Brandwein, Dave Tarras and the Shifting Aesthetics in the Contemporary Klezmer Landscape
WHAT A JEW MEANS IN THIS TIME: Naftule Brandwein, Dave Tarras and the shifting aesthetics in the contemporary klezmer landscape Joel E. Rubin University of Virginia Clarinetists Naftule Brandwein (1884-1963) and Dave Tarras (1895-1989) were the two leading performers of Jewish instrumental klezmer music in New York during the first half of the 20th century. Due to their virtuosity, colorful personalities and substantial recorded legacy, it was the repertoire and style of these two musicians that served as the major influence on the American (and transnational) klezmer revival movement from its emergence in the mid-1970s at least until the mid-1990s.1 Naftule Brandwein playing a solo in a New York catering hall, ca. late 1930s. Photo courtesy of Dorothea Goldys-Bass 1 Dave Tarras playing a solo in a New York catering hall, ca. early 1940s. Photo courtesy of the Center for Traditional Music and Dance, New York. Since that time, the influence of Brandwein and Tarras on contemporary klezmer has waned to some extent as a younger generation of klezmer musicians, many born in the 1970s and 1980s, has adopted new role models and the hegemony of the Brandwein-Tarras canon has been challenged.2 In particular, beginning in the early 1990s and continuing to the present, a parallel interest has developed among many contemporary klezmer musicians in the eastern European roots of the tradition. At the same time, a tendency towards innovation and a fusing of traditional klezmer music of various historical periods and regions with a variety of styles has emerged. These include jazz, rhythm and blues, funk, Hip-Hop and Balkan music. -
Press Quotes
presents Photo credit: Liam Maloney 2010 / Canada / 85 mins. / Color / 1.85:1 Publicity Contact: Matt Barry [email protected] / (212) 629-6880 ext. 35 A Lorber Films Release from Kino Lorber, Inc. 333 West 39th Street, Suite 503 New York, NY 10018 (212) 629 - 6880 The "Socalled" Movie Written and directed by GARRY BEITEL Producers BARRY LAZAR RAVIDA DIN (NFB) Cinematography MARC GADOURY CSC Sound recorded by ANDRE BOISVERT Edited by DOMINIQUE SICOTTE On-line editing (NFB) Denis Pilon Sound design and editing BENOIT DAME STUDIO SPR Sound mixers (NFB) Luc Leger Jean Paul Vialard Title Animation Eric Grice Technical Coordinator (NFB) Brigitte Senechal Marketing Manager (NFB) Moira Keigher Publicist (NFB) Patricia Dillon Studio Administrator (NFB) Stephanie Brown Senior Production Coordinator (NFB) Camila Blos Executive Producer (NFB) Ravida Din With special thanks to Joe Cobden D-Shade Irving Fields Arkady Gendler CJ Goldman Gonzales Matt Haimovitz David Krakauer Fred Liebert Katie Moore Ben Steiger Levine Dan Seligman Allen Watsky Fred Wesley Michael Winograd Vanya Zhuk The "Socalled" Movie A film by Garry Beitel Produced by reFrame Films in co-production with The National Film Board of Canada (c) 2010 reFrame Films Inc www.reframe-films.com A Lorber Films Release from Kino Lorber, Inc. LONG SYNOPSIS Meet Socalled, aka Josh Dolgin. He's a multi-disciplinary musician and artist whose unique blend of klezmer, hip hop and funk is blasting through the boundaries that separate music of different cultures, eras and generations. Socalled is unstoppable: a pianist, singer, arranger, rapper, producer and composer - as well as magician, filmmaker and visual artist. -
Extending the Tradition: Klezkanada, Klezmer Tradition and Hybridity
Extending the Tradition: KlezKanada, Klezmer Tradition and Hybridity MIKE ANKLEWICZ Abstract: This paper examines the way in which klezmer revival institutions, particularly KlezKanada, contradict many of the notions that are generally held of revival movements. Both historical klezmer music and its revival have long histories of incorporating musical styles both of other minority groups, as well those of the dominant majority culture. This paper shows how the communities created within the klezmer revival are constantly recreating their “tradition,” and are responsible for an environment in which musical experimentation is not only accepted, but valued. Résumé : Cet article examine la manière par laquelle les institutions de renouveau du klezmer, en particulier KlezKanada, contredisent nombre des idées que l’on se fait en général des mouvements de revival. La musique historique klezmer et son renouveau ont tous deux de longues histoires d’incorporation de styles musicaux, tant des autres groupes minoritaires que de ceux de la culture majoritaire dominante. Cet article montre comment les communautés qui se créent au sein du revival du klezmer recréent constamment leur « tradition » et sont responsables d’un environnement dans lequel l’expérimentation musicale est non seulement acceptée, mais valorisée. n today’s international klezmer scene, there has been a wide proliferation Iof klezmer fusions. These hybrids, which blend an ever-expanding array of musical styles and genres with klezmer, defined here as Eastern-European Jewish instrumental celebratory music, are notable because they are being encouraged by the scene’s formal institutions (festivals and workshops). These new interpretations of klezmer exist in a dialectical relationship to the music’s own history. -
Arlo Guthrie & the Klezmatics
CAL PERFORMANCES PRESENTS Arlo Guthrie & Th e Klezmatics Holy Ground: Th e Spiritual Music of Woody Guthrie Tuesday, December 7, 8 pm, 2004 Zellerbach Hall Arlo Guthrie, vocals, guitar Abe Guthrie, multiple instruments Gordon Titcomb, multiple instruments Susan McKeown, guest vocalist Th e Klezmatics Matt Darriau, multiple instruments Lisa Gutkin, fi ddle David Licht, drums Frank London, trumpet Paul Morrissett, bass, tsimbl Lorin Sklamberg, vocals Tonight’s program will be announced from the stage. It will be approximately 1 hour and 50 minutes in length, and will include one intermission. Th is performance has been made possible in part by the Friends of Cal Performances. Cal Performances thanks the William and Flora Hewlett Foundation, Th e Wallace Foundation, and the Zellerbach Family Foundation for their generous support. CAL PERFORMANCES 19 ABOUT THE PROGRAM Holy Ground: The Spiritual Music of Woody them. “Holy Ground” highlights the songs in this Guthrie was drawn from the Woody Guthrie collection that focus on Hanukah. Archives, which contains scores of songs created Woody Guthrie’s favorite word was “union” by Guthrie but never recorded or formally written – in both the political and spiritual sense. He loved down. Among the archives is a recently discovered to delve into the connective tissue that bound collection of songs with Jewish themes ranging different peoples, races, religions and cultures. It from Hanukah and blintzes to the horrors of is in Woody’s spirit of union that “Holy Ground” World War II. Woody’s daughter Nora asked her continues to investigate disparate religious and brother Arlo and The Klezmatics to compose new spiritual worlds, always with his keen insight and music for these rediscovered lyrics and to perform great, good humor. -
Frank London Cv 2011
Frank London Curriculum Vitae FRANK LONDON Composer, Concert and Recording Artist, Lecturer 299 East Third Street #3F, New York, NY, USA 10009 212.260.4872 [email protected] “In every generation there are always a few individuals who, through their singular foresight and hard work, make contributions to the musical art that not only advance and develop music in a wide ranging assortment of musical endeavors but also transcend the music of the time. Add to this short list Frank London.” Thomas Erdmann, International Trumpet Guild PROJECTS and COLLABORATIONS (recent selected list) 1001 Voices: A Symphony for Queens Commissioned symphonic oratorio for orchestra, double chorus, narrator and soloists, 2012 Tzadik Festival, guest soloist with Marsh Dondurma, Beit Avi Chai, Jerusalem, Israel, September, 2011 Featured Artist in Residence Singer Festival. Featuring performances of A Night in the Old Marketplace, Nigunim Ensemble, Frank London’s Klezmer Brass Allstars, Warsaw Poland Sept 2011 Concert of Kavanah commissioned concert of Chazzanut (traditional and contemporary cantorial music) at the Boston Jewish Music Festival Rose aux 13 Pétales , collaboration with Iranian/ Turkish ensemble Constantinople and Lorin Sklamberg; Montreal, Canada Trumpet Power , Music Director, all star trumpet concert featuring Paolo Fresu Jerry Gonzales, Marko Markovic, and Frank London; Torino, Italy Il Terrone, l'Ebreo, lo Zingaro multiethnic three trumpet concert, with Sicilian trumpeter Roy Paci and Serbian Gypsy superstar Boban Marcovic; international festival performances throughout Europe Global Village DKNY collaboration with Danish avant-folk band Afenginn; Copenhagen, Denmark Mishnah of Visions commissioned composition for Talmudic poet Jake Marmer, soloists Frank London and Greg Wall, and the Ayn Sof Arkestra The ¡Viva Yiddish! Project: The Yiddish-Latino sound of Los Angeles , Music Director of this special concert featuring Banda Juveníl, Wil-Dog, members of Ozomotli, Mike Burstein and others. -
Leonard Cohen: a Crack in Everything the Jewish Museum April 12 – September 8, 2019
Leonard Cohen: A Crack in Everything The Jewish Museum April 12 – September 8, 2019 Exhibition Wall Texts LEONARD COHEN: MOMENTS COMPILED BY CHANTAL RINGUET Topos_JM_LC_WallTexts_24p.indd 1 4/4/19 12:34 PM SEPTEMBER 21, 1934 BIRTH OF LEONARD NORMAN COHEN IN WESTMOUNT Born into a Westmount Jewish family that was part of Montreal’s Anglo elite, Leonard Norman Cohen was the second child of Masha Klinitsky- Klein and Nathan Bernard Cohen. Lyon Cohen, Leonard’s paternal grandfather, a well- known businessman and philanthropist, was an important figure in the Jewish community. He started the Freedman Company, one of the largest clothing manufacturers in Montreal, and cofounded the Canadian Jewish Times (1897), the first English- language Jewish newspaper in Canada. Lyon Cohen was also president of several organizations, including the Canadian Jewish Congress and Congregation Shaar Hashomayim. He helped Jewish immigrants from the Russian Empire settle in Canada—among them, from Lithuania, the learned Rabbi Solomon Klinitsky- Klein and his family. Lyon’s son, Nathan Cohen, a lieutenant in the Canadian army and World War I veteran, later ran the family business. From his father, the young Leonard inherited a love of suits; from his mother, Masha, who trained as a nurse, he received his charisma and his love of songs. Cohen’s well- to- do family was quite different from the Jewish masses who arrived in Montreal in the early twentieth century. Many of these immigrants spoke Yiddish as their native language and worked in garment factories. Despite his extensive travels and his residence in Los Angeles, Cohen always returned to Montreal to “renew his neurotic affiliations,” as he often repeated in interviews. -
Freier Download BA 88 Als
BAD 88 ALCHEMY Merke: Der Misophoniker könnte der Meinung sein, dass es einer richtige und eine falsche Art gebe, den Kartoffelbrei zu essen. rbd's Favoriten 2015 Phall Fatale - Moonlit Bang Bang (Qilin Records / Slowfoot) Jenny Hval - Apocalypse, girl (Sacred Bones Records) Konstruktivists - Anarchic Arcadia (E-Klageto) Loomings - Everyday Mythology (AltrOck) Malerai + Uchihashi + Maya R - Utsuroi (For Tune) Mary Ocher + Your Government (Klangbad) Oiseaux-Tempête - ÜTOPIYA? (Sub Rosa) Post Office - The Marylebone Greenwave (Minority Records) Dominik Strycharski Core 6 - Czôczkò (For Tune) The Very Big Experimental Toubifri Orchestra - Waiting in the Toaster (Label Bleu) alternativ auch BDC La Belle - Merci Professeur (La main mouche) Julia Holter - Have You In My Wilderness (Domino Records) The Necks - Vertigo (ReR Megacorp) Rejoice with the Book-Spider (Iain Sinclair) Martin Amis - Die Anderen. Eine mysteriöse Geschichte John Banville - Sonnenfinsternis Edmond Baudoin + Fred Vargas - Die Tote im Pelzmantel Anthony Burgess - Clockwork Orange (neu übersetzt vom U. Blumenbach) Yves Chaland - Freddy Lombard (complete) Didier Comès - Die Wildkatze; Eva Corbeyran + Horne - Die Verwandlung von Franz Kafka Samuel R. Delany - Babel-17; Treibglas (beides nicht zum ersten Mal) E. L. Doctorow - City of God Aris Fioretos - Der letzte Grieche John Fowles - Der Magus Matthias Gnehm - Der Maler der Ewigen Portrait Galerie Mark Haddon - Supergute Tage oder die sonderbare Welt des Christopher Boone Cesare Pavese - Die einsamen Frauen Padgett Powell - Edisto; Rückkehr nach Edisto Martin Rowson - Leben und Ansichten von Tristram Shandy, Gentleman Stendhal - Rot und Schwarz David Foster Wallace - Unendlicher Spaß (übersetzt von U. Blumenbach) Warn's + Raives - Lou Cale. Snapping The Big Apple's Bad Seeds Tommy Wieringa - Joe Speedboat 2 Life is a liquid drop by drop HOPE beim Jazz Festival Frankfurt 31.10.2015 Stellen wir uns den hr-Sendesaal in Frankfurt als Pandoras Büchse vor und das 46. -
Abraham Inc. Bonist and Arranger Fred Wesley, Celebrated Renowned Partnership with the Kronos Quartet for His Work with James Brown and George on Mr
CAL PERFORMANCES PRESENTS ABOUT THE ARTISTS Sunday, November 13, 2011, 7pm n unprecedented collaboration Throughout his career, Mr. Krakauer has Zellerbach Hall Abetween three cultural visionaries—David enjoyed major ongoing artistic collaborations Krakauer, champion of klezmer music and with a diverse group of the world’s foremost per- world-class clarinetist; legendary funk trom- formers and composers. Highlights include his Abraham Inc. bonist and arranger Fred Wesley, celebrated renowned partnership with the Kronos Quartet for his work with James Brown and George on Mr. Golijov’s The Dreams and Prayers of Isaac David Krakauer, Fred Wesley Socalled Clinton; and hip-hop renegade and beat archi- the Blind, touring with the Emerson String with & tect Socalled—Abraham Inc. heralds a time Quartet; performing during the inaugural sea- when boundaries are eroding, mutual respect son of Carnegie Hall’s Zankel Hall with re- is presumed, and musical traditions can hit nowned jazz pianist Uri Caine; an eight-year with full force without concession or appropria- tenure with the Naumburg Award-winning tion. Backed by a three-piece horn section led Aspen Wind Quintet; tours with Music from by Mr. Wesley plus musicians who collaborate Marlboro; composing the music for Offering, frequently with Mr. Krakauer and Socalled, the an homage to the victims of September 11 by result is an all-out klezmer-funk dance party. modern dance duo Eiko and Koma; numerous Abraham Inc.’s debut release Tweet Tweet performances of David Del Tredici’s Magyar peaked at No. 1 in funk and No. 1 in Jewish Madness, commissioned by Music Accord for and Yiddish music and No. -
2013 Brochure
Founders Hy and Sandy Goldman From the KlezKanada Board of Directors Artistic Director, Laurentian Retreat We gather together on the shore of Lac Ludger for this very special khai year, our 18th KlezKanada E Frank London Laurentian Retreat. We feel privileged as we express our sense of accomplishment and promise for M nurturing a community which is engaged and charged to sustain the arts of Jewish life. Sounds and O songs, dance, poetry, visual arts and study, infused by their centuries-old heritage of Yiddishkayt, C Artistic Director, Montreal Jewish Music Festival L Jason Rosenblatt enliven us, root and re-root our souls, our neshome. We share our experience: old, middle and young E in years, observant, liberal, secular and not Jewish, reflecting back and forth among each other a W love of, and a commitment to, arts that flourish throughout the year. Founding Artistic Director and Senior Artistic Advisor Jeff Warschauer Strongest of all, perhaps, at least for those of us who have reached that stage of life, is the nakhes On the Front Cover: Board of Directors we shep fun kinder. Our nakhes is both a personal and communal reward, delicious whether it is for Still from I Do, Podolia Robert Abitbol, Theodore Bikel (Honorary), Bob Blacksberg, the acts and accomplishments of the offspring we count as members of our own families, or for by Avia Moore and Magdalena Stephanie Finkelstein, Tzipie Freedman, Hy Goldman (Chair), our communal offspring, whose achievements bring enormous pride which we share with their Hutter Sandy Goldman, Dan Goldstein, Leo Hubermann, Adriana biological parents.