The Bonnet Toun in 2006 I Was Invited to Curate a Small Mixed-Craft Show
The Bonnet Toun In 2006 I was invited to curate a small mixed-craft show at the Dick Institute in Kilmarnock, a small town south of Glasgow. I went up to Scotland from London, expecting it to be all kilts and highland crags. I didn’t know that I was going to the enchanting lowlands of Ayrshire, with its rolling fields and beautiful coastline. The show I was working on included some textiles and knitting, and knowing that there was a history of woollen trade in the area, I decided to do a little research. My children’s grandmother had been to high school in Kilmarnock, where there had been a thriving business in knitting regimental bonnets. She was born in the rival town of Stewarton nearby, where her father was headmaster of the local school, while most of the rest of the village were involved in someway with the local woollen trade. Stewarton is still known as the ‘Bonnet Toun’, and knitted hats are still manufactured there, although the process has changed some since the sixteenth century. Most famous for its regimental, beret-style hats, modern fashions are also represented. Popular traditional designs include the Glengarry, the Balmoral (named when the Queen’s children wore them when holidaying there) and the Tam O’Shanter, all meeting with stringent Ministry of Defence requirements. [Stewarton headmaster William Waddell wearing a bonnet] While English bonnets were made from cloth or velvet, the Scots bonnet was knitted in the round. Usually dark blue, indigo dyed, with a red ‘torrie’ or pompom on top, there were several design variations.
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