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MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Beauty Is in the Eye of the “Produser”: Japan's Virtual Idol Hatsune Miku from Software, to Network, to Stage
BEAUTY IS IN THE EYE OF THE “PRODUSER”: JAPAN'S VIRTUAL IDOL HATSUNE MIKU FROM SOFTWARE, TO NETWORK, Intermittence + Interference POST-SCREEN: TO STAGE ANA MATILDE SOUSA ANA MATILDE SOUSA 117 INTRODUCTION The “virtual idol” dream is not new, but Hatsune Miku — a cybercelebrity origi- nating from Japan who is steadily becoming a worldwide phenomenon — con- stitutes a paradigm shift in this lineage initiated in 1958 by the novelty group of anthropomorphic squirrels Alvin and the Chipmunks. Since then many have followed, from The Archies to Gorillaz and 2.0Pac. In Japan, HoriPro’s “digital kid”, Date Kyoko, pioneered the cyber frontier with her hit single “Love Commu- nication” in 1996 (Wolff, n.d.). While in 2011, the idol supergroup AKB48 pulled an infamous publicity stunt by revealing their new girl, Aimi Eguchi, was a com- puter-generated combination of other group members (Chen, 2011). So what does Miku have that they do not? Despite her apparent similar- ity to fictional characters such as Rei Toei from William Gibson’s Idoru, Miku’s phenomenon has less to do with futuristic prospects of technological singu- larity than with present-day renegotiations of the roles of author, work and fan in Web 2.0 media cultures. By addressing her softwarennetworknstage transformations, this study draws on a rapidly growing scholarship (Hama- saki, Takeda, & Nishimura, 2008; Le, 2013; Conner, 2014; Guga, 2014; Annett, 2015; Leavitt, Knight, & Yoshiba, 2016) to investigate how Miku’s appearance on screen(s) has shaped her construction as a virtual idol through grassroots- corporate “produsage” (Bruns, 2008). MIKU, FROM THE BEGINNING With a visionary name announcing the “First Sound of Future”, Hatsune POST-SCREEN: Intermittence + Interference POST-SCREEN: Miku, created in August 2007 by Sapporo-based company Crypton Future Me- dia, is the most popular avatar of Yamaha’s cutting-edge voice synthesizer VO- CALOID. -
The Synergy of Film and Music
The Synergy of Film and Music Sight and Sound in Five Hollywood Films Peter Rothbart THE SCARECROW PRESS, INC. Lanham • Toronto • Plymouth, UK 2013 12_408-Rothbart.indb i 12/3/12 3:17 PM Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com 10 Thornbury Road, Plymouth PL6 7PP, United Kingdom Copyright © 2013 by Scarecrow Press, Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Rothbart, Peter. The synergy of film and music : sight and sound in five Hollywood films / Peter Rothbart. p. cm. Includes bibliographical references and index. ISBN 978-0-8108-8758-9 (cloth : alk. paper) — ISBN 978-0-8108-8759-6 (pbk. : alk. paper) — ISBN 978-0-8108-8760-2 (ebook) 1. Motion picture music—United States—History and criticism. 2. Motion pictures—Sound effects. I. Title. ML2075.R67 2013 781.5'420973—dc23 2012033467 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America 12_408-Rothbart.indb ii 12/3/12 3:17 PM -
Top Five Best Top Five Worst
VOLUME 29, ISSUE 6 WWW.BROWARD.EDU/STUDENTLIFE/PUBLICATIONS/OBSERVER/PAGES/DEFAULT November 11, 2014 The Broward College Student Newspaper Campus News BC spotlight Centerspread Opinion Backpage Want More Observer? theobservernews.blogspot.com Best Buddies BC professor Elisa Learn the Determine Bailey Hall has updates on articles, program joins with Albo releases new ins-and-outs of whether or gets biggest Entertainment, Sports and BC to help those in elegy poetry book Black Friday not Internet renovation in much more. need addiction is real history Check Out: ON PAGE 6 ON PAGE 3 ON PAGE 8-9 ON PAGE 14 ON PAGE 16 theobservernews.blogspot.com CAREER CHOICES Top Five Best Top Five Worst Jeetsu Ahuja The field of nursing is a great field to Jennifer Beardslee Radi the demand for psychologists in Staff writer get a degree in, too. Staff Writer America is so low at the time. As a nurse, this is a career is not only According to apa.org, psychology Picking a college major is the first out gratifying to souls, but to pockets as Many college students are trying to go graduates total to an amount of about of many mature decisions that college well. into a career straight after graduation 5,000. students have to start making in life With all of these never heard of because it sounds promising and ideal. In contrast to psychology currently from that point onwards. diseases creeping up these days, However, a couple of new studies being one of the worst majors to So, the decision should be taken the demand for nurses have been reveal that the major that college choose, the U.S. -
Nostalgia Videolúdica: Un Acercamiento Al Movimiento Chiptune Israel V
TRANS 16 (2012) ARTÍCULOS/ ARTICLES Nostalgia videolúdica: un acercamiento al movimiento chiptune Israel V. Márquez (Universidad Complutense de Madrid) Resumen Abstract El objetivo de este artículo es ofrecer al lector un The aim of this paper is to give the reader an insight acercamiento al llamado “movimiento chiptune”, una into the so-called “chiptune movement”, a musical escena principalmente musical que utiliza el sonido de los scene that uses the sound chips of vintage computers microchips de viejos ordenadores y plataformas de juegos and gaming plattforms in an attempt to revive the en un intento por revivir el sonido y estética característicos sound and aesthetic characteristics of the first de los primeros videojuegos y de los ordenadores y consolas que les sirven de soporte. Este componente videogames. The musical component is accompanied musical se acompaña de un interesante arte visual by an interesting visual art based on 8-bit imagery and igualmente basado en la imaginería 8-bit y en la the exploration of the pixel as an art form. The exploración del pixel como forma artística. El movimiento chiptune movement has seen an increase in popularity chiptune ha conocido un aumento de popularidad durante in recent years to the point of being incorporated into los últimos años hasta el punto de estar siendo the mainstream as other subversive and experimental incorporado a la corriente dominante en la forma en que aesthetics such as punk, glitch or mash-up did in the otras estéticas subversivas y experimentales como el punk, past. el glitch o el mash-up lo hicieron en el pasado. -
Billboard Magazine
DANCE/ELECTRONIC SONGS"' DANCE/ELECTRONIC ALBUMS"' TITLE Artist ARTIST Title PRODOCAP ISONAWRITER1 IMORMI/APOILIMITION LABEL1:113E2 IMAPINO015111IIMITING LAMA GET LUCKY Daft Punk Feat. Pharrell Williams KNIFE PARTY Haunted House (EP) 3 0121113211M111.118,410KANNACR.a10.4E1011101RWIROWIMME 0451,00511 10000506/ °Pr I LOVE IT Endless Fantasy Irony P40,10,.?2,4,0g,&hgl,i2,2,X, 1 to Now 0 ANAMANAGUCHI MBE.. IRBEKER.C.AITC1160.6.16014 AMMAL #willpower 4 , FEEL THIS MOMENT Pitbull Featuring Christina Aguilera A 1 19 1.11.1171.14110P 1 All LIESSINEEER0/0111.562000000011010010051011210.10011006030:30.104100140 4 LINDSEY STIRLING Lindsey Stirling 35 will.i.am Featuring Justin Bieber 4 9 BRIMETONE 4 0 *THATPOWER6LEROMWILL. LAM MADAMS. EROMILIEBERI WILL.1.01/INTERSCOPE Bangarang (EP) Zedd Featuring Foxes 73 0 CLARITY 5 19 0 EtlinelT0101C/A6 2EDD 02A50001.MAITTNEW IMMA.P.R00100.600 INTERS.. Double 6 ICONA POP Iconic (EP) 16 ECORD COMPANY TEN/06 BEAT 5 6 ALIVE Krewella 5 19 RAIN MAN 020.00001601COTINDLALIK LINDELL, KNEVIELLA/COLUMBIA Dance 2 7 ARMIN VAN BUUREN Intense 3 GENTLEMAN PST ARMINIVARMADA , 1 6 PSI III 1004004.1000) 5ILE0T/0100000REPUBLIC e a CALVIN HARRIS 18 Months 29 No. ls HARLEM SHAKE Baauer BECONMMUCTION/19 EVE/LILLUA/POC HATION/COLUMBIA 5 6 a 1 15 MAUER IN.RODRIBLIE,DELGADO) lEFFREEM/NIALI DECENT/0000BR. 0 0 ATOMS FOR PEACE Amok 12 For Daft 90 SCREAM & SHOUT will.i.am & Britney Spears A 6 1 19 LAZY INV DRADAN152.12ARTEN.BAPTISTEI WILL. LANONTERSCOPE ... 11 to DAVID G/ASUEITAWERES/CA NothPITOing But The Beat 89 WHAT AUSICTRAL Punk 0 0 I NEED YOUR LOVE Calvin Harris Featuring Ellie Goulding 10 19 6101015.006040RIBINIE 10 n 1111fgELLA Play Hard (EP) 22 Daft Punk's "Get Lucky" ,.,,,Ivigogoilc. -
Rainbow Mar 1993
the. coco A patriotic program for the coco See Page 9 THE COLOR COMPUTER MONTHLY MAGAZINE March 1993 Vo l. X II No. 8 Canada $4.95 U.S. $3.95 Feature Program Feature Program VEF Graphics for Disk BASIC by Thomas Wong ne of the CoCo 3 ·s best features grammers agreatdeal of developmem time. has always been its ability to The program presented here. VEFit, al create very detailed graphics lows CoCo 3 users to take advantage of this images through BASIC ur a format. VEFit allows yuu tu save any 0graphic s editor such asSpectra3 (THE RAIN HSCREEN in memory as a VEF-format di sk BOW, October 1990, Page 10). Over lhe file, then view the image at a later time. years, many different file formals for sav With the excepti on ofType-2 VEF images, ing th ese creations on disk have been intro any VEF picture. including those created duced. However, as the disks also fill up un der OS-9, can be viewed. The Type-2 wilh th e wide assunment of th" picture image uses a resululion of l 60 by 200. with savers and viewers necessary fo r the differ 16 colors -- a confi guration fo r whic h there ent formats. it becomes obvious that a stan is no HSCRE Etlequi va lent. Thankfully, Type- dardized format sho uld have been devel 2 VE F'> are rare1y used under OS-9. oped earlier. Few of the numerous fonnats invented are programmer-fri endly or pro Getting Started vide support for more than one screen reso VEFil requires a Coco 3 with at least ver th e years, my Color Com Users with CoCo I ' s or 2' s must con vert lution. -
Fantasy Review Would Long Since Have Given up the Struggle
FA NI TASY REV It VV Vol. III. No. 15 ONE SHILLING SUMMER'49 EXTENSION In discussing the disproportionate production costs which hamper any publishing venture catering for a limited circle of readers, Mr. August Derleth, editor and publisher of The Arkham Sampler, announces the imminent suspension oI that valuable periodical. Which prompts us to point out that, had it been launched as a proflt-making proposition, Fantasy Review would long since have given up the struggle. Only the continued support of its advertisers-which made it possible in the flrst place-has enabled ii to survive and' encouraged by the tangible entirusiasm of its comparatively small number of subscribers, develop into somet'hing more substantial than it was in its first two years of life. The letters we have published since its enlargement give evidence of the desire of its readers for more frequent publication; and we wish we were in a position to respond to this demand. Instead of which, due to production difficulties which we are powerless to resolve at present. $e have to announce that it becomes necessary for us to issue Fa.ntasy Review a,t quarterly intervals, as a temporary measure. OnIy thus can we contrive to maintain both the standard of contents and regularlty of appearance which have made its reputation, and at the same time embark on the further development which is essential to its progress in other respects. At first sight, this might seem a retrogressive step. But although subscribers must now wait longer for each lssue' they wi]I soon be aware of the improvements which the less frequent publishing schedule will permit us to introduce as from the next (Autumn, '49) issue, which will see a modiflcation in the title of this journal the better to convey the greater seope of its a$icles and features. -
Daydream Album Release Experience: Exploring the Role As a Creative Director and the Beauty of Collaboration
Dance Undergraduate Theses Dance 5-7-2016 Daydream Album Release Experience: Exploring the Role as a Creative Director and the Beauty of Collaboration Angelica Migliazza Loyola Marymount University Follow this and additional works at: https://digitalcommons.lmu.edu/dance_theses Part of the Dance Commons, Other Theatre and Performance Studies Commons, and the Performance Studies Commons Recommended Citation Migliazza, Angelica, "Daydream Album Release Experience: Exploring the Role as a Creative Director and the Beauty of Collaboration" (2016). Dance Undergraduate Theses. 95. https://digitalcommons.lmu.edu/dance_theses/95 This Campus Access only theses is brought to you for free and open access by the Dance at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Dance Undergraduate Theses by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. DANC 461: Sr Thesis Project DAYDREAM Album Release Experience; Exploring the role as a Creative Director and the beauty of collaboration Angelica Migliazza In partial fulfillment of The Bachelor of Arts Degree in Dance Loyola Marymount University May 7th, 2016 1 TABLE OF CONTENTS Section 1: A thorough explanation of the genesis of the project…………………………2-5 Section 2: A detailed outline of the process of bringing the project to fruition…………6-18 Section 3: The final results………………………………………………………………19-24 Section 4: What’s next?.....................................................................................................25-26 2 PART ONE Genesis of the Project My senior thesis produced an album release experience featuring four main songs off of Sam Louis’ new Album- DAY DREAM. I chose to take on the role of the Creative Director so I can explore all avenues of art and bring the talented people around me together to make an album come alive on stage. -
This Month's Fantasy and Science Fiction
Including Venture Science Fiction The Masculinist Revolt (nove let) WILLIAM TENN 4 Cartoon GAHAN WILSON 31 Explosion ROBERT ROHRER 32 Crystal Surfaces THEODORE L. THOMAS 42 Everyone's Hometown Is Guernica WILLARD MARSH 44 The 2-D Problem JODY SCOTI' 49 Books JUDITH MERRIL 61 First Context LAURENCE M. JANIFER and S. ]. TREIBICH 68 Science: Behind the Teacher's Back ISAAC ASIMOV 71 A Stick For Harry Eddington CHAD OLIVER 81 The Immortal (nove let) GORDON R, DICKSON 96 F &SF Marketplace 129 Cover by But Tanner (see page 70) Joseph W. Ferman, EDITOR AND PUBLISHER Isaac Asimov, SCIENCE EDITOR Ted White, ASSISTANT ~ITOR Edward L. FertNJn, MANAGING EDITOR Judith Merril, BOOK EDITOR Robert P. Mills, CONSULTING EDITOR The Magalline of Fantos~ and Scil!flt:e Fiction, Voloune 29, No. 2, Whole No. 171, A•g. 1965. Published moKthl~ b~ Mercur~ Press, IKe., at 50t a cop~. AnntUJI subscriptitnl $5.00; $5.50 in CtJnada tJnd the Paft American Unioft, $6.00 in all other c011ntries. Publi cation office, 10 Ferry Street, Concord, N.H. Editorial and general mail should be sent to 347 East 35rd St., New York, N. Y. 10022. Second Class postage paid at Concord, N. H. Printed in U.S.A. «) 1965 by Mercur~ Press, Inc. All rights, including WtJnslations inta other langutJges reserved. Submissions must be accompa~<ied by stamped, self-addressed nwelopes; the Publisher assumes no responsibility for return of unsolicited manuscripts. There has been some fuzzy discsntent lately about the "mascu linization of American women,• ranging from minor grumblings about boots and pants to confused enmity about economic com petition. -
Pen International Writers in Prison Committee Caselist
PEN INTERNATIONAL WRITERS IN PRISON COMMITTEE CASELIST January-December 2014 PEN International Writers in Prison Committee 50/51 High Holborn London WC1V 6ER United Kingdom Tel: + 44 020 74050338 Fax: + 44 020 74050339 e-mail: [email protected] web site: www.pen-international.org PEN INTERNATIONAL CHARTER The P.E.N. Charter is based on resolutions passed at its International Congresses and may be summarised as follows: P.E.N. affirms that: 1. Literature knows no frontiers and must remain common currency among people in spite of political or international upheavals. 2. In all circumstances, and particularly in time of war, works of art, the patrimony of humanity at large, should be left untouched by national or political passion. 3. Members of P.E.N. should at all times use what influence they have in favour of good understanding and mutual respect between nations; they pledge themselves to do their utmost to dispel race, class and national hatreds, and to champion the ideal of one humanity living in peace in one world. 4. P.E.N. stands for the principle of unhampered transmission of thought within each nation and between all nations, and members pledge themselves to oppose any form of suppression of freedom of expression in the country and community to which they belong, as well as throughout the world wherever this is possible. P.E.N. declares for a free press and opposes arbitrary censorship in time of peace. It believes that the necessary advance of the world towards a more highly organized political and economic order renders a free criticism of governments, administrations and institutions imperative.