Scrutinizing Gender Realities Through the Effeminate and Femme Fatale Archetypes 1Arsha Subbi, 2K
Total Page:16
File Type:pdf, Size:1020Kb
International Journal of Pure and Applied Mathematics Volume 119 No. 16 2018, 5413-5424 ISSN: 1314-3395 (on-line version) url: http://www.acadpubl.eu/hub/ Special Issue http://www.acadpubl.eu/hub/ Scrutinizing Gender Realities through the Effeminate and Femme Fatale Archetypes 1Arsha Subbi, 2K. Balakrishnan, 3Bincy Mole Baby and 4Kavya Purushothaman, 1Department of English and Languages, Amrita School of Arts & Sciences, Amrita Vishwa Vidyapeetham, Kochi, India. 2Department of English and Languages, Amrita School of Arts & Sciences, Amrita Vishwa Vidyapeetham, Kochi, India. 3Department of English and Languages, Amrita School of Arts & Sciences, Amrita Vishwa Vidyapeetham, Kochi, India. 4Department of English & Languages, Amrita School of Arts & Sciences, Amrita Vishwa Vidyapeetham, Kochi, India. Abstract A rereading of human psyche and their general behavioral patterns demonstrate a concealed counterfeit image of gender psychic reality.Since archaic times the idea of archetypes have made its strong base within the psychological working of human civilization.These archetypes have later paved way for more complex predicaments regarding the accepted norms and regulations for each separate individual.This oscillating set of values for two diverse biological forms have laid the foundation for the stereotypical situations now prevalent in the human society. In this paper, I first present the evident biological and stereotypical division rampant in the male and female categories.The essay presents two character types 5413 International Journal of Pure and Applied Mathematics Special Issue namely, the Effeminates and Femme Fatales as the accurate manifestation of C.G.Jung’s concepts of ‘anima’ and ‘animus’.To give a more luciddepiction of these two character types I have mentioned two of the most illustrious characters in English literature, namely, Mr. Ripley of The Talented Mr.Ripley and Amy Elliot Dunne of Gone Girl. Key Words:Feminism, psychoanalysis, archetypes, anima, animus, stereotypes, representation. 5414 International Journal of Pure and Applied Mathematics Special Issue 1. Introduction An empirical reading of human existence reveals evident biological polarities, but these variations cannot be used as means to justify the consequent facts and ideologies that later surfaced within the fashioned set of accepted rules and regulations.According to philosophers and scientists a human being is the constellation of both masculine and feminine traits.They are of the opinion that man is androgynous in nature.Russian philosopher Nicholas Berdyaev writes: Man is not only sexual but a bisexual being,combining the masculine and feminine principles in himself in different proportions and often in fierce conflict.A man in whom the feminine principle was completely absent would be an abstract being completely severed from cosmic element.A woman in whom the masculine principle was absent would not be a personality…only the union of these two principles that constitutes a complete human being.The union is realized in every man and every woman within their bisexual,androgynous nature,and it also takes place through the intercommunion between the two natures,the masculine and the feminine (61). After a while writers began to explore the aesthetic side of their creative productions and began to introduce various characters types to defy the set norms and patterns prevalent in their times. These unconventional characters emerge from the pool of constructed imageries that arise in the creative artist. According to theorists like Sigmund Freud and C. G.Jung, emergence of such behavioral patterns is solely based on the coping mechanism these individuals employ to survive the harsh world. These are results of the collective unconscious and stereotypical representations prevalent within the human race. According to CG Jung, these well-built stereotypes become a part of the unconscious of an individual and later become a part of a collective unconscious. This actuality is often concealed thus receive little or no acceptance in human conscience and their theories of rights and wrongs.Man‟s deference to the fallible list of commandments creates gender binaries.These binaries later expand to a situation where one is dominated over by the other. Binaries generally embosom inequity and bigotry,where one half always faces the maltreatment.Based on the pragmatic views, gender binaries have almost always brought their worst denouement to the female ratio which is clearly a result of the predefined gender standards. An individual‟s androgynous nature was aesthetically defined in the theoretical concepts of „anima‟ (Jung 59) and„animus‟ (Jung 59) by C.G.Jung.Jung elucidated the femininity within a male individual as „anima‟ and the masculine elements within female psyche as „animus‟.Jung was known for his scientific elaborations on human psyche and his studies are nothing less than the 5415 International Journal of Pure and Applied Mathematics Special Issue analytical findings of a scientist.These alternate manifestations of gender archetypes have surfaced in fairy tales, other works of art and literature and more evidently within the plain human psyche.Jung‟s „anima‟and „animus‟ surface in every situation where the psyche of a person surpasses the existingstereotypes and the other accepted predicaments. Regardless of every non-conformist declarationby any society,it is evident that every single mortal being is driven by the archetypal convictions that run the whole civilization. These archetypes determine the actions of an individual as well as the actions of a whole group of individuals.The question is whether these concepts are based on the factual reality underlying every human psyche or if these are all collectively formed in the course of the development and growth of human civilization. These collective concepts are garnered from within the societal expectations and ideologies.Thus each culture varies in the level of cultural polarities they maintain among different individuals.Cultural stereotypes lay the foundation for the accepted and rejected norms.Each individual is expected to carry out their socially assigned roles and duties.When this expectation is traumatized the particular individual is branded illicit and delinquent.They are stigmatized and expected to be cast in darker shades by the onlookers, artists and society as a whole. Two of the most discredited characters types that have been cast within the illicit shades of characterization in the mainstream society would be the Effeminates and the Femme Fatales.These two character types display a vehement style of role reversals.Effeminate males and the Femme Fatales are two of the most questioned characters in fictional and non fictional realms.Here the male and female in question exchange established mannerisms and their prescribed distinctive abilities.Michel Foucault established that „homosexuality‟(43)was part of the identity status of an individual rather than the characteristic features.It wasindicted by him in what he termed an”interior androgyny,a hemaphroditism of the soul” (42).Eve Kosofsky Sedgwick held similar views when she was of the opinion that gender transmutation was kind of an exchange of roles.She elucidated on Karl Heinrich Ulrichs‟ phrase“anima muliebris in corpore virile inclusa” -“a woman‟s soul trapped in a man‟s body” and “vice versa” (1990:87).This inversion of character traits, manifest itself in the stigmatized character types,namely the effeminates and the femme fatales. Effeminates are often rendered with titles such as „girly‟,‟sissy‟ (Dalzell 885) etc.The projection of these female traits as such is considered lowly and disgraceful.These characters are presented in a whimsical light and considered to be out of normal.In the luminosity of gender equality prevalent in today‟s society,this exchange must be considered normal and acceptable,but it is not.This displeasure in accepting the inversion of roles, exhibit the sham in the whole set of concepts related to gender equality. 5416 International Journal of Pure and Applied Mathematics Special Issue „Sissy‟ is an antiquated term usually attributed to men with dominating feminine characteristic features.They have made their interminable appearances in works of art and literature.These perpetually humorous characters have peppered the narrative flow of a number of novels and other fictional works of art.Notwithstanding the myriad fictional representations,the characteristically effeminate individuals corroborate various principles.He questions the notion of sole ownership of feminine features, which is generally accepted to be possessed by women alone.He establishes that feminine traits are not the exclusive properties of female bodies.He surpasses the biological specifications of his male body and establishes the fact that the accepted characteristic traits are merely results of performative effects and societal norms.He effortlessly deconstructs the accepted gender stereotypes and the concepts of masculinity and femininity. One of the most abominable Effeminates in the history of this characterization is Tom Ripley,the notorious psychopath killer in Patricia Highsmith‟s, The Talented Mr. Ripley.The titular character presents the most complex elements of human behavior.Patricia Highsmith invokes a sense of sympathy in the minds of the readers,who eventually find way to defend the actions of the title character in this work.The Effeminate in this novel suffers an unpleasant childhood,having lost both his parents