Theoretical and Technical Aspects of the French New Wave

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THEORETICAL AND TECHNICAL ASPECTS OF THE FRENCH NEW WAVE THEORETICAL CONVICTION & MATERIAL CIRCUMSTANCES SHAPE THE FRENCH NEW WAVE 1) The Novelle Vague is about a new relationship between fiction and reality. Fictionalized circumstances based in physically “real” space. 2) Improvisation and “real” behavior, long takes, real lighting, location shooting but consciously self referential (pointing out that you are WATCHING a film) and self conscious film/cinema references to other films and filmmakes 3) Proponents of Autheur Theory/ director as guiding influence on body of work Influenced by American movies, especially the genre masters like Hitchcock, Ford, and Hawks 4) Anti Film Establishment. Rejected commercial French cinema 5) Created style & aesthetics of independent, low-budget filmmaking out of necessity; they made do with what they had. Partially based on the influence of Italian Neo-Realism 6) Developed ideas about mise-en-scene and auteur theory; saw a dialectical relationship between the director's unique vision (themes, style, motifs) and the genre's conventions. This idea of dialetic or paired opposites is originally from Soviet Montage Theory. 7) Cinema about cinema/ self reflectivity (Precedent in Dxiga Vertov “Man with the Movie Camera”) TIME & SPACE IN NEW WAVE CINEMA: SELF-CONSCIOUSNESS 1) self-reflexive narratives, loose discursive plots, authorial intrusions, homages 2) use of obvious camera and editing techniques such as iris shots, freeze frames, wipes, fast and slow motion UNCONVENTIONAL EDITING 1) disrupts sense of time and space with flashbacks, jump cuts, asides 2) rejection of continuity editing of Classical Hollywood style in favor of lengthy takes, beginning scenes with close-ups instead of establishing shots TECHNICAL CHARACTERISTICS OF THE FRENCH NEW WAVE 1) Lightweight handheld cameras (Éclair) 2) Portable synchronous sound (Nagra – reel to reel recording) 3) Light-sensitive fast film stocks, 4) Zoom lenses 5) New technologies allowed location shooting with small crews, improvisation during shooting, increased camera movement, natural light and sound .

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