2009 Session Highlights
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University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s. -
Jazz Various the Swing Years (1936- 46) RD4-21- 1/6 Reader's Digest
Jazz Various The Swing Years (1936- RD4-21- Reader's VG/ 6 Disc Box 46) 1/6 Digest (RCA VG+ Set Custom) Various In the Groove with the RD4-45- Reader's VG+ 6 Disc Box Info Kings Of Swing 1/6 Digest (RCA Set Packet Custom) Various The Great Band Era RD4-21- Reader's VG/ 10 Disc Cover (1936-1945) 1/9 Digest (RCA VG+ Box Set and Disc Custom) 10 Missing Various Big Band Collection QUSP- Quality VG-/ Box Set vol.1 5002 Special VG Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 2 5002 Special VG+ Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 3 5002 Special VG+ Missing Products Box The Cannonball Mercy, Mercy, Mercy T-2663 Capitol VG/ Live at Adderley Quintet VG+ “The Club” The Cannonball Country Preacher SKA0-8- Capitol VG/ Gatefold Adderley Quintet 0404 VG+ The Cannonball Why Am I Treated So ST-2617 Capitol VG-/ Adderley Quintet Bad! VG The Cannonball Accent On Africa ST-2987 Capitol VG/ Adderley Quintet VG+ The Cannonball Cannonball Adderly with ST-2877 Capitol VG-/ Adderley and the Sergio Mendes & The VG Bossa Rio Sextet Bossa Rio Sextet with Sergio Mendes Nat King Cole The Swingin' Moods Of DQBO- Capitol VG/ 2 Disc Nat King Cole 91278 VG+ Gatefold Nat King Cole The Unforgettable Nat ST-2558 Capitol VG-/ King Cole Sings The VG Great Songs Nat King Cole Ramblin' Rose ST-1793 Capitol VG 1 Jazz Nat King Cole Thank You, Pretty Baby ST-2759 Capitol VG/ VG+ Nat King Cole The Beautiful Ballads ST-2820 Capiol VG/ VG+ Nancy Williams From Broadway With T-2433 Capitol VG/ Love VG+ Nancy -
“Cannonball” Adderley
Journal of Jazz Studies vol. 9, no. 1, pp. 101-106 (Summer 2013) Portrait of Cannonball: Cary Ginell's Walk Tall Dustin Mallory Walk Tall: The Music and Life of Julian “Cannonball” Adderley. By Cary Ginell. Milwaukee: Hal Leonard Books, 2013. 190 pp. $18.99. Very few jazz musicians can say that their band had a Top 20 single and a Top 20 album. Within that elite group of artists, only two men can state in the same breath that they also performed on jazz’s best-selling album of all time, Kind of Blue. One is Miles Davis and the other is Julian “Cannonball” Adderley. Cannonball’s success in album sales is just one measure of his achievements, albeit a tangible one. However, a casual stroll through the practice rooms of any jazz school in the country or jazz club in a city will aurally reveal the sheer volume of musicians that practice, perform, and revere the vocabulary that poured from Cannonball’s saxophone. Yet, despite the respect that Cannonball has been accorded over the years, both measureable and immeasurable, there is relatively little in the way of published biographical information. With the exception of the occasional feature in a periodical, an entry in The Encyclopedia of Jazz, a handful of scholarly works, and a few publications geared toward theory or discography,1 Mr. Adderley’s biography has gone largely unwritten. Furthermore, it can be said definitively that there is nothing in the marketplace that even closely resembles a comprehensive biography. Cary Ginell’s Walk Tall is one of the first publications that sets theory, analysis, and discography on the back burner in favor of history/biography. -
Cannonball Adderley Them Dirty Blues Mp3, Flac, Wma
Cannonball Adderley Them Dirty Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Them Dirty Blues Country: Europe Released: 2018 Style: Hard Bop MP3 version RAR size: 1908 mb FLAC version RAR size: 1440 mb WMA version RAR size: 1423 mb Rating: 4.5 Votes: 111 Other Formats: AC3 MIDI DXD MP3 APE AIFF MMF Tracklist Hide Credits Work Song –The Cannonball Alto Saxophone – Cannonball AdderleyBass – Sam JonesComposed 1 5:09 Adderley Quintet By – Nat AdderleyCornet – Nat AdderleyDrums – Louis HayesPiano – Barry Harris Dat Dere –The Cannonball Alto Saxophone – Cannonball AdderleyBass – Sam JonesComposed 2 5:33 Adderley Quintet By – Bobby TimmonsCornet – Nat AdderleyDrums – Louis HayesPiano – Bobby Timmons Easy Living –The Cannonball Alto Saxophone – Cannonball AdderleyBass – Sam JonesComposed 3 4:24 Adderley Quintet By – Leo Robin, Ralph RaingerCornet – Nat AdderleyDrums – Louis HayesPiano – Barry Harris Del Sasser –The Cannonball Alto Saxophone – Cannonball AdderleyBass – Sam JonesComposed 4 4:45 Adderley Quintet By – Sam JonesCornet – Nat AdderleyDrums – Louis HayesPiano – Bobby Timmons Jeannine –The Cannonball Alto Saxophone – Cannonball AdderleyBass – Sam JonesComposed 5 7:19 Adderley Quintet By – Duke PearsonCornet – Nat AdderleyDrums – Louis HayesPiano – Barry Harris Soon –The Cannonball Alto Saxophone – Cannonball AdderleyBass – Sam JonesComposed 6 5:38 Adderley Quintet By – George & Ira GershwinCornet – Nat AdderleyDrums – Louis HayesPiano – Bobby Timmons Them Dirty Blues –The Cannonball Alto Saxophone – Cannonball AdderleyBass -
Capitol Records Combined with Audio Devices, Inc., to Become Capitol Industries, Inc
Capitol Albums, 2901 to 2999 and Label 62x Out of Sight (But “In” Sound) Capitol ST-2901 Howard Roberts Released September 1968. A Night on the Town With Buck Owens’ Buckaroos Capitol ST-2902 Buck Owens’ Buckaroos Released May 1968. Make a Left and Then a Right Capitol ST-2903 Johnny & Jonie Mosby Released April 1968. Quicksilver Messenger Service Capitol (S)T-2904 Quicksilver Messenger Service Released June 1968. Known mono copies are promotional. Hit Makers Capitol Special Products 8XL-2905 Various Artists Released July 1968. Also issued in late 1969 on reel-to-reel tape as X-2905. Nobody but Me Capitol (S)T-2906 The Human Beinz Released March 1968. Known mono copies are promotional. A New Place in the Sun Capitol (S)T-2907 Glen Campbell Released May 1968. Known mono copies are promotional. Love is Blue Capitol ST-2908 Al Martino Released April 1968. Easy Capitol ST-2909 Nancy Wilson Released May 1968. Super Oldies, Vol. 3 Capitol STBB-2910 Various Artists Released May 1968. Super Soul-Dees, Vol. 2 Capitol STBB-2911 Various Artists Released May 1968. The Legend of Bonnie & Clyde Capitol ST-2912 Merle Haggard Released April 1968. Where No One Stands Alone Capitol ST-2913 Ferlin Husky Released May 1968. In the Name of Love Capitol ST-2914 Ned Miller Released May 1968. An Old Love Never Dies Capitol ST-2915 Bobby Austin Released April 1968. Lord Sitar Capitol ST-2916 Lord Sitar Released June 1968. Soft Hawaiian Guitars Capitol ST-2917 Webley Edwards Released June 1968. War and Peace Capitol/Melodiya SWAO-2918 Soundtrack Released June 1968. -
The United Nations, Decolonization and Development Aid, 1949-1961
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by LSE Theses Online 1 The London School of Economics and Political Science In Pursuit of Development: The United Nations, Decolonization and Development Aid, 1949-1961 Aaron Dean Rietkerk A thesis submitted to the Department of International History of the London School of Economics for the degree of Doctor of Philosophy, London, June 2015. 2 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rest with the author. Quotation from it is permitted, provided that full acknowledgment is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorization does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 98,669 words. 3 Abstract This thesis examines a number of specific efforts by the United Nations to offer and administer development aid to newly independent and ‘underdeveloped’ countries from the Global South during the decades following World War Two. Broadly, this thesis casts light on the competitive nature of postwar international development. In doing so, it examines development as a contest, whereby, the United Nations sought to stake out a claim to its share of the global development process during the 1950s and early 1960s. -
The Jazz and Improvised Music Scene in Vienna After Ossiach (1971-2011)
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2013 Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) Thomas Albert Zlabinger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1684 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] FREE FROM JAZZ: THE JAZZ AND IMPROVISED MUSIC SCENE IN VIENNA AFTER OSSIACH (1971-2011) by THOMAS ALBERT ZLABINGER A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2013 ii 2013 THOMAS ALBERT ZLABINGER All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Prof. Jeffrey Taylor Date Chair of Examining Committee Prof. David Olan Date Executive Officer Prof. Peter Manuel Prof. Stephen Blum Prof. Reinhold Wagnleitner (Universität Salzburg) Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011) by Thomas Albert Zlabinger Advisor: Prof. Peter Manuel Focusing on a diverse and eclectic scene that is under-documented, this dissertation investigates the historical, social, and cultural aspects of jazz and improvised music in Vienna over the last four decades. -
The United Nations, Decolonization and Development Aid, 1949-1961
1 The London School of Economics and Political Science In Pursuit of Development: The United Nations, Decolonization and Development Aid, 1949-1961 Aaron Dean Rietkerk A thesis submitted to the Department of International History of the London School of Economics for the degree of Doctor of Philosophy, London, June 2015. 2 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rest with the author. Quotation from it is permitted, provided that full acknowledgment is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorization does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 98,669 words. 3 Abstract This thesis examines a number of specific efforts by the United Nations to offer and administer development aid to newly independent and ‘underdeveloped’ countries from the Global South during the decades following World War Two. Broadly, this thesis casts light on the competitive nature of postwar international development. In doing so, it examines development as a contest, whereby, the United Nations sought to stake out a claim to its share of the global development process during the 1950s and early 1960s. Crucially, this thesis sets this struggle against the backdrop of the increasing demand for development aid that accompanied the advent of mass decolonization in Africa by 1960. -
Nidcvieu Cwnsaasi
NIDCVIEU CWNSAASI Andover's Own Newspaper Since 1887 VOLUME 75 NUMBER 1 ANDOVER, MASSACHUSETTS, OCTOBER 5, 1961 PRICE 10 CENTS Submit Report /1 Tribute To Woody Main St. Store Project Is On Recreation Interested town officials arc Endangered By Brook Delay urrently studying a report from vans Associates, listing data on The continuing hold-up on But he can't build until some- he job of recreational director, on Rogers Brook is threatening a thing is done about Rogers Brook. everal single-rate positions and Main st. commercial project which The town holds an easement n posts within the Library. could net the town over $10,000 through the middle of his property The firm, which originally drew in real estate taxes annually. - taken last March when local lie personnel and wage classifica- Samuel M. Glazerman of Bidden officials believed the brook project ion proposal for the town, has been Way, who owns all of the property was about to get underway. orking on the newest report for on the west side of Main st., Now the town has the land, neither ome time. from Hill I lardware to the Merri- Glazerman or the town seems to Included, among the other jobs, mack Valley National Bank, is be able to do anything with it until re the positions within the re- anxious to construct a $400,000 the project starts or town meeting . reation program - Pomp's Pond building there. It would provide returns the land to Mr. Glazerman i rector, playground director, some 40,000 feet of mercantile and others along the path of the ifeguards and playground staff. -
Varitone Paper
The Varitone Saxophone: Sonny Stitt and Eddie Harris By Mike Benson I: What is the Varitone? !The Selmer Company of Elkhart, Indiana, famous for their finely crafted saxophones, once had secret. They went to great lengths to hide the research and development on a new instrument until they had it just right. On July 10, 1966 Selmer unveiled their secret at National Association of Music Merchants" convention in Chicago (Gardner). They believed they had created what would be the next big movement in music, both live and recorded: the electric saxophone which they named the Selmer Varitone. Selmer quickly won the hearts of many from their demonstrations at the Merchants" convention including Sonny Stitt (Stitt, Whatʼs New!!! Liner notes) and Eddie Harris (both musicians" use of the Varitone will be analyzed herein). What garnered their and others" interest so easily? !More new sounds, more colors, more options, and more volume. !The Varitone was, at its core, an amplification system for the standard alto and tenor saxophones (later developed for other woodwinds as well). Selmer advertised that the Varitone, “Lets you cut through an electronic organ, a whole bedlam of amplified guitars. Puts your distinctive Selmer sound in charge of any combo...” (Downbeat advertisement) A ceramic microphone was inserted into the neck of the saxophone with its cable heading to a specialized speaker cabinet through a hole drilled in the mouthpiece (!). This microphone placement was beneficial because it produced a higher fidelity sound as a direct amplification source, as opposed to an indirect like a PA microphone. Selmer chose a ceramic mic to withstand the large sound pressure the saxophone creates. -
Capitol Records Discography, Continued
Capitol Records Discography, Continued Main Series (Continued from Part 4): EAP 1 600 – Jane Froman Sings – Jane Froman [1955] This is a 7 inch extended play 45 rpm record. The Song from Desiree (We Meet Again)/The Finger of Suspicion Points at You/I Wonder/I’ll Never Be the Same EAP 1 601 – Hank Thompson and the Brazos Valley Boys – Hank Thompson and the Brazos Valley Boys [1955] This is a 7 inch extended play 45 rpm record. New Green Light/If Lovin’ You is Wrong/Annie Over/Wake Up/Irene EAP 1 602 – Louvin Brothers – Louvin Brothers [1955] This is a 7 inch extended play 45 rpm record. Family Who Prays/I Love God's Way Of Living/Born Again/If We Forget God S 603 – Plain and Fancy (Original Cast) – Various Artists [1955] Overture/You Can't Miss It – Richard Derr and Shirl Conway/It Wonders Me – Gloria Marlowe/Plenty of Pennsylvania – Nancy Andrews, Douglas Fletcher Rodgers, Elaine Lynn/Young and Foolish – David Daniels and Gloria Marlowe/Why Not Katie? – Douglas Fletcher Rodgers/It's a Helluva a Way to Run a Love Affair – Shirl Conway//This Is All Very New to Me – Barbara Cook/Plain We Live – Stefan Schnabel/How Do You Raise a Barn?/Follow Your Heart – David Daniels, Gloria Marlowe and Barbara Cook/City Mouse, Country Mouse – Nancy Andrews/I'll Show Him – Barbara Cook/Take Your Time and Take Your Pick – Barbara Cook, Richard Derr and Shirl Conway/Finale 604 605 EAP 1 606 – Jimmy Heap – Jimmy Heap [1955] This is a 7 inch extended play 45 rpm record. -
Dictionnaire Black Déjà Paru Dans La Collection Dico Compil'
Dictionnaire Black Déjà paru dans la collection Dico Compil' Dictionnaire du Fantastique, Alain Pozzuoli, Jean-Pierre Krémer Dictionnaire Gay, Lionel Povert @ Jacques Grancher, Éditeur, 1995, Paris ISBN : 2733904523 Christiane/ Passevant Larry Portis Dictionnaire Black Éditeur Michel Grancher Directeur de collection Alain Pozzuoli A C Q U E S &Nffl 98, rue de Vaugirard 75006 Paris À Bruce, Jamie, Mydia, Randa, Rosalie, Nora et à tous ceux qui luttent pour un rapprochement des peuples et un monde sans discrimination. PRÉFACE "Afrovisions" "Je suis invisible, tu comprends, simplement parce que les gens ne veulent pas me voir." Ralph Waldo Ellison, L'Homme invisible (1952). Avec son unique roman traduit mondialement après- guerre, Ellison, américain et noir natif d'Oklahoma, accédait à la visibilité totale et globale, bombardé porte-parole de la commu- nauté noire aux côtés de son ami, l'activiste Richard Wright. Voici le dictionnaire des idées et des personnalités noires relevant de la géographie triangulaire du TRAFIC. Bibliothèque de la mémoire noire, mais aussi photothèque des classiques contempo- rains qui font partie à juste titre de l'humanisme tout simplement, universalisme dans lequel l'Afrique et ses diasporisations figu- raient jusqu'ici le tam-tam, le tonneau vide. Autant aller droit au cœur du problème : la nécessité d'entretenir et de développer une mémoire afrocentriste en cette fin de siècle. Elle ne vaut une note de musique ou un cliché photo que si elle brise l'infini processus de dissolution inauguré par le TRAFIC en 1492. En ce sens, le verbe et l'image du LIVRE deviennent la TERRE commune d'un peuple arraché à sa mère, quelquefois honteux de sa famille ou - actuellement - génocidaire (Rwanda).